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The Curse of Frankenstein (1957)
The Curse of Frankenstein (1957)
1957 | Classics, Drama, Horror
8
8.0 (2 Ratings)
Movie Rating
Peter Crushing (1 more)
Christopher Lee
The Monster Inside
The Curse of Frankenstein- is a great movie. Hammer films is a excellent studio, cause their brought back the universal monsters and put their own spin on it. And with The Curse of Frankenstein their put their own spin on Frankenstien. And did it work, yes.

The plot: Victor Frankenstein (Peter Cushing) is a brilliant scientist willing to stop at nothing in his quest to reanimate a deceased body. After alienating his longtime friend and partner, Paul Krempe (Robert Urquhart), with his extreme methods, Frankenstein assembles a hideous creature (Christopher Lee) out of dead body parts and succeeds in bringing it to life. But the monster is not as obedient or docile as Frankenstein expected, and it runs amok, resulting in murder and mayhem.

It was Hammer's first colour horror film, and the first of their Frankenstein series.

Professor Patricia MacCormack called it the "first really gory horror film, showing blood and guts in colour".

Peter Cushing, who was then best known for his many high-profile roles in British television, had his first lead part in a movie with this film. Meanwhile, Christopher Lee's casting resulted largely from his height (6' 5"), though Hammer had earlier considered the even taller (6 '7") Bernard Bresslaw for the role.

Unlike the Universal Frankenstein series of the 1930s and 1940s, in which the character of the Monster was the recurring figure while the doctors frequently changed, it is Baron Frankenstein that is the connective character throughout the Hammer series, while the monsters change.

Its a excellent film.
  
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Mark @ Carstairs Considers (2536 KP) rated Bronzed Betrayals in Books

Feb 13, 2021 (Updated Feb 13, 2021)  
Bronzed Betrayals
Bronzed Betrayals
Ritter Ames | 2018 | Mystery
10
10.0 (1 Ratings)
Book Rating
The Unexpected Body in Laurel’s Room
Laurel Beacham and Jack Hawkes are enjoying a night out together. Well, that might be an exaggeration since they are at a party they aren’t enjoying. However, it provides the perfect cover for an art recovery that the two have planned. That recovery doesn’t go as planned, but the night really spins out of control when Laurel returns to her hotel room to find a dead body. She knows the victim, but who killed the person? Are they trying to frame Laurel?

As always with this series, I have to warn you not to jump in here. There are so many ongoing plot threads that you won’t fully appreciate what happens here if you do – not to mention the twists that will be spoiled from earlier books. Fans of the series will be very happy with this book. There is plenty of action to keep them glued to the page, and the advancement we get on the ongoing stories is satisfying. All this while providing us with a beginning, middle, and end to the story told here. I went into the book thinking that this was the final book of the series, but clearly that won’t be the case with the plot threads that were left open and the cliffhanger we get. Meanwhile, the characters are showing some maturity, which I enjoyed. When you are in the mood for a cozy caper, I highly recommend this series. If you are already a fan, you’ll enjoy this chapter in Laurel’s story.