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Lottie disney bookworm (1056 KP) rated The Story of Silence in Books
Jun 17, 2021
An Arthurian tale, adapted from a 13th century lost poem, containing dragons and knights but tackling the fluid notion of gender? Sign me up! Literally! Thank you to Eidelweiss+ and HarperVoyager for the opportunity to read this in exchange for an honest review.
Silence is born a girl, but due to the laws of inheritance is raised a boy, with only 3 people knowing their true gender (one of whom, initially, is not Silence). The Story of Silence follows Silence from birth, showing their struggles between Nature and Nurture in the medieval period.
The writing style of this fantasy novel is remarkable, with an almost lyrical, ballad quality to it. The settings of Cornwall, and later Brittany, are described in such a way that captivates the reader, transporting them to the jousting fields, the towering castles and the courts of Earls and Kings.
The writing is at a slower pace, a literary journey rather than a sprint and for that reason I didn’t quite get the feeling of “I can’t put this down”, particularly in the middle of the novel. However, the twists and turns in Silence’s life were always quick to pull me back in.
As a character, the reader loves Silence from the very beginning. None of the struggles of their life are of their own making. Indeed, there are moments within this story where it would have been much simpler to tell the truth but Silence does not, displaying true knightly qualities of courage and loyalty. If I had one criticism of this book it is that, after his first “courses”, Silence doesn’t seem to find disguising his Nature very difficult., Yes, he binds his chest but he also travels on the road with male companions for years with no further mention of the more natural signs of his true nature.
The cast of characters surrounding Silence are also excellent, we have the troubled Earl Cador who, despite his original plan, it seems cannot love his child as he should; Griselle and the seneschal who do love and care for Silence and then there is Merlin.
Now, I know Silence should be my favourite character but Merlin stole the show in my opinion! There is no stoical wizard in Myers’ world, oh no! Merlin is a naked, disgusting old man who has an awful habit of laughing out loud at the unseen futures of those he passes. I also appreciated how Merlin wasn’t a solution to Silence’s problems (in fact the opposite is true!). Despite the magical undercurrent within this story, Merlin doesn’t fix everything with the flick of a magic wand – conversely he forces Silence to look inside and solve their own riddle, emphasising that you do not need to fit into one category or another, you can be both, you can be what you decide to be.
It should also be noted that, up to this point in the novel, Silence is referred to with the male pronoun, as that is how he sees himself. He is a boy. He is a knight! However, on processing Merlin’s world this pronoun notably changes to they and their. A beautiful detail that resonated how Silence had accepted their true identity.
The characterisation of women in The Story of Silence is something that has been picked up on a lot by my fellow reviewers and yes, the women in this book are often sex-crazed, deceitful, disloyal creatures. This is also an issue that is directly discussed within the author’s note, further proving that this was not an intentional slight on women. Alex Myers is an author, they are telling a story and that story takes place in the 13th century when, unfortunately, women were depicted like this. The main despicable action by a woman is essential to stay true to the poem. Was it frustrating as a female reader? Sometimes. But are there an equal number of ugly characteristics shown in the male characters? Absolutely!
The Story of Silence is a slow-burning tale which steadily unfurls into a captivating narrative which will stay with the reader long after the final page. The original 13th century poem captures the concept of gender so beautifully but Alex Myers takes this even further, handling Silence’s journey with love and compassion. I feel very lucky to have read this.
Silence is born a girl, but due to the laws of inheritance is raised a boy, with only 3 people knowing their true gender (one of whom, initially, is not Silence). The Story of Silence follows Silence from birth, showing their struggles between Nature and Nurture in the medieval period.
The writing style of this fantasy novel is remarkable, with an almost lyrical, ballad quality to it. The settings of Cornwall, and later Brittany, are described in such a way that captivates the reader, transporting them to the jousting fields, the towering castles and the courts of Earls and Kings.
The writing is at a slower pace, a literary journey rather than a sprint and for that reason I didn’t quite get the feeling of “I can’t put this down”, particularly in the middle of the novel. However, the twists and turns in Silence’s life were always quick to pull me back in.
As a character, the reader loves Silence from the very beginning. None of the struggles of their life are of their own making. Indeed, there are moments within this story where it would have been much simpler to tell the truth but Silence does not, displaying true knightly qualities of courage and loyalty. If I had one criticism of this book it is that, after his first “courses”, Silence doesn’t seem to find disguising his Nature very difficult., Yes, he binds his chest but he also travels on the road with male companions for years with no further mention of the more natural signs of his true nature.
The cast of characters surrounding Silence are also excellent, we have the troubled Earl Cador who, despite his original plan, it seems cannot love his child as he should; Griselle and the seneschal who do love and care for Silence and then there is Merlin.
Now, I know Silence should be my favourite character but Merlin stole the show in my opinion! There is no stoical wizard in Myers’ world, oh no! Merlin is a naked, disgusting old man who has an awful habit of laughing out loud at the unseen futures of those he passes. I also appreciated how Merlin wasn’t a solution to Silence’s problems (in fact the opposite is true!). Despite the magical undercurrent within this story, Merlin doesn’t fix everything with the flick of a magic wand – conversely he forces Silence to look inside and solve their own riddle, emphasising that you do not need to fit into one category or another, you can be both, you can be what you decide to be.
It should also be noted that, up to this point in the novel, Silence is referred to with the male pronoun, as that is how he sees himself. He is a boy. He is a knight! However, on processing Merlin’s world this pronoun notably changes to they and their. A beautiful detail that resonated how Silence had accepted their true identity.
