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Hazel (1853 KP) rated Videodrome: Days of O'Blivion in Books
Dec 17, 2018
<i>I received this book from the author in exchange for an honest review</i>
Written as a prequel to David Cronenberg’s horror film, Lee McGeorge explores the potential scenario that led up to the surrealist events in <i>Videodrome</i>. This short story is more science fiction than horror in nature as it only builds up the background and setting to the point in which the film begins.
<i>Days of O’Blivion</i>, as well as the original film, is set during the cold war between the US and USSR. It is a period of time threatened with atomic weapons of mass destruction, and the competition to create the most superior technology. In this particular scenario, two men: Professor Brian Olivier and his friend Barry have been experimenting with special television technology resulting in interesting outcomes. Their product, which they name <i>Veraceo</i> –a compound of Veracity and Video –, has the ability to make everyone believe what they are seeing on screen to be true. This could be a big boon to advertising establishments, however cause dire consequences if found in the wrong hands, i.e. communists.
Readers, including those unfamiliar with the film, should be able to ascertain several problems this technological advancement could pose, making it all the more foreboding when an unknown but powerful company pays out thousands of dollars to become partners with Brian and Barry. What makes it all the more ominous is Brian’s hesitancy in accepting the offer in contrast with Barry’s excitement. As the technology is adapted further it becomes clear that they are dealing with very dangerous concepts and people – hallucinations being only the smallest of side affects.
Although Lee McGeorge is using an already existing story, he makes this prequel his own by exploring the hows and whys <i>Veraceo</i> came to be developed. His narrative is accurate in terms of the way it builds up to coincide with the film script without damaging or giving new meaning to Cronenberg’s original storyline.
Although not horror as in scary, <i>Days of O’Blivion</i> contains many horrific scenes. Most of these are pornographic in nature and rather disturbing, particularly more so as the story progresses – something that lessened the general enjoyment of the book. The overall nature of the book (and film, probably) may appeal more towards a male market, particularly those with a less delicate temperament.
As with his previous books, which also incorporate pre-existing ideas, Lee McGeorge writes well in a way that engages the reader and even interests those without prior knowledge of the subject. There is also additional digital content alongside this book. Those lucky enough to own a paper back copy will be able to access these using an NFC enabled device.
Written as a prequel to David Cronenberg’s horror film, Lee McGeorge explores the potential scenario that led up to the surrealist events in <i>Videodrome</i>. This short story is more science fiction than horror in nature as it only builds up the background and setting to the point in which the film begins.
<i>Days of O’Blivion</i>, as well as the original film, is set during the cold war between the US and USSR. It is a period of time threatened with atomic weapons of mass destruction, and the competition to create the most superior technology. In this particular scenario, two men: Professor Brian Olivier and his friend Barry have been experimenting with special television technology resulting in interesting outcomes. Their product, which they name <i>Veraceo</i> –a compound of Veracity and Video –, has the ability to make everyone believe what they are seeing on screen to be true. This could be a big boon to advertising establishments, however cause dire consequences if found in the wrong hands, i.e. communists.
Readers, including those unfamiliar with the film, should be able to ascertain several problems this technological advancement could pose, making it all the more foreboding when an unknown but powerful company pays out thousands of dollars to become partners with Brian and Barry. What makes it all the more ominous is Brian’s hesitancy in accepting the offer in contrast with Barry’s excitement. As the technology is adapted further it becomes clear that they are dealing with very dangerous concepts and people – hallucinations being only the smallest of side affects.
Although Lee McGeorge is using an already existing story, he makes this prequel his own by exploring the hows and whys <i>Veraceo</i> came to be developed. His narrative is accurate in terms of the way it builds up to coincide with the film script without damaging or giving new meaning to Cronenberg’s original storyline.
Although not horror as in scary, <i>Days of O’Blivion</i> contains many horrific scenes. Most of these are pornographic in nature and rather disturbing, particularly more so as the story progresses – something that lessened the general enjoyment of the book. The overall nature of the book (and film, probably) may appeal more towards a male market, particularly those with a less delicate temperament.
As with his previous books, which also incorporate pre-existing ideas, Lee McGeorge writes well in a way that engages the reader and even interests those without prior knowledge of the subject. There is also additional digital content alongside this book. Those lucky enough to own a paper back copy will be able to access these using an NFC enabled device.
Hazel (1853 KP) rated Storm Watcher in Books
Dec 17, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
Is it possible for a book to be both too fast and too slow? This is what the story feels like in Maria V. Snyder’s contemporary children’s book <i>Storm Watcher</i>. It is the summer holidays and twelve year old Luke is working at the <i>Storm Watcher Kennel</i>, helping to take care of and train the many dogs living there. For his thirteenth birthday his father has promised him a bloodhound puppy, but what Luke really wants is a fluffy white Papillon – a dog that his father and brothers believe is useless and girly.
