Search

Search only in certain items:

40x40

James Whiteside recommended Fosse in Books (curated)

 
Fosse
Fosse
Sam Wasson | 2020 | Art, Photography & Fashion, Biography, Music & Dance
(0 Ratings)
Book Favorite

"Bob Fosse is one of my favorite choreographers. This book is a dark and fascinating biography of the man who gave us Cabaret, Sweet Charity, and Chicago, among others."

Source
  
40x40

Nathan Zellner recommended All That Jazz (1979) in Movies (curated)

 
All That Jazz (1979)
All That Jazz (1979)
1979 | Drama, Musical, Sci-Fi
8.5 (4 Ratings)
Movie Favorite

"A kinetic masterpiece by Bob Fosse. One of the best-edited films of all time. Roy Scheider deserves more recognition for his work. First saw this in a double feature with Lenny, which every art-house theater programmer should schedule."

Source
  
40x40

Carla Gugino recommended All That Jazz (1979) in Movies (curated)

 
All That Jazz (1979)
All That Jazz (1979)
1979 | Drama, Musical, Sci-Fi
8.5 (4 Ratings)
Movie Favorite

"Straight up Bob Fosse goodness. Roy Scheider is amazing in this movie. (It’s my favorite performance of his though I have many a good friend who would argue it’s in Jaws, but check it out and I think you’ll agree with me.)”"

Source
  
All That Jazz (1979)
All That Jazz (1979)
1979 | Drama, Musical, Sci-Fi
8.5 (4 Ratings)
Movie Favorite

"This is a movie about showbiz, musicals, death, Bob Fosse, his love life: it’s all over the map. I can’t tell you what it’s about, but I love it. It’s so sexy. The first ten minutes are a feat of editing and music. One of the great openings of a musical. “It’s showtime,” says Roy Scheider as Joe Gideon, a thinly veiled portrait of Fosse himself. Little echoes of Joel Grey singing “Willkommen” in Cabaret. Gideon is our master of ceremonies, warning us to get ready to see some blood, sweat, and tears. I love movie musicals about showbiz—The Band Wagon, A Star Is Born, Singin’ in the Rain—and this really fits in that genre, with the dark edge of The Bad and the Beautiful. That should have been a musical directed by Fosse! Fosse as a choreographer turned director reminds me of another director I love, Stanley Donen. Aside from dance and music, their movies have another thing in common: incredible editing. All That Jazz and Lenny both play around with time in a way the Donen film Two for the Road does. A lot has been written about Fosse and his love of Fellini films. All That Jazz does borrow from 8½, but this is not an homage. Fosse, inspired by Fellini, created something new. It’s a tragedy that Fosse didn’t live longer, because in his five films—Sweet Charity, Cabaret, Lenny, All That Jazz, and Star 80—I see what could have been one of the great filmmakers of all time. Imagine Bob Fosse directing Chicago! All That Jazz is the beginning of that journey. It’s as if all his gifts—the love of dance and the inspiration from Jerome Robbins and Jack Cole; the personal and profound collaboration with his partner, Gwen Verdon; and the man himself—were coming into focus."

Source
  
40x40

Baz Luhrmann recommended Star 80 (1983) in Movies (curated)

 
Star 80 (1983)
Star 80 (1983)
1983 | Drama
(0 Ratings)
Movie Favorite

"Cabaret is the classic work [from director Bob Fosse], but Star 80 I think is really worth visiting, because it wasn’t a successful film and it really dealt with a kind of heinous crime. The film itself is brilliantly made, in terms of rhythm and storytelling; if you look at it you’ll see that a lot of directors of my era have been influenced by the aesthetic. Bob Fosse’s great ability with rhythmic storytelling is very alive in the movie, and what’s so intriguing is that it takes a true chapter in the history of Hugh Hefner and the world of Playboy and tells it as a kind of psychological thriller — but with a whole lot of Fosse-like theatricality. So I think that’s a kind of little off-the-radar gem."

Source
  
All That Jazz (1979)
All That Jazz (1979)
1979 | Drama, Musical, Sci-Fi
8.5 (4 Ratings)
Movie Favorite

"This is the second film on my list about a dying man, and like Hunger, it’s based on true events. Bob Fosse came to feature filmmaking by way of dance, which is entirely evident here. This film features a lot of actors dancing, dancers acting, and dancers dancing. It’s a sweaty and sexy take on the stress and fragility of the creative process. Plus, it features an early-career Jessica Lange as the Angel of Death."

Source
  
40x40

Christina Ricci recommended Star 80 (1983) in Movies (curated)

 
Star 80 (1983)
Star 80 (1983)
1983 | Drama
(0 Ratings)
Movie Favorite

"I think one of my favorite films of all time is Star 80. I’m a huge [Bob] Fosse fan, and I love that movie. There’s something about it; the music, Eric Roberts is so incredible in that movie. There’s something about the way he made that movie; it sort of lulls you into this comfortable state, and then all of a sudden it’s absolutely horrifying. It’s also kind of funny and ironic at times and winky. I just think he was a genius."

