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Hazel (1853 KP) rated A Robot in the Garden in Books
Dec 14, 2018
<i>This ebook was provided by the publisher via NetGalley in exchange for an honest review </i>
What would you do if you found a robot in your garden? That is exactly what, as the title suggests, 34-year-old Ben has to answer on making this discovery early one September morning. Set in the near future where many people have androids in their houses to do the chores they do not wish to do, finding a robot is not a completely unsettling event. What is unusual, however, is that this particular robot is the opposite of the modern, shiny models: he appears to be a mishmash of Japanese fine art and something you would find on a scrap heap.
As Ben discovers, the robot, named Tang is broken and is in need of urgent care and repair. Ben becomes obsessed with trying to pry information out of the robot as to where he came from and to whom he belongs to. Bringing Tang into the house is the last straw for his wife, Amy, who after letting him know all his faults – unemployment, never achieved anything – walks out on him. Now alone, with no one else to worry about, Ben is determined to locate Tang’s creator and save the robot’s life.
What continues is a wild goose chase across America and over to Asia as the strange pairing – human and robot – follows hints and clues that could help them reach their destination. Along the way Ben gets to know Tang and learns to love him in the same way a father loves a child. No matter what mischief Tang gets himself into, Ben is always there to fix the situation. The only thing he cannot fix is Tang’s internal parts, and time is running out.
Initially the story was about a man who wanted to prove he could achieve something to show his sister and his, now, ex-wife that they were wrong about him. However later on in the novel Ben realizes he is changing for himself, not for anyone else, and the person – or robot – that has helped him to achieve this is Tang. On the other hand it is also a humorous tale that explores a character that is unable to connect to the world around him. Tang is like a human toddler who needs constant care and attention, and is fascinated by everything around him. With Ben’s love and attention he proves to the world that he is much more than a rusty metal box.
<i>A Robot in the Garden</i> is a gem of a novel that is guaranteed to make the reader laugh. It is also touching and emotionally engaging, with both heartwarming and heart wrenching moments. Deborah Install has created an accurate representation of a character that has no understanding of the happenings in the world around it, basing many hilarious instances on those of her young son.
Whilst reading this book I could not help but compare it to the film <i>Short Circuit</i> (1986) in which a robot is electrocuted and gains human intelligence. I kept picturing the storyline of <i>A Robot in the Garden</i> in my head and thinking up ways it could be portrayed on screen. Whether there are plans to make it into a film I have no idea, but I am sure it would make prize-winning picture.
Do not be put off by its science fiction classification; <i>A Robot in the Garden</i> is no <i>War of the Worlds</i> or <i>Doctor Who</i> type of story. Instead it is a brilliant piece if fiction suitable for all adults. Those with children will laugh at the similarities between Tang and their offspring, whereas those without will sympathise with Ben’s struggles to keep the robot under control. All in all a great novel.
What would you do if you found a robot in your garden? That is exactly what, as the title suggests, 34-year-old Ben has to answer on making this discovery early one September morning. Set in the near future where many people have androids in their houses to do the chores they do not wish to do, finding a robot is not a completely unsettling event. What is unusual, however, is that this particular robot is the opposite of the modern, shiny models: he appears to be a mishmash of Japanese fine art and something you would find on a scrap heap.
As Ben discovers, the robot, named Tang is broken and is in need of urgent care and repair. Ben becomes obsessed with trying to pry information out of the robot as to where he came from and to whom he belongs to. Bringing Tang into the house is the last straw for his wife, Amy, who after letting him know all his faults – unemployment, never achieved anything – walks out on him. Now alone, with no one else to worry about, Ben is determined to locate Tang’s creator and save the robot’s life.
What continues is a wild goose chase across America and over to Asia as the strange pairing – human and robot – follows hints and clues that could help them reach their destination. Along the way Ben gets to know Tang and learns to love him in the same way a father loves a child. No matter what mischief Tang gets himself into, Ben is always there to fix the situation. The only thing he cannot fix is Tang’s internal parts, and time is running out.
Initially the story was about a man who wanted to prove he could achieve something to show his sister and his, now, ex-wife that they were wrong about him. However later on in the novel Ben realizes he is changing for himself, not for anyone else, and the person – or robot – that has helped him to achieve this is Tang. On the other hand it is also a humorous tale that explores a character that is unable to connect to the world around him. Tang is like a human toddler who needs constant care and attention, and is fascinated by everything around him. With Ben’s love and attention he proves to the world that he is much more than a rusty metal box.
<i>A Robot in the Garden</i> is a gem of a novel that is guaranteed to make the reader laugh. It is also touching and emotionally engaging, with both heartwarming and heart wrenching moments. Deborah Install has created an accurate representation of a character that has no understanding of the happenings in the world around it, basing many hilarious instances on those of her young son.
Whilst reading this book I could not help but compare it to the film <i>Short Circuit</i> (1986) in which a robot is electrocuted and gains human intelligence. I kept picturing the storyline of <i>A Robot in the Garden</i> in my head and thinking up ways it could be portrayed on screen. Whether there are plans to make it into a film I have no idea, but I am sure it would make prize-winning picture.
Do not be put off by its science fiction classification; <i>A Robot in the Garden</i> is no <i>War of the Worlds</i> or <i>Doctor Who</i> type of story. Instead it is a brilliant piece if fiction suitable for all adults. Those with children will laugh at the similarities between Tang and their offspring, whereas those without will sympathise with Ben’s struggles to keep the robot under control. All in all a great novel.
Hazel (1853 KP) rated Lies We Tell Ourselves in Books
Dec 17, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
<i>Lies We Tell Ourselves</i> by Robin Talley is a realistic tale about the beginning of the integration of coloured people into white schools in late 1950s America. In Virginia it is 1959 and ten Negros are beginning their first day at Jefferson Highschool. The experience is narrated from one of the ten, Sarah’s, perspective. In other parts of the novel the voice changes to that of Linda, a particularly nasty white girl, who is one of countless students opposed to integration.
Although many young people will have been taught about the black civil right movement it is still shocking to read about the horrible things they had to endure. By writing in the first person, Talley encourages the reader to try to understand how they would feel in a similar situation. Sarah and her friends instantly become the victims of verbal and physical abuse that members of authority turn a blind eye to.
To Sarah, Linda is a nasty spoilt bully who, although does not join in with the taunting and abuse, is as bad as the rest of them. Through reading Linda’s account it becomes clear that her behaviour has a lot to do with her home life, in particularly with her father’s attitude towards her. After being forced to partner Sarah for a French project Linda begins to question why there is so much emphasis on skin colour, however not wanting to be shunned by her own friends she keeps these thoughts to herself.
Sarah is also struggling to come to terms with her sexual preference for girls. It has been drilled into her that these thoughts are a sin. She hides her true feelings from everyone and constantly berates herself mentally for being “unnatural”. But it turns out she may not be the only one with these thoughts.
The lies referred to in the title are not the blatant or harmful lies but rather the lies the characters believe or even want to believe. Each chapter begins with a lie that reflects what is occurring in the novel at that time; for example “There’s no need to be afraid” and “I don’t care what they think of me.” This is an interesting way of telling the story as it emphasizes Sarah’s determination to keep going despite what she is subjected to. It also reveals the mental struggles she faces. On the other hand the lies disclose Linda’s conflicting feelings towards the South’s current situation and segregation laws.
Although not a religious novel, each part begins with the title of a Christian hymn. It was the norm for everyone to go to church and, despite the separate churches, was something black and white people did. Sarah and Linda have faith in God yet they both use the bible’s teachings for opposing arguments. The religious aspect also highlights Sarah’s self-hatred and belief that she has fallen into sin.