An important aspect of the story is Luke’s debilitating fear of storms. Although he has always been frightened of thunder and lightening, his mother’s recent death during a storm has greatly heightened his fears. Despite this phobia, Luke has enough knowledge and interest to act as an amateur meteorologist.
It takes a long time to get into the storyline. To begin with there is so much going on – dog breeding and training, starting to work with Willajean and her daughter Megan, feelings of guilt about mother’s death, fear of storms – making it difficult to determine which parts are essential to the plot, and more importantly, figure out the plot in the first place. Three months rapidly fly by, which in a short novel does not leave much room for an exciting climax, yet nothing major occurs.
Perhaps only the adult reader will detect the dullness <i>Storm Watcher</i> exudes, whereas when seen through a child’s eyes the story may be more exciting. Snyder has included a few interesting concepts such as over coming fear, dealing with grief and standing up for yourself. All these ideas are important for young people to understand and utilize in their own lives. The topic of meteorology, on the other hand, is not something children<i> need</i> to know, however it may interest them and provide the opportunity to learn something new. The author used to be a meteorologist before she turned to the world of literature, therefore has been able to provide a vast amount of knowledge about storms and weather, including a lengthy list of facts at the back of the book.
Maria V. Snyder’s young adult novels are well known throughout online communities, therefore <i>Storm Watcher</i>, although written for a younger target audience, had a standard to live up to. Unfortunately the result was disappointing, slow and a struggle to read. The book contains interesting ideas; however these could be expanded on to create a more engaging, full-length novel.
Is it possible for a book to be both too fast and too slow? This is what the story feels like in Maria V. Snyder’s contemporary children’s book <i>Storm Watcher</i>. It is the summer holidays and twelve year old Luke is working at the <i>Storm Watcher Kennel</i>, helping to take care of and train the many dogs living there. For his thirteenth birthday his father has promised him a bloodhound puppy, but what Luke really wants is a fluffy white Papillon – a dog that his father and brothers believe is useless and girly.
An important aspect of the story is Luke’s debilitating fear of storms. Although he has always been frightened of thunder and lightening, his mother’s recent death during a storm has greatly heightened his fears. Despite this phobia, Luke has enough knowledge and interest to act as an amateur meteorologist.
It takes a long time to get into the storyline. To begin with there is so much going on – dog breeding and training, starting to work with Willajean and her daughter Megan, feelings of guilt about mother’s death, fear of storms – making it difficult to determine which parts are essential to the plot, and more importantly, figure out the plot in the first place. Three months rapidly fly by, which in a short novel does not leave much room for an exciting climax, yet nothing major occurs.
Perhaps only the adult reader will detect the dullness <i>Storm Watcher</i> exudes, whereas when seen through a child’s eyes the story may be more exciting. Snyder has included a few interesting concepts such as over coming fear, dealing with grief and standing up for yourself. All these ideas are important for young people to understand and utilize in their own lives. The topic of meteorology, on the other hand, is not something children<i> need</i> to know, however it may interest them and provide the opportunity to learn something new. The author used to be a meteorologist before she turned to the world of literature, therefore has been able to provide a vast amount of knowledge about storms and weather, including a lengthy list of facts at the back of the book.
Maria V. Snyder’s young adult novels are well known throughout online communities, therefore <i>Storm Watcher</i>, although written for a younger target audience, had a standard to live up to. Unfortunately the result was disappointing, slow and a struggle to read. The book contains interesting ideas; however these could be expanded on to create a more engaging, full-length novel.
Sophia (Bookwyrming Thoughts) (530 KP) rated The Faerie War (Creepy Hollow, #3) in Books
Jan 23, 2020
<b><i>I received this book for free from Author in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
I find I actually enjoyed <i>The Faerie War</i> despite its differences to the first two books in the <i>Creepy Hollow</i> series. <b>The third and final book in Violet's story happens approximately a month after the events in <i><a title="The Faerie Prince" href="http://www.bookwyrmingthoughts.com/review-the-faerie-prince-by-rachel-morgan"; target="_blank" rel="noopener">The Faerie Prince</a></i>, telling it from both Ryn's and Violet's view.</b>
<i>The Faerie War</i> is... different, per say. Since Violet doesn't have her memories this time around, <b>Morgan seems to write in an entirely different way that I somehow find really weird.</b> Violet isn't the same as she is in the first two books her memories are obviously gone, but <b>I didn't find much of Violet's snarkiness, sass, and sarcasm</b> that I find when I look back to the first books in the series. There are hints of the old Violet, but other than that, <b>Morgan writes in a formal way that makes Violet seem quite distant, aloof, and empty.</b>
<b>Reading from Ryn's view was a little confusing at first.</b> It's completely different from Violet's as his side of the story goes way back when just before the faerie world flips upside down and everything goes straight to hell. <b>It took a while to actually figure out when his story started taking place</b> and how it all worked, but after putting the pieces together, <b>I actually enjoyed Ryn's side of the story.</b>
I was pretty disappointed when we went back to Violet's part, knowing that Violet was going to be just as distant and aloof as she was when we first meet her in the third book. To my delight, she does become a more sassier and has a bit more sarcasm when we meet her once more, which fortunately doesn't make her sound like an empty glass of milk.
