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Jarom Solar Norris (177 KP) rated Bohemian Rhapsody (2018) in Movies
Nov 9, 2018 (Updated Feb 13, 2019)
What’s not to like about Queen? Bohemian Rhapsody does an excellent job of telling a dramatic history of the band and its forerunner, Freddie Mercury. Rami Malek does an excellent performance. Parts of the movie are like watching a hilarious “How It’s Made” video of some of the best music of the century, parts of it are literally just watching concerts and listening to awesome music. Most importantly, there’s the story of Mercury’s evolution, which is a story arc any writer could only dream of: a British-Indian man abandoning his heritage, struggling to balance love for a woman with being gay, being manipulated by a manager turned lover, being scrutinized by the media, and eventually being able to be comfortable with who he is, all the while using his talent to push the band to create more and more musical innovations. It’s so good.
Terry Whitaker (120 KP) rated Yesterday (2019) in Movies
Nov 8, 2019
For me, this film was OK. Nothing more. There was some good moments and you cannot fault the tunes. But I felt no real connection with the main character Jack and Ellie. Jack seemed very bland with no charisma. Ellie had more a out her and you felt , strangely, she held something for Jack. What his friends saw in him also I dont know.
But, that aside, the film was an ok watch. Yes, some things just weren't explained like how did 2 other people know about the Beatles and to what actually happened with the black out?
But never the less, the film plodded along and keeps you interested to what happens at the end. Other than that...hmm? Music-film wise, Bohemian Rhapsody and Rocketman are far, far superior to this.
As for the Ed Sheeran cameo...luckily his song writing is far better than his acting.
But, that aside, the film was an ok watch. Yes, some things just weren't explained like how did 2 other people know about the Beatles and to what actually happened with the black out?
But never the less, the film plodded along and keeps you interested to what happens at the end. Other than that...hmm? Music-film wise, Bohemian Rhapsody and Rocketman are far, far superior to this.
As for the Ed Sheeran cameo...luckily his song writing is far better than his acting.
Andy K (10821 KP) rated Buster's Mal Heart (2016) in Movies
Sep 2, 2019
Someone tell me what I just watched?!?
On the recommendation from a friend, I checked this film out on Netflix (I think it is available on Netflix UK also).
Before he recently won the Academy Award for Best Actor for Bohemian Rhapsody, Rami Malek starred in this very unusual film about a guy who is either stranded out at sea on a one-person raft, running from the law after breaking in and stealing wealthy mansions for his own use or a married man working at a hotel with a wife and daughter. Or maybe all 3?
The character meets a paranoid man talking all about the "inversion" and Y2K (remember that?) which sends the man down a weird slope of cerebral? encounters throughout his various levels of existence.
The screenplay is so interesting that I want to sit in a room with writer/director Sarah Adina Smith to pick her brain just to make sure I either understand what I watched or if I am meant to. I have no issue with cerebral films like Donnie Darko, The Fountain, Under the Skin or Mulholland Drive. Since some of the film takes place in a hotel, I could see comparisons to shades of The Shining also.
It may take another viewing to let everything soak in or maybe I will pick up new things the next time around.
The look of the film is breathtaking with both beautiful outdoor landscapes, gorgeous mansions, and stuffy hotel lobbies.
I am ashamed to say I have not seen Bohemian Rhapsody yet, but based on this film alone Malek appears to be not only up and coming, but here to stay for a while and he deserves it. He was emotional and moving in this film so I am eager to see more of his work.
Please someone else watch this so we can discuss. I would love to hear your opinion!
Before he recently won the Academy Award for Best Actor for Bohemian Rhapsody, Rami Malek starred in this very unusual film about a guy who is either stranded out at sea on a one-person raft, running from the law after breaking in and stealing wealthy mansions for his own use or a married man working at a hotel with a wife and daughter. Or maybe all 3?
The character meets a paranoid man talking all about the "inversion" and Y2K (remember that?) which sends the man down a weird slope of cerebral? encounters throughout his various levels of existence.