The characterisation of women in The Story of Silence is something that has been picked up on a lot by my fellow reviewers and yes, the women in this book are often sex-crazed, deceitful, disloyal creatures. This is also an issue that is directly discussed within the author’s note, further proving that this was not an intentional slight on women. Alex Myers is an author, they are telling a story and that story takes place in the 13th century when, unfortunately, women were depicted like this. The main despicable action by a woman is essential to stay true to the poem. Was it frustrating as a female reader? Sometimes. But are there an equal number of ugly characteristics shown in the male characters? Absolutely!
The Story of Silence is a slow-burning tale which steadily unfurls into a captivating narrative which will stay with the reader long after the final page. The original 13th century poem captures the concept of gender so beautifully but Alex Myers takes this even further, handling Silence’s journey with love and compassion. I feel very lucky to have read this.
Night Reader Reviews (683 KP) rated Full Dark No Stars in Books
Apr 14, 2020
Casual Review
Full Dark, No Stars is a collection of four short stories by Stephen King. These stories include 1922, Big Driver, Fair Extension, and A Good Marriage. As Stephen King admits in the Afterword at the back of the book these four stories are disturbing and hard to read at times but they are well worth it. In these four books Stephen King explores the possibility of each person having at least one more person inside them, the person that comes out when we experience something too traumatic for our typical self to handle. What happens when this person we keep hidden deep inside of us gets let out? Can we put this person back and go on to live a normal life or does it change us forever?
1922
This story reminded me largely of Poe's Tell-Tale Heart and I am sure many other bookworms will see the resemblance between these two stories. Wilfred Leland James is a farmer living on 80 acres of land with his wife and his son. When his wife is given 100 acres of adjacent land when her father dies, Wilfred is thrilled until he learns that she plans on selling all of it off to a big company and that there is nothing he can do to stop her. She is determined to sell the land and move to the city, taking their son with her either Wilfred wants to go or not. Their respective stubbornness starts a chain of events that can only end in pain and misery for all involved.
Big Driver
Tess is a mystery writer of the sort that writes simple little mysteries often read by older ladies and their book clubs and who occasionally makes guest appearances to talk about her books. When she takes a shortcut home suggested to her after one such event she finds herself in a world that she doesn't even dare to write about. A stranger stopping to help her ends up having other plans for her and leaves her for dead after raping her multiple times. Tess manages to survive and makes her way home but the damage has been done in more than one way and she sets out to get revenge on all she believes to be involved in what happened. Is it possible though that she doesn't know the full story?
Fair Extension
Dave Streeter has cancer and doesn't have much time left to live, under a year for sure. He is extremely jealous of an old friend of his from school who seems to have it all while Dave and his family are not struggling but they also are not doing as well as what his old friend is. Then one day while heading home and contemplating his life. he sees a man along the extension by the airport with a little stand set up. This man offers Dave an extension on his life but Dave has to offer someone that he hates up to this man in exchange, not to kill him but someone must pay the price.
A Good Marriage
One day while Darcy's husband is away on business and she is looking for batteries she stubbles on a box that her husband has hidden under a table in the garage. When she tries to push the box under the table the rest of the way she pushes the box up against something that she ends up wishing she never investigated. When she looks at what the box hit she ends up discovering that her husband has been harboring a horrible secret from even before they were married but this puts her in a very bad spot. She fears no one would believe that she did not know about what he was doing until now and she also fears the stigma that the discovery will leave on their children. At the same time though she must do something about what she found out.
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1922
This story reminded me largely of Poe's Tell-Tale Heart and I am sure many other bookworms will see the resemblance between these two stories. Wilfred Leland James is a farmer living on 80 acres of land with his wife and his son. When his wife is given 100 acres of adjacent land when her father dies, Wilfred is thrilled until he learns that she plans on selling all of it off to a big company and that there is nothing he can do to stop her. She is determined to sell the land and move to the city, taking their son with her either Wilfred wants to go or not. Their respective stubbornness starts a chain of events that can only end in pain and misery for all involved.
Big Driver
Tess is a mystery writer of the sort that writes simple little mysteries often read by older ladies and their book clubs and who occasionally makes guest appearances to talk about her books. When she takes a shortcut home suggested to her after one such event she finds herself in a world that she doesn't even dare to write about. A stranger stopping to help her ends up having other plans for her and leaves her for dead after raping her multiple times. Tess manages to survive and makes her way home but the damage has been done in more than one way and she sets out to get revenge on all she believes to be involved in what happened. Is it possible though that she doesn't know the full story?
Fair Extension
Dave Streeter has cancer and doesn't have much time left to live, under a year for sure. He is extremely jealous of an old friend of his from school who seems to have it all while Dave and his family are not struggling but they also are not doing as well as what his old friend is. Then one day while heading home and contemplating his life. he sees a man along the extension by the airport with a little stand set up. This man offers Dave an extension on his life but Dave has to offer someone that he hates up to this man in exchange, not to kill him but someone must pay the price.
A Good Marriage
One day while Darcy's husband is away on business and she is looking for batteries she stubbles on a box that her husband has hidden under a table in the garage. When she tries to push the box under the table the rest of the way she pushes the box up against something that she ends up wishing she never investigated. When she looks at what the box hit she ends up discovering that her husband has been harboring a horrible secret from even before they were married but this puts her in a very bad spot. She fears no one would believe that she did not know about what he was doing until now and she also fears the stigma that the discovery will leave on their children. At the same time though she must do something about what she found out.
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https://nightreaderreviews.blogspot.com/
https://smashbomb.com/nightreader
Hazel (1853 KP) rated My Side of the Diamond in Books
Sep 16, 2017
Impassive
This ARC was provided by the publisher via NetGalley in exchange for an honest review
My Side of the Diamond is the latest novel by British author Sally Gardner. Employing the use of science fiction, Gardner explores the concept of love in a unique tale of a covered up alien invasion. The main characters are unfortunately caught up in the drama; however, no one will ever believe their story.