<blockquote>Does that mean you agree with me? Youre not angry with me? You think my bony ankle makes a good pillow?</blockquote>
The ending to <i>The Faerie War</i> and Violet's story isn't exactly mind-blowing. <b>Violet's confrontation with Draven seemed to mainly consist of Draven threatening Violet</b> not exactly my cup of tea. <b>I still enjoyed the entire happily ever after aspect, but like with most endings these days... I'm just not feeling it.</b>
<a href="https://bookwyrmingthoughts.com/review-the-faerie-war-by-rachel-morgan/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
I find I actually enjoyed <i>The Faerie War</i> despite its differences to the first two books in the <i>Creepy Hollow</i> series. <b>The third and final book in Violet's story happens approximately a month after the events in <i><a title="The Faerie Prince" href="http://www.bookwyrmingthoughts.com/review-the-faerie-prince-by-rachel-morgan"; target="_blank" rel="noopener">The Faerie Prince</a></i>, telling it from both Ryn's and Violet's view.</b>
<i>The Faerie War</i> is... different, per say. Since Violet doesn't have her memories this time around, <b>Morgan seems to write in an entirely different way that I somehow find really weird.</b> Violet isn't the same as she is in the first two books her memories are obviously gone, but <b>I didn't find much of Violet's snarkiness, sass, and sarcasm</b> that I find when I look back to the first books in the series. There are hints of the old Violet, but other than that, <b>Morgan writes in a formal way that makes Violet seem quite distant, aloof, and empty.</b>
<b>Reading from Ryn's view was a little confusing at first.</b> It's completely different from Violet's as his side of the story goes way back when just before the faerie world flips upside down and everything goes straight to hell. <b>It took a while to actually figure out when his story started taking place</b> and how it all worked, but after putting the pieces together, <b>I actually enjoyed Ryn's side of the story.</b>
I was pretty disappointed when we went back to Violet's part, knowing that Violet was going to be just as distant and aloof as she was when we first meet her in the third book. To my delight, she does become a more sassier and has a bit more sarcasm when we meet her once more, which fortunately doesn't make her sound like an empty glass of milk.
<blockquote>Does that mean you agree with me? Youre not angry with me? You think my bony ankle makes a good pillow?</blockquote>
The ending to <i>The Faerie War</i> and Violet's story isn't exactly mind-blowing. <b>Violet's confrontation with Draven seemed to mainly consist of Draven threatening Violet</b> not exactly my cup of tea. <b>I still enjoyed the entire happily ever after aspect, but like with most endings these days... I'm just not feeling it.</b>
<a href="https://bookwyrmingthoughts.com/review-the-faerie-war-by-rachel-morgan/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Debbiereadsbook (1444 KP) rated His Accidental Daddy in Books
May 2, 2020
so very nearly 5 stars!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Thornton runs into the side of Asher's car and neither man will ever be the same again. Thornton is a Daddy, and he wants Asher for his boy, but Asher doesn't have a clue about the lifestyle or what being a little means. Can Thornton make Asher see that he needs him, that they need each other?
I really REALLY enjoyed this book!
I've been struggling with a lot of reading at the moment, and to be honest, Daddy/littles haven't really been my thing but this one twanged something when I read the blurb, and I am so glad I gave it a go!
Poor Asher! He really is a wreck about most things, everyday things cause him into meltdowns and he is struggling just to function. Cue getting sideswiped in the rain, and Asher is losing it, big time. Then a voice cuts through the panic and Asher can just breathe (as much as fractured ribs will allow) and Asher falls hard and fast for Thornton.
Thornton, while feeling incredibly guilty for crashing his car into Asher's, feels a pull to Asher that he never felt before. Just seeing him in that wreck calls to his inner Daddy so far and so deeply, Thornton cannot resist. But Asher thinks he is damaged, and Thornton knows that isn't the case, he just needs to make Asher see.
I've tagged this BDSM but there is actually very little of the "usual" stuff, just some spanking, and talk about power exchange and a Dom/sub relationship that is in this book for Thornton's best friends.
It is HEAVY on the emotional side of things though, and I think that's what carried me through, watching Asher get out of his head, and into his little for his Daddy. Thornton's emotions are all over the place too, but I didn't feel them as deeply as I did Asher's.