The screenplay is so interesting that I want to sit in a room with writer/director Sarah Adina Smith to pick her brain just to make sure I either understand what I watched or if I am meant to. I have no issue with cerebral films like Donnie Darko, The Fountain, Under the Skin or Mulholland Drive. Since some of the film takes place in a hotel, I could see comparisons to shades of The Shining also.
It may take another viewing to let everything soak in or maybe I will pick up new things the next time around.
The look of the film is breathtaking with both beautiful outdoor landscapes, gorgeous mansions, and stuffy hotel lobbies.
I am ashamed to say I have not seen Bohemian Rhapsody yet, but based on this film alone Malek appears to be not only up and coming, but here to stay for a while and he deserves it. He was emotional and moving in this film so I am eager to see more of his work.
Please someone else watch this so we can discuss. I would love to hear your opinion!
Lee (2222 KP) rated Bohemian Rhapsody (2018) in Movies
Oct 26, 2018
Rami Malek (1 more)
Live Aid
Bohemian Rhapsody stars Rami Malek as Freddie Mercury, charting his life from working as a baggage handler at Heathrow airport to becoming a global superstar and blowing the crowds away at Live Aid. I've seen criticism that the movie skims over the darker side of Freddie's life but I thought this did enough to portray not only the lows but also the highs of his private life, and his life with fellow Queen band members. It's funny, sad and very entertaining in equal measure. Rami Malek is outstanding as Freddie. This was already hitting a 7 or 8 rating from me as it neared the end of the movie, but then they go and recreate pretty much their entire Live Aid set, cameras sweeping over the Wembley crowds and inbetween the performers onstage. It's just jaw dropping and took this up to a 10 from me. And I'm not even a big Queen fan!!
Joe Jonas recommended track Bohemian Rhapsody by Queen in Live at Wembley Stadium by Queen in Music (curated)
Lucy Buglass (45 KP) rated Bohemian Rhapsody (2018) in Movies
Jun 20, 2019
An honest, captivating and respectful biopic
Biopics are not easy to perfect and when you’re dealing with an iconic figure such as Freddie Mercury, it becomes even harder. When this film was announced it seemed natural to feel a little bit of apprehension, because could anyone really portray Freddie? Who could bring him to life on screen before thousands of fans? Thankfully, for me at least, my worries were soon quenched as soon as I began to watch it. I thought was a stunning film and I have no problem admitting that brought tears to my eyes on several occasions.
Rami Malek was an excellent choice to portray Freddie, to the point where I found myself believing I was watching the man himself. His stage presence especially was spot on and the live performances were simply stunning to watch, especially with surround sound. I felt transported, part of the crowd, and it was such a special moment to share with the rest of the cinema. We become part of different times and places in a matter of minutes, giving you an idea of just how globally successful and adored Queen were. Despite the film’s main focus being Freddie, the supporting roles of the rest of the band were fantastic too, and I have so much praise for Gwilym Lee, Ben Hardy and Joseph Mazzello for their performances.
Freddie dealt with a lot of discrimination during his career, particularly due to his race, sexuality and flamboyant personality. The film chose to portray these issues honestly, because pretending they didn’t exist would be an insult. When Freddie first starts performing with the rest of Queen, he’s greeted with questions such as “Who’s the P***?”, which for a modern audience is a terrible racial slur that I don’t even feel comfortable writing here. But for a Indian-British Parsi musician performing to a largely white audience in the ’70s, this word would have been used a lot. I feel it was important for the filmmakers to shed light on this as it provides context into Freddie’s upbringing and life that some may not have known about, including his real name: Farrokh Bulsara.
In terms of his sexuality, the film uses the role of the press to exploit and make a big deal about his personal relationships. The press conference scene was particularly uncomfortable as he’s bombarded with inappropriate questions instead of focusing on Queen and their music. He was constantly criticised in papers and magazines for simply being himself, and that’s a heartbreaking truth that Bohemian Rhapsody really hammers home. His long-term relationship with Mary Austin is also focused on throughout, and how that broke down but they still remained in touch. It’s a complex part of his life that the film does well to explore in just over 2 hours.