Unfortunately in today’s world there are still issues with racism and homophobia however after reading <i>Lies We Tell Ourselves</i> it is evident that these situations have vastly improved, at least in the Western world, since the 1950s. Without children such as Sarah going through these horrible experiences nothing would have changed. There would still be separate schools, slavery and inaccurate opinions about race inequality. America has a lot to thank these brave students who were the first to create mixed race schools.
Overall this is a brilliant book. Well written and realistic, it really draws the reader in to the characters’ stories. Although <i>Lies We Tell Ourselves</i> is a work of fiction, it is historically accurate and can teach a lot about America’s history to young adults today.
<i>Lies We Tell Ourselves</i> by Robin Talley is a realistic tale about the beginning of the integration of coloured people into white schools in late 1950s America. In Virginia it is 1959 and ten Negros are beginning their first day at Jefferson Highschool. The experience is narrated from one of the ten, Sarah’s, perspective. In other parts of the novel the voice changes to that of Linda, a particularly nasty white girl, who is one of countless students opposed to integration.
Although many young people will have been taught about the black civil right movement it is still shocking to read about the horrible things they had to endure. By writing in the first person, Talley encourages the reader to try to understand how they would feel in a similar situation. Sarah and her friends instantly become the victims of verbal and physical abuse that members of authority turn a blind eye to.
To Sarah, Linda is a nasty spoilt bully who, although does not join in with the taunting and abuse, is as bad as the rest of them. Through reading Linda’s account it becomes clear that her behaviour has a lot to do with her home life, in particularly with her father’s attitude towards her. After being forced to partner Sarah for a French project Linda begins to question why there is so much emphasis on skin colour, however not wanting to be shunned by her own friends she keeps these thoughts to herself.
Sarah is also struggling to come to terms with her sexual preference for girls. It has been drilled into her that these thoughts are a sin. She hides her true feelings from everyone and constantly berates herself mentally for being “unnatural”. But it turns out she may not be the only one with these thoughts.
The lies referred to in the title are not the blatant or harmful lies but rather the lies the characters believe or even want to believe. Each chapter begins with a lie that reflects what is occurring in the novel at that time; for example “There’s no need to be afraid” and “I don’t care what they think of me.” This is an interesting way of telling the story as it emphasizes Sarah’s determination to keep going despite what she is subjected to. It also reveals the mental struggles she faces. On the other hand the lies disclose Linda’s conflicting feelings towards the South’s current situation and segregation laws.
Although not a religious novel, each part begins with the title of a Christian hymn. It was the norm for everyone to go to church and, despite the separate churches, was something black and white people did. Sarah and Linda have faith in God yet they both use the bible’s teachings for opposing arguments. The religious aspect also highlights Sarah’s self-hatred and belief that she has fallen into sin.
Unfortunately in today’s world there are still issues with racism and homophobia however after reading <i>Lies We Tell Ourselves</i> it is evident that these situations have vastly improved, at least in the Western world, since the 1950s. Without children such as Sarah going through these horrible experiences nothing would have changed. There would still be separate schools, slavery and inaccurate opinions about race inequality. America has a lot to thank these brave students who were the first to create mixed race schools.
Overall this is a brilliant book. Well written and realistic, it really draws the reader in to the characters’ stories. Although <i>Lies We Tell Ourselves</i> is a work of fiction, it is historically accurate and can teach a lot about America’s history to young adults today.
Hazel (1853 KP) rated The Keeper of Portals in Books
Dec 17, 2018
<i>This ARC was provided by the author in exchange for an honest review </i>
Awaiting young adult readers in early 2017 is a fantasy story unlike any other. <i>The Keeper of Portals</i> is the debut novel of V.S. Nelson, the soon-to-be-published author with an imagination worth sharing. Incorporating the familiar concept of time travel into a new way of visualizing the world results in a story that will leave minds reeling.
Nelson’s theory is that every aspect of life has a keeper, a creature in charge of making sure their assigned element functions smoothly. There are the major keepers responsible for time, causality and other things that cannot be seen, yet objects as small as buttons have their own keeper, too. Humans, of course, are unaware of these keepers, therefore fifteen-year-old Martin Lockford initially believes he is going mad when the Keeper of Portals reveals his existence in Martin’s bedroom.
Martin and his mother, with nowhere else to go, have moved into a dilapidated manor once owned by a distant relative. Whilst exploring his new room, Martin is startled by a disembodied voice claiming to be the Keeper of Portals. Having not spoken to anyone for 400 years, Portals is eager to show off his role in the flowing of the unpredictable universe. The keeper’s task is to make sure each door leads to the correct place – something that he demonstrates by sending Martin to the <i>wrong</i> places. However, there is one door in the manor that he has been unable to open.
The very next morning, Martin awakes to discover the sealed door is no longer locked and, being the curious boy that he is, goes through to explore. The mystery door does not only transport Martin to a different place, it sends him back in time to 1623. Here he meets the young Isabel, a maid, who is intrigued with the inventions of the future, especially from a personal hygiene perspective. However, she is not the only one curious about the 21st century.
The irascible master of the manor is not who he initially seems. With the desire to control everything, he places Martin and Isabel in a grave predicament, trapping them in the 17th century. At risk of creating a paradox, Martin needs to return to his own time – a difficult feat in itself – however, with the Keeper of Portals missing, the master has caused many problems that need to be solved, otherwise a whole new future will be born.
Admittedly, it takes a while for the story to warm up – the reader may be introduced to the idea of keepers fairly early on, yet the key storyline does not reveal itself until much later. After perseverance on the reader’s behalf, <i>The Keeper of Portals</i>, becomes an exciting mix of fantasy and science fiction, cleverly thought out to create an unpredictable scenario. Adventure after adventure, until bittersweet conclusion, keeps readers engaged and compelled to read on long after bedtime.
Although Martin is the protagonist of the novel, Isabel’s role is equally important. Despite women in the 1600s being deprived on the rights they have in this day and age, Isabel is an intelligent, independent girl, perfectly able to handle everything that is thrown at her. She is an inspiration to teenage girls.
Written with teenage readers in mind, <i>The Keeper of Portals</i> is suitable for fantasy-loving adults, too. With equipoise of adventure and intellectual theory, as well as a touch of romance, it is definitely a book to look out for. V.S. Nelson writes with clarity, exuding remarkable intelligence; let us hope that there will be more from where this came from.
Awaiting young adult readers in early 2017 is a fantasy story unlike any other. <i>The Keeper of Portals</i> is the debut novel of V.S. Nelson, the soon-to-be-published author with an imagination worth sharing. Incorporating the familiar concept of time travel into a new way of visualizing the world results in a story that will leave minds reeling.
Nelson’s theory is that every aspect of life has a keeper, a creature in charge of making sure their assigned element functions smoothly. There are the major keepers responsible for time, causality and other things that cannot be seen, yet objects as small as buttons have their own keeper, too. Humans, of course, are unaware of these keepers, therefore fifteen-year-old Martin Lockford initially believes he is going mad when the Keeper of Portals reveals his existence in Martin’s bedroom.
Martin and his mother, with nowhere else to go, have moved into a dilapidated manor once owned by a distant relative. Whilst exploring his new room, Martin is startled by a disembodied voice claiming to be the Keeper of Portals. Having not spoken to anyone for 400 years, Portals is eager to show off his role in the flowing of the unpredictable universe. The keeper’s task is to make sure each door leads to the correct place – something that he demonstrates by sending Martin to the <i>wrong</i> places. However, there is one door in the manor that he has been unable to open.
The very next morning, Martin awakes to discover the sealed door is no longer locked and, being the curious boy that he is, goes through to explore. The mystery door does not only transport Martin to a different place, it sends him back in time to 1623. Here he meets the young Isabel, a maid, who is intrigued with the inventions of the future, especially from a personal hygiene perspective. However, she is not the only one curious about the 21st century.
