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honingwords (32 KP) rated After Mrs Hamilton in Books
Jul 5, 2018 (Updated Jul 6, 2018)
It’s an absolute masterpiece.
I’m going to go out on a limb here. I think After Mrs Hamilton by Clare Ashton is my all time favourite book.
Ever.
In any genre.
Normally when I recommend a book to a friend I’ll drop it into conversation. If I really like it I’ll send you a link to a review and follow up a few days later with a question on how you got on with it.
With this one I bought you your own copy, cos you ain’t getting mine, I opened it at the beginning and thrust it into your hands, I took your phone off the hook AND I rang your boss to tell her you won’t be in tomorrow morning.
Here’s a duvet for you too - you’ll be under it until the end.
Did I say favourite book?
Of all time.
And quite rightly so. It’s an absolute masterpiece.
This was my Book Club’s book of the month and it was suggested to me at a time when I was becoming jaded with the sheer number of books set in America, which I’d been reading up to then. It opened me up to an author I’d never heard of before, who sets her books in England and Wales. One who has come up with an original plot that starts off gently unfolding, before twisting and turning to a most unpredictable ending.
I absolutely devoured it.
I wanted to re-open it immediately the last page closed, but forced myself to wait using the interim to read Clare Ashton’s other books in quick succession. I had to see if the absolute need to re-immerse myself in her addictive, easy to read, rich in description, style would continue to be as strong. Also, I needed a clear period of time in front of me to allow for the fact the characters would take over my life again.
After over ten years of reading lesfic Clare Ashton is now the one I use to compare all other authors. I’m slightly worried that I can’t decide which of her novels is my favourite, but as this is the first one I read, it probably takes pride of place.
I’d say there are five or six characters to pay attention to but Clo is the main one. The plot revolves around her friends and family but, more specifically, it is woven around a web of coincidences. Coincidences about people who each have secrets and who may have known each other in the past, coincidences about where they lived and met, coincidences about how their pasts and futures may be intertwined.
Coincidences which prove just how small the world really is, especially if you ever lived in Middle Heyford.
Clare deals with two taboo subjects. The first is that Clo works for Marella as an escort to women. (“Prostitution. You can call it what it is,” says Clo.) She uses the income to allow her to care for her arthritic grandmother Amelia.
The second taboo subject I will let you find out for yourself, but for the record, I am not squeamish about it and think Clare was extremely brave to include it. I found myself nodding along with Clo’s reaction.
The novel begins with Marella interviewing her new client, Mrs Hamilton. Marella is the lynch pin to everything, yet we learn little about her throughout the book and she isn’t in many scenes. She is vitally important; there would be no story without her, yet Clare manages to allow Marella to stay mainly in the shadows. I would very much like to see future stories with her in them and think it is a huge shame Clare has no plans to visit this storyline again.
Clo knows Laura from university and Susan from living in Middle Heyford. Clo’s grandmother Amelia is the mother of Alice who has a special page all to herself in my imaginary book “People I’d Like To Punch In The Face” and Helen is Susan’s dead Mother’s sister. The intricate relationships between the characters are all explained as you go along but it is difficult to keep them all straight in your head, unless you either pay very good attention, or draw an L Word type chart for them, which is what I ended up doing.
Mrs Hamilton tells us she is fifty-four and throughout the book Clare refers to her, and certainly Mrs Hamilton thinks of herself, as an older woman. Clo meets with her professionally at the beginning and it is their mutual attraction which is explored throughout the rest of the book. There is an age difference there but it is not an issue for either of them.
There is a little part of me which wants to rebel against the idea that fifty-four is old though, and I wonder now that since the publication of the book was in 2012, and Clare is five years closer to Mrs Hamilton’s age now, would she still consider fifty-four year old skin to be ageing and mottled?
On that point, with me coming along five years after publication, I have to say there is nothing in the novel to date it. It is as fresh today as it would have been back then. Five years isn't long enough to notice too much, but I’m going to predict that readers in another twenty years will be saying this novel is ‘timeless.’
By necessity, there are a few back stories to wade through - the two main sets of characters could, possibly, have been dealt with in two books instead of one. At 308 pages this is a fairly long book, at the beginning it flows a tad more slowly than in the later chapters, but I’m sticking with my first impressions on it, and I wouldn’t have wanted Clare to have handled it any other way.
