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The Dragon's Rose (Grym Hollow #1)
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Rose Briar’s life is the furthest thing from a fairy tale, but she's about to marry the Dragon...
Fantasy Romance Fairytale Retelling Dragons
Sophia (Bookwyrming Thoughts) (530 KP) rated 27 hours: Nightside Saga Series, Book One in Books
Jan 23, 2020
DNF at a place I don't remember because I read this book ages ago and apparently I didn't upload a review. (Also will not be supporting further on after this due to reasons.)
<b><i>I received this book for free from the publisher via Netgalley in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</b></i>
I wish I could’ve enjoyed 27 Hours as much as most people I know seem to have enjoyed the book, but alas, that is not the case.
Also I’ve been keeping a wonderful streak of finishing every book this year, and I wanted to keep that streak. But...
27 Hours was an absolute pain for me to read, and this was the situation I found myself in constantly:
Me: *picks up book, starts reading*
Me (ten minutes later): Ugh, this is painful. I’m bored.
Me (while trying to read): I’m going to do some blogging and maybe quest on my balance wizard. Maybe this will motivate me.
Me (two hours later): *finishes a dungeon in game, finds myself reading maybe two sentences in between battles* Please note that I'm actually good at reading while waiting for my turn, especially when I'm in a team.
Me (two days later): Ooo shiny book! *starts new book*
Me (another two days later): Oh, yeah. I was supposed to read you, right? *eyes book warily* Let's try this again.
This cycle repeated itself for days and weeks. Eventually, I just called it quits because when I’ve been repeating the same thing over and over again and have progressed more in a game than a book, we’ve got issues and it’s time for me to move on to other books.
27 Hours has a lot of representation among the characters, I won’t deny that. But that’s honestly the only thing I can think of that’s good about this book. Anything I might have missed has been clouded over by the cons.
<b>Why 27 Hours Is Not My Cup of Tea</b>
Rumor - I’m being very nitpicky, but the name Rumor instantly reminded me of Adele’s song. Every time “Rumor” came up in the book (which is a lot, considering the fact he’s a main character), the song blasted in my brain.
The name Rumor, however, is the least of my worries.
The world building is a mass of confusion - I have no clue what things are and honestly the world is a jumbled mess of a confusion. Is a dragon the same as a gargoyle, is a chimera the same as a gargoyle, are they simply the same creatures with different names depending on which group the person belongs to… or what? Is it a group of rebellious humans? Also what is this about hellhounds and gargoyles? The world building feels like a melting pot gone very wrong on the moon hundreds of years in the future.
Not only is the world building is a mass of confusion, but it feels way too modern for a book that is supposedly set 200 years from now.
I’m mainly concerned about the world building to focus on the logistics of book year and present year, though.
Too many characters - There are too many to keep track of in 27 Hours, and the fun part? They’re introduced early. I don’t… I don’t even know who this random dude is and boom! We’ve got another one. I knew for sure there were going to be at least four POVs, which is a lot, but it’s not too much. BUT… not only do we have Jude, Rumor, Nyx, Braedon, etc. etc. we have some person named Colt, Wren, Eric, Sara… that’s just some of the characters.
This is by chapter three. Chapter freaking THREE. My brain was already hurting from the world building and then there are all of these characters being introduced and OMG I just wanted to scream.
I just… I just can’t handle all of these characters because I don’t even remember who does what by the time character #2244 pops up.
I really wished I could’ve finished 27 Hours and continued my streak for this year, but the huge cast of characters being introduced so early into the story and massively confusing world is a no go for me.
<a href="https://thenovelistics.blogspot.com/2017/11/27-hours-by-tristina-wright-arc-review.html">This review is originally posted on The Novelistics</a>
<b><i>I received this book for free from the publisher via Netgalley in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</b></i>
I wish I could’ve enjoyed 27 Hours as much as most people I know seem to have enjoyed the book, but alas, that is not the case.
Also I’ve been keeping a wonderful streak of finishing every book this year, and I wanted to keep that streak. But...
27 Hours was an absolute pain for me to read, and this was the situation I found myself in constantly:
Me: *picks up book, starts reading*
Me (ten minutes later): Ugh, this is painful. I’m bored.
Me (while trying to read): I’m going to do some blogging and maybe quest on my balance wizard. Maybe this will motivate me.
Me (two hours later): *finishes a dungeon in game, finds myself reading maybe two sentences in between battles* Please note that I'm actually good at reading while waiting for my turn, especially when I'm in a team.
Me (two days later): Ooo shiny book! *starts new book*
Me (another two days later): Oh, yeah. I was supposed to read you, right? *eyes book warily* Let's try this again.
