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Bob Mann (459 KP) rated Nocturnal Animals (2016) in Movies
Sep 29, 2021
Putting the crisis into mid-life crisis.
“Do you think your life has turned into something you never intended?” So asks Susan Morrow (Amy Adams) to her young assistant, who obviously looks baffled. “Of course, not – you’re still young”. Susan is in a mid-life crisis. While successful within the opulent Los Angeles art scene her personal life is crashing to the ground around her: her marriage (to Hutton (Armie Hammer, “The Man From Uncle”) ) appears to be cooling fast amid financial worries.
In the midst of this rudderless time a manuscript from her ex-husband, struggling writer Edward Sheffield (Jake Gyllenhaal), turns up out of the blue. As we see in flashback, Edward is a man let down on multiple levels by Susan in the past. His novel – “Nocturnal Animals”, dedicated to Susan – is a primal scream of twenty years worth of hurt, pain, regret and vengeance; a railing against a loss of love; a railing against a loss of life.
As Susan painfully turns the pages we live the book as a ‘film within a film’ – with characters casually modelled on Edward, Susan and Susan’s daughter, actually played by Gyllenhaal, Amy-Adams-lookalike Isla Fisher (“Grimsby”) and Ellie Bamber (“Pride and Prejudice and Zombies”) respectively. The insomniac Susan is seriously moved. She feels likes someone who’s fallen asleep on the train of life and doesn’t recognise any of the stations when she wakes up. How will Susan’s regrets translate into action? Should she take up Edwards offer to meet up for dinner?
This Tom Ford film – only his second after the wildly successful “A Single Man” in 2009 – is a challenging film to watch. The opening titles of naked overweight woman ‘twerkers’ is challenging enough (#wobble). After this shocking opening (that morphs into an art gallery installation) the LA scenes have a gloriously Hitchcockian/noir feel to them, being gorgeously filmed by cinematographer Seamus McGarvey (“The Accountant”, “The Avengers”) – an Oscar nomination I would suggest should be in the offing.
And then comes the start of the “book” segment: one of the most uncomfortably tense scenes I’ve seen this year. A Texan family horror film featuring a lonely highway and a trio of “deplorables” (to quote an unfortunate put-down by Hilary Clinton). As stark contrast to the sharp lines and glamour of LA, these scenes are reminiscent of “No Country for Old Men” with a searingly unpleasant performance from Aaron Taylor-Johnson (“Kick-Ass”) and an equally queasy turn by local law enforcer Bobby Andes (Michael Shannon, Zod in “Batman v Superman: Dawn of Justice”). Either or both of these gentlemen could be contenders for a Supporting Actor nomination. The tension is superbly notched up by a mesmerising cello/violin score by Polish composer Abel Korzeniowski.
Amy Adams is fantastic in the leading role (what with “Arrival” this month, this is quite a month for the actress) as is Jake Gyllenhaal, channelling so much emotion, angst and guilt at his own impotence. After “Nightcrawler” Gyllenhaal is building up a formidable reputation that must translate into an Oscar some time soon: possibly this is it. Some excellent cameos from Laura Linney (as Susan’s sad-eyed mother) and Michael Sheen (in a superb purple jacket) rounds off an excellent ensemble cast.
The concept of a “film within a film” is not new. The most memorable example (I realise with a shock – #midlifecrisis) was “The French Lieutenant’s Woman” with a young but striking Meryl Streep 35 years ago. Here the LA sequence, the book and the flashback scenes are beautifully merged into a seamless whole where you never seem to get lost or disorientated.
If there is a criticism to be made, the second half of the ‘book’ is not as satisfying as the first with some rather clunky plot points that fall a little too easily.
However, this is a nuanced film where every step and every scene feels sculpted and filled with meaning. It is a film that deserves repeat viewings, since it raises questions and thoughts that survive long after the lights have come up. Tom Ford’s output may be of a sparsity of Kubrick proportions, but like Kubrick his output is certainly worth waiting for.
Recommended, but go mentally prepared: this was a UK 15 certificate, but it felt like it should be more of a UK 18.
In the midst of this rudderless time a manuscript from her ex-husband, struggling writer Edward Sheffield (Jake Gyllenhaal), turns up out of the blue. As we see in flashback, Edward is a man let down on multiple levels by Susan in the past. His novel – “Nocturnal Animals”, dedicated to Susan – is a primal scream of twenty years worth of hurt, pain, regret and vengeance; a railing against a loss of love; a railing against a loss of life.