I like all the main characters. Amelia is so important to Clo and I am relieved when she returns home after a trip away and want to hug her! I like Laura, but feel she may be a high maintenance friend! I think Susan and I would be friends in real life. Clo’s father, Edward is a frustrating coward of a man, but is in an important scene with Clo’s lover and I melted a little towards him when she blurts out “I’m in love with your daughter’” and he says “Well I had gathered that.” Other than Clare’s well-written sex scenes this, and the few paragraphs leading up to it, would be my favourite part of the book.
One character has to deal with what I would suggest is a ‘betrayal by omission’ - others, those closest to her, know facts about her but don’t let her in on the secret. When it all comes out she seems able to accept this, after only a very short time adjusting. This isn't something I could have coped with and this is the one thing that made me uncomfortable during the book and the time mulling it over immediately after.
There are three points in this story when I spoke out loud. There was an
Oh!
A
Huh!
And finally an
OH MY GOD!
There is a split at the end - one side gets their happily ever after and the other story is one where we are left with a total absence of a conclusion. It was about a day later before I realised I didn’t know what happened with that story line and had to go back and reread the ending! Yup, there is nothing - we are left to make our own minds up!
Clare has been known to say that she is in denial about her breast obsession, but there are no fewer than 50 times the word ‘breast’ is used in this book and I loved every single one of them! I’m hoping she continues to not have any breast obsession in her future work!
After finishing the book the first time I added a category to help me rate books I am reviewing. I added “Should this be made into a film?” because it was a most definite YES! for After Mrs Hamilton.
The second time round I am about to add another category: Would I cherish a signed copy of this book? Errr YES!
My advice is to read this once. Then, with the knowledge you have at the end, go and read it again. Clare has so many clues and references cleverly placed throughout which you may think are just lovely details at the time, but they are actually very important to being able to fully understand the book.
It’s nearly impossible to sleep until this story is fully unravelled. Read it during a weekend when you have no work to worry about because otherwise you will want to pull a sickie.
Ever.
In any genre.
Normally when I recommend a book to a friend I’ll drop it into conversation. If I really like it I’ll send you a link to a review and follow up a few days later with a question on how you got on with it.
With this one I bought you your own copy, cos you ain’t getting mine, I opened it at the beginning and thrust it into your hands, I took your phone off the hook AND I rang your boss to tell her you won’t be in tomorrow morning.
Here’s a duvet for you too - you’ll be under it until the end.
Did I say favourite book?
Of all time.
And quite rightly so. It’s an absolute masterpiece.
This was my Book Club’s book of the month and it was suggested to me at a time when I was becoming jaded with the sheer number of books set in America, which I’d been reading up to then. It opened me up to an author I’d never heard of before, who sets her books in England and Wales. One who has come up with an original plot that starts off gently unfolding, before twisting and turning to a most unpredictable ending.
I absolutely devoured it.
I wanted to re-open it immediately the last page closed, but forced myself to wait using the interim to read Clare Ashton’s other books in quick succession. I had to see if the absolute need to re-immerse myself in her addictive, easy to read, rich in description, style would continue to be as strong. Also, I needed a clear period of time in front of me to allow for the fact the characters would take over my life again.
After over ten years of reading lesfic Clare Ashton is now the one I use to compare all other authors. I’m slightly worried that I can’t decide which of her novels is my favourite, but as this is the first one I read, it probably takes pride of place.
I’d say there are five or six characters to pay attention to but Clo is the main one. The plot revolves around her friends and family but, more specifically, it is woven around a web of coincidences. Coincidences about people who each have secrets and who may have known each other in the past, coincidences about where they lived and met, coincidences about how their pasts and futures may be intertwined.
Coincidences which prove just how small the world really is, especially if you ever lived in Middle Heyford.
Clare deals with two taboo subjects. The first is that Clo works for Marella as an escort to women. (“Prostitution. You can call it what it is,” says Clo.) She uses the income to allow her to care for her arthritic grandmother Amelia.