This cycle repeated itself for days and weeks. Eventually, I just called it quits because when I’ve been repeating the same thing over and over again and have progressed more in a game than a book, we’ve got issues and it’s time for me to move on to other books.
27 Hours has a lot of representation among the characters, I won’t deny that. But that’s honestly the only thing I can think of that’s good about this book. Anything I might have missed has been clouded over by the cons.
<b>Why 27 Hours Is Not My Cup of Tea</b>
Rumor - I’m being very nitpicky, but the name Rumor instantly reminded me of Adele’s song. Every time “Rumor” came up in the book (which is a lot, considering the fact he’s a main character), the song blasted in my brain.
The name Rumor, however, is the least of my worries.
The world building is a mass of confusion - I have no clue what things are and honestly the world is a jumbled mess of a confusion. Is a dragon the same as a gargoyle, is a chimera the same as a gargoyle, are they simply the same creatures with different names depending on which group the person belongs to… or what? Is it a group of rebellious humans? Also what is this about hellhounds and gargoyles? The world building feels like a melting pot gone very wrong on the moon hundreds of years in the future.
Not only is the world building is a mass of confusion, but it feels way too modern for a book that is supposedly set 200 years from now.
I’m mainly concerned about the world building to focus on the logistics of book year and present year, though.
Too many characters - There are too many to keep track of in 27 Hours, and the fun part? They’re introduced early. I don’t… I don’t even know who this random dude is and boom! We’ve got another one. I knew for sure there were going to be at least four POVs, which is a lot, but it’s not too much. BUT… not only do we have Jude, Rumor, Nyx, Braedon, etc. etc. we have some person named Colt, Wren, Eric, Sara… that’s just some of the characters.
This is by chapter three. Chapter freaking THREE. My brain was already hurting from the world building and then there are all of these characters being introduced and OMG I just wanted to scream.
I just… I just can’t handle all of these characters because I don’t even remember who does what by the time character #2244 pops up.
I really wished I could’ve finished 27 Hours and continued my streak for this year, but the huge cast of characters being introduced so early into the story and massively confusing world is a no go for me.
<a href="https://thenovelistics.blogspot.com/2017/11/27-hours-by-tristina-wright-arc-review.html">This review is originally posted on The Novelistics</a>
Heather Cranmer (2721 KP) rated When We Fall in Books
Jun 7, 2018
(This review can be found on my blog <a href="http://themisadventuresofatwentysomething.blogspot.com">The (Mis)Adventures of a Twenty-Something Year Old Girl</a>).
I wanted to love When We Fall by Peter Giglio because it sounded so ominous and scary. However, it was only an alright read that wasn't very scary at all. In fact, I didn't think there was enough ghostliness. All in all, this is a book that's not very memorable at all.
I don't feel like the title conveys what the book is about in the slightest. Personally, I like books to at least give a subtle hint in their title.
I do like the cover however. Ben loves making Super 8 films, and it's on the roll of film that he notices a ghostly image.
The world building was fairly believable. The problem that I had with this book is that a popular 17 year old girl would want to hang out with a unpopular 13 year old boy. Yes, I understand that she's his babysitter, but she spends time with him just because as well. Not only that, but she ends up kissing him at one point!
The pacing was alright. When We Fall is a novella so it can be easily read in one sitting. The pacing did hold my attention until the very end which I was happy about.
I felt that the plot was a bit weak. It was as if this book didn't know if it wanted to be a coming of age story or a paranormal story. The coming of age side of the story works rather well, but it was the paranormal side that was a bit weak. For example, we're led to believe that Ben is seeing and hearing his dead best friend in his room. Yet that's the only encounter we ever read about. So was that all in Ben's mind or was Johnny, his best friend, actually a ghost? There's only one more incident where there's possibly a ghost. I really wish this focused more on the horror/paranormal aspect.
Ben felt like a well developed character. It was easy enough to believe what he was feeling especially when it came to his crush on Aubrey. Ben seemed like a "normal" 13 year old boy. I didn't like Audrey. She didn't feel like an average 17 year old girl. As I said before, she's a popular girl hanging out with a 13 year old boy when she could be hanging out with friends her own age. Plus, I felt as if she took advantage of Ben sometimes.
The dialogue seemed to flow rather well. I also loved reading about how Ben was feeling. There were a few swear words throughout the book.
Overall, while When We Fall is an alright book, it lacks a certain something. Perhaps it needed more of a horror element to it especially as the blurb leads us to believe this is going to be a scary horror book. Unfortunately, When We Fall by Peter Giglio is a forgettable book.
I'd recommend this book to those aged 15+ who are looking for a read that will help them pass some time or for those who like books with a light paranormal theme.
</b>I'd give When We Fall by Peter Giglio a 2.5 out of 5.</b>
(I received this ebook for free from the publisher through Netgalley in exchange for a fair and honest review).