As Susan painfully turns the pages we live the book as a ‘film within a film’ – with characters casually modelled on Edward, Susan and Susan’s daughter, actually played by Gyllenhaal, Amy-Adams-lookalike Isla Fisher (“Grimsby”) and Ellie Bamber (“Pride and Prejudice and Zombies”) respectively. The insomniac Susan is seriously moved. She feels likes someone who’s fallen asleep on the train of life and doesn’t recognise any of the stations when she wakes up. How will Susan’s regrets translate into action? Should she take up Edwards offer to meet up for dinner?
This Tom Ford film – only his second after the wildly successful “A Single Man” in 2009 – is a challenging film to watch. The opening titles of naked overweight woman ‘twerkers’ is challenging enough (#wobble). After this shocking opening (that morphs into an art gallery installation) the LA scenes have a gloriously Hitchcockian/noir feel to them, being gorgeously filmed by cinematographer Seamus McGarvey (“The Accountant”, “The Avengers”) – an Oscar nomination I would suggest should be in the offing.
And then comes the start of the “book” segment: one of the most uncomfortably tense scenes I’ve seen this year. A Texan family horror film featuring a lonely highway and a trio of “deplorables” (to quote an unfortunate put-down by Hilary Clinton). As stark contrast to the sharp lines and glamour of LA, these scenes are reminiscent of “No Country for Old Men” with a searingly unpleasant performance from Aaron Taylor-Johnson (“Kick-Ass”) and an equally queasy turn by local law enforcer Bobby Andes (Michael Shannon, Zod in “Batman v Superman: Dawn of Justice”). Either or both of these gentlemen could be contenders for a Supporting Actor nomination. The tension is superbly notched up by a mesmerising cello/violin score by Polish composer Abel Korzeniowski.
Amy Adams is fantastic in the leading role (what with “Arrival” this month, this is quite a month for the actress) as is Jake Gyllenhaal, channelling so much emotion, angst and guilt at his own impotence. After “Nightcrawler” Gyllenhaal is building up a formidable reputation that must translate into an Oscar some time soon: possibly this is it. Some excellent cameos from Laura Linney (as Susan’s sad-eyed mother) and Michael Sheen (in a superb purple jacket) rounds off an excellent ensemble cast.
The concept of a “film within a film” is not new. The most memorable example (I realise with a shock – #midlifecrisis) was “The French Lieutenant’s Woman” with a young but striking Meryl Streep 35 years ago. Here the LA sequence, the book and the flashback scenes are beautifully merged into a seamless whole where you never seem to get lost or disorientated.
If there is a criticism to be made, the second half of the ‘book’ is not as satisfying as the first with some rather clunky plot points that fall a little too easily.
However, this is a nuanced film where every step and every scene feels sculpted and filled with meaning. It is a film that deserves repeat viewings, since it raises questions and thoughts that survive long after the lights have come up. Tom Ford’s output may be of a sparsity of Kubrick proportions, but like Kubrick his output is certainly worth waiting for.
Recommended, but go mentally prepared: this was a UK 15 certificate, but it felt like it should be more of a UK 18.
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Whatchareadin (174 KP) rated Allegedly in Books
Apr 10, 2019
Mary Addison was nine years old when she allegedly killed 3 month old, Alyssa Richardson. Now, it's 6 years later and Mary finds herself pregnant with her own child. She doesn't want anyone to take the baby from her, but who would allow a baby killer to keep a baby. Mary is now living in a group home for juvenile girls. When she turns 18, who knows what is going to happen with her. She has always been a smart girl and is determined to turn her life around and make something of herself, for her and Bean(what she calls the baby). Mary doesn't talk much, but when she finds a way that may help her to keep the baby, she starts talking about that night and filling in gaps that the police were always missing in the story. Will Mary be able to walk away from these charges for good, or will they stick?
I have heard a lot of raving about this book, so I had to pick it up. This is the first book by Tiffany D. Jackson and it was amazing. I can't wait to read the rest of her books which I hear are just as good if not better.
Does a nine year old little girl have the ability and know-how to kill another child? Many people had different ideas about the type of child that Mary was. She was very quiet and very smart and took care of her mother. But did Mary really kill Alyssa? She loved Alyssa and Mrs. Richardson, so why would she hurt the baby? All through the book, you have a soft place in your heart for Mary. I was dying to find out what really happened that night according to Mary, and it took a while to get to that part.
Looking at Mary's life through the group home and back and forth from present day to the night of the accident and the investigation following you have to make your own decision about what truly happened and who is to blame. I thoroughly enjoyed this book and can't wait to read more from Tiffany D. Jackson.