The second taboo subject I will let you find out for yourself, but for the record, I am not squeamish about it and think Clare was extremely brave to include it. I found myself nodding along with Clo’s reaction.
The novel begins with Marella interviewing her new client, Mrs Hamilton. Marella is the lynch pin to everything, yet we learn little about her throughout the book and she isn’t in many scenes. She is vitally important; there would be no story without her, yet Clare manages to allow Marella to stay mainly in the shadows. I would very much like to see future stories with her in them and think it is a huge shame Clare has no plans to visit this storyline again.
Clo knows Laura from university and Susan from living in Middle Heyford. Clo’s grandmother Amelia is the mother of Alice who has a special page all to herself in my imaginary book “People I’d Like To Punch In The Face” and Helen is Susan’s dead Mother’s sister. The intricate relationships between the characters are all explained as you go along but it is difficult to keep them all straight in your head, unless you either pay very good attention, or draw an L Word type chart for them, which is what I ended up doing.
Mrs Hamilton tells us she is fifty-four and throughout the book Clare refers to her, and certainly Mrs Hamilton thinks of herself, as an older woman. Clo meets with her professionally at the beginning and it is their mutual attraction which is explored throughout the rest of the book. There is an age difference there but it is not an issue for either of them.
There is a little part of me which wants to rebel against the idea that fifty-four is old though, and I wonder now that since the publication of the book was in 2012, and Clare is five years closer to Mrs Hamilton’s age now, would she still consider fifty-four year old skin to be ageing and mottled?
On that point, with me coming along five years after publication, I have to say there is nothing in the novel to date it. It is as fresh today as it would have been back then. Five years isn't long enough to notice too much, but I’m going to predict that readers in another twenty years will be saying this novel is ‘timeless.’
By necessity, there are a few back stories to wade through - the two main sets of characters could, possibly, have been dealt with in two books instead of one. At 308 pages this is a fairly long book, at the beginning it flows a tad more slowly than in the later chapters, but I’m sticking with my first impressions on it, and I wouldn’t have wanted Clare to have handled it any other way.
I like all the main characters. Amelia is so important to Clo and I am relieved when she returns home after a trip away and want to hug her! I like Laura, but feel she may be a high maintenance friend! I think Susan and I would be friends in real life. Clo’s father, Edward is a frustrating coward of a man, but is in an important scene with Clo’s lover and I melted a little towards him when she blurts out “I’m in love with your daughter’” and he says “Well I had gathered that.” Other than Clare’s well-written sex scenes this, and the few paragraphs leading up to it, would be my favourite part of the book.
One character has to deal with what I would suggest is a ‘betrayal by omission’ - others, those closest to her, know facts about her but don’t let her in on the secret. When it all comes out she seems able to accept this, after only a very short time adjusting. This isn't something I could have coped with and this is the one thing that made me uncomfortable during the book and the time mulling it over immediately after.
There are three points in this story when I spoke out loud. There was an
Oh!
A
Huh!
And finally an
OH MY GOD!
There is a split at the end - one side gets their happily ever after and the other story is one where we are left with a total absence of a conclusion. It was about a day later before I realised I didn’t know what happened with that story line and had to go back and reread the ending! Yup, there is nothing - we are left to make our own minds up!
Clare has been known to say that she is in denial about her breast obsession, but there are no fewer than 50 times the word ‘breast’ is used in this book and I loved every single one of them! I’m hoping she continues to not have any breast obsession in her future work!
After finishing the book the first time I added a category to help me rate books I am reviewing. I added “Should this be made into a film?” because it was a most definite YES! for After Mrs Hamilton.
The second time round I am about to add another category: Would I cherish a signed copy of this book? Errr YES!
My advice is to read this once. Then, with the knowledge you have at the end, go and read it again. Clare has so many clues and references cleverly placed throughout which you may think are just lovely details at the time, but they are actually very important to being able to fully understand the book.
It’s nearly impossible to sleep until this story is fully unravelled. Read it during a weekend when you have no work to worry about because otherwise you will want to pull a sickie.
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Leanne Crabtree (480 KP) rated Beauty from Pain (Beauty, #1) in Books
Oct 14, 2019
Well this is a backburner book (#1 on my to-read on Goodreads), having been on my Kindle since some time in January 2014 when it was released. I think I've put off reading it simply because of the "erotica" label it had on Goodreads. It wasn't exactly erotica, though. Yeah, they had quite a lot of sex but there was a romance to it, too.