I wanted to love When We Fall by Peter Giglio because it sounded so ominous and scary. However, it was only an alright read that wasn't very scary at all. In fact, I didn't think there was enough ghostliness. All in all, this is a book that's not very memorable at all.
I don't feel like the title conveys what the book is about in the slightest. Personally, I like books to at least give a subtle hint in their title.
I do like the cover however. Ben loves making Super 8 films, and it's on the roll of film that he notices a ghostly image.
The world building was fairly believable. The problem that I had with this book is that a popular 17 year old girl would want to hang out with a unpopular 13 year old boy. Yes, I understand that she's his babysitter, but she spends time with him just because as well. Not only that, but she ends up kissing him at one point!
The pacing was alright. When We Fall is a novella so it can be easily read in one sitting. The pacing did hold my attention until the very end which I was happy about.
I felt that the plot was a bit weak. It was as if this book didn't know if it wanted to be a coming of age story or a paranormal story. The coming of age side of the story works rather well, but it was the paranormal side that was a bit weak. For example, we're led to believe that Ben is seeing and hearing his dead best friend in his room. Yet that's the only encounter we ever read about. So was that all in Ben's mind or was Johnny, his best friend, actually a ghost? There's only one more incident where there's possibly a ghost. I really wish this focused more on the horror/paranormal aspect.
Ben felt like a well developed character. It was easy enough to believe what he was feeling especially when it came to his crush on Aubrey. Ben seemed like a "normal" 13 year old boy. I didn't like Audrey. She didn't feel like an average 17 year old girl. As I said before, she's a popular girl hanging out with a 13 year old boy when she could be hanging out with friends her own age. Plus, I felt as if she took advantage of Ben sometimes.
The dialogue seemed to flow rather well. I also loved reading about how Ben was feeling. There were a few swear words throughout the book.
Overall, while When We Fall is an alright book, it lacks a certain something. Perhaps it needed more of a horror element to it especially as the blurb leads us to believe this is going to be a scary horror book. Unfortunately, When We Fall by Peter Giglio is a forgettable book.
I'd recommend this book to those aged 15+ who are looking for a read that will help them pass some time or for those who like books with a light paranormal theme.
</b>I'd give When We Fall by Peter Giglio a 2.5 out of 5.</b>
(I received this ebook for free from the publisher through Netgalley in exchange for a fair and honest review).
Sophia (Bookwyrming Thoughts) (530 KP) rated Fire and Bone (Otherborn, #1) in Books
Jan 23, 2020
<b><i>I received this book for free from Xpresso Book Tours in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
<strong>I can't tell if I'm <em>actually</em> disappointed with <em>Fire and Bone</em> or if I <em>feel</em> disappointed with the book.</strong>
I started Rachel A. Marks's new book right after I finished <a href="http://theartsstl.com/rin-chupeco-the-heart-forger-sourcebooks-fire/"><em>The Heart Forger</em></a>, and I was very much ruined for other books at the moment in time because Rin Chupeco's book was <em>that</em> good.
<strong><em>Fire and Bone</em> is the first novel in Marks's <em>Otherborn</em> series, which is based on Celtic mythology and set in modern-day Los Angeles.</strong> The story follows Sage, who struggles to live on her own in the streets and has the urge to burn things until she finds out she is the daughter of a Celtic goddess.
Sage is very independent - we've got the kid goes through a rough childhood and gets shifted around from foster home to foster home until they say, "Screw it!" and go off on their own (because who has time for rough homes?) trope. The one friend in her life is Ziggy, at least until she is plucked into the Otherworld where she eventually has to pledge her allegiance to one of the five main deities, known as houses.
I'm a huge fan of books that focus on character, plot and action, so <em>Fire and Bone</em>, being the first in a series, won't be a novel that I will enjoy as much compared to my reactions when (and if because so many books) I read the sequels. <strong>This novel is more of a setup - there is a lot of information about the world</strong> (though certainly not an information overload) that is revealed as Sage navigates the Otherworld and is getting attention from her bodyguard and a prince. She also tries to uncover the past that is revealed to her through dreams.
There's no surprise that <strong>there seems to be a love triangle of sorts that will most likely reveal itself</strong> in future novels. The interactions between Kieran, Faelan and Sage are telltale signs that there is probably going to be one, though I could be wrong. Assuming this <em>will</em> be a love triangle though, I'm not shipping any of them and feel it is out of place to the overall plot of the story.