It’s not all bleak, and although these dark truths are explored, the film is fundamentally a celebration of Freddie’s life and extraordinary talent. Several Queen songs are present throughout the film and we even see the writing process behind some of them, my favourite being the creation of We Will Rock You in which they wanted the audience to play along with them through stomps and claps. The birth of Bohemian Rhapsody is comical in nature and received a lot of backlash at the time, but as we know, has since gone on to become an iconic song we all know the lyrics to.
Even in Freddie’s final days, after he was diagnosed with AIDS, the film encourages us to celebrate their music and make the most of the time Freddie has left, which is exactly what he himself wanted to do. I can’t think of a more respectful and considerate way to show it than that.
I could probably write an entire essay about just how much I thought Bohemian Rhapsody got right, but hopefully I’ve managed to condense my thoughts somewhat. This is a film you simply must experience for yourself, at least once.
https://lucygoestohollywood.com/2018/11/14/bohemian-rhapsody-an-honest-captivating-and-respectful-biopic/
Rami Malek was an excellent choice to portray Freddie, to the point where I found myself believing I was watching the man himself. His stage presence especially was spot on and the live performances were simply stunning to watch, especially with surround sound. I felt transported, part of the crowd, and it was such a special moment to share with the rest of the cinema. We become part of different times and places in a matter of minutes, giving you an idea of just how globally successful and adored Queen were. Despite the film’s main focus being Freddie, the supporting roles of the rest of the band were fantastic too, and I have so much praise for Gwilym Lee, Ben Hardy and Joseph Mazzello for their performances.
Freddie dealt with a lot of discrimination during his career, particularly due to his race, sexuality and flamboyant personality. The film chose to portray these issues honestly, because pretending they didn’t exist would be an insult. When Freddie first starts performing with the rest of Queen, he’s greeted with questions such as “Who’s the P***?”, which for a modern audience is a terrible racial slur that I don’t even feel comfortable writing here. But for a Indian-British Parsi musician performing to a largely white audience in the ’70s, this word would have been used a lot. I feel it was important for the filmmakers to shed light on this as it provides context into Freddie’s upbringing and life that some may not have known about, including his real name: Farrokh Bulsara.
In terms of his sexuality, the film uses the role of the press to exploit and make a big deal about his personal relationships. The press conference scene was particularly uncomfortable as he’s bombarded with inappropriate questions instead of focusing on Queen and their music. He was constantly criticised in papers and magazines for simply being himself, and that’s a heartbreaking truth that Bohemian Rhapsody really hammers home. His long-term relationship with Mary Austin is also focused on throughout, and how that broke down but they still remained in touch. It’s a complex part of his life that the film does well to explore in just over 2 hours.
It’s not all bleak, and although these dark truths are explored, the film is fundamentally a celebration of Freddie’s life and extraordinary talent. Several Queen songs are present throughout the film and we even see the writing process behind some of them, my favourite being the creation of We Will Rock You in which they wanted the audience to play along with them through stomps and claps. The birth of Bohemian Rhapsody is comical in nature and received a lot of backlash at the time, but as we know, has since gone on to become an iconic song we all know the lyrics to.
Even in Freddie’s final days, after he was diagnosed with AIDS, the film encourages us to celebrate their music and make the most of the time Freddie has left, which is exactly what he himself wanted to do. I can’t think of a more respectful and considerate way to show it than that.
I could probably write an entire essay about just how much I thought Bohemian Rhapsody got right, but hopefully I’ve managed to condense my thoughts somewhat. This is a film you simply must experience for yourself, at least once.
https://lucygoestohollywood.com/2018/11/14/bohemian-rhapsody-an-honest-captivating-and-respectful-biopic/
Andy K (10821 KP) rated Lords of Chaos (2018) in Movies
Dec 14, 2019
ANARCHY!