The irascible master of the manor is not who he initially seems. With the desire to control everything, he places Martin and Isabel in a grave predicament, trapping them in the 17th century. At risk of creating a paradox, Martin needs to return to his own time – a difficult feat in itself – however, with the Keeper of Portals missing, the master has caused many problems that need to be solved, otherwise a whole new future will be born.
Admittedly, it takes a while for the story to warm up – the reader may be introduced to the idea of keepers fairly early on, yet the key storyline does not reveal itself until much later. After perseverance on the reader’s behalf, <i>The Keeper of Portals</i>, becomes an exciting mix of fantasy and science fiction, cleverly thought out to create an unpredictable scenario. Adventure after adventure, until bittersweet conclusion, keeps readers engaged and compelled to read on long after bedtime.
Although Martin is the protagonist of the novel, Isabel’s role is equally important. Despite women in the 1600s being deprived on the rights they have in this day and age, Isabel is an intelligent, independent girl, perfectly able to handle everything that is thrown at her. She is an inspiration to teenage girls.
Written with teenage readers in mind, <i>The Keeper of Portals</i> is suitable for fantasy-loving adults, too. With equipoise of adventure and intellectual theory, as well as a touch of romance, it is definitely a book to look out for. V.S. Nelson writes with clarity, exuding remarkable intelligence; let us hope that there will be more from where this came from.
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Sophia (Bookwyrming Thoughts) (530 KP) rated Princess of Thorns in Books
Jan 23, 2020
<i>Princess of Thorns</i> isn't even a retelling – it's <b>just a fairy tale (pun may be intended) where the original characters are quite dead (poisoned, murdered, suicidal, etc.) and the spawn of Aurora 1.0 and Stephen is cursed in exchange for her fairy blessings.</b>
That particular spawn, who I'm calling Aurora 2.0 (simply because <i>THE</i> Sleeping Beauty was born as Aurora but Stacey Jay calls her Rose), apparently has a brother who gets captured by the ogre queen and she decides to pose as said brother to raise an army to overthrow the ogre queen. Early on in her journey – the beginning of the book, in actuality – Aurora meets Prince Niklaas, son of the immortal king of Kanvasola and wait for it...
Also cursed.
I won't complain too much about <i>Princess of Thorns</i> – it's a neat idea and there's really not much you can do with a retelling of a princess who sleeps a hundred years and gets woken up by a kiss from a prince who goes through thorns and fights a green-fire breathing dragon witch known as Maleficent. I pretty much applaud authors who toy around with Sleeping Beauty – it's interesting to see what comes out of it.
But <b>the book is <i>sooo</i> confusing</b>. From the beginning, Jay quite literally throws us in a world where Aurora is aware of what's going on around her, but <b>I have no clue what's going on.</b> Aurora thinks she's seeing a hottie who she thinks is a "Golden God" – great! But what in the world is going on? All I know is she's been with the fey for ten years and she may or may not be with them right at that time, and whatever was going on for fifteen pages certainly doesn't sound very fey-like. I also know that her mother, the original Sleeping Beauty, is dead.
There were also <b>a few things that just seemed really ridiculous.</b>
The <b>names are just not as creative</b> as Stacey Jay might be aiming them to be. Niklaas, Haanah, Ekeeta, and the name that almost made me bawl in laughter? Nippa. It's almost as though <b>in an effort to "foreignize" the names, Jay either "drawls" out a letter or it justs sounds like another word in the English language (sometimes, it's not even pleasant).</b> In that case, I'll be Sofeeyah.
<b>The entire concept of Aurora dressing up as her brother without anyone being aware was also a bit suspicious.</b> Aurora slips up A LOT in front of Niklaas throughout the journey, and <b>I'm a bit peeved he doesn't even question it THE ENTIRE TIME.</b> If her brother were younger than fourteen and disguised Aurora slipped up a few times, then maybe it would have worked better. But Aurora's captured brother is <i>fourteen</i> – I doubt fourteen-year-old boys sound like high-pitched girls. As much as I applaud Aurora for having the guts to venture out in the world on her own to take down an ogre queen, <b>I just don't buy her manliness.</b>
In all honesty, though, <b>Aurora as a Jor was a lot better than Aurora as a girl</b> – she's desperate as Niklaas gets closer to his eighteenth birthday. It's quite literally, "Dude, come on! Marry me already!" And Niklaas is all mopey. "All is lost. No princess loves me, so dear God and all that is Holy, END THIS AND TURN ME INTO A SWAN ALREADY SO I CAN SWAN THE REST OF MY LIFE AWAY WITH MY SWANNING BROS."
Aurora's approaching meeting with the ogre queen seemed <b>really weird, abrupt, and cheesy</b> – I felt like I just wrote a story in sixth grade where the bad guy goes all, "Oh, I'm so sorry! Let me just accept my punishment and go to flaming Hell." while being completely solemn. And obviously, the story becomes all happily ever after.
The entire explanation makes sense, but <b>the execution just seemed weird and quick</b> and somewhere in the process, the author realized, "Oh, wait. This is going on 400 hundred pages. I better wrap this up and wrap it up quickly, or I'll end up boring the crap out of my readers if I throw in deception and go on 600 or more pages!"
Disclaimer: I'm not making fun of the author. I'm quite literally saying I felt as though I was in sixth grade, writing a story with an actual limited number of pages and I <i>had</i> to wrap it up, so I did it abruptly. That was actually a true story. I did get a decent grade, so I must have done something right, right?
Also, at the time of writing this review, I was feeling more sarcastic than usual (though Lupe and Rundus would probably say I'm sarcastic 24/7). <b><i>Princess of Thorns</i> had a decent idea, but there were quite a bit of bumps and mucho ridiculousness throughout that made the story fall rather than burst out feathers and fly (see what I did there?).</b>
<a href="https://bookwyrmingthoughts.com/review-princess-of-thorns-by-stacey-jay/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
That particular spawn, who I'm calling Aurora 2.0 (simply because <i>THE</i> Sleeping Beauty was born as Aurora but Stacey Jay calls her Rose), apparently has a brother who gets captured by the ogre queen and she decides to pose as said brother to raise an army to overthrow the ogre queen. Early on in her journey – the beginning of the book, in actuality – Aurora meets Prince Niklaas, son of the immortal king of Kanvasola and wait for it...
Also cursed.
I won't complain too much about <i>Princess of Thorns</i> – it's a neat idea and there's really not much you can do with a retelling of a princess who sleeps a hundred years and gets woken up by a kiss from a prince who goes through thorns and fights a green-fire breathing dragon witch known as Maleficent. I pretty much applaud authors who toy around with Sleeping Beauty – it's interesting to see what comes out of it.
But <b>the book is <i>sooo</i> confusing</b>. From the beginning, Jay quite literally throws us in a world where Aurora is aware of what's going on around her, but <b>I have no clue what's going on.</b> Aurora thinks she's seeing a hottie who she thinks is a "Golden God" – great! But what in the world is going on? All I know is she's been with the fey for ten years and she may or may not be with them right at that time, and whatever was going on for fifteen pages certainly doesn't sound very fey-like. I also know that her mother, the original Sleeping Beauty, is dead.
There were also <b>a few things that just seemed really ridiculous.</b>
The <b>names are just not as creative</b> as Stacey Jay might be aiming them to be. Niklaas, Haanah, Ekeeta, and the name that almost made me bawl in laughter? Nippa. It's almost as though <b>in an effort to "foreignize" the names, Jay either "drawls" out a letter or it justs sounds like another word in the English language (sometimes, it's not even pleasant).</b> In that case, I'll be Sofeeyah.