<strong>I love the side characters Marks introduces to us</strong> in <em>Fire and Bone</em>. It was hard to like the characters early on, but as I continued reading the book, some of the characters had hilarious lines. I'm curious how the characters will develop in book two, so <strong>character development will be one of the things I'll be looking forward to.</strong>
Along with character development, I'm looking forward to how the plot will unfold. While a major plot point was predictable, I did <em>not</em> guess the ending of the story, and <strong>I want to KNOW what happens next</strong>. If anything, <em>Otherborn #2</em> will tear my heart to pieces and ruin me for whatever book is read next like <em>The Heart Forger</em> did.
<a href="https://bookwyrmingthoughts.com/fire-and-bone-by-rachel-a-marks-review/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
<strong>I can't tell if I'm <em>actually</em> disappointed with <em>Fire and Bone</em> or if I <em>feel</em> disappointed with the book.</strong>
I started Rachel A. Marks's new book right after I finished <a href="http://theartsstl.com/rin-chupeco-the-heart-forger-sourcebooks-fire/"><em>The Heart Forger</em></a>, and I was very much ruined for other books at the moment in time because Rin Chupeco's book was <em>that</em> good.
<strong><em>Fire and Bone</em> is the first novel in Marks's <em>Otherborn</em> series, which is based on Celtic mythology and set in modern-day Los Angeles.</strong> The story follows Sage, who struggles to live on her own in the streets and has the urge to burn things until she finds out she is the daughter of a Celtic goddess.
Sage is very independent - we've got the kid goes through a rough childhood and gets shifted around from foster home to foster home until they say, "Screw it!" and go off on their own (because who has time for rough homes?) trope. The one friend in her life is Ziggy, at least until she is plucked into the Otherworld where she eventually has to pledge her allegiance to one of the five main deities, known as houses.
I'm a huge fan of books that focus on character, plot and action, so <em>Fire and Bone</em>, being the first in a series, won't be a novel that I will enjoy as much compared to my reactions when (and if because so many books) I read the sequels. <strong>This novel is more of a setup - there is a lot of information about the world</strong> (though certainly not an information overload) that is revealed as Sage navigates the Otherworld and is getting attention from her bodyguard and a prince. She also tries to uncover the past that is revealed to her through dreams.
There's no surprise that <strong>there seems to be a love triangle of sorts that will most likely reveal itself</strong> in future novels. The interactions between Kieran, Faelan and Sage are telltale signs that there is probably going to be one, though I could be wrong. Assuming this <em>will</em> be a love triangle though, I'm not shipping any of them and feel it is out of place to the overall plot of the story.
<strong>I love the side characters Marks introduces to us</strong> in <em>Fire and Bone</em>. It was hard to like the characters early on, but as I continued reading the book, some of the characters had hilarious lines. I'm curious how the characters will develop in book two, so <strong>character development will be one of the things I'll be looking forward to.</strong>
Along with character development, I'm looking forward to how the plot will unfold. While a major plot point was predictable, I did <em>not</em> guess the ending of the story, and <strong>I want to KNOW what happens next</strong>. If anything, <em>Otherborn #2</em> will tear my heart to pieces and ruin me for whatever book is read next like <em>The Heart Forger</em> did.
<a href="https://bookwyrmingthoughts.com/fire-and-bone-by-rachel-a-marks-review/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
FilmIntuition (33 KP) rated The High Season in Books
May 23, 2018
A Terrific Beach Read
(Note: I received an Advance Readers Copy of this book in exchange for an honest review.)
You can practically feel the sunlight pouring off the pages of The High Season, which, thanks to National Book Award Winner Judy Blundell's lyrical and painterly prose, is as picturesque as the summery Long Island beach house where the novel's action is set.
Told from the points-of-view of multiple characters, the instantly compelling book introduces us to the local residents and seasonal visitors of a beautiful beach community that's big enough to enjoy but small enough that secrets don't stay that way for long as its inhabitants soon find out.
Although it's made fiscal sense, renting their gorgeous home every summer in order to afford to live in it during the rest of the year has begun to wear on our main protagonist, museum director Ruthie Dutton and her fifteen-year-old daughter Jem.
Renovating a perfect beach house only to need to leave it during its peak season has been a leading cause of the breakdown of her marriage to Mike, with whom she's still on excellent terms, and even though the mature Jem puts up a good front, Ruthie hates the idea of uprooting her each summer.
And when her latest renter makes herself home a little too quickly – setting her sights on Mike, her friends, and possibly a permanent place in North Fork – Ruthie finds herself at war, especially after the renter's college aged stepson takes an interest in Jem, and nonprofit art world politics threaten her livelihood.
Breaking down the action on several fronts, we're also introduced to Ruthie's enigmatic young coworker Doe who's perfected the art of blending in anywhere and with anyone and it's in Doe's chapters that Blundell and the reader has the most fun as she gently satirizes the rich.