I have heard a lot of raving about this book, so I had to pick it up. This is the first book by Tiffany D. Jackson and it was amazing. I can't wait to read the rest of her books which I hear are just as good if not better.
Does a nine year old little girl have the ability and know-how to kill another child? Many people had different ideas about the type of child that Mary was. She was very quiet and very smart and took care of her mother. But did Mary really kill Alyssa? She loved Alyssa and Mrs. Richardson, so why would she hurt the baby? All through the book, you have a soft place in your heart for Mary. I was dying to find out what really happened that night according to Mary, and it took a while to get to that part.
Looking at Mary's life through the group home and back and forth from present day to the night of the accident and the investigation following you have to make your own decision about what truly happened and who is to blame. I thoroughly enjoyed this book and can't wait to read more from Tiffany D. Jackson.
Goddess in the Stacks (553 KP) rated Gentleman's Guide To Vice And Virtue in Books
Jun 8, 2018
This was excellent! First, all the diversity here - between the bisexual main character, his best friend, who is biracial, has an "invisible" disability, and also likes men (or at least likes Monty!) and his seemingly asexual sister - the book covers so many facets, it's great.
Given that it's historical fiction, set in Victorian Europe, Percy's biracial heritage has him just seen as black to most people they encounter. Monty doesn't seem to understand what that means, most of the time, and is a little blinded by his rich white boy privilege. He gets talked to a couple of times about how he's being blind to the problems his friend is facing.
I liked that we got to peek under Monty's playboy facade a few times, when being punched has him flashing back to being beaten by his father for being a "disappointment." An interaction between him and a pirate captain was particularly sweet, teaching him to fight back because he's worth defending.
I LOVE Felicity, Monty's sister, and I'm really eager to read her story in the sequel to this book, The Lady's Guide to Petticoats and Piracy. She is so badass, and incredibly intelligent.
The writing was fun, the action well-paced, and the dialogue clever. I was a little put off at first by the size of the book, but I flew through it quickly. I especially liked Monty's bisexuality - how he just cheerfully perved on practically everyone his age. It definitely reminded me of a few people I know!
Something that I noted, near the end of the book, was Percy not asking Monty to stop his perving. What he said was "if you ever go behind my back..." which implies as long as Percy knows, it's not an issue. Yay for non-monogamy being present in YA! It's nice to see alternative relationship structures being presented, though I wish it had been more than just implied.
This was an excellent read for Pride Month, and I loved the amount of diversity and intersectionality present in it.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Given that it's historical fiction, set in Victorian Europe, Percy's biracial heritage has him just seen as black to most people they encounter. Monty doesn't seem to understand what that means, most of the time, and is a little blinded by his rich white boy privilege. He gets talked to a couple of times about how he's being blind to the problems his friend is facing.
I liked that we got to peek under Monty's playboy facade a few times, when being punched has him flashing back to being beaten by his father for being a "disappointment." An interaction between him and a pirate captain was particularly sweet, teaching him to fight back because he's worth defending.
I LOVE Felicity, Monty's sister, and I'm really eager to read her story in the sequel to this book, The Lady's Guide to Petticoats and Piracy. She is so badass, and incredibly intelligent.
The writing was fun, the action well-paced, and the dialogue clever. I was a little put off at first by the size of the book, but I flew through it quickly. I especially liked Monty's bisexuality - how he just cheerfully perved on practically everyone his age. It definitely reminded me of a few people I know!
Something that I noted, near the end of the book, was Percy not asking Monty to stop his perving. What he said was "if you ever go behind my back..." which implies as long as Percy knows, it's not an issue. Yay for non-monogamy being present in YA! It's nice to see alternative relationship structures being presented, though I wish it had been more than just implied.
This was an excellent read for Pride Month, and I loved the amount of diversity and intersectionality present in it.
You can find all my reviews at http://goddessinthestacks.wordpress.com
Merissa (13792 KP) rated Captivated by Dominik (The Ralston Brothers) in Books
Jan 27, 2026
CAPTIVATED BY DOMINIK is the first book in The Ralson Brothers series, and features Dominik (obviously) and Sienna. Dominik is a hawk beastmaster, while Sienna works for the FIO (First Intelligence Office) as a diplomat.
Sienna has quite a strong gift, but the downside of that is that she has been contracted every year for a 12-month "marriage". She is on a dual mission to New Columbia, where the Royal Governor has taken a bit of a slimy shine to her, so she needs Dominik to help with that, as well as their other mission. It doesn't help that her boss is on the dodgy side, too! Poor Sienna.
