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3 Idiots (2009)
3 Idiots (2009)
2009 | Comedy, Drama
5
6.0 (2 Ratings)
Movie Rating
So, I am writing a coffee table book that selects the 200 top films of 2000 – 2019. Called, predictably, 21st Century Cinema: 200 Unmissable films. It uses a system of rating I devised called The Decinemal, which takes the ten categories by which a film can be rated (Direction, Script, Design, Lead Acting, Support Acting, Music, Photography, Critical Acclaim, Watchability and X-Factor) and scores them out of 10, to give an overall score out of 100. Whilst not foolproof, it does give a remarkable working basis for comparing movies of different genres, and the ratings often bear a striking relation to the democratic system used by IMDb – a film scoring 7.2 on that website might be a 75 decinemal, for example, and that feels like that validates its use.

It has been a very fun, if time consuming, project. The difficulty is keeping up with new releases every year, and trying to catch some of the more obscure foreign language films out there that get high scores on IMDb. One such film was 3 Idiots, to date the highest rated Bollywood film on that website, with a score of 8.5; which is high! Very high! So I have to watch it and find out for myself.

Now, Bollywood is not me for, barring the odd amusement of how bizarre they can be. I find the musical interludes often grating and incongruous, and the melodramatic acting styles something that the cinema of most other countries outgrew decades ago. So it is hard for me to be objective about it. On the whole they just don’t compete on any level with American, European or, well, any other country’s output. In short, I would never normally watch one at all.

Surprisingly, I found 3 Idiots, although clownish and OTT, quite entertaining from the start. I even found one or two of the obligatory musical numbers very catchy and a lot of fun! Also, lead actor Aamir Khan, one of India’s biggest stars, was very charming and watchable. Of course, it is colourful, loud and has a childish sensibility, but some moments made me genuinely laugh. The main problem actually came from it being padded out to almost 2 and 1/2 hours, which was far too long for comfort. If it had been more economical I may have even been able to say it was worth watching.

Sadly, it is the moments of cultural difference and pure silliness that dragged it down. Despite its positive points, ultimately it is a mess, and to compare it on the standard I judge all films I see I have to be fair and not patronise it. Certainly in terms of the Bollywood fare I have seen bits of over the years, I can see why it is so well thought of. I can also see how films like this gain such a high rating, because it is the native audience it was made for that cast the votes. Which is fair enough, but does give it an unreasonably high score.

I think if more people watched it and rated it, it would balance out at a 6.5, and it probably deserves that for sheer entertainment value. I have certainly seen many worse films! Applying The Decinemal objectively, however, it comes out like this: Direction 4, Script 5, Design 6, Lead Acting 6, Support acting 4, Music 5, Photography 6, Critical Acclaim 7, Wachability 5, x-Factor 6. Added up that gives it a Decinemal of 54 – a far cry from the 74 it would have needed to make my top 200. And I stand by that score, as the level of likelihood of everyone’s enjoyment of it.

To an extent it discourages me from watching anything from this part of the world again, but I can’t say I didn’t appreciate why it was such a big hit. Interesting.