<b>The entire concept of Aurora dressing up as her brother without anyone being aware was also a bit suspicious.</b> Aurora slips up A LOT in front of Niklaas throughout the journey, and <b>I'm a bit peeved he doesn't even question it THE ENTIRE TIME.</b> If her brother were younger than fourteen and disguised Aurora slipped up a few times, then maybe it would have worked better. But Aurora's captured brother is <i>fourteen</i> – I doubt fourteen-year-old boys sound like high-pitched girls. As much as I applaud Aurora for having the guts to venture out in the world on her own to take down an ogre queen, <b>I just don't buy her manliness.</b>
In all honesty, though, <b>Aurora as a Jor was a lot better than Aurora as a girl</b> – she's desperate as Niklaas gets closer to his eighteenth birthday. It's quite literally, "Dude, come on! Marry me already!" And Niklaas is all mopey. "All is lost. No princess loves me, so dear God and all that is Holy, END THIS AND TURN ME INTO A SWAN ALREADY SO I CAN SWAN THE REST OF MY LIFE AWAY WITH MY SWANNING BROS."
Aurora's approaching meeting with the ogre queen seemed <b>really weird, abrupt, and cheesy</b> – I felt like I just wrote a story in sixth grade where the bad guy goes all, "Oh, I'm so sorry! Let me just accept my punishment and go to flaming Hell." while being completely solemn. And obviously, the story becomes all happily ever after.
The entire explanation makes sense, but <b>the execution just seemed weird and quick</b> and somewhere in the process, the author realized, "Oh, wait. This is going on 400 hundred pages. I better wrap this up and wrap it up quickly, or I'll end up boring the crap out of my readers if I throw in deception and go on 600 or more pages!"
Disclaimer: I'm not making fun of the author. I'm quite literally saying I felt as though I was in sixth grade, writing a story with an actual limited number of pages and I <i>had</i> to wrap it up, so I did it abruptly. That was actually a true story. I did get a decent grade, so I must have done something right, right?
Also, at the time of writing this review, I was feeling more sarcastic than usual (though Lupe and Rundus would probably say I'm sarcastic 24/7). <b><i>Princess of Thorns</i> had a decent idea, but there were quite a bit of bumps and mucho ridiculousness throughout that made the story fall rather than burst out feathers and fly (see what I did there?).</b>
<a href="https://bookwyrmingthoughts.com/review-princess-of-thorns-by-stacey-jay/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
Hazel (1853 KP) rated The Water Babies in Books
Oct 9, 2017
Worryingly Controversial
This eBook was provided by the publisher via NetGalley in exchange for an honest review
This year (2017), Calla Editions are printing a new hardback version of the original 1863 children’s classic The Water Babies written by the Anglican clergyman, Charles Kingsley (1819-75). Subtitled “A Fairytale for a land-baby” the book was intended for Kingsley’s youngest son and therefore was targeted at a juvenile demographic. However, as a result of the 1800’s vernacular and particularly deep themes, it has become more appropriate for older readers. With full-colour illustrations by Jessie Wilcox Smith (1863-1935) from the height of the golden age of illustration, this edition promises to be a collector’s item.
Charles Kingsley, the founder of England’s Christian Socialist movement, was exceedingly interested in the plight of the working class, particularly of the abuse and protection of children. This is reflected in his story about Tom, the ten-year-old London chimney sweep, who suffers ill-treatment at the hands of his employer. Tom, who has known nothing but the sooty streets of London, is embarrassed after scaring a beautiful young girl with his grimy appearance. Running away through a countryside he is unfamiliar with, Tom dives into a river to wash, however, falls asleep in the water.
On awakening, Tom discovers he has been transformed into a water baby; he can live and breathe amongst all the fishes and other mystical water creatures. Forgetting his horrible past, Tom is soon frolicking with the characters he meets, teasing and provoking unsuspecting individuals. But the fairies in charge of water babies are determined to teach him many lessons about truth, mercy, justice and courage.
The Water Babies is a morality fable with fairy-tale-like qualities. It educates young readers about the consequences of their actions but also enlightens them about the cruelty of some adults. Kingsley often talks to the reader (in this instance his son), drawing them into the story and making the scenarios as relatable as possible. The magical underwater setting is merely a veil to hide the lessons Kingsley is attempting to preach.
For the adult reader, Kingsley has a much more political message. Written at the time of political and scientific advancement, particularly in respect to the concept of natural selection, Kingsley attempts to ridicule the ideas of thinkers such as Charles Darwin by producing a satirical narrative. He suggests that scientists are fools who use unnecessarily long and foreign terms, evidenced by his use of the made-up subject of Necrobioneopalæonthydrochthonanthropopithekology. He also goes as far as to mock the majority of adults and appears to be completely anti-Irish people.
In some instances, Charles Kingsley goes too far in his satire, resulting in something that would not be accepted by publishers today. In order for Tom to be the hero of the story, adults need to be viewed as less than good – people who need to be punished for their discourteous treatment of children, which in this instance, they are, and quite graphically. But the most controversial theme explored is death. The more naïve may not cotton on to the fact that Tom falling asleep in the river equates to drowning, yet that is exactly what happened. Only through death can one become a water baby. To make matters slightly more alarming, Kingsley does not see this death as a bad thing; he describes Tom’s new life as something far better than life on earth – coming from a clergyman this is understandable – which suggests that death is better than living for an abused child.
Despite these controversies, Kingsley’s prose is humorous and entertaining - far more mind-boggling than you may initially expect. With characters named Mrs Bedonebyasyoudid and Professor Ptthmllnsprts, there is plenty to make readers laugh. Some of the hilarities may go above the heads of children since the jargon is no longer used in today’s society, however, adults will be able to appreciate the comical aspect.
Over 150 years old, The Water Babies has remained a classic. It reveals the political, scientific and social situations of the mid-1800s, yet it contains wisdom that is still relevant today. As Kingsley’s daughter Rose says in the introduction, “What a fine thing it is to love truth, mercy, justice, courage, and all things noble and of good report.” No matter how peculiar this novel is, it says a lot about the virtues of our character.
This year (2017), Calla Editions are printing a new hardback version of the original 1863 children’s classic The Water Babies written by the Anglican clergyman, Charles Kingsley (1819-75). Subtitled “A Fairytale for a land-baby” the book was intended for Kingsley’s youngest son and therefore was targeted at a juvenile demographic. However, as a result of the 1800’s vernacular and particularly deep themes, it has become more appropriate for older readers. With full-colour illustrations by Jessie Wilcox Smith (1863-1935) from the height of the golden age of illustration, this edition promises to be a collector’s item.
Charles Kingsley, the founder of England’s Christian Socialist movement, was exceedingly interested in the plight of the working class, particularly of the abuse and protection of children. This is reflected in his story about Tom, the ten-year-old London chimney sweep, who suffers ill-treatment at the hands of his employer. Tom, who has known nothing but the sooty streets of London, is embarrassed after scaring a beautiful young girl with his grimy appearance. Running away through a countryside he is unfamiliar with, Tom dives into a river to wash, however, falls asleep in the water.
On awakening, Tom discovers he has been transformed into a water baby; he can live and breathe amongst all the fishes and other mystical water creatures. Forgetting his horrible past, Tom is soon frolicking with the characters he meets, teasing and provoking unsuspecting individuals. But the fairies in charge of water babies are determined to teach him many lessons about truth, mercy, justice and courage.
The Water Babies is a morality fable with fairy-tale-like qualities. It educates young readers about the consequences of their actions but also enlightens them about the cruelty of some adults. Kingsley often talks to the reader (in this instance his son), drawing them into the story and making the scenarios as relatable as possible. The magical underwater setting is merely a veil to hide the lessons Kingsley is attempting to preach.
For the adult reader, Kingsley has a much more political message. Written at the time of political and scientific advancement, particularly in respect to the concept of natural selection, Kingsley attempts to ridicule the ideas of thinkers such as Charles Darwin by producing a satirical narrative. He suggests that scientists are fools who use unnecessarily long and foreign terms, evidenced by his use of the made-up subject of Necrobioneopalæonthydrochthonanthropopithekology. He also goes as far as to mock the majority of adults and appears to be completely anti-Irish people.