Source
  
40x40

Alan Tudyk recommended All That Jazz (1979) in Movies (curated)

 
All That Jazz (1979)
All That Jazz (1979)
1979 | Drama, Musical, Sci-Fi
8.5 (4 Ratings)
Movie Favorite

"I’m going to go with All That Jazz for number one. It’s Bob Fosse directing a movie about himself; he changed the name to Joe Gideon from Bob Fosse. So he’s directing a movie about a musical choreographer/director who takes too many pills, sleeps with too many women, drinks too much; he’s a moviemaker who’s editing a movie while he’s doing a play and having hallucinations with musicals. It’s so unbelievable how he balances it all, and it’s Roy Scheider’s best performance, I think, ever. He’s amazing in it. It is so amazing. He’s a pretty despicable guy in the movie — I mean, he sleeps around on his girlfriend — but you love him. The doctors tell him not to take his drugs, but he does it anyway, and you still love him. You don’t blame him. And it’s sort of how Bob Fosse ended up dying, so he really forecasted his own death. I mean, he even put his girlfriend in the movie as his girlfriend — Joe Gideon’s girlfriend — and then cheated on her! Like, he had his character cheat on her. It’s so f***ing unbelievable. Just brilliant. That’s number one. That would be my, I have to say, overall all-time favorite. I’m just very impressed by that movie. It’s just really, really good. It’s got like four musical numbers in there, but they’re not like Glee. Some of them are in drug-induced hallucinations, and some of them are, he’s actually directing a musical. I’ve done plays; I’ve done one musical. But the first table read, when they’re going to put up this play, it is so like the table read on plays. I recognize so many things that they get right. Yeah, that’s my all-time favorite."

Source
  
All That Jazz (1979)
All That Jazz (1979)
1979 | Drama, Musical, Sci-Fi
9
8.5 (4 Ratings)
Movie Rating
Full Blown Fosse (and that's a good thing)
After THE FRENCH CONNECTION, JAWS, MARATHON MAN and SORCERER (and, if I'm honest, JAWS II), my brother and I thought Roy Scheider was just about the toughest son-of-a-gun on the planet, so when he asked if I wanted to check out the latest "Roy Scheider flick", I jumped at the chance.

Little did either of us know that it was the semi-autobiographical Bob Fosse gem ALL THAT JAZZ. Me, being a musical theater kid, was thrilled by this unexpected spectacle while my brother (who would rather sit through C-Span than watch a musical) calls it, to this day, his "favorite" musical (granted, not a long list).

I've rewatched this film various times over the years and still liked it, but I hadn't checked it out for over 20 years at this point, so it was with some trepidation that I popped my DVD in (yes, I own the DVD, not the Blu-Ray) and sat back to see how well it holds up.

And...I shouldn't have worried, for it holds up very, very well. Not only as a film, not only as a musical, not only as a look into the life and times (and style) of Bob Fosse, but also as a looking glass into the late 1970's.

Written and Directed by famed Director/Choreographer Bob Fosse (CABARET, CHICAGO), ALL THAT JAZZ tells the (much more than) semi-autobiographical story of famed Director/Choreographer Joe Gideon (Scheider) who is pushing himself hard to finish a film and mount a Broadway show relying on booze, drugs and philandering.

The performances are strong in this film with a bevy of "Fosse regulars" strutting their stuff. From Leland Palmer (in the obvious Gwen Verdon role) to Ann Reinking (in the Ann Reinking role) to Ben Vereen (as the variety show headliner from hell) they all bring strong Broadway credentials to the screen making the musical numbers a veritable showcase of Fosse movements.

A very young Jessica Lange (in an early role that would showcase her acting chops) is mesmerizing, haunting and very, very watchable as a mysterious women in Joe's life while a very young John Lithgow shows up (and chews the scenery very, very well) as a rival director.

The surprise to me, of course, was the strong performance of Scheider in the lead role. He was Oscar-nominated for his work (deservingly so) and when he finally steps into the big finale musical number, he shows that he can hold his own (surprisingly so). He is PERFECTLY cast as Joe Gideon and he never really approached this strong work again in his career.

But, make no mistake about it, this film showcases Bob Fosse's Directing and Choreography skills - and they are excellent. The style of the film - bouncing from real life to something more ethereal - is strong, and strongly Fosse, giving a clear idea of the life and time in which these events unfold. I stated earlier that this film is a "looking glass" into the late 1970's, and I meant it. It immediately brought me back to those times - both the good and bad of it.

The musical numbers are fascinating to watch with the dancing particularly stunning as the angles and forms that the dancers make with their bodies and arms and legs are a wonder to behold. There has never been anyone like Fosse (before or since) and it is GREAT to watch a showcase of his talents.

This film was nominated for 9 Oscars - winning 4 - but losing Picture, Director (Fosse) and Actor (Scheider) to KRAMER vs. KRAMER (Picture, Director - Robert Benton and Actor - Dustin Hoffman). Now, I haven't seen Kramer vs. Kramer in a long, long time (probably not since I saw it in the theaters in 1979), but I gotta think ALL THAT JAZZ is better in all those categories.

If you haven't seen this in awhile - or if you have NEVER seen it - check out ALL THAT JAZZ, you'll be glad you did.

Letter Grade: A

9 stars (out of 10) and you can take that to the Bank(ofMarquis)
  
40x40

Neil Gaiman recommended All That Jazz (1979) in Movies (curated)

 
All That Jazz (1979)
All That Jazz (1979)
1979 | Drama, Musical, Sci-Fi
8.5 (4 Ratings)
Movie Favorite

"Second film: All That Jazz, Bob Fosse. It’s an incredibly hopeful, uplifting art journey and you know, on the one hand it’s about a man who is killing himself through over-work and who is over-extended and miserable and is going to die of a heart attack, and on the other hand, it’s Bob Fosse’s celebration of the fact that he didn’t die of a heart attack. He came through, and now he’s going to take the events that precipitated him into his heart attack, create a roman à clef around them, and build something magical, which he does. There’s a sort of strange and lovely honesty to it that, the first time I saw it when I was about 15/16 and it was on television, I found arresting, and it’s magic."

Source