Jazmin Little’s best friend, Becky, has disappeared. Some say she was murdered, others claim she committed suicide, but what everyone agrees on is that she jumped from the top of the Shard in London, but never landed. Jazmin knows what happened but the authorities have torn her witness statement to shreds. Now everyone believes that she is the cause of Becky’s disappearance.
The reader plays an active role as the mysterious Mr. Jones who is interviewing a handful of characters involved with the mystery surrounding Becky’s fate. Jazmin and the others tell the reader, as Mr. Jones, the truth about the lead-up to the moment their lives changed forever. Jazmin explains the events that preceded Becky becoming infatuated with the enigmatic Icarus. From their first meeting, bizarre and frightening things began to occur. From Becky’s sudden recovery from anorexia as though she had just had an epiphany, to being chased by an impossible monster, the friends and their relatives are suddenly in serious danger.
Icarus claims to be an alien who has come to Earth to learn about love. Becky instantly believed him, however, Jazmin and the others remained sceptical. As they open up to Mr. Jones, they wish they could go back in time and change the way things panned out. In hindsight, they know who was good and who was bad, but at the time, it was impossible to know whom to trust.
Although the main story focuses on the relationship between Becky and Icarus and their resulting disappearance, Gardner also explores themes of social classes and friendship. Jazmin and Becky were polar opposite: Becky came from a family made of money, whereas Jazmin was lucky to have a can of baked beans for dinner. Despite this, they were best friends who did not let their backgrounds interfere with their relationship. The significance of their social class comes to light as Jazmin explains what happened at the trial after Becky’s disappearance. Being from such a low caste, it was easy for everyone to pin the blame on Jazmin.
The concept behind My Side of the Diamond is interesting, as is the method of narrating the story, however, it lacks any emotional connection. Mr. Jones, although having no dialogue of his own, comes across as an impassive character, and that is how I felt whilst reading the book. None of the characters were particularly relatable and it was difficult to care about what happened to them. Their circumstances were creepy, but also far-fetched and hard to comprehend.
Although Sally Gardner’s ideas are good, My Side of the Diamond is a disappointment, especially coming from a prize-winning author
My Side of the Diamond is the latest novel by British author Sally Gardner. Employing the use of science fiction, Gardner explores the concept of love in a unique tale of a covered up alien invasion. The main characters are unfortunately caught up in the drama; however, no one will ever believe their story.
Jazmin Little’s best friend, Becky, has disappeared. Some say she was murdered, others claim she committed suicide, but what everyone agrees on is that she jumped from the top of the Shard in London, but never landed. Jazmin knows what happened but the authorities have torn her witness statement to shreds. Now everyone believes that she is the cause of Becky’s disappearance.
The reader plays an active role as the mysterious Mr. Jones who is interviewing a handful of characters involved with the mystery surrounding Becky’s fate. Jazmin and the others tell the reader, as Mr. Jones, the truth about the lead-up to the moment their lives changed forever. Jazmin explains the events that preceded Becky becoming infatuated with the enigmatic Icarus. From their first meeting, bizarre and frightening things began to occur. From Becky’s sudden recovery from anorexia as though she had just had an epiphany, to being chased by an impossible monster, the friends and their relatives are suddenly in serious danger.
Icarus claims to be an alien who has come to Earth to learn about love. Becky instantly believed him, however, Jazmin and the others remained sceptical. As they open up to Mr. Jones, they wish they could go back in time and change the way things panned out. In hindsight, they know who was good and who was bad, but at the time, it was impossible to know whom to trust.
Although the main story focuses on the relationship between Becky and Icarus and their resulting disappearance, Gardner also explores themes of social classes and friendship. Jazmin and Becky were polar opposite: Becky came from a family made of money, whereas Jazmin was lucky to have a can of baked beans for dinner. Despite this, they were best friends who did not let their backgrounds interfere with their relationship. The significance of their social class comes to light as Jazmin explains what happened at the trial after Becky’s disappearance. Being from such a low caste, it was easy for everyone to pin the blame on Jazmin.
The concept behind My Side of the Diamond is interesting, as is the method of narrating the story, however, it lacks any emotional connection. Mr. Jones, although having no dialogue of his own, comes across as an impassive character, and that is how I felt whilst reading the book. None of the characters were particularly relatable and it was difficult to care about what happened to them. Their circumstances were creepy, but also far-fetched and hard to comprehend.
Although Sally Gardner’s ideas are good, My Side of the Diamond is a disappointment, especially coming from a prize-winning author
Movie Metropolis (309 KP) rated The Legend of Tarzan (2016) in Movies
Jun 11, 2019
CPR Needed
As tends to be the case with Hollywood, studios pay very close attention to their rivals release schedules, eyeing up potential competition to pit their films against, maxing box-office returns in the process.
And when Disney announced they were rebooting The Jungle Book in March this year, Warner Bros quickly responded with another jungle-themed film; The Legend of Tarzan. But does this interpretation on the classic character swing or fall?
It’s been nearly a decade since Tarzan (Alexander Skarsgård), aka John Clayton III, left Africa to live in Victorian England with his wife Jane (Margot Robbie). Danger lurks on the horizon as Leon Rom (Christoph Waltz), a treacherous envoy for King Leopold, devises a scheme that lures the couple and friend George Williams (Samuel L Jackson) to the Congo. Rom plans to capture Tarzan and deliver him to an old enemy in exchange for diamonds. When Jane becomes a pawn in his devious plot, Tarzan must return to the jungle to save the woman he loves.
