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Whatchareadin (174 KP) rated Don't Go in Books
May 10, 2018
Dr. Matt Scanlon is on tour in Afghanistan when he receives the call that his wife, Chloe, has died in an unfortunate household accident. He rushes home to take care of her funeral arrangements and get care for their 7 month old daughter, Emily. When he returns home, nothing seems the same. And it's not only because Chloe is no longer there. Going through her things, he makes a startling discovery that will cloud his mind for a long time. Leaving the care of his daughter to his in-laws, Bob and Danielle, he returns to finish his tour of duty and try to make sense of all that he has learned about his wife.
This book really had me intrigued from the very beginning. I gasped out loud several times while listening to this book. Just when you think you know what is going to happen next, you are pulled in the completely opposite direction. There are a lot of twists and turns throughout this book. A man on mission trying to find out what was really going on with his wife while he was away. He is trying to build a bond with his daughter who doesn't know him at all, and with him being away, it doesn't help. Trying to find out who his wife had become after she had become a mother and a military wife.
This book will keep you on your toes and you will never know what is going to happen next. You think you do, as I thought I did, but you will soon find out that you are wrong. The surprises keep coming straight on until the end. I think this is a book everyone should grab. This is the first I have read by Lisa Scottoline, and she has been on my radar for a while. I will continue to read and enjoy her books.
This book really had me intrigued from the very beginning. I gasped out loud several times while listening to this book. Just when you think you know what is going to happen next, you are pulled in the completely opposite direction. There are a lot of twists and turns throughout this book. A man on mission trying to find out what was really going on with his wife while he was away. He is trying to build a bond with his daughter who doesn't know him at all, and with him being away, it doesn't help. Trying to find out who his wife had become after she had become a mother and a military wife.
This book will keep you on your toes and you will never know what is going to happen next. You think you do, as I thought I did, but you will soon find out that you are wrong. The surprises keep coming straight on until the end. I think this is a book everyone should grab. This is the first I have read by Lisa Scottoline, and she has been on my radar for a while. I will continue to read and enjoy her books.
I'm gonna say this first. I went through this book because I was trying hard to finish it, but it was difficult. I remember seeing this book when I was much younger, but I never picked it up then. This also was not on my school reading list when I was in high school, so I never got to read it for an assignment either. I'm sure I'm probably in the minority, but this wasn't my favorite book this month.
I feel for Melinda, but it took most of the book to get to that stage. It was difficult to read through her eyes because it's mostly about the teachers and kids shunning her because she called the police and broke up a party and wanting to just be isolated. Her parents are just something else entirely.
"I'm getting better at smiling when people expect it."
When it seems like she may have a new friend in a new student named Heather, she goes and ditches Melinda to be a part of a group called The Marthas. That actually kind of hit close to home for me, because I've had someone do that to me. The sad thing is, Heather comes CRAWLING back to Melinda because she's overwhelmed and hates being a part of the group and needs Melinda's help with decorating. And Melinda, rightfully, tells her she can't help her.
She doesn't tell her the truth - which would be because you totally ditched her, told her you couldn't be around her because of her 'reputation' and just left her there, yeah, no. She just makes up some excuse about a tree being taken out of her yard. Well, either way, I was kind of proud of her for not giving in to helping her. Go away, Heather!
Like I said, it took me nearly half of to almost the end of the book to really get a feel for Melinda. When she does realize (from shows like Oprah and Sally Jessy) that she was raped, she tells one girl who USED TO BE her friend. Rachel/Rachelle pines over the guy who was known as IT for most of the book, but real name Andy, and she's called a liar.
"IT happened. There is no avoiding it, no forgetting. No running away, or flying, or burying, or hiding."
Of course she's called that. I kept thinking I wouldn't tell her. As sad as that sounds, I wouldn't have told her the truth. Because, she wouldn't believe her ex friend no matter if it is the truth or not.
While it took me nearly the whole book to feel for Melinda or want to finish the story, I'm glad I did. This still happens. I'm not saying it's only women who are raped, but those that suffer through this trauma can't seem to speak up. And when they do, it's not always well received. Why is it difficult when someone says they went through this kind of experience? Why is it judged so harshly? And why is it such a taboo subject?