Every once and a while a film comes along that truly surprises you (I love it when that happens) and Lords of Chaos did that for me tonight. I was thinking going in was going to be a metal version of This is Spinal Tap maybe or an anti version of Bohemian Rhapsody, or definitely a film I would have to keep the volume turned down as not to annoy my wife with the extremely booming soundtrack, but none of those were true.
Instead we get a supposedly true, or mostly true, story of the 90s Norwegian Black Metal band, Mayhem, its members, its music, its tragedy. I knew there would be horror and it delivered on that for sure. There are some truly graphic scenes which are not for the squeamish or for those who get offended easily. Having said that, it is also about friendship, mental illness, bullying, fitting in, being different than the rest, anarchy, paganism, relationships and how true (or fake) are your convictions.
For those that enjoy the out of the ordinary, I would highly recommend.
Instead we get a supposedly true, or mostly true, story of the 90s Norwegian Black Metal band, Mayhem, its members, its music, its tragedy. I knew there would be horror and it delivered on that for sure. There are some truly graphic scenes which are not for the squeamish or for those who get offended easily. Having said that, it is also about friendship, mental illness, bullying, fitting in, being different than the rest, anarchy, paganism, relationships and how true (or fake) are your convictions.
For those that enjoy the out of the ordinary, I would highly recommend.
Awix (3310 KP) rated Rocketman (2019) in Movies
May 29, 2019
One day it may be possible to review Rocketman without comparing it to Bohemian Rhapsody (same director, very similar subject matter, same grab-bag of familiar music), but clearly not today. Musical prodigy Reggie Dwight learns to tinkle the ivories, meets lyricist Bernie Taupin, reinvents himself as glam-rock superstar Elton John, but must contend with both success (350 million records sold) and heartbreak (Watford lose the 1984 FA cup final 2-0).
A generally upbeat portrait of the music legend (as one might expect, given he exec-produced and his husband produced it) Dexter Fletcher's film features an unexpectedly good performance from Taron Egerton and, as a full-blown musical it isn't afraid to embrace elements of fantasy (the story still plays fast and loose with the facts a bit). On the other hand, it doesn't have a big iconic moment like Live Aid to build up to, the only real option being Elton singing at the funeral in 1997 (which would require a movie with a wholly different tone). In the end the movie handles the rags rather better than the riches, goes to pieces a little bit just as its subject did, but in the end proves to be a surprisingly touching tale of a man exorcising his personal demons. Great soundtrack, too, obviously.
A generally upbeat portrait of the music legend (as one might expect, given he exec-produced and his husband produced it) Dexter Fletcher's film features an unexpectedly good performance from Taron Egerton and, as a full-blown musical it isn't afraid to embrace elements of fantasy (the story still plays fast and loose with the facts a bit). On the other hand, it doesn't have a big iconic moment like Live Aid to build up to, the only real option being Elton singing at the funeral in 1997 (which would require a movie with a wholly different tone). In the end the movie handles the rags rather better than the riches, goes to pieces a little bit just as its subject did, but in the end proves to be a surprisingly touching tale of a man exorcising his personal demons. Great soundtrack, too, obviously.
BankofMarquis (1832 KP) rated Bohemian Rhapsody (2018) in Movies
Nov 4, 2018
Come for the music, stay...for the music
My musical tastes end somewhere in the late 1970's/early 1980's. Billy Joel, ELO and, especially, Queen were in constant rotation on my turntable. So it was with a mixture of excitement and nervousness that I checked out BOHEMIAN RHAPSODY, the "Queen movie".
Fortunately, this film rekindled my love for the music of Queen. I gotta admit, I was cranking Queen tunes in the car on the ride home. Unfortunately, the storytelling is weak, so I really did not gain any insight into Freddy, his family, the group, his marriage, his bi-sexuality, his drug use, the times they lived in or the AIDS epidemic of the '80's. All these items were touched upon in the movie, but not delved into, leaving a void in the part of my brain that craves a good, meaningful and touching story with my movie/musicals. It certainly doesn't help this story that I have the wonderful A STAR IS BORN sitting in my recent memory.