Directed by David Yates (Harry Potter & the Deathly Hallows), Legend of Tarzan features committed performances from its lead cast, immersive scenery and impressive special effects, but all of the glitz can’t save a film that plods along at a dreadful pace. Not since Peter Jackson’s King Kong has there been a movie that wastes so much of its opening act.
Alexander Skarsgård is likeable and commanding as the titular character, but lacks enough acting prowess to tackle the deeper, more emotional side that writers Adam Cozad and Craig Brewer have brought to the table here. Therefore, the scenes featuring a solo Tarzan suffer somewhat and Samuel L Jackson feels wasted in a poorly written and half-hearted role.
It is in Margot Robbie and Christoph Waltz that we find the film’s saving graces. Their characters leap off the screen with Waltz in particular being a highlight throughout. It’s unfortunate that one of our greatest living actors is lambasted with poor dialogue however, though the script just about keeps him afloat.
David Yates brings a similar filming style here to that of his foray into Harry Potter. The action is confidently filmed, but he avoids the use of shaky-cam that many directors seem to find appealing nowadays. The CGI is on the whole very good, especially in the finale which is breath-taking to watch.
It’s just a shame the rest of the film is such a drag. The first hour is incredibly poorly paced with very brief, albeit well-filmed, action sequences not doing enough to brighten Legend of Tarzan up. Elsewhere, the use of flashbacks is at first a decent way of giving the audience some exposition, but after the tenth one, they’re a nuisance.
Overall, The Legend of Tarzan does a lot more with its iconic character than other films have done, but that doesn’t excuse its poor pacing. Thankfully, the exciting finale lifts the final act above the standard of the first hour, and commanding performances from all the cast sustain interest just about enough to see it through to the end.
https://moviemetropolis.net/2016/07/07/cpr-needed-the-legend-of-tarzan-review/
And when Disney announced they were rebooting The Jungle Book in March this year, Warner Bros quickly responded with another jungle-themed film; The Legend of Tarzan. But does this interpretation on the classic character swing or fall?
It’s been nearly a decade since Tarzan (Alexander Skarsgård), aka John Clayton III, left Africa to live in Victorian England with his wife Jane (Margot Robbie). Danger lurks on the horizon as Leon Rom (Christoph Waltz), a treacherous envoy for King Leopold, devises a scheme that lures the couple and friend George Williams (Samuel L Jackson) to the Congo. Rom plans to capture Tarzan and deliver him to an old enemy in exchange for diamonds. When Jane becomes a pawn in his devious plot, Tarzan must return to the jungle to save the woman he loves.
Directed by David Yates (Harry Potter & the Deathly Hallows), Legend of Tarzan features committed performances from its lead cast, immersive scenery and impressive special effects, but all of the glitz can’t save a film that plods along at a dreadful pace. Not since Peter Jackson’s King Kong has there been a movie that wastes so much of its opening act.
Alexander Skarsgård is likeable and commanding as the titular character, but lacks enough acting prowess to tackle the deeper, more emotional side that writers Adam Cozad and Craig Brewer have brought to the table here. Therefore, the scenes featuring a solo Tarzan suffer somewhat and Samuel L Jackson feels wasted in a poorly written and half-hearted role.
It is in Margot Robbie and Christoph Waltz that we find the film’s saving graces. Their characters leap off the screen with Waltz in particular being a highlight throughout. It’s unfortunate that one of our greatest living actors is lambasted with poor dialogue however, though the script just about keeps him afloat.
David Yates brings a similar filming style here to that of his foray into Harry Potter. The action is confidently filmed, but he avoids the use of shaky-cam that many directors seem to find appealing nowadays. The CGI is on the whole very good, especially in the finale which is breath-taking to watch.
It’s just a shame the rest of the film is such a drag. The first hour is incredibly poorly paced with very brief, albeit well-filmed, action sequences not doing enough to brighten Legend of Tarzan up. Elsewhere, the use of flashbacks is at first a decent way of giving the audience some exposition, but after the tenth one, they’re a nuisance.
Overall, The Legend of Tarzan does a lot more with its iconic character than other films have done, but that doesn’t excuse its poor pacing. Thankfully, the exciting finale lifts the final act above the standard of the first hour, and commanding performances from all the cast sustain interest just about enough to see it through to the end.
https://moviemetropolis.net/2016/07/07/cpr-needed-the-legend-of-tarzan-review/
Hazel (1853 KP) rated The Screaming Staircase: Lockwood & Co. #1 in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest</i>
Fantasy author Jonathan Stroud is widely known for the <i>Bartimaeus</i> trilogy, a children’s series about magicians, however none of his other works seem to be much talked about. This includes his latest paranormal series <i>Lockwood & Co</i>. It is about time that the world became aware of this clever, exciting adventure.
<i>The Screaming Staircase</i> is the first of four books set in a version of London that has suddenly become plagued by ghosts of the past. It is unclear why the dead have come back to haunt the living, but something must be done about them. Unfortunately adults are unable to see these ghastly phantoms and rely on trained psychic investigators, i.e. children, to dispatch the dead.
<i>Lockwood & Co</i> is comprised of three young teenagers with the ability to hunt and destroy these eerie Visitors: Anthony Lockwood, Lucy Carlyle and their friend George. Unfortunately, despite having the right skills, something always seems to go wrong on their jobs. So, when a prestigious gentleman offers them a very dangerous task, they jump at the chance to prove themselves a competent agency, if not one of the best. Conversely, they find themselves in a lot more trouble than they bargained for.