"Censorship is the child of fear and the father of ignorance."
I would also like to point out the one time I think Rachel/Rachelle said it right when it came to looking for symbolism in classic books.
"How do you know what he meant to say? I mean, did he leave another book called "Symbolism in My Books?" If he didn't, then you could just be making all of this up. Does anyone really think this guy sat down and stuck all kinds of hidden meanings into his story? It's just a story.... But I think you are making all of this symbolism stuff up. I don't believe any of it."
Sorry, I'm quoting the book a lot. I'm sorry but I do agree that I think most of the classical authors weren't thinking much about symbolism when they wrote their books. Just saying.
I do believe everybody should read this book once in their lives. Censorship is a crock. Books like this and To Kill A Mockingbird are important novels that kids should read. Banning books is about as redundant as baker's chocolate.
I feel for Melinda, but it took most of the book to get to that stage. It was difficult to read through her eyes because it's mostly about the teachers and kids shunning her because she called the police and broke up a party and wanting to just be isolated. Her parents are just something else entirely.
"I'm getting better at smiling when people expect it."
When it seems like she may have a new friend in a new student named Heather, she goes and ditches Melinda to be a part of a group called The Marthas. That actually kind of hit close to home for me, because I've had someone do that to me. The sad thing is, Heather comes CRAWLING back to Melinda because she's overwhelmed and hates being a part of the group and needs Melinda's help with decorating. And Melinda, rightfully, tells her she can't help her.
She doesn't tell her the truth - which would be because you totally ditched her, told her you couldn't be around her because of her 'reputation' and just left her there, yeah, no. She just makes up some excuse about a tree being taken out of her yard. Well, either way, I was kind of proud of her for not giving in to helping her. Go away, Heather!
Like I said, it took me nearly half of to almost the end of the book to really get a feel for Melinda. When she does realize (from shows like Oprah and Sally Jessy) that she was raped, she tells one girl who USED TO BE her friend. Rachel/Rachelle pines over the guy who was known as IT for most of the book, but real name Andy, and she's called a liar.
"IT happened. There is no avoiding it, no forgetting. No running away, or flying, or burying, or hiding."
Of course she's called that. I kept thinking I wouldn't tell her. As sad as that sounds, I wouldn't have told her the truth. Because, she wouldn't believe her ex friend no matter if it is the truth or not.
While it took me nearly the whole book to feel for Melinda or want to finish the story, I'm glad I did. This still happens. I'm not saying it's only women who are raped, but those that suffer through this trauma can't seem to speak up. And when they do, it's not always well received. Why is it difficult when someone says they went through this kind of experience? Why is it judged so harshly? And why is it such a taboo subject?
"Censorship is the child of fear and the father of ignorance."
I would also like to point out the one time I think Rachel/Rachelle said it right when it came to looking for symbolism in classic books.
"How do you know what he meant to say? I mean, did he leave another book called "Symbolism in My Books?" If he didn't, then you could just be making all of this up. Does anyone really think this guy sat down and stuck all kinds of hidden meanings into his story? It's just a story.... But I think you are making all of this symbolism stuff up. I don't believe any of it."
Sorry, I'm quoting the book a lot. I'm sorry but I do agree that I think most of the classical authors weren't thinking much about symbolism when they wrote their books. Just saying.
I do believe everybody should read this book once in their lives. Censorship is a crock. Books like this and To Kill A Mockingbird are important novels that kids should read. Banning books is about as redundant as baker's chocolate.
Whatchareadin (174 KP) rated Before I Let Go in Books
Apr 9, 2019
Corey and her best friend Kyra have lived their whole lives in Lost Creek, Alaska. They have been inseparable from the start. But when Corey's mom gets a new job hundreds of miles away, Corey and Kyra will be separated. Will they both be able to survive? Even though Kyra writes to Corey, Corey is unable to write back. She can't bring herself to tell Kyra how happy she is now that she has left Lost. When Corey learns of a tragic accident that lives Kyra dead, she returns home to a place she doesn't recognize. It's no longer the place she called home. Determine to find out why Kyra didn't get the help she desperately needed. Corey has 6 days to find out what has happened to this town and her best friend in the few months she's been gone.