In some instances, Charles Kingsley goes too far in his satire, resulting in something that would not be accepted by publishers today. In order for Tom to be the hero of the story, adults need to be viewed as less than good – people who need to be punished for their discourteous treatment of children, which in this instance, they are, and quite graphically. But the most controversial theme explored is death. The more naïve may not cotton on to the fact that Tom falling asleep in the river equates to drowning, yet that is exactly what happened. Only through death can one become a water baby. To make matters slightly more alarming, Kingsley does not see this death as a bad thing; he describes Tom’s new life as something far better than life on earth – coming from a clergyman this is understandable – which suggests that death is better than living for an abused child.
Despite these controversies, Kingsley’s prose is humorous and entertaining - far more mind-boggling than you may initially expect. With characters named Mrs Bedonebyasyoudid and Professor Ptthmllnsprts, there is plenty to make readers laugh. Some of the hilarities may go above the heads of children since the jargon is no longer used in today’s society, however, adults will be able to appreciate the comical aspect.
Over 150 years old, The Water Babies has remained a classic. It reveals the political, scientific and social situations of the mid-1800s, yet it contains wisdom that is still relevant today. As Kingsley’s daughter Rose says in the introduction, “What a fine thing it is to love truth, mercy, justice, courage, and all things noble and of good report.” No matter how peculiar this novel is, it says a lot about the virtues of our character.
Annie Chanse (15 KP) rated Lovecraft's Monsters in Books
Dec 19, 2017
I received an ARC copy of this anthology in exchange for my honest opinion, and regrettably, I wasn't overly impressed with it. I made notes as I read, and those notes are what I will be posting here now:
Well, I'm about to start the third story, but I thought I'd keep a running commentary on each story so that when it came time to review it, I wouldn't forget how I felt about each individual one.
"Only the End of the World Again" by Neil Gaiman was good. Probably 4 stars. It wasn't the typical greatness that I USUALLY associate with Gaiman, but it was still a quick and enjoyable read. I read it aloud to my eight year old son (editing out the few naughty words, of course) and even he really loved it. There were a few places where he didn't understand what was going on, but overall, he thought it was a great story.
"Bulldozer" by Laird Barron was terrible. I couldn't make it through the story. The writing style was AWFUL. I know that it was supposed to be written -- in parts -- in a stream of consciousness style, but it was awful. I stopped about halfway through and just said screw it. I wouldn't even give this story a star at all.
Finished "Red Goat Black Goat" by Nadia Bulkin. While it had some nice creepy vibes, it was, overall, a 2 star story. I realize, as a short story, it is limited by length and time constraints, but the story just starts in the middle of a world about which the reader has no idea whatsoever. It's not what I would call a good story, although, as I said, there were a couple of moments when I had to look up from my completely dark bedroom and make sure I didn't hear bumps in the night, so it gets one extra star for that.
"The Same Deep Waters As You" was actually fantastic. It's been the best story in the anthology so far. I know, I know... me saying something is better than a Gaiman story is almost unheard of, but this story by Hodge was truly good from beginning to end. It was completely unique, and even though it was a short story, it was completely self-contained. It didn't leave me wondering what happened before the story started to get us to this place, and it ended perfectly, not in a 'to be continued' style. Also, just wow. The ending was a killer. I did NOT see it coming AT ALL. Five stars.
"A Quarter to Three" gets 2.5 stars simply because of Newman's writing style. She is very articulate, and I loved the tone of this story. The content of the story, however, wasn't that great. However, I feel compelled to give it an extra half a star -- bumping it up to 3 stars -- for this one, perfect line:
"It was easy to see what she had seen in him; it left a thin damp trail between his scuffed footprints." Ha. Loved it
"The Dappled Things" was a total bust. 1 star, and that is being generous. So boring I nearly fell asleep twice trying to get through the first two pages. Not worth the time it took to read it.
"Inelastic Collisions" was decent. I have nothing really bad to say about it, but I have nothing super great to say about it either. Three stars.
"Remnants" deserves about 3.5 stars. It's pretty decent. I like the story and the way the plot developed. However, I dislike how abruptly it ended. If the ending had been a little more well-rounded, it could have easily been a 4.5 star story.
"Love is Forbidden We Croak and Howl" -- eh. Two stars. Didn't really hold my interest that much. I kept drifting off...
"The Sect of the Idiot" was a solid three stars. Overall the story wasn't super, but I really, really, REALLY did love the detail paid to the dream sequence. It was beautiful and creepy and dark. Lovely bit of storytelling, that was.
"Jar of Salts" is easily 4.5 stars. Short little Lovecraftian poem, but such a pleasure to read.
Well, I'm finally finished with Lovecraft's Monsters, but honestly, after the last update I made, none of the other stories were really worth reading. I was, overall, a bit disappointed with the book. :-/
Well, I'm about to start the third story, but I thought I'd keep a running commentary on each story so that when it came time to review it, I wouldn't forget how I felt about each individual one.
"Only the End of the World Again" by Neil Gaiman was good. Probably 4 stars. It wasn't the typical greatness that I USUALLY associate with Gaiman, but it was still a quick and enjoyable read. I read it aloud to my eight year old son (editing out the few naughty words, of course) and even he really loved it. There were a few places where he didn't understand what was going on, but overall, he thought it was a great story.
"Bulldozer" by Laird Barron was terrible. I couldn't make it through the story. The writing style was AWFUL. I know that it was supposed to be written -- in parts -- in a stream of consciousness style, but it was awful. I stopped about halfway through and just said screw it. I wouldn't even give this story a star at all.
Finished "Red Goat Black Goat" by Nadia Bulkin. While it had some nice creepy vibes, it was, overall, a 2 star story. I realize, as a short story, it is limited by length and time constraints, but the story just starts in the middle of a world about which the reader has no idea whatsoever. It's not what I would call a good story, although, as I said, there were a couple of moments when I had to look up from my completely dark bedroom and make sure I didn't hear bumps in the night, so it gets one extra star for that.
"The Same Deep Waters As You" was actually fantastic. It's been the best story in the anthology so far. I know, I know... me saying something is better than a Gaiman story is almost unheard of, but this story by Hodge was truly good from beginning to end. It was completely unique, and even though it was a short story, it was completely self-contained. It didn't leave me wondering what happened before the story started to get us to this place, and it ended perfectly, not in a 'to be continued' style. Also, just wow. The ending was a killer. I did NOT see it coming AT ALL. Five stars.
"A Quarter to Three" gets 2.5 stars simply because of Newman's writing style. She is very articulate, and I loved the tone of this story. The content of the story, however, wasn't that great. However, I feel compelled to give it an extra half a star -- bumping it up to 3 stars -- for this one, perfect line:
"It was easy to see what she had seen in him; it left a thin damp trail between his scuffed footprints." Ha. Loved it
"The Dappled Things" was a total bust. 1 star, and that is being generous. So boring I nearly fell asleep twice trying to get through the first two pages. Not worth the time it took to read it.
"Inelastic Collisions" was decent. I have nothing really bad to say about it, but I have nothing super great to say about it either. Three stars.
"Remnants" deserves about 3.5 stars. It's pretty decent. I like the story and the way the plot developed. However, I dislike how abruptly it ended. If the ending had been a little more well-rounded, it could have easily been a 4.5 star story.
"Love is Forbidden We Croak and Howl" -- eh. Two stars. Didn't really hold my interest that much. I kept drifting off...
"The Sect of the Idiot" was a solid three stars. Overall the story wasn't super, but I really, really, REALLY did love the detail paid to the dream sequence. It was beautiful and creepy and dark. Lovely bit of storytelling, that was.
