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Whatchareadin (174 KP) rated Before I Let Go in Books
Apr 9, 2019
Corey and her best friend Kyra have lived their whole lives in Lost Creek, Alaska. They have been inseparable from the start. But when Corey's mom gets a new job hundreds of miles away, Corey and Kyra will be separated. Will they both be able to survive? Even though Kyra writes to Corey, Corey is unable to write back. She can't bring herself to tell Kyra how happy she is now that she has left Lost. When Corey learns of a tragic accident that lives Kyra dead, she returns home to a place she doesn't recognize. It's no longer the place she called home. Determine to find out why Kyra didn't get the help she desperately needed. Corey has 6 days to find out what has happened to this town and her best friend in the few months she's been gone.
Thank you to NetGalley and SourceBooks-Fire for the opportunity to read and review this book.
The first book I read by Marieke Nijkamp was This Is Where It Ends about a school shooting. I really enjoyed the book and Ms. Nijkamps writing and I enjoyed this book as well. I gave the book 4 stars because there was a part of it that was a little strange to me, where the town of Lost Creek seemed like a cult.
I don't know what I would do if I moved away and a few month later found out my best friend was dead and no one who was around her could explain what happened and why. No one would allow her to live her life. Kyra was bi-polar and when she and Corey were together they talked about Kyra getting help with her manic episodes. She hated the way she felt. Corey felt bad about not keeping in touch with Kyra the way she should have. Kyra said she would wait for Corey, but what happened to her that she felt death was a better option. This book had me in tears toward the end and several times it left my heart racing.
Thank you to NetGalley and SourceBooks-Fire for the opportunity to read and review this book.
The first book I read by Marieke Nijkamp was This Is Where It Ends about a school shooting. I really enjoyed the book and Ms. Nijkamps writing and I enjoyed this book as well. I gave the book 4 stars because there was a part of it that was a little strange to me, where the town of Lost Creek seemed like a cult.
I don't know what I would do if I moved away and a few month later found out my best friend was dead and no one who was around her could explain what happened and why. No one would allow her to live her life. Kyra was bi-polar and when she and Corey were together they talked about Kyra getting help with her manic episodes. She hated the way she felt. Corey felt bad about not keeping in touch with Kyra the way she should have. Kyra said she would wait for Corey, but what happened to her that she felt death was a better option. This book had me in tears toward the end and several times it left my heart racing.
A Work in Progress: The Untold Story of the Crawley Writers’ Group
Alex Woolf, Martin Jenkins and Dan Brotzel
8.0
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They've all got a book in them, unfortunately. In December 2016, Julia Greengage, aspiring writer...
MyChair Salon Book Clients Appointments Manager
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#1 Selling Salon Software app - MyChair is both iPhone & iPad app. More people choose MyChair over...
Punchbowl – Online Invitations
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Create, personalize and send beautiful invitations on the go for FREE with Punchbowl®, the new gold...
Ivana A. | Diary of Difference (1171 KP) rated One In A Million in Books
Oct 2, 2020
Contemporary romance in a world of social media. One in a Million is a nice addition to a library, for those of you who enjoy this genre.
Annie is working hard to get her own marketing business moving. She doesn't have time for anything else, especially love. And now that her ex-boyfriend has proposed to someone else after 6 months, she has to pretend that it doesn't mean anything to her.
She makes a risky bet to turn a random person internet famous in a month. It seems like an easy thing to do, but when it turns out that this random person is one of those that want nothing to do with social media, this bet turns out to be mission impossible. Not to mention that this person is also brutally honest and savagely rude.
The plot was predictable and flat. I knew what was going to happen and the ending was too obvious and without any major twists.
Knowing the subject of this book, I was expecting at least some character development from both main characters:
* The man who never uses social media realizes that online presence is extremely important in today's world, especially if you are trying to sell a book and promote what you are doing.
* The woman who is addicted to social media realizes that aside from the online world, she needs to focus on the real-life experiences and friendships.
The realizations from both sides never really happened. The characters mentioned and discussed this, but the never changed their actions or behavior, which I found very disappointing.
One in a Million is a wonderful chill book, one of those books you can read by the pool or on the beach. It is the perfect book to cheer you up, but it didn't seem to have any real value to it, and for me it was a predictable and a boring experience.
If this genre is something that you usually read and enjoy - please pick it up, you are probably going to enjoy it! This book just wasn't for me, that's all.
Annie is working hard to get her own marketing business moving. She doesn't have time for anything else, especially love. And now that her ex-boyfriend has proposed to someone else after 6 months, she has to pretend that it doesn't mean anything to her.