It is also incredibly SWEET in places, hence the warm and fuzzies tag.
Both voices are clear and you really do get into Asher's head when he starts to meltdown. Very well written scenes when Asher loses it and Thornton brings him back.
I'm interested in reading about Damian and Syed (the D/s relationship here), Thornton's best friends, but MORE so about another pairing that blossomed towards the end of this book. Madi, who is Asher's best friend, and Trent, who is Thornton's younger brother. That pairing would be a Mummy/little relationship, and I'm really rather curious about that one!
Not quite hitting those 5 stars, but so very nearly!
4 stars
**same worded review will appear elsehwere**
Thornton runs into the side of Asher's car and neither man will ever be the same again. Thornton is a Daddy, and he wants Asher for his boy, but Asher doesn't have a clue about the lifestyle or what being a little means. Can Thornton make Asher see that he needs him, that they need each other?
I really REALLY enjoyed this book!
I've been struggling with a lot of reading at the moment, and to be honest, Daddy/littles haven't really been my thing but this one twanged something when I read the blurb, and I am so glad I gave it a go!
Poor Asher! He really is a wreck about most things, everyday things cause him into meltdowns and he is struggling just to function. Cue getting sideswiped in the rain, and Asher is losing it, big time. Then a voice cuts through the panic and Asher can just breathe (as much as fractured ribs will allow) and Asher falls hard and fast for Thornton.
Thornton, while feeling incredibly guilty for crashing his car into Asher's, feels a pull to Asher that he never felt before. Just seeing him in that wreck calls to his inner Daddy so far and so deeply, Thornton cannot resist. But Asher thinks he is damaged, and Thornton knows that isn't the case, he just needs to make Asher see.
I've tagged this BDSM but there is actually very little of the "usual" stuff, just some spanking, and talk about power exchange and a Dom/sub relationship that is in this book for Thornton's best friends.
It is HEAVY on the emotional side of things though, and I think that's what carried me through, watching Asher get out of his head, and into his little for his Daddy. Thornton's emotions are all over the place too, but I didn't feel them as deeply as I did Asher's.
It is also incredibly SWEET in places, hence the warm and fuzzies tag.
Both voices are clear and you really do get into Asher's head when he starts to meltdown. Very well written scenes when Asher loses it and Thornton brings him back.
I'm interested in reading about Damian and Syed (the D/s relationship here), Thornton's best friends, but MORE so about another pairing that blossomed towards the end of this book. Madi, who is Asher's best friend, and Trent, who is Thornton's younger brother. That pairing would be a Mummy/little relationship, and I'm really rather curious about that one!
Not quite hitting those 5 stars, but so very nearly!
4 stars
**same worded review will appear elsehwere**
Ross (3284 KP) rated Stormblood in Books
Jul 14, 2020
Fairly mediocre sci-fi
I received an advance copy of this book from the publishers and Netgalley in exchange for an honest review.
Stormblood is set in a world where the human race has agreed terms with numerous alien races and Harmony governs the included races (the Common). Vakov Fukasawa (a character whose name is more fun to say than he is to read about) is a retired Reaper - that is, he was injected with alien DNA which gave him the rage and healing powers needed to become a super-soldier in the earlier Reaper Wars. He is hired to investigate reports of attacks on or attacks by his former colleagues, as reports of them "bluing-out" and dealing out devastation are mounting. This may well involve him being pitted against his younger brother who feels Vakov abandoned him to their cruel father.
Throughout the book, the story is told purely by telling the reader. Fukasawa finds himself in an extreme situation, having thrown himself in recklessly, and is almost always captured, told some crucial details, which dictate the next stage of the plot, and escapes or is rescued.
The world-building had so much promise, being a form of city built in an asteroid. However it wasn't very well described and I felt quite lost and really struggled to picture the setting. At times I had completely forgotten where the action was happening, and why.
The narrative is quite frustrating as well. What starts off as nice flowing narration with analogies, similes and metaphors, this quickly becomes at the expense of the pacing of the book. A number of times someone responded to a statement that was several paragraphs previous, with thick descriptions and side-tracked passages coming in between, making the reader go back and see what they were responding to.
As with most modern sci-fi, a number of cringeworthy technical terms have been made up and are not explained well enough to allow all but the most avid sci-fi tech-nerd to picture what they are supposed to refer to. See "slingshiv", "thin-gun", "micronades" etc etc. At times, these terms were used so frequently in long rambling passages listing tech and armoury that it may as well have been in a foreign language.
Speaking of which, the world the book takes place in is very reminiscent of Richard Morgan's Altered Carbon, even down to the part-Eastern European/part Japanese names. Fans of those books (which I suffered with similarly on the made-up technical terms) may enjoy this.
Overall, a great idea but needs some work on the pacing, how the plot is revealed (i.e. using different tricks and scenarios) and the narrative.