"Jar of Salts" is easily 4.5 stars. Short little Lovecraftian poem, but such a pleasure to read.
Well, I'm finally finished with Lovecraft's Monsters, but honestly, after the last update I made, none of the other stories were really worth reading. I was, overall, a bit disappointed with the book. :-/
Hazel (1853 KP) rated The Water Babies in Books
Dec 7, 2018
<i>This eBook was provided by the publisher via NetGalley in exchange for an honest review </i>
This year (2017), Calla Editions are printing a new hardback version of the original 1863 children’s classic <i>The Water Babies</i> written by the Anglican clergyman, Charles Kingsley (1819-75). Subtitled “<i>A Fairytale for a land-baby</i>” the book was intended for Kingsley’s youngest son and therefore was targeted at a juvenile demographic. However, as a result of the 1800’s vernacular and particularly deep themes, it has become more appropriate for older readers. With full-colour illustrations by Jessie Wilcox Smith (1863-1935) from the height of the golden age of illustration, this edition promises to be a collector’s item.
Charles Kingsley, the founder of England’s Christian Socialist movement, was exceedingly interested in the plight of the working class, particularly of the abuse and protection of children. This is reflected in his story about Tom, the ten-year-old London chimney sweep, who suffers ill-treatment at the hands of his employer. Tom, who has known nothing but the sooty streets of London, is embarrassed after scaring a beautiful young girl with his grimy appearance. Running away through a countryside he is unfamiliar with, Tom dives into a river to wash, however, falls asleep in the water.
On awakening, Tom discovers he has been transformed into a water baby; he can live and breathe amongst all the fishes and other mystical water creatures. Forgetting his horrible past, Tom is soon frolicking with the characters he meets, teasing and provoking unsuspecting individuals. But the fairies in charge of water babies are determined to teach him many lessons about truth, mercy, justice and courage.
<i>The Water Babies</i> is a morality fable with fairy-tale-like qualities. It educates young readers about the consequences of their actions but also enlightens them about the cruelty of some adults. Kingsley often talks to the reader (in this instance his son), drawing them into the story and making the scenarios as relatable as possible. The magical underwater setting is merely a veil to hide the lessons Kingsley is attempting to preach.
For the adult reader, Kingsley has a much more political message. Written at the time of political and scientific advancement, particularly in respect to the concept of natural selection, Kingsley attempts to ridicule the ideas of thinkers such as Charles Darwin by producing a satirical narrative. He suggests that scientists are fools who use unnecessarily long and foreign terms, evidenced by his use of the made-up subject of <i>Necrobioneopalæonthydrochthonanthropopithekology</i>. He also goes as far as to mock the majority of adults and appears to be completely anti-Irish people.
In some instances, Charles Kingsley goes too far in his satire, resulting in something that would not be accepted by publishers today. In order for Tom to be the hero of the story, adults need to be viewed as less than good – people who need to be punished for their discourteous treatment of children, which in this instance, they are, and quite graphically. But the most controversial theme explored is death. The more naïve may not cotton on to the fact that Tom falling asleep in the river equates to drowning, yet that is exactly what happened. Only through death can one become a water baby. To make matters slightly more alarming, Kingsley does not see this death as a bad thing; he describes Tom’s new life as something far better than life on earth – coming from a clergyman this is understandable – which suggests that death is better than living for an abused child.
Despite these controversies, Kingsley’s prose is humorous and entertaining - far more mind-boggling than you may initially expect. With characters named Mrs Bedonebyasyoudid and Professor Ptthmllnsprts, there is plenty to make readers laugh. Some of the hilarities may go above the heads of children since the jargon is no longer used in today’s society, however, adults will be able to appreciate the comical aspect.
Over 150 years old, <i>The Water Babies</i> has remained a classic. It reveals the political, scientific and social situations of the mid-1800s, yet it contains wisdom that is still relevant today. As Kingsley’s daughter Rose says in the introduction, “What a fine thing it is to love truth, mercy, justice, courage, and all things noble and of good report.” No matter how peculiar this novel is, it says a lot about the virtues of our character.
This year (2017), Calla Editions are printing a new hardback version of the original 1863 children’s classic <i>The Water Babies</i> written by the Anglican clergyman, Charles Kingsley (1819-75). Subtitled “<i>A Fairytale for a land-baby</i>” the book was intended for Kingsley’s youngest son and therefore was targeted at a juvenile demographic. However, as a result of the 1800’s vernacular and particularly deep themes, it has become more appropriate for older readers. With full-colour illustrations by Jessie Wilcox Smith (1863-1935) from the height of the golden age of illustration, this edition promises to be a collector’s item.
Charles Kingsley, the founder of England’s Christian Socialist movement, was exceedingly interested in the plight of the working class, particularly of the abuse and protection of children. This is reflected in his story about Tom, the ten-year-old London chimney sweep, who suffers ill-treatment at the hands of his employer. Tom, who has known nothing but the sooty streets of London, is embarrassed after scaring a beautiful young girl with his grimy appearance. Running away through a countryside he is unfamiliar with, Tom dives into a river to wash, however, falls asleep in the water.
On awakening, Tom discovers he has been transformed into a water baby; he can live and breathe amongst all the fishes and other mystical water creatures. Forgetting his horrible past, Tom is soon frolicking with the characters he meets, teasing and provoking unsuspecting individuals. But the fairies in charge of water babies are determined to teach him many lessons about truth, mercy, justice and courage.
<i>The Water Babies</i> is a morality fable with fairy-tale-like qualities. It educates young readers about the consequences of their actions but also enlightens them about the cruelty of some adults. Kingsley often talks to the reader (in this instance his son), drawing them into the story and making the scenarios as relatable as possible. The magical underwater setting is merely a veil to hide the lessons Kingsley is attempting to preach.
For the adult reader, Kingsley has a much more political message. Written at the time of political and scientific advancement, particularly in respect to the concept of natural selection, Kingsley attempts to ridicule the ideas of thinkers such as Charles Darwin by producing a satirical narrative. He suggests that scientists are fools who use unnecessarily long and foreign terms, evidenced by his use of the made-up subject of <i>Necrobioneopalæonthydrochthonanthropopithekology</i>. He also goes as far as to mock the majority of adults and appears to be completely anti-Irish people.
In some instances, Charles Kingsley goes too far in his satire, resulting in something that would not be accepted by publishers today. In order for Tom to be the hero of the story, adults need to be viewed as less than good – people who need to be punished for their discourteous treatment of children, which in this instance, they are, and quite graphically. But the most controversial theme explored is death. The more naïve may not cotton on to the fact that Tom falling asleep in the river equates to drowning, yet that is exactly what happened. Only through death can one become a water baby. To make matters slightly more alarming, Kingsley does not see this death as a bad thing; he describes Tom’s new life as something far better than life on earth – coming from a clergyman this is understandable – which suggests that death is better than living for an abused child.
Despite these controversies, Kingsley’s prose is humorous and entertaining - far more mind-boggling than you may initially expect. With characters named Mrs Bedonebyasyoudid and Professor Ptthmllnsprts, there is plenty to make readers laugh. Some of the hilarities may go above the heads of children since the jargon is no longer used in today’s society, however, adults will be able to appreciate the comical aspect.
Over 150 years old, <i>The Water Babies</i> has remained a classic. It reveals the political, scientific and social situations of the mid-1800s, yet it contains wisdom that is still relevant today. As Kingsley’s daughter Rose says in the introduction, “What a fine thing it is to love truth, mercy, justice, courage, and all things noble and of good report.” No matter how peculiar this novel is, it says a lot about the virtues of our character.
Purple Phoenix Games (2266 KP) rated Belfort in Tabletop Games
Jun 10, 2021
I don’t know if I have ever just come out and said it before, but I love worker placement games. I just adore the mechanic and if a game includes it, the chances of me liking it are quite good. Belfort is an older game now (almost 10 years old!) so does it still excite and deliver the goods when so many other great worker placement games have been produced since it debuted?