She makes a risky bet to turn a random person internet famous in a month. It seems like an easy thing to do, but when it turns out that this random person is one of those that want nothing to do with social media, this bet turns out to be mission impossible. Not to mention that this person is also brutally honest and savagely rude.
The plot was predictable and flat. I knew what was going to happen and the ending was too obvious and without any major twists.
Knowing the subject of this book, I was expecting at least some character development from both main characters:
* The man who never uses social media realizes that online presence is extremely important in today's world, especially if you are trying to sell a book and promote what you are doing.
* The woman who is addicted to social media realizes that aside from the online world, she needs to focus on the real-life experiences and friendships.
The realizations from both sides never really happened. The characters mentioned and discussed this, but the never changed their actions or behavior, which I found very disappointing.
One in a Million is a wonderful chill book, one of those books you can read by the pool or on the beach. It is the perfect book to cheer you up, but it didn't seem to have any real value to it, and for me it was a predictable and a boring experience.
If this genre is something that you usually read and enjoy - please pick it up, you are probably going to enjoy it! This book just wasn't for me, that's all.
An Englishman Aboard: Discovering France in a Rowing Boat
Book
From the author of Pardon My French and A Certain Je Ne Sais Quoi, this is the charming and...
Bob Mann (459 KP) rated Nocturnal Animals (2016) in Movies
Sep 29, 2021
Putting the crisis into mid-life crisis.
“Do you think your life has turned into something you never intended?” So asks Susan Morrow (Amy Adams) to her young assistant, who obviously looks baffled. “Of course, not – you’re still young”. Susan is in a mid-life crisis. While successful within the opulent Los Angeles art scene her personal life is crashing to the ground around her: her marriage (to Hutton (Armie Hammer, “The Man From Uncle”) ) appears to be cooling fast amid financial worries.
In the midst of this rudderless time a manuscript from her ex-husband, struggling writer Edward Sheffield (Jake Gyllenhaal), turns up out of the blue. As we see in flashback, Edward is a man let down on multiple levels by Susan in the past. His novel – “Nocturnal Animals”, dedicated to Susan – is a primal scream of twenty years worth of hurt, pain, regret and vengeance; a railing against a loss of love; a railing against a loss of life.
As Susan painfully turns the pages we live the book as a ‘film within a film’ – with characters casually modelled on Edward, Susan and Susan’s daughter, actually played by Gyllenhaal, Amy-Adams-lookalike Isla Fisher (“Grimsby”) and Ellie Bamber (“Pride and Prejudice and Zombies”) respectively. The insomniac Susan is seriously moved. She feels likes someone who’s fallen asleep on the train of life and doesn’t recognise any of the stations when she wakes up. How will Susan’s regrets translate into action? Should she take up Edwards offer to meet up for dinner?
This Tom Ford film – only his second after the wildly successful “A Single Man” in 2009 – is a challenging film to watch. The opening titles of naked overweight woman ‘twerkers’ is challenging enough (#wobble). After this shocking opening (that morphs into an art gallery installation) the LA scenes have a gloriously Hitchcockian/noir feel to them, being gorgeously filmed by cinematographer Seamus McGarvey (“The Accountant”, “The Avengers”) – an Oscar nomination I would suggest should be in the offing.
And then comes the start of the “book” segment: one of the most uncomfortably tense scenes I’ve seen this year. A Texan family horror film featuring a lonely highway and a trio of “deplorables” (to quote an unfortunate put-down by Hilary Clinton). As stark contrast to the sharp lines and glamour of LA, these scenes are reminiscent of “No Country for Old Men” with a searingly unpleasant performance from Aaron Taylor-Johnson (“Kick-Ass”) and an equally queasy turn by local law enforcer Bobby Andes (Michael Shannon, Zod in “Batman v Superman: Dawn of Justice”). Either or both of these gentlemen could be contenders for a Supporting Actor nomination. The tension is superbly notched up by a mesmerising cello/violin score by Polish composer Abel Korzeniowski.
Amy Adams is fantastic in the leading role (what with “Arrival” this month, this is quite a month for the actress) as is Jake Gyllenhaal, channelling so much emotion, angst and guilt at his own impotence. After “Nightcrawler” Gyllenhaal is building up a formidable reputation that must translate into an Oscar some time soon: possibly this is it. Some excellent cameos from Laura Linney (as Susan’s sad-eyed mother) and Michael Sheen (in a superb purple jacket) rounds off an excellent ensemble cast.