Stormblood is set in a world where the human race has agreed terms with numerous alien races and Harmony governs the included races (the Common). Vakov Fukasawa (a character whose name is more fun to say than he is to read about) is a retired Reaper - that is, he was injected with alien DNA which gave him the rage and healing powers needed to become a super-soldier in the earlier Reaper Wars. He is hired to investigate reports of attacks on or attacks by his former colleagues, as reports of them "bluing-out" and dealing out devastation are mounting. This may well involve him being pitted against his younger brother who feels Vakov abandoned him to their cruel father.
Throughout the book, the story is told purely by telling the reader. Fukasawa finds himself in an extreme situation, having thrown himself in recklessly, and is almost always captured, told some crucial details, which dictate the next stage of the plot, and escapes or is rescued.
The world-building had so much promise, being a form of city built in an asteroid. However it wasn't very well described and I felt quite lost and really struggled to picture the setting. At times I had completely forgotten where the action was happening, and why.
The narrative is quite frustrating as well. What starts off as nice flowing narration with analogies, similes and metaphors, this quickly becomes at the expense of the pacing of the book. A number of times someone responded to a statement that was several paragraphs previous, with thick descriptions and side-tracked passages coming in between, making the reader go back and see what they were responding to.
As with most modern sci-fi, a number of cringeworthy technical terms have been made up and are not explained well enough to allow all but the most avid sci-fi tech-nerd to picture what they are supposed to refer to. See "slingshiv", "thin-gun", "micronades" etc etc. At times, these terms were used so frequently in long rambling passages listing tech and armoury that it may as well have been in a foreign language.
Speaking of which, the world the book takes place in is very reminiscent of Richard Morgan's Altered Carbon, even down to the part-Eastern European/part Japanese names. Fans of those books (which I suffered with similarly on the made-up technical terms) may enjoy this.
Overall, a great idea but needs some work on the pacing, how the plot is revealed (i.e. using different tricks and scenarios) and the narrative.
Lottie disney bookworm (1056 KP) rated Of Thorns and Beauty in Books
Dec 29, 2020
Never has a retelling been so close but so unimaginabley far away from the original fairytale. Of Thorns and Beauty is a New Adult masterpiece which will reel you in from its first pages and not let you go until its cruel cliffhanger.
A quick note that this is definitely a New Adult novel. Although not written about in detail this take includes the subjects of abuse, murder and rape as well as a bucket load of sexual tension.
This retelling of Beauty and the Beast is written solely from the perspective of our protagonist-the beauty Zaina. Forced into an arranged marriage with the renowned beast King Einar and denied any companions to accompany her, Zaina enters the "Beast's" castle entirely on her guard and unaware as to what sort of a life lays before her.
It quickly becomes apparent that Zaina's beauty has only ever caused pain and hardship for her in the past. As a result of this, she is a far cry from the bookish village girl seeking an adventure in the great wide somewhere. Zaina is fiery, sarcastic, dangerous and her prickly, defensive demeanour makes her few friends in her new home.
The use of a first person perspective with a protagonist such as Zaina really brings this novel to life. Zaina is such a damaged character and the reader is drip fed memories so partially and so slowly that we still don't know the extent of her suffering once the book has ended.
The style of writing also allows us to share Zaina's frustration at attempting to read her husband Einar's emotions: quite ironic for someone so closed off herself. The reader does not always feel empathy though: Zaina's defences are so high that she shuns any attempt at friendship; sometimes you just want to shake her!
Elements of the original beauty and the beast tale remain: there is indeed a curse, a rose and a forbidden west wing. However, these are so cleverly twisted that the reader will finish this book with an entirely different concept of who the Beast really is.
The fact that the authors themselves apologise for the cliffhanger, explaining that the characters and storyline just required more pages and more time, shows the sheer commitment to world building and character development.
Madison and Mahle introduce us to a whole new world of scenery and creatures; they pull us into the painful past of both main characters; place slimy villains in the shadows and raise our hopes of romance before throwing them off a cliff. This book is impossible to put down and I cannot wait to see what happens next.
Thank you to Booksirens for the opportunity to read a free copy of this book in exchange for an honest review.
A quick note that this is definitely a New Adult novel. Although not written about in detail this take includes the subjects of abuse, murder and rape as well as a bucket load of sexual tension.
This retelling of Beauty and the Beast is written solely from the perspective of our protagonist-the beauty Zaina. Forced into an arranged marriage with the renowned beast King Einar and denied any companions to accompany her, Zaina enters the "Beast's" castle entirely on her guard and unaware as to what sort of a life lays before her.
It quickly becomes apparent that Zaina's beauty has only ever caused pain and hardship for her in the past. As a result of this, she is a far cry from the bookish village girl seeking an adventure in the great wide somewhere. Zaina is fiery, sarcastic, dangerous and her prickly, defensive demeanour makes her few friends in her new home.