The winner of Belfort is the player who, at the end of seven rounds of play, earns the most Victory Points (VP). Players will earn victory points by having majority of buildings claimed within the five districts of Belfort. To claim a building, players will be shrewdly sending workers to mines, the forest, and various buildings and guilds of Belfort to recruit more workers and earn the ever-important buck to finance these buildings.
Setup is kind of a beast, so I won’t detail everything here. Similarly, I will not be detailing every rule in the book, as there are just too many. But, I will give a general flow of the game so readers may be able to decide if this is a game they must add to their collections.
Once the game is setup and player order is established, each player will complete their entire turn in player order. Players will have many choices available to them on their turn: place workers on various buildings they had previously built, place workers on guild tiles to access powerful abilities, recruit more workers, hire gnomes to unlock certain portions of buildings, gaining more building plans, visiting the trading post to exchange resources, transform normal workers into master workers, and lastly assign workers to gather resources (wood, stone, metal, and gold) in the forests and mines surrounding Belfort.
At certain times during the game players will score their efforts to move up (and down) the VP track. It is at the end of the third and final scoring that the game ends and a victor is crowned.
While this is a very broad and general description of the rules of Belfort, each option listed contains layers of strategic depth that, like all good worker placement games, limits the players’ abilities to go everywhere they like as workers are in limited supply. For those gamers who have never played a worker placement game, this is both excruciating and delicious.
Components. This game boasts way too many components for the box in which is barely contained. I say this with one complete expansion and the promo set of guild tiles included, and the latest expansion on the way. All of the components in this game are stellar. The cards are great. All the cardboard play mats and tiles are great. The worker components and all the wooden bits are super great, AND I didn’t even mind having to sticker my own workers. The best part about the components in Belfort is definitely the art. The team designed an excellent art style for this one, and seeing little hidden jokes within the art makes it all that more interesting to me.
So DOES it hold up after all these years? I think it does. Though I would not consider Belfort an “easy” game to learn, teach, or play at first, after a few rounds players generally catch on and begin to really weigh all their options. This is a great game for think-hungry gamers. This game is conversely a bane for all AP-prone players. I fall right in the middle, but lean towards faster play at the expense of my final score. But that’s the beauty of Belfort and of all worker placement games: there are so many choices that one could easily just try to play so that they visit every location at least once. Now, by doing this the players are also ignoring the true goal of the game: area majority within the districts of Belfort, but if a player isn’t as aggressive or victory-crazed, that’s not a bad thing.
For me, I love Belfort. A lot. Unfortunately for me, during this crazy COVID time, I will not be able to play it much, and was lucky to be able to pull it out recently again after not playing it for several years. But, I always look upon the box fondly and wish I could just bust it out any time I want. Maybe someday someone will create solo rules for it and I can enjoy it that way. My wife is not a fan, but also she’s not really a fan of games that are longer than an hour generally. I cherish this game, and am quite happy to have it in my collection.
The winner of Belfort is the player who, at the end of seven rounds of play, earns the most Victory Points (VP). Players will earn victory points by having majority of buildings claimed within the five districts of Belfort. To claim a building, players will be shrewdly sending workers to mines, the forest, and various buildings and guilds of Belfort to recruit more workers and earn the ever-important buck to finance these buildings.
Setup is kind of a beast, so I won’t detail everything here. Similarly, I will not be detailing every rule in the book, as there are just too many. But, I will give a general flow of the game so readers may be able to decide if this is a game they must add to their collections.
Once the game is setup and player order is established, each player will complete their entire turn in player order. Players will have many choices available to them on their turn: place workers on various buildings they had previously built, place workers on guild tiles to access powerful abilities, recruit more workers, hire gnomes to unlock certain portions of buildings, gaining more building plans, visiting the trading post to exchange resources, transform normal workers into master workers, and lastly assign workers to gather resources (wood, stone, metal, and gold) in the forests and mines surrounding Belfort.
At certain times during the game players will score their efforts to move up (and down) the VP track. It is at the end of the third and final scoring that the game ends and a victor is crowned.
While this is a very broad and general description of the rules of Belfort, each option listed contains layers of strategic depth that, like all good worker placement games, limits the players’ abilities to go everywhere they like as workers are in limited supply. For those gamers who have never played a worker placement game, this is both excruciating and delicious.
Components. This game boasts way too many components for the box in which is barely contained. I say this with one complete expansion and the promo set of guild tiles included, and the latest expansion on the way. All of the components in this game are stellar. The cards are great. All the cardboard play mats and tiles are great. The worker components and all the wooden bits are super great, AND I didn’t even mind having to sticker my own workers. The best part about the components in Belfort is definitely the art. The team designed an excellent art style for this one, and seeing little hidden jokes within the art makes it all that more interesting to me.
So DOES it hold up after all these years? I think it does. Though I would not consider Belfort an “easy” game to learn, teach, or play at first, after a few rounds players generally catch on and begin to really weigh all their options. This is a great game for think-hungry gamers. This game is conversely a bane for all AP-prone players. I fall right in the middle, but lean towards faster play at the expense of my final score. But that’s the beauty of Belfort and of all worker placement games: there are so many choices that one could easily just try to play so that they visit every location at least once. Now, by doing this the players are also ignoring the true goal of the game: area majority within the districts of Belfort, but if a player isn’t as aggressive or victory-crazed, that’s not a bad thing.
For me, I love Belfort. A lot. Unfortunately for me, during this crazy COVID time, I will not be able to play it much, and was lucky to be able to pull it out recently again after not playing it for several years. But, I always look upon the box fondly and wish I could just bust it out any time I want. Maybe someday someone will create solo rules for it and I can enjoy it that way. My wife is not a fan, but also she’s not really a fan of games that are longer than an hour generally. I cherish this game, and am quite happy to have it in my collection.
Jordan Binkerd (567 KP) rated American Vampire, Vol. 6 in Books
Jul 21, 2019 (Updated Jul 21, 2019)
Not all the art works (for me) (1 more)
Adult content.... but if you made it this far in the series, that's not a surprise
Filler Anthology, but still fun...
Note: this review is transposted from my personal review blog, and so was originally written several years ago.
So, it has come to this. The sixth and latest collection of American Vampire comics. Now it’s not just my library’s slow acquisition policies holding me back, but the fact that there haven’t been any more published yet! Apparently the creators put the book on hiatus for a while, but they’ve at least started publishing again. I just have to wait for it to hit the collections….This particular collection is a couple of one-shots they put out in the meantime to keep our appetites whetted–one from the main American Vampire team, one with them letting a whole bunch of other comics creators play in their sandbox. Obviously, this review could spoil events from the previous collections.
First off, we have THE LONG ROAD TO HELL. Snyder and Albuquerque set out the story for this one together, with Albuquerque taking over to script and draw the story. Billy Bob and Jo are the Bonnie and Clyde of petty thieves, picking pockets by night to add to their stash. They’re hoping to have enough soon to cover the cost of renting a chapel, but one fateful encounter with a vampire coven recruitment team and everything changes…not for the better, I’m afraid. Jasper Miller is a young orphan, favorite target of a group of bullies. It seems that young Jasper is a very insightful young man, and some of what he knows makes these bullies very nervous, and he decides that the open road would be safer for him than the old orphanage. Vampire hunter Travis Kidd we’ve already met back in Vol. IV, and it’s good to see that he survived the ambush he willingly dove into at the end of that book. Seems to have picked up a katana somewhere in the interim too, which is always cool. Fate has these four on a collision course, and blood will be spilled by the time they reach the end of the road….