The first book the author has penned exclusively for adults, admittedly there are times when The High Season's older characters (especially Ruthie) act more immature than their younger counterparts do in incongruous scenes that hinders their relatability.
A gifted stylist, however, Blundell doesn't lose us for long. As high stakes subplots begin to collide, the book rebounds from a slightly muddled middle act – delivering a final hundred pages you'll fly right through just as fast as this entertaining read flies off shelves this summer.
You can practically feel the sunlight pouring off the pages of The High Season, which, thanks to National Book Award Winner Judy Blundell's lyrical and painterly prose, is as picturesque as the summery Long Island beach house where the novel's action is set.
Told from the points-of-view of multiple characters, the instantly compelling book introduces us to the local residents and seasonal visitors of a beautiful beach community that's big enough to enjoy but small enough that secrets don't stay that way for long as its inhabitants soon find out.
Although it's made fiscal sense, renting their gorgeous home every summer in order to afford to live in it during the rest of the year has begun to wear on our main protagonist, museum director Ruthie Dutton and her fifteen-year-old daughter Jem.
Renovating a perfect beach house only to need to leave it during its peak season has been a leading cause of the breakdown of her marriage to Mike, with whom she's still on excellent terms, and even though the mature Jem puts up a good front, Ruthie hates the idea of uprooting her each summer.
And when her latest renter makes herself home a little too quickly – setting her sights on Mike, her friends, and possibly a permanent place in North Fork – Ruthie finds herself at war, especially after the renter's college aged stepson takes an interest in Jem, and nonprofit art world politics threaten her livelihood.
Breaking down the action on several fronts, we're also introduced to Ruthie's enigmatic young coworker Doe who's perfected the art of blending in anywhere and with anyone and it's in Doe's chapters that Blundell and the reader has the most fun as she gently satirizes the rich.
The first book the author has penned exclusively for adults, admittedly there are times when The High Season's older characters (especially Ruthie) act more immature than their younger counterparts do in incongruous scenes that hinders their relatability.
A gifted stylist, however, Blundell doesn't lose us for long. As high stakes subplots begin to collide, the book rebounds from a slightly muddled middle act – delivering a final hundred pages you'll fly right through just as fast as this entertaining read flies off shelves this summer.
Zuky the BookBum (15 KP) rated Painkiller in Books
Mar 15, 2018
Also read my review here: http://bookbum.weebly.com/book-reviews/painkiller-by-n-j-fountain
<i><b>I cannot go on like this. I feel such a burden to you. You are young and can start again. You deserve that chance. By the time you read this I will be dead. Do not grieve for me, for I am now without pain.</i></b>
This was a real page-turner from page one! Would have been unputdownable if it hadnt been for the fact that I <i>had</i> to put it down while at work.
I found myself absolutely loving Monicas character. Ive seen a couple of reviews that state her as unlikable but I thought she was very likable! She was a really unique character due to her constant pain and the way that affects her daily life and relationships. I loved that she could be sassy, lovely, and angry all in one go, she was a really fun character to immerse yourself in.
The plot of the unreliable narrator, the secretive husband etc wasnt unique, Ive read several books very similar to it in the past year in fact, but there was a certain edge to this book that made it so much more intriguing than some of the others Ive read. Its not that the twists were much better or more unpredictable than those in the other novels, its just simply that I enjoyed the writing style, characters and pace of this book more. For a mystery like this, novels usually try to cram as much as they can into the story to make the biggest number of twists possible, to get the reader excited, but this was nice and slow paced. It had just the right amount of shock moments in it, you didnt feel overwhelmed by it at all.
The ending really got to me and was certainly not how I expected this book to end up. Ill admit that I got a little emotional. If youre a mystery thriller junkie like me, I definitely recommend this, its one of the best Ive read this year.
Thanks to Netgalley and Little, Brown Book Group UK for giving me the opportunity to read this in exchange for an honest review.
<i><b>I cannot go on like this. I feel such a burden to you. You are young and can start again. You deserve that chance. By the time you read this I will be dead. Do not grieve for me, for I am now without pain.</i></b>
This was a real page-turner from page one! Would have been unputdownable if it hadnt been for the fact that I <i>had</i> to put it down while at work.
I found myself absolutely loving Monicas character. Ive seen a couple of reviews that state her as unlikable but I thought she was very likable! She was a really unique character due to her constant pain and the way that affects her daily life and relationships. I loved that she could be sassy, lovely, and angry all in one go, she was a really fun character to immerse yourself in.
The plot of the unreliable narrator, the secretive husband etc wasnt unique, Ive read several books very similar to it in the past year in fact, but there was a certain edge to this book that made it so much more intriguing than some of the others Ive read. Its not that the twists were much better or more unpredictable than those in the other novels, its just simply that I enjoyed the writing style, characters and pace of this book more. For a mystery like this, novels usually try to cram as much as they can into the story to make the biggest number of twists possible, to get the reader excited, but this was nice and slow paced. It had just the right amount of shock moments in it, you didnt feel overwhelmed by it at all.