Although there is a central plot, <i>The Screaming Staircase</i> is made up of several events that combine to create a mind-blowing conclusion. But it is not solely the ghost fighting, heart stopping scenes that make this story a success. Even without the sinister setting this series would be enjoyable due to the hilarious three main characters. Not once are the ages of Lockwood, Lucy and George mentioned, however it can be presumed that are around thirteen years old. Their relationship takes on a form similar to a brotherly, sisterly bond complete with bickering, threats and sharp, witty comebacks. Despite the dangerous atmosphere there is always the opportunity for at least one of the characters to get in a quick insult that is bound to make the reader laugh out loud.
<i>Lockwood & Co</i> is primarily targeted at readers between the ages of ten and fifteen, although there is nothing to prevent anyone else from enjoying it too. Thankfully no romantic relationships are formed, leaving Lucy to become as independent and strong as the boys, thus making this a suitable series for both genders. While there is a lot of humour, there is mild horror too, so perhaps young children should wait until they are a bit older to join in with the entertainment this series provides.
When I was younger I attempted to read the <i>Bartemaeus</i> trilogy and found it rather dull, so I was not expecting all that much with this series. However, <i>The Screaming Staircase</i> was fantastic in comparison. It is fast paced, amusing, thrilling, and never a boring moment. I guarantee once you’ve read this book you will immediately want to read the sequel. <i>Lockwood & Co</i> is a series that definitely needs more attention that it is getting.
Fantasy author Jonathan Stroud is widely known for the <i>Bartimaeus</i> trilogy, a children’s series about magicians, however none of his other works seem to be much talked about. This includes his latest paranormal series <i>Lockwood & Co</i>. It is about time that the world became aware of this clever, exciting adventure.
<i>The Screaming Staircase</i> is the first of four books set in a version of London that has suddenly become plagued by ghosts of the past. It is unclear why the dead have come back to haunt the living, but something must be done about them. Unfortunately adults are unable to see these ghastly phantoms and rely on trained psychic investigators, i.e. children, to dispatch the dead.
<i>Lockwood & Co</i> is comprised of three young teenagers with the ability to hunt and destroy these eerie Visitors: Anthony Lockwood, Lucy Carlyle and their friend George. Unfortunately, despite having the right skills, something always seems to go wrong on their jobs. So, when a prestigious gentleman offers them a very dangerous task, they jump at the chance to prove themselves a competent agency, if not one of the best. Conversely, they find themselves in a lot more trouble than they bargained for.
Although there is a central plot, <i>The Screaming Staircase</i> is made up of several events that combine to create a mind-blowing conclusion. But it is not solely the ghost fighting, heart stopping scenes that make this story a success. Even without the sinister setting this series would be enjoyable due to the hilarious three main characters. Not once are the ages of Lockwood, Lucy and George mentioned, however it can be presumed that are around thirteen years old. Their relationship takes on a form similar to a brotherly, sisterly bond complete with bickering, threats and sharp, witty comebacks. Despite the dangerous atmosphere there is always the opportunity for at least one of the characters to get in a quick insult that is bound to make the reader laugh out loud.
<i>Lockwood & Co</i> is primarily targeted at readers between the ages of ten and fifteen, although there is nothing to prevent anyone else from enjoying it too. Thankfully no romantic relationships are formed, leaving Lucy to become as independent and strong as the boys, thus making this a suitable series for both genders. While there is a lot of humour, there is mild horror too, so perhaps young children should wait until they are a bit older to join in with the entertainment this series provides.
When I was younger I attempted to read the <i>Bartemaeus</i> trilogy and found it rather dull, so I was not expecting all that much with this series. However, <i>The Screaming Staircase</i> was fantastic in comparison. It is fast paced, amusing, thrilling, and never a boring moment. I guarantee once you’ve read this book you will immediately want to read the sequel. <i>Lockwood & Co</i> is a series that definitely needs more attention that it is getting.
<i>This eBook was provided by the author in exchange for an honest review </i>
After being out of print for sixty years, <i>Ilsa</i>, one of Madeleine L’Engle’s first novels has been republished, giving readers the chance to discover the rare, little known story. L’Engle is recognized as the author of <i>A Wrinkle in Time</i> and a selection of young adult novels, however <i>Ilsa</i> is an example of L’Engle’s ability to pen a much darker story.
Fundamentally a love story, <i>Ilsa</i> is set in America during the first half of the 1900s. Whilst this gives it an historical context to current readers, it would have been the present day when the story was originally published. The narrator, Henry Porcher, first meets the titular character at the age of ten, shortly before his family whisks him away to temporary accommodation many miles away. In this brief introduction, Henry falls in love with Isla, despite her being three years older than him. From this point on, Henry’s mind and heart are filled with thoughts about Ilsa, and is saddened that his family possess antagonistic opinions about her and her father.
Henry and Ilsa come from entirely different backgrounds. The Porcher’s are a large family with an air of superiority, a stark contrast to the humble lodgings of Ilsa and her naturalist father, Dr. Brandes. Whilst Henry’s parents look down on Dr. Brandes, Ilsa views the Porcher’s as rich and biggity. Yet, Henry and Ilsa are happy to be friends – a <i>Romeo and Juliet</i>-esque relationship, unfortunately with romantic attraction only falling on one side.
Despite his hopes, Henry realizes that Ilsa will never be his. By the age of twenty-four, he already feels like a failure, yet he continues to shadow and worship Ilsa without a care to how his life turns out. Henry painstakingly witnesses Ilsa’s transformation from girl to woman, marrying a man who does not deserve her, becoming a mother, a widow, and finally suffering health wise. Forfeiting his chance of career and marriage, Henry experiences the darker side of love, and pays the price of unrequited love.
For a story about love,<i> Ilsa </i>contains no romance or passionate scenes, and once Henry loses his childhood naivety, it begins to become rather dull. The reader will initially anticipate a happy ending, but the lack of a climax reveals that this will not be forthcoming. <i>Ilsa</i> is far more interesting at the beginning of the novel, a time when anything could happen, but becomes increasingly disheartening as it goes along.