Thank you to NetGalley and SourceBooks-Fire for the opportunity to read and review this book.
The first book I read by Marieke Nijkamp was This Is Where It Ends about a school shooting. I really enjoyed the book and Ms. Nijkamps writing and I enjoyed this book as well. I gave the book 4 stars because there was a part of it that was a little strange to me, where the town of Lost Creek seemed like a cult.
I don't know what I would do if I moved away and a few month later found out my best friend was dead and no one who was around her could explain what happened and why. No one would allow her to live her life. Kyra was bi-polar and when she and Corey were together they talked about Kyra getting help with her manic episodes. She hated the way she felt. Corey felt bad about not keeping in touch with Kyra the way she should have. Kyra said she would wait for Corey, but what happened to her that she felt death was a better option. This book had me in tears toward the end and several times it left my heart racing.
Thank you to NetGalley and SourceBooks-Fire for the opportunity to read and review this book.
The first book I read by Marieke Nijkamp was This Is Where It Ends about a school shooting. I really enjoyed the book and Ms. Nijkamps writing and I enjoyed this book as well. I gave the book 4 stars because there was a part of it that was a little strange to me, where the town of Lost Creek seemed like a cult.
I don't know what I would do if I moved away and a few month later found out my best friend was dead and no one who was around her could explain what happened and why. No one would allow her to live her life. Kyra was bi-polar and when she and Corey were together they talked about Kyra getting help with her manic episodes. She hated the way she felt. Corey felt bad about not keeping in touch with Kyra the way she should have. Kyra said she would wait for Corey, but what happened to her that she felt death was a better option. This book had me in tears toward the end and several times it left my heart racing.
A Work in Progress: The Untold Story of the Crawley Writers’ Group
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Ivana A. | Diary of Difference (1171 KP) rated One In A Million in Books
Oct 2, 2020
Contemporary romance in a world of social media. One in a Million is a nice addition to a library, for those of you who enjoy this genre.
Annie is working hard to get her own marketing business moving. She doesn't have time for anything else, especially love. And now that her ex-boyfriend has proposed to someone else after 6 months, she has to pretend that it doesn't mean anything to her.
She makes a risky bet to turn a random person internet famous in a month. It seems like an easy thing to do, but when it turns out that this random person is one of those that want nothing to do with social media, this bet turns out to be mission impossible. Not to mention that this person is also brutally honest and savagely rude.
The plot was predictable and flat. I knew what was going to happen and the ending was too obvious and without any major twists.
Knowing the subject of this book, I was expecting at least some character development from both main characters:
* The man who never uses social media realizes that online presence is extremely important in today's world, especially if you are trying to sell a book and promote what you are doing.
* The woman who is addicted to social media realizes that aside from the online world, she needs to focus on the real-life experiences and friendships.
The realizations from both sides never really happened. The characters mentioned and discussed this, but the never changed their actions or behavior, which I found very disappointing.
One in a Million is a wonderful chill book, one of those books you can read by the pool or on the beach. It is the perfect book to cheer you up, but it didn't seem to have any real value to it, and for me it was a predictable and a boring experience.
If this genre is something that you usually read and enjoy - please pick it up, you are probably going to enjoy it! This book just wasn't for me, that's all.
Annie is working hard to get her own marketing business moving. She doesn't have time for anything else, especially love. And now that her ex-boyfriend has proposed to someone else after 6 months, she has to pretend that it doesn't mean anything to her.
She makes a risky bet to turn a random person internet famous in a month. It seems like an easy thing to do, but when it turns out that this random person is one of those that want nothing to do with social media, this bet turns out to be mission impossible. Not to mention that this person is also brutally honest and savagely rude.
The plot was predictable and flat. I knew what was going to happen and the ending was too obvious and without any major twists.
Knowing the subject of this book, I was expecting at least some character development from both main characters:
* The man who never uses social media realizes that online presence is extremely important in today's world, especially if you are trying to sell a book and promote what you are doing.
* The woman who is addicted to social media realizes that aside from the online world, she needs to focus on the real-life experiences and friendships.