The ending really got to me and was certainly not how I expected this book to end up. Ill admit that I got a little emotional. If youre a mystery thriller junkie like me, I definitely recommend this, its one of the best Ive read this year.
Thanks to Netgalley and Little, Brown Book Group UK for giving me the opportunity to read this in exchange for an honest review.
Nicole Hadley (380 KP) rated Candy is Magic: Real Ingredients, Modern Recipes in Books
Jun 14, 2018
Candy Is Magic by Jami Curl is a very thorough book about making candy! It's quite amazing and goes through equipment, ingredients, and recipes. From lollipops to caramels, ice cream, marshmallows, gum drops, and even chews. The pictures are mouthwatering and I highly recommend you don't read this while hungry! The recipes are made using real ingredients, including fruit.
The book reviews methods, ingredients, tools and flavors required for candy making. I appreciated the author including such an educational foundational chapter in advance of the recipes. The author breaks down the ingredients for candy making into four main components: sugar, crystal blockers, fat, and salt.
The recipes in the book are divided into six chapters: core ingredients, lollipops, caramels, chewy candies, marshmallows, and gumdrops. Immediately after the Table of Contents is a convenient Recipe List that is categorized by type of recipe so the reader very quickly gets to see the variety of different recipes and flavors that are offered.
The lollipop chapter began with a terrific primer on working with hard candy that broke the process down into simple steps and that described all the required tools. Having this section before the lollipop recipes allowed the recipes to be streamlined with references back to the master instructions for setting up a lollipop station and for pouring the lollipops. The caramel chapter began with a similar primer on caramel technique. The recipes in the Dreams Come Chew chapter referenced the set up, cutting, and wrapping instructions in the caramel chapter. The marshmallow chapter also begins with a review of the ingredients, equipment, and basic steps of marshmallow making. Finally, the gumdrops chapter begins with a discussion of the three basic steps of making gummy candies.
The photography at the beginning of the book is very artistic and doesn’t necessarily depict a particular recipe. It is mostly gorgeous transparent hard candies. In the core recipes chapter, the photographs are still artistic, but have more of a relationship to the recipe. However, there is a particular instance where there is a full-page photograph of luscious peach slices next to a recipe for a roasted peach puree, and the recipe specifically says not to prepare the peaches as in the photograph. All of the fun projects in the book were accompanied by illustrations rather than by photographs.
I received an advanced reader's copy from Ten Speed Press via NetGalley in exchange for an honest review.
The book reviews methods, ingredients, tools and flavors required for candy making. I appreciated the author including such an educational foundational chapter in advance of the recipes. The author breaks down the ingredients for candy making into four main components: sugar, crystal blockers, fat, and salt.
The recipes in the book are divided into six chapters: core ingredients, lollipops, caramels, chewy candies, marshmallows, and gumdrops. Immediately after the Table of Contents is a convenient Recipe List that is categorized by type of recipe so the reader very quickly gets to see the variety of different recipes and flavors that are offered.
The lollipop chapter began with a terrific primer on working with hard candy that broke the process down into simple steps and that described all the required tools. Having this section before the lollipop recipes allowed the recipes to be streamlined with references back to the master instructions for setting up a lollipop station and for pouring the lollipops. The caramel chapter began with a similar primer on caramel technique. The recipes in the Dreams Come Chew chapter referenced the set up, cutting, and wrapping instructions in the caramel chapter. The marshmallow chapter also begins with a review of the ingredients, equipment, and basic steps of marshmallow making. Finally, the gumdrops chapter begins with a discussion of the three basic steps of making gummy candies.
The photography at the beginning of the book is very artistic and doesn’t necessarily depict a particular recipe. It is mostly gorgeous transparent hard candies. In the core recipes chapter, the photographs are still artistic, but have more of a relationship to the recipe. However, there is a particular instance where there is a full-page photograph of luscious peach slices next to a recipe for a roasted peach puree, and the recipe specifically says not to prepare the peaches as in the photograph. All of the fun projects in the book were accompanied by illustrations rather than by photographs.
I received an advanced reader's copy from Ten Speed Press via NetGalley in exchange for an honest review.
I received a copy of this book from Netgalley and the publisher in exchange for an honest opinion*
I have read the majority of Sarah Crossan’s work so picking this up was a ‘no brainer’.
Edward Moon was forced to sign a confession to a crime he never committed. Moonrise is told from Joseph Moon’s perspective some 10 years later as his brother has had his date set for his execution.