Having not read the celebrate author before, I have no idea how <i>Ilsa</i> compares to the more popular of L’Engle’s novels. Personally, I am not impelled to seek out any of her other books, however that does not mean I deem<i> Ilsa</i> terrible. For fans of L’Engle, this book is certainly worth seeking out, particularly this edition, which contains a brief biography and selection of photographs of the author throughout her life.
After being out of print for sixty years, <i>Ilsa</i>, one of Madeleine L’Engle’s first novels has been republished, giving readers the chance to discover the rare, little known story. L’Engle is recognized as the author of <i>A Wrinkle in Time</i> and a selection of young adult novels, however <i>Ilsa</i> is an example of L’Engle’s ability to pen a much darker story.
Fundamentally a love story, <i>Ilsa</i> is set in America during the first half of the 1900s. Whilst this gives it an historical context to current readers, it would have been the present day when the story was originally published. The narrator, Henry Porcher, first meets the titular character at the age of ten, shortly before his family whisks him away to temporary accommodation many miles away. In this brief introduction, Henry falls in love with Isla, despite her being three years older than him. From this point on, Henry’s mind and heart are filled with thoughts about Ilsa, and is saddened that his family possess antagonistic opinions about her and her father.
Henry and Ilsa come from entirely different backgrounds. The Porcher’s are a large family with an air of superiority, a stark contrast to the humble lodgings of Ilsa and her naturalist father, Dr. Brandes. Whilst Henry’s parents look down on Dr. Brandes, Ilsa views the Porcher’s as rich and biggity. Yet, Henry and Ilsa are happy to be friends – a <i>Romeo and Juliet</i>-esque relationship, unfortunately with romantic attraction only falling on one side.
Despite his hopes, Henry realizes that Ilsa will never be his. By the age of twenty-four, he already feels like a failure, yet he continues to shadow and worship Ilsa without a care to how his life turns out. Henry painstakingly witnesses Ilsa’s transformation from girl to woman, marrying a man who does not deserve her, becoming a mother, a widow, and finally suffering health wise. Forfeiting his chance of career and marriage, Henry experiences the darker side of love, and pays the price of unrequited love.
For a story about love,<i> Ilsa </i>contains no romance or passionate scenes, and once Henry loses his childhood naivety, it begins to become rather dull. The reader will initially anticipate a happy ending, but the lack of a climax reveals that this will not be forthcoming. <i>Ilsa</i> is far more interesting at the beginning of the novel, a time when anything could happen, but becomes increasingly disheartening as it goes along.
Having not read the celebrate author before, I have no idea how <i>Ilsa</i> compares to the more popular of L’Engle’s novels. Personally, I am not impelled to seek out any of her other books, however that does not mean I deem<i> Ilsa</i> terrible. For fans of L’Engle, this book is certainly worth seeking out, particularly this edition, which contains a brief biography and selection of photographs of the author throughout her life.
Hazel (1853 KP) rated Dreaming of Antigone in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review
Dreaming of Antigone</i> is a contemporary tragedy about sixteen-year-old Andria in the aftermath of the death of her twin sister Iris. It has been almost six months since Iris overdosed on heroin, and also the same amount of time since Andria last had an epileptic seizure. Feeling overwhelmed by her mother’s overprotectiveness, Andria is counting down the days until she can reapply for her driving license – freedom. Only fourteen days to go; unless she has another seizure…
Although she is not over her sister’s death, Andria is keeping her emotions in check; but then, Iris’ ex-drug addict boyfriend, Alex, comes back to school. Andria feels hatred toward him and angrily blames him for what happened to her sister. She is beyond frustrated to discover that she has to work alongside Alex in the library after school. However their love of poetry begins to bond them together, causing Andria to question how she really feels. When more tragedy strikes in the form of her stepfather, Andria is glad to have Alex by her side.
<i>Dreaming of Antigone</i> is a mix of high culture and pop culture. It is written for the contemporary teenager who enjoys love stories, yet it also contains a few highbrow topics. Firstly, as referenced in the title, is the Greek play <i>Antigone</i>. Andria is studying this tragedy at school and likens herself and Iris to the key characters, Antigone and Ismene. Secondly is astronomy. Andria is passionate about the stars and educates the reader a little about the names of constellations and the position of the stars and planets in the solar system. Thirdly, as already mentioned, there are lots of poetry citations.
I was a little disappointed that there was not more focus on <i>Antigone</i>, as this is what attracted me to the novel in the first place. Robin Bridges gives a brief overview of the play for the benefit of readers who are unfamiliar with it, however for readers, like myself, who have studied Sophocles’ tragedies, there is not much more to gain from this reference.
Bridges tackles quite a number of difficult subjects in <i>Dreaming of Antigone</i>. There is the obvious issue of drug abuse, which killed Iris. In this case, Iris was a victim of the addiction, however Bridges counters this with Alex, the survivor, thus saying that it is possible to recover from such a dangerous habit. Later on in the story other challenging problems crop up, for example suicide and sexual abuse. Thankfully Bridges deals with these in a mature and gentle manner, so as not to distress the reader. Having said this, some readers may struggle with this triggering content.
Overall, whilst this was not a terrible book, it was not exactly what I was expecting, and therefore a bit of a disappointment. It is for this reason that I am not giving <i>Dreaming of Antigone</i> more than three stars. Other readers with fewer expectations may enjoy this novel a lot more.