So this starts with Laurelyn arriving in Australia with her best friend to spend time with her best friends brother for three months as he studies wine making there. On the first night they head out to a bar and take part in an...open mic night? Laurelyn sings and plays the guitar (I think) and attracts the attention of Jack, a man looking for his next lover. Instead of the usual week/month, he plans to spend three months with his next bed fellow, giving her whatever she wishes for and making her feel special. Laurelyn catches his attention and he plans to seduce her into agreeing to his arrangement.
I guess if I was on the receiving end of an attractive rich guy wanting to spend three months with me, getting to know me and spending a lot of that time in bed, I'd enjoy it, too, but I have to admit I got a little bored with this. It was taking a little too long to get where it was going and I skipped entire sex scenes. The books 271 pages felt more like 500.
It had a rather promising start, apart from the slightly stalkerish behaviour of Jack as he tried to meet Laurelyn again, and I enjoyed the slow seduction and how he treated her. But then I didn't really see the relationship grow as such. It didn't work for me, personally.
By the end, I wasn't all that bothered about what was going to happen next with the characters so I won't be continuing the series.
So this starts with Laurelyn arriving in Australia with her best friend to spend time with her best friends brother for three months as he studies wine making there. On the first night they head out to a bar and take part in an...open mic night? Laurelyn sings and plays the guitar (I think) and attracts the attention of Jack, a man looking for his next lover. Instead of the usual week/month, he plans to spend three months with his next bed fellow, giving her whatever she wishes for and making her feel special. Laurelyn catches his attention and he plans to seduce her into agreeing to his arrangement.
I guess if I was on the receiving end of an attractive rich guy wanting to spend three months with me, getting to know me and spending a lot of that time in bed, I'd enjoy it, too, but I have to admit I got a little bored with this. It was taking a little too long to get where it was going and I skipped entire sex scenes. The books 271 pages felt more like 500.
It had a rather promising start, apart from the slightly stalkerish behaviour of Jack as he tried to meet Laurelyn again, and I enjoyed the slow seduction and how he treated her. But then I didn't really see the relationship grow as such. It didn't work for me, personally.
By the end, I wasn't all that bothered about what was going to happen next with the characters so I won't be continuing the series.
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Sophia (Bookwyrming Thoughts) (530 KP) rated A Faerie's Secret (Creepy Hollow, #4) in Books
Jan 23, 2020
<b><i>I received this book for free from Author in exchange for an honest review. This does not affect my opinion of the book or the content of my review.</i></b>
The fourth novel to the <i>Creepy Hollow</i> series pretty much made me realize that <b>there were actually some loose ends left untied in the third book</b> I'm not sure if I mentioned it felt like an almost abrupt ending (I probably did).
Anyways, <i>A Faerie's Secret</i> is <b>set approximately ten years after the events in <i><a title="The Faerie War by Rachel Morgan" href="https://bookwyrmingthoughts.com/review-the-faerie-war-by-rachel-morgan/"; target="_blank" rel="noopener">The Faerie War</a></i></b>. Rachel introduces us to a <b>new main character Calla Larkenwood, Ryn's little sister</b> who made a few appearances in the first three novels when Violet is the main character.
<b>Calla is definitely different from Violet she's just as kick-ass, adorable, and doesn't actually follow orders from others.</b> She's a bit bratty sometimes (within reason) and a seemingly hopeless romantic who longs for companionship. She <b>desires to be a guardian and actually trains in private</b> before something happens and her parents approve of her joining a guild. She <b>gets a crash course of all four years in a month</b> before starting as a fifth-year guardian, where a lot of her peers and her mentor believe she doesn't belong. She's <b>determined to prove everyone wrong and show that she definitely belongs with the guild.</b>
Rachel seems to have focused more on giving the series more action, which doesn't really work out too well. <b>There's an entirely different faerie world that we are introduced to, and it's different from <a title="The Faerie Prince by Rachel Morgan" href="https://bookwyrmingthoughts.com/review-the-faerie-prince-by-rachel-morgan/"; target="_blank" rel="noopener">when Violet was a guardian</a></b> not just with time, but with everything that happened in the third book. The <b>author does a pretty good job with easing us into the new guild,</b> but I'm a little curious on what the new guild looks like now that everything seems to be nice and dandy.