Edward, Angela and Joseph didn’t have the best upbringing when they were kids, their mother was an alcoholic and neglected them. It was down to their aunt Karen to take the up the role of the parent but as a christian had very strict rules. When Edward was seventeen he left home, unable to tolerate the his aunts strict demands. His moment of freedom was short-lived as he gets incarcerated for the murder of a local policeman. 10 years on and Joseph is to make the journey to Texas to find out what really happened and to say his goodbyes as Edwards execution has been scheduled. Joseph moves in to a decrepit motel room and gets by doing chores for the local diner. His month-long stay in Texas is to get to know his brother again only to say goodbye.
This book was just OK, it deals with a topic that is not widely written about in YA books but I did prefer ‘One’ and ‘The weight of water’. In true Sarah Crossan fashion this book is written entirely in verse, it can be read as individual poems or as a story whatever your preference. This book was not as thought-provoking as her other books and whilst the topic is something that intrigues me, I felt it could have been more emotional and had more character development, the emotional side of things just wasn’t captured well in the writing and I think that’s what let it down for me. It’s probably my own fault, as I tend to go into these book with high expectations. I feel like capital punishment could have been addressed more and given the audience more awareness of executions.
Even though I thought this was only OK, I would still recommend trying it for several reasons, 1. the topic, 2. it’s written in verse. 3. Everyone else seemed to love it.
I rated this 3 out of 5 stars.
I have read the majority of Sarah Crossan’s work so picking this up was a ‘no brainer’.
Edward Moon was forced to sign a confession to a crime he never committed. Moonrise is told from Joseph Moon’s perspective some 10 years later as his brother has had his date set for his execution.
Edward, Angela and Joseph didn’t have the best upbringing when they were kids, their mother was an alcoholic and neglected them. It was down to their aunt Karen to take the up the role of the parent but as a christian had very strict rules. When Edward was seventeen he left home, unable to tolerate the his aunts strict demands. His moment of freedom was short-lived as he gets incarcerated for the murder of a local policeman. 10 years on and Joseph is to make the journey to Texas to find out what really happened and to say his goodbyes as Edwards execution has been scheduled. Joseph moves in to a decrepit motel room and gets by doing chores for the local diner. His month-long stay in Texas is to get to know his brother again only to say goodbye.
This book was just OK, it deals with a topic that is not widely written about in YA books but I did prefer ‘One’ and ‘The weight of water’. In true Sarah Crossan fashion this book is written entirely in verse, it can be read as individual poems or as a story whatever your preference. This book was not as thought-provoking as her other books and whilst the topic is something that intrigues me, I felt it could have been more emotional and had more character development, the emotional side of things just wasn’t captured well in the writing and I think that’s what let it down for me. It’s probably my own fault, as I tend to go into these book with high expectations. I feel like capital punishment could have been addressed more and given the audience more awareness of executions.
Even though I thought this was only OK, I would still recommend trying it for several reasons, 1. the topic, 2. it’s written in verse. 3. Everyone else seemed to love it.
I rated this 3 out of 5 stars.
Louise (64 KP) rated Everything, Everything in Books
Jul 2, 2018
I recieved a copy of this book through Netgalley in exchange for an honest review.
This novel follows a young girl by the name of Madeline Whittier, she is 18 years of age and for as long as she can remember has never stepped foot outside the house. The reason for this being is that she suffers from SCID – Severe Combined Immunodeficiency (She is allergic to everything).
The only two people she really has contact with is her mother and her Nurse – Carla, with everything she needs in her house she continues on with her secluded life until one day a new family move in next door.
Among this new family is a boy called Olly, Madeline starts communicating with Olly and before long she is thinking about the outside world and the life she would like to lead.
First of all, I thought this book was adorable and cute with a plausible twist involved. I really appreciated the different formats that were layed out such as: emails, IM’s, sticky notes and clinical observations. It made the book go a lot faster. This could easily be read in one sitting. The cover is absolutely gorgeous, just all the colours……ahhhh cover love!
I liked Madelines character, she was very clever due to only being able to read or study most of her days, but she wasn’t pretentious, Maddy was like any normal 18 year old should be. She was also strong willed, when she wanted something she got it.
Olly was great, he was such a caring young man, who took an interest in Madeline and was always careful about her and always following the rules. He had a bit of a rough time with an alcoholic and abusive father but never was stroppy or took it out on Maddy.
The only problem for me in this book was that I found it too predictable and thats why I rated it 4 stars rather than 5. I had my theories, but I cant tell you with out spoilers, It was still a great read and a fantastic debut novel by Nicola Yoon, if she writes this good now, surely she can only get better. I can’t wait to see what she comes out with next.
I would definitely recommend this book to anyone that is a fan of YA Contemporary.