The use of a first person perspective with a protagonist such as Zaina really brings this novel to life. Zaina is such a damaged character and the reader is drip fed memories so partially and so slowly that we still don't know the extent of her suffering once the book has ended.
The style of writing also allows us to share Zaina's frustration at attempting to read her husband Einar's emotions: quite ironic for someone so closed off herself. The reader does not always feel empathy though: Zaina's defences are so high that she shuns any attempt at friendship; sometimes you just want to shake her!
Elements of the original beauty and the beast tale remain: there is indeed a curse, a rose and a forbidden west wing. However, these are so cleverly twisted that the reader will finish this book with an entirely different concept of who the Beast really is.
The fact that the authors themselves apologise for the cliffhanger, explaining that the characters and storyline just required more pages and more time, shows the sheer commitment to world building and character development.
Madison and Mahle introduce us to a whole new world of scenery and creatures; they pull us into the painful past of both main characters; place slimy villains in the shadows and raise our hopes of romance before throwing them off a cliff. This book is impossible to put down and I cannot wait to see what happens next.
Thank you to Booksirens for the opportunity to read a free copy of this book in exchange for an honest review.
Ross (3284 KP) rated Doors: Twilight in Books
Mar 24, 2021
Great idea, poorly executed
The idea behind the Doors books is that of three different versions of a story with a shared beginning, but the stories diverge when the characters go through one of three (actually five but two are ignored as far as I'm aware!) doors. A team of people, each hired for their own area of expertise, are tasked with rescuing a rich German man's daughter who has wandered down into the mysterious cellar of their former family home, where a series of doors are believed to lead to strange new places.
The first quarter of these books is identical, with the damsel in distress being introduced and the team coming together and being given their tasks. At this stage, there is next to no organisation around their approach, it really is simply a bunch of people heading into the unknown and being drastically under-prepared. When the team quickly find the missing and take her back to the surface, the reader is left somewhat taken aback at the speed with which it was resolved. This is nothing compared to how the reader feels when the team go back looking for the real missing woman, simply based on their employer's assistant's momentary mistake that the woman's eyes were the wrong colour. This is not challenged by anyone in the team, who head back downstairs. It's a bigger WTF moment than the Batman vs Superman 'Martha' fiasco.
As with some of Heitz's Dwarves books, I think this suffered from fairly poor translation, as a number of phrases and words just are not clear. At no point did i really know where the team were heading, forwards or backwards, which door they went through etc.
And the promise of heading into the future was very much an empty one. Some members of the team briefly find themselves in near-future Frankfurt and there is a short section of the book which adds no value and has no connection to the rest of the book whatsoever. Thereafter, there is just some cliched mysterious dark maze adventures, with some unexplained conspiracy around the use and beginnings of the doors and their purpose. (I am currently around 80% of the way through the 'Colony' book, having mercifully skipped the first, repeated, quarter, and am starting to realise that there is likely to be an overall story arch that only becomes clear once the reader has read all three books).
This book, and the series as a whole, offered so much potential and teased so much, but this one at least completely failed to deliver for me.
Advance copy received from NetGalley and the publishers in exchange for an honest review.
The first quarter of these books is identical, with the damsel in distress being introduced and the team coming together and being given their tasks. At this stage, there is next to no organisation around their approach, it really is simply a bunch of people heading into the unknown and being drastically under-prepared. When the team quickly find the missing and take her back to the surface, the reader is left somewhat taken aback at the speed with which it was resolved. This is nothing compared to how the reader feels when the team go back looking for the real missing woman, simply based on their employer's assistant's momentary mistake that the woman's eyes were the wrong colour. This is not challenged by anyone in the team, who head back downstairs. It's a bigger WTF moment than the Batman vs Superman 'Martha' fiasco.
As with some of Heitz's Dwarves books, I think this suffered from fairly poor translation, as a number of phrases and words just are not clear. At no point did i really know where the team were heading, forwards or backwards, which door they went through etc.
And the promise of heading into the future was very much an empty one. Some members of the team briefly find themselves in near-future Frankfurt and there is a short section of the book which adds no value and has no connection to the rest of the book whatsoever. Thereafter, there is just some cliched mysterious dark maze adventures, with some unexplained conspiracy around the use and beginnings of the doors and their purpose. (I am currently around 80% of the way through the 'Colony' book, having mercifully skipped the first, repeated, quarter, and am starting to realise that there is likely to be an overall story arch that only becomes clear once the reader has read all three books).
This book, and the series as a whole, offered so much potential and teased so much, but this one at least completely failed to deliver for me.
Advance copy received from NetGalley and the publishers in exchange for an honest review.