Dreaming of Antigone</i> is a contemporary tragedy about sixteen-year-old Andria in the aftermath of the death of her twin sister Iris. It has been almost six months since Iris overdosed on heroin, and also the same amount of time since Andria last had an epileptic seizure. Feeling overwhelmed by her mother’s overprotectiveness, Andria is counting down the days until she can reapply for her driving license – freedom. Only fourteen days to go; unless she has another seizure…
Although she is not over her sister’s death, Andria is keeping her emotions in check; but then, Iris’ ex-drug addict boyfriend, Alex, comes back to school. Andria feels hatred toward him and angrily blames him for what happened to her sister. She is beyond frustrated to discover that she has to work alongside Alex in the library after school. However their love of poetry begins to bond them together, causing Andria to question how she really feels. When more tragedy strikes in the form of her stepfather, Andria is glad to have Alex by her side.
<i>Dreaming of Antigone</i> is a mix of high culture and pop culture. It is written for the contemporary teenager who enjoys love stories, yet it also contains a few highbrow topics. Firstly, as referenced in the title, is the Greek play <i>Antigone</i>. Andria is studying this tragedy at school and likens herself and Iris to the key characters, Antigone and Ismene. Secondly is astronomy. Andria is passionate about the stars and educates the reader a little about the names of constellations and the position of the stars and planets in the solar system. Thirdly, as already mentioned, there are lots of poetry citations.
I was a little disappointed that there was not more focus on <i>Antigone</i>, as this is what attracted me to the novel in the first place. Robin Bridges gives a brief overview of the play for the benefit of readers who are unfamiliar with it, however for readers, like myself, who have studied Sophocles’ tragedies, there is not much more to gain from this reference.
Bridges tackles quite a number of difficult subjects in <i>Dreaming of Antigone</i>. There is the obvious issue of drug abuse, which killed Iris. In this case, Iris was a victim of the addiction, however Bridges counters this with Alex, the survivor, thus saying that it is possible to recover from such a dangerous habit. Later on in the story other challenging problems crop up, for example suicide and sexual abuse. Thankfully Bridges deals with these in a mature and gentle manner, so as not to distress the reader. Having said this, some readers may struggle with this triggering content.
Overall, whilst this was not a terrible book, it was not exactly what I was expecting, and therefore a bit of a disappointment. It is for this reason that I am not giving <i>Dreaming of Antigone</i> more than three stars. Other readers with fewer expectations may enjoy this novel a lot more.
Hazel (1853 KP) rated Summer Days and Summer Nights: Twelve Summer Romances in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Stephanie Perkins, the best selling author of <i>Anna and the French Kiss</i> has compiled a second anthology of short stories. Twelve selected tales have been included from a variety of young adult authors including: Libba Bray, Veronica Roth, Cassandra Clare and Jennifer E. Smith. For those that have read Perkins’ previous anthology, <i>My True Love Gave To Me</i>, the concept is the same. Twelve love stories set in, as the title, <i>Summer Days and Summer Nights</i>, strongly suggests, the summer.
What can be expected from all the stories in this collection is that they fit snuggly into the Romance genre of young adult fiction. The way the authors decided to tackle this, however, was up to their own interpretations. Thus, the final outcome is a selection of works that fall into a variety of categories: fantasy, contemporary, LGBT, horror, sci-fi etc.
As a result there are a number of different character types and storylines, suggesting that there is bound to be something for everyone. There are lovey-dovey stories, heart-wrenching stories, exciting action stories, implying that there will be at least one you will favour, and hopefully make purchase worthwhile.
It is not merely love that can be found between these pages, so if you are, like me, not overly impressed with teenage love stories, there are other themes to focus on. Many of the main characters are nearing the end of their schooling and thinking about the future: college, perhaps. Readers discover, and possibly relate to, their hopes, doubts and fears of what is to come. Yet while these thoughts are buzzing in their heads they are also trying to enjoy their summers, some with summer jobs, others hanging out with friends. Alongside all of this are darker issues of depression, cancer and parents divorcing; events that many teenagers unfortunately have to deal with. So, throughout all the make-ups and break-ups, there is so much more going on under the surface.
It is always difficult to decide what age range “Young Adult” refers to. Some may assume it is anyone in their teens, however in the case of <i>Summer Days and Summer Nights</i> I would label it a book for older teenagers, those of similar ages to the characters depicted: sixteen to nineteen. This is due to the slightly adult themes of a few of the stories and the amount of swearing many of the authors resort to.
Unfortunately for me, I did not find a perfect story within this collection. There were some I enjoyed more than others; likewise there were some I was not keen on at all. It is for this reason I have only given a rating of three stars. I do not want to put prospective readers off however as this is merely a case of personal preferences and not a true reflection of the authors’ exceptional writing skills.
Stephanie Perkins, the best selling author of <i>Anna and the French Kiss</i> has compiled a second anthology of short stories. Twelve selected tales have been included from a variety of young adult authors including: Libba Bray, Veronica Roth, Cassandra Clare and Jennifer E. Smith. For those that have read Perkins’ previous anthology, <i>My True Love Gave To Me</i>, the concept is the same. Twelve love stories set in, as the title, <i>Summer Days and Summer Nights</i>, strongly suggests, the summer.
What can be expected from all the stories in this collection is that they fit snuggly into the Romance genre of young adult fiction. The way the authors decided to tackle this, however, was up to their own interpretations. Thus, the final outcome is a selection of works that fall into a variety of categories: fantasy, contemporary, LGBT, horror, sci-fi etc.
As a result there are a number of different character types and storylines, suggesting that there is bound to be something for everyone. There are lovey-dovey stories, heart-wrenching stories, exciting action stories, implying that there will be at least one you will favour, and hopefully make purchase worthwhile.