The realizations from both sides never really happened. The characters mentioned and discussed this, but the never changed their actions or behavior, which I found very disappointing.
One in a Million is a wonderful chill book, one of those books you can read by the pool or on the beach. It is the perfect book to cheer you up, but it didn't seem to have any real value to it, and for me it was a predictable and a boring experience.
If this genre is something that you usually read and enjoy - please pick it up, you are probably going to enjoy it! This book just wasn't for me, that's all.
Bob Mann (459 KP) rated Nocturnal Animals (2016) in Movies
Sep 29, 2021
Putting the crisis into mid-life crisis.
“Do you think your life has turned into something you never intended?” So asks Susan Morrow (Amy Adams) to her young assistant, who obviously looks baffled. “Of course, not – you’re still young”. Susan is in a mid-life crisis. While successful within the opulent Los Angeles art scene her personal life is crashing to the ground around her: her marriage (to Hutton (Armie Hammer, “The Man From Uncle”) ) appears to be cooling fast amid financial worries.
In the midst of this rudderless time a manuscript from her ex-husband, struggling writer Edward Sheffield (Jake Gyllenhaal), turns up out of the blue. As we see in flashback, Edward is a man let down on multiple levels by Susan in the past. His novel – “Nocturnal Animals”, dedicated to Susan – is a primal scream of twenty years worth of hurt, pain, regret and vengeance; a railing against a loss of love; a railing against a loss of life.
As Susan painfully turns the pages we live the book as a ‘film within a film’ – with characters casually modelled on Edward, Susan and Susan’s daughter, actually played by Gyllenhaal, Amy-Adams-lookalike Isla Fisher (“Grimsby”) and Ellie Bamber (“Pride and Prejudice and Zombies”) respectively. The insomniac Susan is seriously moved. She feels likes someone who’s fallen asleep on the train of life and doesn’t recognise any of the stations when she wakes up. How will Susan’s regrets translate into action? Should she take up Edwards offer to meet up for dinner?
This Tom Ford film – only his second after the wildly successful “A Single Man” in 2009 – is a challenging film to watch. The opening titles of naked overweight woman ‘twerkers’ is challenging enough (#wobble). After this shocking opening (that morphs into an art gallery installation) the LA scenes have a gloriously Hitchcockian/noir feel to them, being gorgeously filmed by cinematographer Seamus McGarvey (“The Accountant”, “The Avengers”) – an Oscar nomination I would suggest should be in the offing.
And then comes the start of the “book” segment: one of the most uncomfortably tense scenes I’ve seen this year. A Texan family horror film featuring a lonely highway and a trio of “deplorables” (to quote an unfortunate put-down by Hilary Clinton). As stark contrast to the sharp lines and glamour of LA, these scenes are reminiscent of “No Country for Old Men” with a searingly unpleasant performance from Aaron Taylor-Johnson (“Kick-Ass”) and an equally queasy turn by local law enforcer Bobby Andes (Michael Shannon, Zod in “Batman v Superman: Dawn of Justice”). Either or both of these gentlemen could be contenders for a Supporting Actor nomination. The tension is superbly notched up by a mesmerising cello/violin score by Polish composer Abel Korzeniowski.
Amy Adams is fantastic in the leading role (what with “Arrival” this month, this is quite a month for the actress) as is Jake Gyllenhaal, channelling so much emotion, angst and guilt at his own impotence. After “Nightcrawler” Gyllenhaal is building up a formidable reputation that must translate into an Oscar some time soon: possibly this is it. Some excellent cameos from Laura Linney (as Susan’s sad-eyed mother) and Michael Sheen (in a superb purple jacket) rounds off an excellent ensemble cast.
The concept of a “film within a film” is not new. The most memorable example (I realise with a shock – #midlifecrisis) was “The French Lieutenant’s Woman” with a young but striking Meryl Streep 35 years ago. Here the LA sequence, the book and the flashback scenes are beautifully merged into a seamless whole where you never seem to get lost or disorientated.
If there is a criticism to be made, the second half of the ‘book’ is not as satisfying as the first with some rather clunky plot points that fall a little too easily.