<b>I have very little idea on what the past characters are up to a decade later.</b> I'm very up to date with what happened to Ryn and some of the characters, but I don't really know what happened to Violet, Raven, and Flint. <b>There's some cryptic dialogue that tells me something, but it's not sure.</b> (It's not exactly safe to assume.) I know they survived, and they're still good friends. I don't know if they retired from the guardian life and pursued another career or something else entirely.
I may have enjoyed <i>A Faerie's Secret</i> more than the last two books <b>there are more dangers and adventures with Calla as our new heroine.</b> I don't really know what will happen in the next book <b>I'm left with an open ending where I have some questions that I hope to be answered in the sequel.</b>
<a href="https://bookwyrmingthoughts.com/review-a-faeries-secret-by-rachel-morgan/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
The fourth novel to the <i>Creepy Hollow</i> series pretty much made me realize that <b>there were actually some loose ends left untied in the third book</b> I'm not sure if I mentioned it felt like an almost abrupt ending (I probably did).
Anyways, <i>A Faerie's Secret</i> is <b>set approximately ten years after the events in <i><a title="The Faerie War by Rachel Morgan" href="https://bookwyrmingthoughts.com/review-the-faerie-war-by-rachel-morgan/"; target="_blank" rel="noopener">The Faerie War</a></i></b>. Rachel introduces us to a <b>new main character Calla Larkenwood, Ryn's little sister</b> who made a few appearances in the first three novels when Violet is the main character.
<b>Calla is definitely different from Violet she's just as kick-ass, adorable, and doesn't actually follow orders from others.</b> She's a bit bratty sometimes (within reason) and a seemingly hopeless romantic who longs for companionship. She <b>desires to be a guardian and actually trains in private</b> before something happens and her parents approve of her joining a guild. She <b>gets a crash course of all four years in a month</b> before starting as a fifth-year guardian, where a lot of her peers and her mentor believe she doesn't belong. She's <b>determined to prove everyone wrong and show that she definitely belongs with the guild.</b>
Rachel seems to have focused more on giving the series more action, which doesn't really work out too well. <b>There's an entirely different faerie world that we are introduced to, and it's different from <a title="The Faerie Prince by Rachel Morgan" href="https://bookwyrmingthoughts.com/review-the-faerie-prince-by-rachel-morgan/"; target="_blank" rel="noopener">when Violet was a guardian</a></b> not just with time, but with everything that happened in the third book. The <b>author does a pretty good job with easing us into the new guild,</b> but I'm a little curious on what the new guild looks like now that everything seems to be nice and dandy.
<b>I have very little idea on what the past characters are up to a decade later.</b> I'm very up to date with what happened to Ryn and some of the characters, but I don't really know what happened to Violet, Raven, and Flint. <b>There's some cryptic dialogue that tells me something, but it's not sure.</b> (It's not exactly safe to assume.) I know they survived, and they're still good friends. I don't know if they retired from the guardian life and pursued another career or something else entirely.
I may have enjoyed <i>A Faerie's Secret</i> more than the last two books <b>there are more dangers and adventures with Calla as our new heroine.</b> I don't really know what will happen in the next book <b>I'm left with an open ending where I have some questions that I hope to be answered in the sequel.</b>
<a href="https://bookwyrmingthoughts.com/review-a-faeries-secret-by-rachel-morgan/"; target="_blank">This review was originally posted on Bookwyrming Thoughts</a>
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Emma @ The Movies (1786 KP) rated The Man Who Invented Christmas (2017) in Movies
Sep 25, 2019
Two years after the success of Oliver Twist, Charles Dickens is suffering financial hardship from the failure of his last three books. Rejected by his publishers, he sets out to write a new book to restore his finances. Seeing inspiration around London, most notably a rich man's funeral that is largely unattended, he begins writing A Christmas Carol, due in six weeks in order to be published by Christmas. As Charles begins to develop his story, he interacts with the characters he is writing about, most notably Ebenezer Scrooge.