It is not merely love that can be found between these pages, so if you are, like me, not overly impressed with teenage love stories, there are other themes to focus on. Many of the main characters are nearing the end of their schooling and thinking about the future: college, perhaps. Readers discover, and possibly relate to, their hopes, doubts and fears of what is to come. Yet while these thoughts are buzzing in their heads they are also trying to enjoy their summers, some with summer jobs, others hanging out with friends. Alongside all of this are darker issues of depression, cancer and parents divorcing; events that many teenagers unfortunately have to deal with. So, throughout all the make-ups and break-ups, there is so much more going on under the surface.
It is always difficult to decide what age range “Young Adult” refers to. Some may assume it is anyone in their teens, however in the case of <i>Summer Days and Summer Nights</i> I would label it a book for older teenagers, those of similar ages to the characters depicted: sixteen to nineteen. This is due to the slightly adult themes of a few of the stories and the amount of swearing many of the authors resort to.
Unfortunately for me, I did not find a perfect story within this collection. There were some I enjoyed more than others; likewise there were some I was not keen on at all. It is for this reason I have only given a rating of three stars. I do not want to put prospective readers off however as this is merely a case of personal preferences and not a true reflection of the authors’ exceptional writing skills.
Hazel (1853 KP) rated The Second Love of My Life in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review </i>
Victoria Walters’ debut novel, <i>The Second Love of My Life</i>, is a must read for fans of women’s fiction. Set in a coastal village in Cornwall, Walters explores themes of love, grief and survival in this satisfying narrative.
Rose Walker was once known in her small village for being an up-and-coming artist, however now she is branded as the woman who was widowed at twenty four. The story begins two years after the tragic event involving a car collision between her husband, Lucas, and a drunk driver. Since then Rose has wallowed in her grief and not picked up a paintbrush; therefore the upcoming village fair will be the last time she ever sells her paintings.
A stranger, Robert Green, shocks both Rose and the community by purchasing all of her remaining artwork for an extortionate amount of money. Intrigued by this mysterious man, Rose begins to creep back out of her shell, exploring feelings she has not felt for quite some time. However, just as she believes she cold fall in love again, Robert reveals he is not the man she thought he was.
In a way there are two focuses of this novel. One is Rose’s love life and the other is her artwork. The former is obvious from the title alone. “<i>The Second Love of My Life</i>” suggests that the protagonist has been in love before, and falls in love again. There was a danger of this story becoming predictable: girl is heartbroken, girl meets man, girl falls in love, something bad happens, bad thing is resolved; however the inclusion of Rose’s (former) passion for art gives the book a unique streak.
Many artists will be able to relate to (even if they have never been brokenhearted) the feeling of being unable to produce work – a mental block. <i>The Second Love of My Life</i> reveals the trials Rose goes through in order to get her life back together by forcing herself through the barriers her mind has created in order to deal with her deeper emotions. Although it was Robert that inspired Rose to begin painting again, she does this mostly by herself, showing the reader that she is a strong, capable woman who does not need a man to save her – getting the man is an added bonus.
Whether because this is a first novel, or whether it is Walters’ writing style, there are times when it is difficult to tell what is speech and what is the main character’s internal monologue. Occasionally I found myself wondering whether the lack of speech marks was an editing error or intentional.
<i>The Second Love of My Life</i> has been likened to the works of Cecelia Ahern (author of <i>P.S. I Love You</i>), which is admittedly the reason I chose to read it. Whilst Walters’ writing is not quite up there with the popular authors, there is no doubt that one-day she will be. This is an impressive debut and definitely an author to look out for.
Victoria Walters’ debut novel, <i>The Second Love of My Life</i>, is a must read for fans of women’s fiction. Set in a coastal village in Cornwall, Walters explores themes of love, grief and survival in this satisfying narrative.
Rose Walker was once known in her small village for being an up-and-coming artist, however now she is branded as the woman who was widowed at twenty four. The story begins two years after the tragic event involving a car collision between her husband, Lucas, and a drunk driver. Since then Rose has wallowed in her grief and not picked up a paintbrush; therefore the upcoming village fair will be the last time she ever sells her paintings.
A stranger, Robert Green, shocks both Rose and the community by purchasing all of her remaining artwork for an extortionate amount of money. Intrigued by this mysterious man, Rose begins to creep back out of her shell, exploring feelings she has not felt for quite some time. However, just as she believes she cold fall in love again, Robert reveals he is not the man she thought he was.
In a way there are two focuses of this novel. One is Rose’s love life and the other is her artwork. The former is obvious from the title alone. “<i>The Second Love of My Life</i>” suggests that the protagonist has been in love before, and falls in love again. There was a danger of this story becoming predictable: girl is heartbroken, girl meets man, girl falls in love, something bad happens, bad thing is resolved; however the inclusion of Rose’s (former) passion for art gives the book a unique streak.
Many artists will be able to relate to (even if they have never been brokenhearted) the feeling of being unable to produce work – a mental block. <i>The Second Love of My Life</i> reveals the trials Rose goes through in order to get her life back together by forcing herself through the barriers her mind has created in order to deal with her deeper emotions. Although it was Robert that inspired Rose to begin painting again, she does this mostly by herself, showing the reader that she is a strong, capable woman who does not need a man to save her – getting the man is an added bonus.
Whether because this is a first novel, or whether it is Walters’ writing style, there are times when it is difficult to tell what is speech and what is the main character’s internal monologue. Occasionally I found myself wondering whether the lack of speech marks was an editing error or intentional.
<i>The Second Love of My Life</i> has been likened to the works of Cecelia Ahern (author of <i>P.S. I Love You</i>), which is admittedly the reason I chose to read it. Whilst Walters’ writing is not quite up there with the popular authors, there is no doubt that one-day she will be. This is an impressive debut and definitely an author to look out for.