But the music, the musical performances and the acting performances of all involved almost make up for this void, leaving a very satisfying experience at the movies.
BOHEMIAN RHAPSODY follows young Farrokh Bulsara as he joins the band SMILE, changes the bands name to QUEEN, changes his name to Freddie Mercury and becomes an International Superstar leading up to the inevitable fall and resurgence at the Live Aid concert in the 1980's.
In the lead, Rami Malik is wonderful. He has the essence of the superstar we know down well. He is a winning, watchable presence on screen and I wouldn't be surprised if he is mentioned when Oscar nominations roll around. Joining him as members of the band are Ben Hardy as Roger Taylor, Joe Mazzello as John Deacon and Gwilym Lee as Brian May. All are effective enough in their roles - and believable in the musical scenes - with Lee standing out just a bit more than the others.
Also along for the ride are Lucy Boyton as Freddy's wife, Mary Austin and Tom Hollander, Mike Myers and Aidan Gillen as music execs aiding and attempting to guide Queen to the top. Only Allen Leech as Paul Prenter is unconvincing on the screen. But, I blame this more to the decisions of the screenwriters and directors for Paul is the "villain" of this piece - and a not-too-subtle villain at that.
But, Director Bryan Singer (X-MEN, THE USUAL SUSPECTS) is forgiven his lapses in content and subtlety as the music scenes are strong - and the film finishes with a 20 minute recreation of Queen at the Live Aid concert that is worth the price of admission all on it's own.
All in all, a good time at the movies. If you like Queen, you'll be entertained by this film.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
Fortunately, this film rekindled my love for the music of Queen. I gotta admit, I was cranking Queen tunes in the car on the ride home. Unfortunately, the storytelling is weak, so I really did not gain any insight into Freddy, his family, the group, his marriage, his bi-sexuality, his drug use, the times they lived in or the AIDS epidemic of the '80's. All these items were touched upon in the movie, but not delved into, leaving a void in the part of my brain that craves a good, meaningful and touching story with my movie/musicals. It certainly doesn't help this story that I have the wonderful A STAR IS BORN sitting in my recent memory.
But the music, the musical performances and the acting performances of all involved almost make up for this void, leaving a very satisfying experience at the movies.
BOHEMIAN RHAPSODY follows young Farrokh Bulsara as he joins the band SMILE, changes the bands name to QUEEN, changes his name to Freddie Mercury and becomes an International Superstar leading up to the inevitable fall and resurgence at the Live Aid concert in the 1980's.
In the lead, Rami Malik is wonderful. He has the essence of the superstar we know down well. He is a winning, watchable presence on screen and I wouldn't be surprised if he is mentioned when Oscar nominations roll around. Joining him as members of the band are Ben Hardy as Roger Taylor, Joe Mazzello as John Deacon and Gwilym Lee as Brian May. All are effective enough in their roles - and believable in the musical scenes - with Lee standing out just a bit more than the others.
Also along for the ride are Lucy Boyton as Freddy's wife, Mary Austin and Tom Hollander, Mike Myers and Aidan Gillen as music execs aiding and attempting to guide Queen to the top. Only Allen Leech as Paul Prenter is unconvincing on the screen. But, I blame this more to the decisions of the screenwriters and directors for Paul is the "villain" of this piece - and a not-too-subtle villain at that.
But, Director Bryan Singer (X-MEN, THE USUAL SUSPECTS) is forgiven his lapses in content and subtlety as the music scenes are strong - and the film finishes with a 20 minute recreation of Queen at the Live Aid concert that is worth the price of admission all on it's own.
All in all, a good time at the movies. If you like Queen, you'll be entertained by this film.
Letter Grade: A-
8 (out of 10) stars and you can take that to the Bank(ofMarquis)