Christmas spirit abounds this month, and I was so happy to see it start with this film. I'm fed up of saying "I hadn't heard anything about this film until it was on"... seriously, what are these people doing with their advertising budgets??!
Dickens' struggle with his writer's block is incredible to watch. When the idea snaps into his head and the characters appear it really does put a smile on your face. It feels like you can really see the joy in his eyes as an idea materialises in front of him. Seeing them all interact together as the tale progresses is so much fun too.
This film made me genuinely feel happy. Just like a Christmas film should. I laughed out loud and I cried, but I still left with a smile, and an abundance of Christmas spirit in me to help me muster the enthusiasm for another three Christmas films and tree decorating. I hate to dethrone any of my favourites from their positions... but this might have entered straight into the top three... it's honestly got me stumped. I'll have to watch more seasonal films until I can work it out.
Christmas spirit abounds this month, and I was so happy to see it start with this film. I'm fed up of saying "I hadn't heard anything about this film until it was on"... seriously, what are these people doing with their advertising budgets??!
Dickens' struggle with his writer's block is incredible to watch. When the idea snaps into his head and the characters appear it really does put a smile on your face. It feels like you can really see the joy in his eyes as an idea materialises in front of him. Seeing them all interact together as the tale progresses is so much fun too.
This film made me genuinely feel happy. Just like a Christmas film should. I laughed out loud and I cried, but I still left with a smile, and an abundance of Christmas spirit in me to help me muster the enthusiasm for another three Christmas films and tree decorating. I hate to dethrone any of my favourites from their positions... but this might have entered straight into the top three... it's honestly got me stumped. I'll have to watch more seasonal films until I can work it out.
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Kara Skinner (332 KP) rated The Robber Knight in Books
Sep 10, 2019
When you are fighting for the freedom of your people, falling in love with your enemy is not a great idea. Or is it? Ayla has to defend her castle and her people all on her own, with nobody to help her but a dark warrior she hates with all her heart.
Sir Reuben, the dreaded robber knight, has long been Ayla’s deadliest enemy. He has prayed on her and her people ever since her father fell ill, and she swore he would hang for his crimes. Now they are both trapped in her castle as the army of a far greater enemy approaches, and they have only one chance: stand together, or fall.
This book wasn’t bad, honestly. I’m a huge fan of historical fiction, and it had been awhile since I’ve read a medieval love story, so that was a nice change of pace.
The author is a historian, so there are a lot of little things in this book that you don’t see in a lot of other historical romance books. For instance,you can’t pull out arrows because there are often barbs attached to cause fatal wounds if pulled out. I did like learning about all of these facts. But sometimes Thier lets the historian in him gets the best of him, but more on that later.
Lady Ayla was a pretty interesting character. Headstrong and wise for her years, she is very noble and progressive. She has all of the makings for a great leader– with the exception of knowledge. I loved how kind and committed she was to her people and I love the fact that she has some spunk. I mean, if I’m getting robbed in the forest by this random stranger, then I hope I would swear him out too (of course, if I could beat him up and get away, then that’s even better, but Ayla doesn’t have much self-defense skills). But there were many times that she was annoying, like her insistence on being near battles, even before she started treating the sick. And how she tried to manage Sir Isenbard during battle. She had called on him for help because he was an experienced knight, and now she was questioning his commands and strategies in the heat of battle!
Mostly, though, I really did like Ayla. She defines the idea of nobility. With war inevitable, she’s willing to ride personally to the edges of her land to warn her subjects and she is always at the outskirts of battle to help care for the wounded. She invites everyone into the castle for their safety and rations herself as well as the others to conserve food. She’s even willing to corrupt herself to save her people.
Reuben is an excellent character as well, although it did take me awhile to like him. In the beginning he fell a little flat. It’s clear that he used to be a knight but something happened and now he robs people for his own greed. A near-death experience and being saved by Lady Ayla reawakens the humanity in him. And apparently also some depth.
In the beginning of the book he spends a lot of his time admiring his loot and laughing about his victims, who thought they had a right to steal from him. But that’s all he does. We have no real insight into his character or backstory until after he’s in Ayla’s care. Only then are there hints of a bad history where he had been arrested many times, been tortured, and had at one point been a member of respectable society. If it weren’t for the fact that I liked Ayla’a character and the plot so far, I probably would have stopped reading.