Their relationship worked perfectly! It was both hot and slow-burn. Dominik was understandably p!ssed about how Sienna had been treated in the past, both by her boss and by her so-called husbands. I loved how he gave her the control and never once pushed her beyond what she was comfortable with.
If I had one niggle, it would be that the informant was never named. We know it's a 'he', but that's it, and that just about killed me. The only male that sprang to mind was her stylist, but I'm really hoping it wasn't him. I would love to know who it actually was!
This series promises delights with the Ralston clan. I love how we see the siblings interact, and I can't wait for more. Of course, some of the Ralston clan have already found their mates, but there is so much more to come. And, of course, I do hope Markus and Bella show up occasionally too!
One final comment - have you seen that cover? It's absolutely gorgeous, reflects the book, and look how wonderful Alstair is! A great read that I thoroughly enjoyed and HIGHLY RECOMMEND.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 27, 2026
Sienna has quite a strong gift, but the downside of that is that she has been contracted every year for a 12-month "marriage". She is on a dual mission to New Columbia, where the Royal Governor has taken a bit of a slimy shine to her, so she needs Dominik to help with that, as well as their other mission. It doesn't help that her boss is on the dodgy side, too! Poor Sienna.
Their relationship worked perfectly! It was both hot and slow-burn. Dominik was understandably p!ssed about how Sienna had been treated in the past, both by her boss and by her so-called husbands. I loved how he gave her the control and never once pushed her beyond what she was comfortable with.
If I had one niggle, it would be that the informant was never named. We know it's a 'he', but that's it, and that just about killed me. The only male that sprang to mind was her stylist, but I'm really hoping it wasn't him. I would love to know who it actually was!
This series promises delights with the Ralston clan. I love how we see the siblings interact, and I can't wait for more. Of course, some of the Ralston clan have already found their mates, but there is so much more to come. And, of course, I do hope Markus and Bella show up occasionally too!
One final comment - have you seen that cover? It's absolutely gorgeous, reflects the book, and look how wonderful Alstair is! A great read that I thoroughly enjoyed and HIGHLY RECOMMEND.
** Same worded review will appear elsewhere. **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 27, 2026
Cynthia Armistead (17 KP) rated Aftermath (Sirantha Jax, #5) in Books
Mar 1, 2018
Leave it to Aguirre to take her heroine in a direction that is apparently pissing off at least half of her readers (those who expected romance). Sirantha Jax is in fine form in [b:Aftermath|10648186|Aftermath (Sirantha Jax, #5)|Ann Aguirre|http://photo.goodreads.com/books/1311703515s/10648186.jpg|10219927], staying strong and true to herself through an all-new set of trials (literally) and troubles. Loyal Velith stays by her side throughout, continuing to depict a friendship that goes beyond mere romance.
I don't normally mine books for quotes as I read them, but two bits stuck with me from this book. Musing, Jax thinks, "… the world moves on, even when you don't want it to, even when change feels like the end of everything. It never stops. That's harsh and magical and somewhat comforting because nothing is immutable, however much we want it to be. Moments cannot be caught like fossils in amber, ever-perfect, ever-beautiful. They go dark and raw, full of shadows, leaving you with the memories. And the world moves on."
Later, Velith says, "The heart is not a glass of water, but more like an endlessly pumping spring."
There is so much wisdom about love and relationships in those words that I will remember this book far longer than the plot details will necessarily stay with me.
The plot is, of course, as can always be expected of Aguirre, good. It hangs together well. There was a little drag this time, but not much. I am eagerly awaiting the release of <i>Endgame</i> later this month, and will be purchasing it as soon as it's released.
I don't normally mine books for quotes as I read them, but two bits stuck with me from this book. Musing, Jax thinks, "… the world moves on, even when you don't want it to, even when change feels like the end of everything. It never stops. That's harsh and magical and somewhat comforting because nothing is immutable, however much we want it to be. Moments cannot be caught like fossils in amber, ever-perfect, ever-beautiful. They go dark and raw, full of shadows, leaving you with the memories. And the world moves on."
Later, Velith says, "The heart is not a glass of water, but more like an endlessly pumping spring."
There is so much wisdom about love and relationships in those words that I will remember this book far longer than the plot details will necessarily stay with me.
The plot is, of course, as can always be expected of Aguirre, good. It hangs together well. There was a little drag this time, but not much. I am eagerly awaiting the release of <i>Endgame</i> later this month, and will be purchasing it as soon as it's released.
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