This novel follows a young girl by the name of Madeline Whittier, she is 18 years of age and for as long as she can remember has never stepped foot outside the house. The reason for this being is that she suffers from SCID – Severe Combined Immunodeficiency (She is allergic to everything).
The only two people she really has contact with is her mother and her Nurse – Carla, with everything she needs in her house she continues on with her secluded life until one day a new family move in next door.
Among this new family is a boy called Olly, Madeline starts communicating with Olly and before long she is thinking about the outside world and the life she would like to lead.
First of all, I thought this book was adorable and cute with a plausible twist involved. I really appreciated the different formats that were layed out such as: emails, IM’s, sticky notes and clinical observations. It made the book go a lot faster. This could easily be read in one sitting. The cover is absolutely gorgeous, just all the colours……ahhhh cover love!
I liked Madelines character, she was very clever due to only being able to read or study most of her days, but she wasn’t pretentious, Maddy was like any normal 18 year old should be. She was also strong willed, when she wanted something she got it.
Olly was great, he was such a caring young man, who took an interest in Madeline and was always careful about her and always following the rules. He had a bit of a rough time with an alcoholic and abusive father but never was stroppy or took it out on Maddy.
The only problem for me in this book was that I found it too predictable and thats why I rated it 4 stars rather than 5. I had my theories, but I cant tell you with out spoilers, It was still a great read and a fantastic debut novel by Nicola Yoon, if she writes this good now, surely she can only get better. I can’t wait to see what she comes out with next.
I would definitely recommend this book to anyone that is a fan of YA Contemporary.
Mediocre sequel
I received a free copy from Netgalley in exchange for an honest review.
Shorefall picks up around three years after the events of Foundryside, when a small crew stand up against the mighty, powerful families of the city, stop their evil plotting and strike out on their own. They have set up their own, independent scriving house, making magical machinery, and helping others to do the same. A bit like BrewDog, but without the financially dubious shareholder arrangements.
In this world, magic comes in the form of scriving - bending reality to make objects behave in a certain way (persuading a door it cannot open without a specific person being present, convincing an arrow it is falling, so must accelerate accordingly, albeit in a straight line, etc). Most of the book's plot and action centre around this, and it becomes quite draining, and a stretch at times. I forgave the first book quite a lot in this regard, because it was world-building, but this much world-building in a second book seems wrong. And the mechanics of it are so much like coding that that is all you can think of. At times it is like watching an episode of 24, but instead of following Jack Bauer's thrilling escapades, you are watching Chloe coding a macro to speed up her timesheets while being vaguely aware that something exciting is happening.
The book starts very strongly, we are in the company of Sancia and Orso as they appear to be down on their luck and having to sell their work to make ends meet. Cue: exciting espionage scenes as Sancia sneaks off to steal.
Sadly, this opening chapter in which we had no idea what was happening was the best one. So many times throughout the book the crew were on some mission or other for some reason, but I couldn't for the life of me remember what or why, and nor did I particularly care. The plot just seemed to be in a backseat with the world-building driving with no sat-nav. And so was character development, as all the main characters just completely plateaud and didn't change in the slightest.
In short, I found the book very dull and drawn out and the second half was a real chore.
Shorefall picks up around three years after the events of Foundryside, when a small crew stand up against the mighty, powerful families of the city, stop their evil plotting and strike out on their own. They have set up their own, independent scriving house, making magical machinery, and helping others to do the same. A bit like BrewDog, but without the financially dubious shareholder arrangements.
In this world, magic comes in the form of scriving - bending reality to make objects behave in a certain way (persuading a door it cannot open without a specific person being present, convincing an arrow it is falling, so must accelerate accordingly, albeit in a straight line, etc). Most of the book's plot and action centre around this, and it becomes quite draining, and a stretch at times. I forgave the first book quite a lot in this regard, because it was world-building, but this much world-building in a second book seems wrong. And the mechanics of it are so much like coding that that is all you can think of. At times it is like watching an episode of 24, but instead of following Jack Bauer's thrilling escapades, you are watching Chloe coding a macro to speed up her timesheets while being vaguely aware that something exciting is happening.
The book starts very strongly, we are in the company of Sancia and Orso as they appear to be down on their luck and having to sell their work to make ends meet. Cue: exciting espionage scenes as Sancia sneaks off to steal.
Sadly, this opening chapter in which we had no idea what was happening was the best one. So many times throughout the book the crew were on some mission or other for some reason, but I couldn't for the life of me remember what or why, and nor did I particularly care. The plot just seemed to be in a backseat with the world-building driving with no sat-nav. And so was character development, as all the main characters just completely plateaud and didn't change in the slightest.
In short, I found the book very dull and drawn out and the second half was a real chore.