Thier is a writer who has really good potential in becoming a great romance writer, especially for historical fiction. The plots have some unique twists that are augmented by his knowledge of history and after Reuben’s character shaped up, he was an excellent love interest. But there is one huge problem with this story: the footnotes.
There are so many footnotes throughout most of the book that I feel like I’m reading a history textbook, which is not good when I usually read romance novels to take a break from homework. Not only are they distracting and unnecessary, but they are also rude and condescending. Sure, sometimes they were useful, like in explaining the references to the seven princes of hell. Another one was a pretty funny anecdote about how one of his readers had actually confirmed that lard burns and that burning arrows work because they had actually done it. There is also a lot of wit throughout the footnotes which is pretty amusing. But most of the time, they were annoying.
For instance, Robert Thier thought it was necessary to include a footnote about how witches were considered bad during medieval times. Seriously? Even if someone failed history, we know that witches are not considered fine, upstanding citizens. Or maybe he thinks all of us have been locked in our rooms with no books, internet or television for our entire lives and for the month of October we all miraculously fell into a coma so we couldn’t see the giant blow-up witch in the neighbor’s yard. And then we’d all wake up singing Christmas carols after the month long coma without a care in the world because this happens every year so we don’t know what a witch is. (I’m developing a conspiracy theory about how these strange comas was caused by witchcraft.)
Maybe Thier assumed that instead of us thinking Reuben was scared of witches when he wondered if Ayla was one, we just thought he was commenting on how much Ayla looked like Sandra Bullock.
And one of the footnotes was just plain offensive. Here is the line of text that the footnote is attached to: “Heel! Abominable villain! You dare defy me?” (page 74)
Now, here’s the footnote: “Sorry to disappoint the ladies, but this doesn’t refer to high heels. It is a medieval term for a very nasty person.”
Excuse me? Did you just assume that I thought it meant high heels and that would make me excited? What world do you live in?
Apparently he thinks “the ladies” are so dumb that we are incapable of taking context clues and we immediately think everything relates back to fashion. Maybe I didn’t know it meant “very nasty person”, but it’s pretty clear it’s a swear or insult of sometime, not a freaking Jimmy Choo. Does he just imagine us thinking high heel every time we hear the word?
“She broke his nose with the heel of her hand.” Oh. High heel!
“Heel, fido! I said heel!” Oh. High heel!
“It will take one or two days for your cut to heal.” Oh. High heel! (Because if he thinks we don’t understand the difference between uncomfortable footwear and an insult, then he probably thinks we can’t spell, either).
But hey, at least Robert Thier thinks women can memorize stuff, because the footnote links stop as the vocabulary is repeated instead of new terms being introduced.
Aside from the footnotes, I really do like this book, and I can’t wait to read the second part of it, which I’ll read soon. Thier still has a long way to go, but I think after he has more experience, he’ll write some great books.
Sir Reuben, the dreaded robber knight, has long been Ayla’s deadliest enemy. He has prayed on her and her people ever since her father fell ill, and she swore he would hang for his crimes. Now they are both trapped in her castle as the army of a far greater enemy approaches, and they have only one chance: stand together, or fall.
This book wasn’t bad, honestly. I’m a huge fan of historical fiction, and it had been awhile since I’ve read a medieval love story, so that was a nice change of pace.
The author is a historian, so there are a lot of little things in this book that you don’t see in a lot of other historical romance books. For instance,you can’t pull out arrows because there are often barbs attached to cause fatal wounds if pulled out. I did like learning about all of these facts. But sometimes Thier lets the historian in him gets the best of him, but more on that later.
Lady Ayla was a pretty interesting character. Headstrong and wise for her years, she is very noble and progressive. She has all of the makings for a great leader– with the exception of knowledge. I loved how kind and committed she was to her people and I love the fact that she has some spunk. I mean, if I’m getting robbed in the forest by this random stranger, then I hope I would swear him out too (of course, if I could beat him up and get away, then that’s even better, but Ayla doesn’t have much self-defense skills). But there were many times that she was annoying, like her insistence on being near battles, even before she started treating the sick. And how she tried to manage Sir Isenbard during battle. She had called on him for help because he was an experienced knight, and now she was questioning his commands and strategies in the heat of battle!