However, this is a nuanced film where every step and every scene feels sculpted and filled with meaning. It is a film that deserves repeat viewings, since it raises questions and thoughts that survive long after the lights have come up. Tom Ford’s output may be of a sparsity of Kubrick proportions, but like Kubrick his output is certainly worth waiting for.
Recommended, but go mentally prepared: this was a UK 15 certificate, but it felt like it should be more of a UK 18.
In the midst of this rudderless time a manuscript from her ex-husband, struggling writer Edward Sheffield (Jake Gyllenhaal), turns up out of the blue. As we see in flashback, Edward is a man let down on multiple levels by Susan in the past. His novel – “Nocturnal Animals”, dedicated to Susan – is a primal scream of twenty years worth of hurt, pain, regret and vengeance; a railing against a loss of love; a railing against a loss of life.
As Susan painfully turns the pages we live the book as a ‘film within a film’ – with characters casually modelled on Edward, Susan and Susan’s daughter, actually played by Gyllenhaal, Amy-Adams-lookalike Isla Fisher (“Grimsby”) and Ellie Bamber (“Pride and Prejudice and Zombies”) respectively. The insomniac Susan is seriously moved. She feels likes someone who’s fallen asleep on the train of life and doesn’t recognise any of the stations when she wakes up. How will Susan’s regrets translate into action? Should she take up Edwards offer to meet up for dinner?
This Tom Ford film – only his second after the wildly successful “A Single Man” in 2009 – is a challenging film to watch. The opening titles of naked overweight woman ‘twerkers’ is challenging enough (#wobble). After this shocking opening (that morphs into an art gallery installation) the LA scenes have a gloriously Hitchcockian/noir feel to them, being gorgeously filmed by cinematographer Seamus McGarvey (“The Accountant”, “The Avengers”) – an Oscar nomination I would suggest should be in the offing.
And then comes the start of the “book” segment: one of the most uncomfortably tense scenes I’ve seen this year. A Texan family horror film featuring a lonely highway and a trio of “deplorables” (to quote an unfortunate put-down by Hilary Clinton). As stark contrast to the sharp lines and glamour of LA, these scenes are reminiscent of “No Country for Old Men” with a searingly unpleasant performance from Aaron Taylor-Johnson (“Kick-Ass”) and an equally queasy turn by local law enforcer Bobby Andes (Michael Shannon, Zod in “Batman v Superman: Dawn of Justice”). Either or both of these gentlemen could be contenders for a Supporting Actor nomination. The tension is superbly notched up by a mesmerising cello/violin score by Polish composer Abel Korzeniowski.
Amy Adams is fantastic in the leading role (what with “Arrival” this month, this is quite a month for the actress) as is Jake Gyllenhaal, channelling so much emotion, angst and guilt at his own impotence. After “Nightcrawler” Gyllenhaal is building up a formidable reputation that must translate into an Oscar some time soon: possibly this is it. Some excellent cameos from Laura Linney (as Susan’s sad-eyed mother) and Michael Sheen (in a superb purple jacket) rounds off an excellent ensemble cast.
The concept of a “film within a film” is not new. The most memorable example (I realise with a shock – #midlifecrisis) was “The French Lieutenant’s Woman” with a young but striking Meryl Streep 35 years ago. Here the LA sequence, the book and the flashback scenes are beautifully merged into a seamless whole where you never seem to get lost or disorientated.
If there is a criticism to be made, the second half of the ‘book’ is not as satisfying as the first with some rather clunky plot points that fall a little too easily.
However, this is a nuanced film where every step and every scene feels sculpted and filled with meaning. It is a film that deserves repeat viewings, since it raises questions and thoughts that survive long after the lights have come up. Tom Ford’s output may be of a sparsity of Kubrick proportions, but like Kubrick his output is certainly worth waiting for.
Recommended, but go mentally prepared: this was a UK 15 certificate, but it felt like it should be more of a UK 18.
The Spider Network: The Wild Story of a Maths Genius, a Gang of Backstabbing Bankers, and One of the Greatest Scams in Financial History
Book
Listed as an FT book of the month. "Anyone with an interest in financial services and in what has...