Hazel (2934 KP) rated The Coffinmaker's Garden (Ash Henderson #3) in Books
Jan 17, 2021
I realise that starting to read a series on book 3 is probably not the best idea but having previously read and enjoyed some of Stuart MacBride's Logan McRae series, I thought what the heck and I certainly wasn't disappointed in the slightest and would definitely say this works as a standalone.
What we have here are 2 investigations that are equally disturbing and upsetting - a serial killer who has gone undetected for decades and a child killer who is refining his modus operandi with each innocent life he takes. Ash, in his role as consultant, is involved in both.
The characters are great - Ash, Alice, Mother, Shifty, DS Franklin and even Henry - all of them in fact, some may be a tad OTT or stereotypical but all had their place and their own little quirks which made them believable. The various settings were really well written with the scenes being so well written that they invoked sounds and smells that put me right there.
The book is written mainly from Ash's point of view. He can be a cynical and grumpy so-and-so and definitely doesn't do things by the books and does have questionable decision-making skills at times, but he definitely grew on me; I think it was his dark sense of humour that did it but also his aversion to authority who have been so far removed from the job that they haven't got a clue helped a bit ... oh and the fact that he certainly gets put through the wringer by Mr MacBride during his investigation and from what has obviously gone on in the previous books in the series, which might have had something to do with it too!
With the story lines being as dark as they are, you might think this is a dark and depressing read but fear not, this is not the case at all. Yes, as you can imagine, it's not a laugh a minute and there is quite a lot of violence throughout but there are plenty of lighter moments that will have you laughing out loud. You do have to suspend reality for some parts of the book as there are bits that are a little unbelievable but if you can't do this in a work of fiction, when can you? and it certainly didn't spoil my reading experience.
All in all, a really great book and one I would highly recommend to those of you who love their crime thrillers dark both in the plot and the humour.
Thanks to HarperCollins / HarperFiction and NetGalley for my copy in exchange for an honest, unbiased and unedited review.
What we have here are 2 investigations that are equally disturbing and upsetting - a serial killer who has gone undetected for decades and a child killer who is refining his modus operandi with each innocent life he takes. Ash, in his role as consultant, is involved in both.
The characters are great - Ash, Alice, Mother, Shifty, DS Franklin and even Henry - all of them in fact, some may be a tad OTT or stereotypical but all had their place and their own little quirks which made them believable. The various settings were really well written with the scenes being so well written that they invoked sounds and smells that put me right there.
The book is written mainly from Ash's point of view. He can be a cynical and grumpy so-and-so and definitely doesn't do things by the books and does have questionable decision-making skills at times, but he definitely grew on me; I think it was his dark sense of humour that did it but also his aversion to authority who have been so far removed from the job that they haven't got a clue helped a bit ... oh and the fact that he certainly gets put through the wringer by Mr MacBride during his investigation and from what has obviously gone on in the previous books in the series, which might have had something to do with it too!
With the story lines being as dark as they are, you might think this is a dark and depressing read but fear not, this is not the case at all. Yes, as you can imagine, it's not a laugh a minute and there is quite a lot of violence throughout but there are plenty of lighter moments that will have you laughing out loud. You do have to suspend reality for some parts of the book as there are bits that are a little unbelievable but if you can't do this in a work of fiction, when can you? and it certainly didn't spoil my reading experience.
All in all, a really great book and one I would highly recommend to those of you who love their crime thrillers dark both in the plot and the humour.
Thanks to HarperCollins / HarperFiction and NetGalley for my copy in exchange for an honest, unbiased and unedited review.
Acanthea Grimscythe (300 KP) rated The Nightly Disease in Books
May 16, 2018
I really don’t know how I feel about Max Booth III’s The Nightly Disease. Published initially as a serial in DarkFuse’s magazine, The Nightly Disease follows a hotel night auditor’s descent into madness as everything that can go wrong, does go wrong. In a series of darkly comedic and horrific events, the reader joins Isaac on a crazy ride, rife with some of the most outrageous occurrences a person could encounter.
Single, living alone, and working a job where he knows he’ll go nowhere, Isaac spends most of his nights between running the audit and preparing breakfast with his nose in a book, watching Netflix, or rubbing one out on the roof of the hotel he works at. He has a clear disdain for his job and spares no love for the guests that stay at his hotel, which all appear to be exceptionally rude (not that he’s any better). After he finds a wallet and decides to keep it, things escalate quickly and soon he is hiding bodies while trying to appease his invisible companions, Chowls and Owlbert.
I think what throws me off the most about this book is that it can be a bit difficult to follow at times. As Isaac loses his mind, the writing takes on a more frantic, senseless air that seriously messed with me reading it – to the point I almost put it down. It wasn’t a bad book, by any means. In fact, I think there’s a lot to be said about the fact that I felt like I was losing my mind reading it; Isaac’s perspective is extremely well-written.