The concept of a “film within a film” is not new. The most memorable example (I realise with a shock – #midlifecrisis) was “The French Lieutenant’s Woman” with a young but striking Meryl Streep 35 years ago. Here the LA sequence, the book and the flashback scenes are beautifully merged into a seamless whole where you never seem to get lost or disorientated.
If there is a criticism to be made, the second half of the ‘book’ is not as satisfying as the first with some rather clunky plot points that fall a little too easily.
However, this is a nuanced film where every step and every scene feels sculpted and filled with meaning. It is a film that deserves repeat viewings, since it raises questions and thoughts that survive long after the lights have come up. Tom Ford’s output may be of a sparsity of Kubrick proportions, but like Kubrick his output is certainly worth waiting for.
Recommended, but go mentally prepared: this was a UK 15 certificate, but it felt like it should be more of a UK 18.
In the midst of this rudderless time a manuscript from her ex-husband, struggling writer Edward Sheffield (Jake Gyllenhaal), turns up out of the blue. As we see in flashback, Edward is a man let down on multiple levels by Susan in the past. His novel – “Nocturnal Animals”, dedicated to Susan – is a primal scream of twenty years worth of hurt, pain, regret and vengeance; a railing against a loss of love; a railing against a loss of life.
As Susan painfully turns the pages we live the book as a ‘film within a film’ – with characters casually modelled on Edward, Susan and Susan’s daughter, actually played by Gyllenhaal, Amy-Adams-lookalike Isla Fisher (“Grimsby”) and Ellie Bamber (“Pride and Prejudice and Zombies”) respectively. The insomniac Susan is seriously moved. She feels likes someone who’s fallen asleep on the train of life and doesn’t recognise any of the stations when she wakes up. How will Susan’s regrets translate into action? Should she take up Edwards offer to meet up for dinner?
This Tom Ford film – only his second after the wildly successful “A Single Man” in 2009 – is a challenging film to watch. The opening titles of naked overweight woman ‘twerkers’ is challenging enough (#wobble). After this shocking opening (that morphs into an art gallery installation) the LA scenes have a gloriously Hitchcockian/noir feel to them, being gorgeously filmed by cinematographer Seamus McGarvey (“The Accountant”, “The Avengers”) – an Oscar nomination I would suggest should be in the offing.
And then comes the start of the “book” segment: one of the most uncomfortably tense scenes I’ve seen this year. A Texan family horror film featuring a lonely highway and a trio of “deplorables” (to quote an unfortunate put-down by Hilary Clinton). As stark contrast to the sharp lines and glamour of LA, these scenes are reminiscent of “No Country for Old Men” with a searingly unpleasant performance from Aaron Taylor-Johnson (“Kick-Ass”) and an equally queasy turn by local law enforcer Bobby Andes (Michael Shannon, Zod in “Batman v Superman: Dawn of Justice”). Either or both of these gentlemen could be contenders for a Supporting Actor nomination. The tension is superbly notched up by a mesmerising cello/violin score by Polish composer Abel Korzeniowski.
Amy Adams is fantastic in the leading role (what with “Arrival” this month, this is quite a month for the actress) as is Jake Gyllenhaal, channelling so much emotion, angst and guilt at his own impotence. After “Nightcrawler” Gyllenhaal is building up a formidable reputation that must translate into an Oscar some time soon: possibly this is it. Some excellent cameos from Laura Linney (as Susan’s sad-eyed mother) and Michael Sheen (in a superb purple jacket) rounds off an excellent ensemble cast.
The concept of a “film within a film” is not new. The most memorable example (I realise with a shock – #midlifecrisis) was “The French Lieutenant’s Woman” with a young but striking Meryl Streep 35 years ago. Here the LA sequence, the book and the flashback scenes are beautifully merged into a seamless whole where you never seem to get lost or disorientated.
If there is a criticism to be made, the second half of the ‘book’ is not as satisfying as the first with some rather clunky plot points that fall a little too easily.
However, this is a nuanced film where every step and every scene feels sculpted and filled with meaning. It is a film that deserves repeat viewings, since it raises questions and thoughts that survive long after the lights have come up. Tom Ford’s output may be of a sparsity of Kubrick proportions, but like Kubrick his output is certainly worth waiting for.
Recommended, but go mentally prepared: this was a UK 15 certificate, but it felt like it should be more of a UK 18.
The Spider Network: The Wild Story of a Maths Genius, a Gang of Backstabbing Bankers, and One of the Greatest Scams in Financial History
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Listed as an FT book of the month. "Anyone with an interest in financial services and in what has...
Lost in Plain Sight
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London's Secrets: Bizarre & Curious
8.0
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London is a city with an abundance of bizarre and curious places and stories, being ancient, vast...