Mostly, though, I really did like Ayla. She defines the idea of nobility. With war inevitable, she’s willing to ride personally to the edges of her land to warn her subjects and she is always at the outskirts of battle to help care for the wounded. She invites everyone into the castle for their safety and rations herself as well as the others to conserve food. She’s even willing to corrupt herself to save her people.
Reuben is an excellent character as well, although it did take me awhile to like him. In the beginning he fell a little flat. It’s clear that he used to be a knight but something happened and now he robs people for his own greed. A near-death experience and being saved by Lady Ayla reawakens the humanity in him. And apparently also some depth.
In the beginning of the book he spends a lot of his time admiring his loot and laughing about his victims, who thought they had a right to steal from him. But that’s all he does. We have no real insight into his character or backstory until after he’s in Ayla’s care. Only then are there hints of a bad history where he had been arrested many times, been tortured, and had at one point been a member of respectable society. If it weren’t for the fact that I liked Ayla’a character and the plot so far, I probably would have stopped reading.
Thier is a writer who has really good potential in becoming a great romance writer, especially for historical fiction. The plots have some unique twists that are augmented by his knowledge of history and after Reuben’s character shaped up, he was an excellent love interest. But there is one huge problem with this story: the footnotes.
There are so many footnotes throughout most of the book that I feel like I’m reading a history textbook, which is not good when I usually read romance novels to take a break from homework. Not only are they distracting and unnecessary, but they are also rude and condescending. Sure, sometimes they were useful, like in explaining the references to the seven princes of hell. Another one was a pretty funny anecdote about how one of his readers had actually confirmed that lard burns and that burning arrows work because they had actually done it. There is also a lot of wit throughout the footnotes which is pretty amusing. But most of the time, they were annoying.
For instance, Robert Thier thought it was necessary to include a footnote about how witches were considered bad during medieval times. Seriously? Even if someone failed history, we know that witches are not considered fine, upstanding citizens. Or maybe he thinks all of us have been locked in our rooms with no books, internet or television for our entire lives and for the month of October we all miraculously fell into a coma so we couldn’t see the giant blow-up witch in the neighbor’s yard. And then we’d all wake up singing Christmas carols after the month long coma without a care in the world because this happens every year so we don’t know what a witch is. (I’m developing a conspiracy theory about how these strange comas was caused by witchcraft.)
Maybe Thier assumed that instead of us thinking Reuben was scared of witches when he wondered if Ayla was one, we just thought he was commenting on how much Ayla looked like Sandra Bullock.
And one of the footnotes was just plain offensive. Here is the line of text that the footnote is attached to: “Heel! Abominable villain! You dare defy me?” (page 74)
Now, here’s the footnote: “Sorry to disappoint the ladies, but this doesn’t refer to high heels. It is a medieval term for a very nasty person.”
Excuse me? Did you just assume that I thought it meant high heels and that would make me excited? What world do you live in?
Apparently he thinks “the ladies” are so dumb that we are incapable of taking context clues and we immediately think everything relates back to fashion. Maybe I didn’t know it meant “very nasty person”, but it’s pretty clear it’s a swear or insult of sometime, not a freaking Jimmy Choo. Does he just imagine us thinking high heel every time we hear the word?
“She broke his nose with the heel of her hand.” Oh. High heel!
“Heel, fido! I said heel!” Oh. High heel!
“It will take one or two days for your cut to heal.” Oh. High heel! (Because if he thinks we don’t understand the difference between uncomfortable footwear and an insult, then he probably thinks we can’t spell, either).
But hey, at least Robert Thier thinks women can memorize stuff, because the footnote links stop as the vocabulary is repeated instead of new terms being introduced.
Aside from the footnotes, I really do like this book, and I can’t wait to read the second part of it, which I’ll read soon. Thier still has a long way to go, but I think after he has more experience, he’ll write some great books.
Lizz Cook (11 KP) Jul 6, 2018
honingwords (32 KP) Jul 6, 2018