Moving on to the American Vampire Anthology, we open with the frame story by Snyder and Albuquerque. THE MAN COMES AROUND is set in 1967 as Skinner Sweet hides out in the middle of nowhere, hoping to avoid the major events he can sense just over the horizon. Seems there’s always someone trying to kill him, though…. Jason Aaron and Declan Shalvey then enlighten us as to what really happened on Roanoke Island in THE LOST COLONY. Here’s a hint, vampires were involved. We then move on to BLEEDING KANSAS, where Albuquerque puts down his pencil and takes a shot at writing the story, leaving the art to Ivo Milazzo. Set against that tumultuous time and place, Albuquerque and Milazzo set down for us a tale of what I can only assume are Henry Jones’ grandparents. Next up, Jeff Lemire and Ray Fawkes serve up a tale of terror in the frozen north with CANADIAN VAMPIRE as ex-Mountie-turned-bounty-hunter Jack Warhammer is hired to find out what happened to a German fur trading expedition missing in the wild. Becky Cloonan handles both the writing and art for GREED, starring Skinner Sweet and featuring his first encounter with those crazy folks who hail from a place called “Hollywood….” Francesco Francavilla then pulls the same trick for THE PRODUCERS, detailing the birth of a star as he makes a shady deal in exchange for fame and fortune. Gail Simone and Tula Lotay treat us to Hattie Hargrove’s origin story in ESSENCE OF LIFE, showing us just what happened to her that made her willing to screw over her best friend in the world. Gabriel Ba and Fabio Moon share both the writing and artist credits for LAST NIGHT, as a lounge singer describes to a reporter the events leading up to the previous evening’s massacre at the club. Finally, Greg Rucka and JP Leon tell the tale of a dying drunk and the lowlifes who try and shanghai him in PORTLAND, 1940.
On the whole, I really enjoyed this as per the usual for this series. The writing was stellar, and the anthology format really served well for the world being depicted. As with any comics anthology, there’s a wide variety of artistic styles represented, and some of those styles I’m not really a fan of, but that’s largely a matter of taste. I could sit here and tell you that I really wasn’t a fan of Ivo Milazzo’s art on BLEEDING KANSAS (which is true), but the next guy might have loved it. I could laud Tula Lotay’s work on ESSENCE OF LIFE (also true), but the next guy may not have been a fan. That’s kind of how it works–peoples’ tastes are pretty subjective. I did enjoy getting into Hattie’s head a bit more than we were able to back when she was introduced, and Skinner Sweet’s adventures are always fun–I’ve mentioned before my weakness for antiheroes. As a historian, Roanoke’s lost colony is always a fascinating topic, and a number of the plot twists contained here were very satisfying if not always surprising. I really can’t wait for the next volume to come out so I can see the payoff to some of the plot threads being set up both here and in the teaser from the end of volume V….
CONTENT: R-rated language. Brutal, bloody vampire violence–these aren’t sparkly, angst-ridden pretty boys, these are monsters through and through. Some explicit and implicit sexual content, including what more or less constitutes a rape. No real occult content, as there isn’t a spiritual element to this version of vampirism.
Original review link: https://jordanbinkerd.wordpress.com/2014/08/15/review-american-vampire-volume-vi-by-scott-snyder-rafael-albuquerque/
So, it has come to this. The sixth and latest collection of American Vampire comics. Now it’s not just my library’s slow acquisition policies holding me back, but the fact that there haven’t been any more published yet! Apparently the creators put the book on hiatus for a while, but they’ve at least started publishing again. I just have to wait for it to hit the collections….This particular collection is a couple of one-shots they put out in the meantime to keep our appetites whetted–one from the main American Vampire team, one with them letting a whole bunch of other comics creators play in their sandbox. Obviously, this review could spoil events from the previous collections.
First off, we have THE LONG ROAD TO HELL. Snyder and Albuquerque set out the story for this one together, with Albuquerque taking over to script and draw the story. Billy Bob and Jo are the Bonnie and Clyde of petty thieves, picking pockets by night to add to their stash. They’re hoping to have enough soon to cover the cost of renting a chapel, but one fateful encounter with a vampire coven recruitment team and everything changes…not for the better, I’m afraid. Jasper Miller is a young orphan, favorite target of a group of bullies. It seems that young Jasper is a very insightful young man, and some of what he knows makes these bullies very nervous, and he decides that the open road would be safer for him than the old orphanage. Vampire hunter Travis Kidd we’ve already met back in Vol. IV, and it’s good to see that he survived the ambush he willingly dove into at the end of that book. Seems to have picked up a katana somewhere in the interim too, which is always cool. Fate has these four on a collision course, and blood will be spilled by the time they reach the end of the road….
Moving on to the American Vampire Anthology, we open with the frame story by Snyder and Albuquerque. THE MAN COMES AROUND is set in 1967 as Skinner Sweet hides out in the middle of nowhere, hoping to avoid the major events he can sense just over the horizon. Seems there’s always someone trying to kill him, though…. Jason Aaron and Declan Shalvey then enlighten us as to what really happened on Roanoke Island in THE LOST COLONY. Here’s a hint, vampires were involved. We then move on to BLEEDING KANSAS, where Albuquerque puts down his pencil and takes a shot at writing the story, leaving the art to Ivo Milazzo. Set against that tumultuous time and place, Albuquerque and Milazzo set down for us a tale of what I can only assume are Henry Jones’ grandparents. Next up, Jeff Lemire and Ray Fawkes serve up a tale of terror in the frozen north with CANADIAN VAMPIRE as ex-Mountie-turned-bounty-hunter Jack Warhammer is hired to find out what happened to a German fur trading expedition missing in the wild. Becky Cloonan handles both the writing and art for GREED, starring Skinner Sweet and featuring his first encounter with those crazy folks who hail from a place called “Hollywood….” Francesco Francavilla then pulls the same trick for THE PRODUCERS, detailing the birth of a star as he makes a shady deal in exchange for fame and fortune. Gail Simone and Tula Lotay treat us to Hattie Hargrove’s origin story in ESSENCE OF LIFE, showing us just what happened to her that made her willing to screw over her best friend in the world. Gabriel Ba and Fabio Moon share both the writing and artist credits for LAST NIGHT, as a lounge singer describes to a reporter the events leading up to the previous evening’s massacre at the club. Finally, Greg Rucka and JP Leon tell the tale of a dying drunk and the lowlifes who try and shanghai him in PORTLAND, 1940.
On the whole, I really enjoyed this as per the usual for this series. The writing was stellar, and the anthology format really served well for the world being depicted. As with any comics anthology, there’s a wide variety of artistic styles represented, and some of those styles I’m not really a fan of, but that’s largely a matter of taste. I could sit here and tell you that I really wasn’t a fan of Ivo Milazzo’s art on BLEEDING KANSAS (which is true), but the next guy might have loved it. I could laud Tula Lotay’s work on ESSENCE OF LIFE (also true), but the next guy may not have been a fan. That’s kind of how it works–peoples’ tastes are pretty subjective. I did enjoy getting into Hattie’s head a bit more than we were able to back when she was introduced, and Skinner Sweet’s adventures are always fun–I’ve mentioned before my weakness for antiheroes. As a historian, Roanoke’s lost colony is always a fascinating topic, and a number of the plot twists contained here were very satisfying if not always surprising. I really can’t wait for the next volume to come out so I can see the payoff to some of the plot threads being set up both here and in the teaser from the end of volume V….
CONTENT: R-rated language. Brutal, bloody vampire violence–these aren’t sparkly, angst-ridden pretty boys, these are monsters through and through. Some explicit and implicit sexual content, including what more or less constitutes a rape. No real occult content, as there isn’t a spiritual element to this version of vampirism.
Original review link: https://jordanbinkerd.wordpress.com/2014/08/15/review-american-vampire-volume-vi-by-scott-snyder-rafael-albuquerque/