Overall, I did not care that much for The Nightly Disease. It was nice to be able to identify with the main character to some degree – if only because I work the night audit shift at a hotel myself, and most hotels seem to work pretty much the same way. Other than that, I prefer books with a lot more depth and a bit more of a serious tone. While The Nightly Disease wasn’t really something I’m into, I definitely plan to look into Max Booth III’s other books. His writing style is great.
I would like to thank NetGalley and DarkFuse for providing me with an advance copy in exchange for an honest review.
Single, living alone, and working a job where he knows he’ll go nowhere, Isaac spends most of his nights between running the audit and preparing breakfast with his nose in a book, watching Netflix, or rubbing one out on the roof of the hotel he works at. He has a clear disdain for his job and spares no love for the guests that stay at his hotel, which all appear to be exceptionally rude (not that he’s any better). After he finds a wallet and decides to keep it, things escalate quickly and soon he is hiding bodies while trying to appease his invisible companions, Chowls and Owlbert.
I think what throws me off the most about this book is that it can be a bit difficult to follow at times. As Isaac loses his mind, the writing takes on a more frantic, senseless air that seriously messed with me reading it – to the point I almost put it down. It wasn’t a bad book, by any means. In fact, I think there’s a lot to be said about the fact that I felt like I was losing my mind reading it; Isaac’s perspective is extremely well-written.
Overall, I did not care that much for The Nightly Disease. It was nice to be able to identify with the main character to some degree – if only because I work the night audit shift at a hotel myself, and most hotels seem to work pretty much the same way. Other than that, I prefer books with a lot more depth and a bit more of a serious tone. While The Nightly Disease wasn’t really something I’m into, I definitely plan to look into Max Booth III’s other books. His writing style is great.
I would like to thank NetGalley and DarkFuse for providing me with an advance copy in exchange for an honest review.
Zuky the BookBum (15 KP) rated We All Begin As Strangers in Books
Mar 15, 2018
When I first saw this on Netgalley, I knew I had to read it. Loosely based on real life events and characters, this intrigued me. This has a mysterious character known as "The Fox" who breaks into peoples homes and watches them. This "Fox" person was real and struck the area I live in. Leighton Buzzard, St Albans, Tring and Dunstable and other surrounding areas were all in fear of this criminal, and in real life, he wasn't a people watcher, he was a serial rapist. My step-dad grew up when The Fox was around so he is always recalling stories about the incidents and when I connected the dots to this book being about that particular "fox" I instantly requested it!
This started off a little slow for me, and I didn't instantly love it, but it takes it's time to grow on you and in the end I adored this. It is a little sombre throughout, but sometimes, that's what makes a book so moving and great to read.
The atmosphere of the small village environment is absolutely spot on. I've lived in a number of small villages myself, and you do find that news travels fast, plus there is a certain distance put between locals and "outsiders". For this novel, the hostile village atmosphere has most certainly been amplified, but you can definitely feel that static-y tension in the air if you have ever lived "village life".
The writing in this novel is lovely. Very descriptive and picturesque. But where Cummings really shines in in her characters. Each one that we follow closely, Deloris, Jim, Brian and Stan, we become attached to, well, I did at least. You feel as though you know them and you get angry along with them, you sympathise for them and you cheer them on.
Even though I predicted the identity of The Fox, among other things, there are small twists in each person's story that surprise you, so I was still in awe during most of the novel.
This book is marvelous. It's sad, moving, witty and beautiful. Definitely try to get yourself a copy of it you love books about trouble in small communities.
<i>Thanks to Netgalley and Orion Publishing Group for giving me the opportunity to read this in exchange for an honest review.</i>
This started off a little slow for me, and I didn't instantly love it, but it takes it's time to grow on you and in the end I adored this. It is a little sombre throughout, but sometimes, that's what makes a book so moving and great to read.
The atmosphere of the small village environment is absolutely spot on. I've lived in a number of small villages myself, and you do find that news travels fast, plus there is a certain distance put between locals and "outsiders". For this novel, the hostile village atmosphere has most certainly been amplified, but you can definitely feel that static-y tension in the air if you have ever lived "village life".
The writing in this novel is lovely. Very descriptive and picturesque. But where Cummings really shines in in her characters. Each one that we follow closely, Deloris, Jim, Brian and Stan, we become attached to, well, I did at least. You feel as though you know them and you get angry along with them, you sympathise for them and you cheer them on.
Even though I predicted the identity of The Fox, among other things, there are small twists in each person's story that surprise you, so I was still in awe during most of the novel.
This book is marvelous. It's sad, moving, witty and beautiful. Definitely try to get yourself a copy of it you love books about trouble in small communities.
<i>Thanks to Netgalley and Orion Publishing Group for giving me the opportunity to read this in exchange for an honest review.</i>