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Amanda (96 KP) rated The Seven Husbands Of Evelyn in Books
Apr 1, 2019
I’m under absolutely no obligation to make sense to you.
“I’m under absolutely no obligation to make sense to you.”
Why in the world did it take me this long to pick up this book? I mean, seriously, why did it? The audio book was especially enjoyable because of the different voices for different POV’s.
Evelyn Hugo is a renowned actress and when Monique, a journalist who mostly writes puff pieces, is requested to write a piece about her, why in the world would she turn it down? Monique gets more than she bargains for when Evelyn tells her that she has no intention of giving an interview, but instead, giving her, her life story for a tell all book before she dies.
Monique will be privy to everything in Evelyn’s past from her journey to get to Hollywood to her seven husbands, and the one she calls her one true love. How does one pass up an opportunity like that?
When listening to this book, I had to keep in mind that it began in the fifties, so things were different for everybody, especially for women trying to make it in Hollywood. Some decisions were better than others. I loved Evelyn, but not so much as most of the choices she made for where she wanted to go, or who she wanted to be with at the time.
When I listen to Evelyn and how she is with most people than others, I think of how Marilyn Monroe was the same way. Did you know that with that movie she did with Lawrence Olivier that acted those ways intentionally? She knew he was annoyed by her so she just went with it. I find that hysterical and she had a crummy life somewhat.
I really enjoy how the story progressed and certain characters. I loved Harry, but toward the end of the story, I felt that Evelyn didn’t do a lot to help him recover (won’t tell you what from for fear of spoilers). Another character named Celia, she was really not my favorite. I didn’t care for her when she was introduced and while she had some good qualities, I just didn’t like her. That’s just me, though, so don’t take my word for it entirely.
I loved that the story started at a point and ended at the same point. It was a full circle and everything and everyone had a purpose. I almost cried toward the end, I mean I was just so sad but so moved. Please don’t pass this book up because you may or may not cry. I really don’t think there’s a single thing I didn’t like about this book. I hate that people had to go through so much in those time frames. It makes me sad that we live in a world where, while it’s gotten better, but we still have a long way to go and I’m not sure how long it would take to really get there, you know?
“It’s always been fascinating to me how things can be simultaneously true and false, how people can be good and bad all in one, how someone can love you in a way that is beautifully selfless while serving themselves ruthlessly.”
I will say that so far this is my favorite read of this year so far. There will have to be an outstanding book to surpass this one this year. I wonder which one would be up for the challenge next?
I do plan on reading more of Reid’s books. This one is on my top recommended list if you haven’t read anything from her’s yet.
Why in the world did it take me this long to pick up this book? I mean, seriously, why did it? The audio book was especially enjoyable because of the different voices for different POV’s.
Evelyn Hugo is a renowned actress and when Monique, a journalist who mostly writes puff pieces, is requested to write a piece about her, why in the world would she turn it down? Monique gets more than she bargains for when Evelyn tells her that she has no intention of giving an interview, but instead, giving her, her life story for a tell all book before she dies.
Monique will be privy to everything in Evelyn’s past from her journey to get to Hollywood to her seven husbands, and the one she calls her one true love. How does one pass up an opportunity like that?
When listening to this book, I had to keep in mind that it began in the fifties, so things were different for everybody, especially for women trying to make it in Hollywood. Some decisions were better than others. I loved Evelyn, but not so much as most of the choices she made for where she wanted to go, or who she wanted to be with at the time.
When I listen to Evelyn and how she is with most people than others, I think of how Marilyn Monroe was the same way. Did you know that with that movie she did with Lawrence Olivier that acted those ways intentionally? She knew he was annoyed by her so she just went with it. I find that hysterical and she had a crummy life somewhat.
I really enjoy how the story progressed and certain characters. I loved Harry, but toward the end of the story, I felt that Evelyn didn’t do a lot to help him recover (won’t tell you what from for fear of spoilers). Another character named Celia, she was really not my favorite. I didn’t care for her when she was introduced and while she had some good qualities, I just didn’t like her. That’s just me, though, so don’t take my word for it entirely.
I loved that the story started at a point and ended at the same point. It was a full circle and everything and everyone had a purpose. I almost cried toward the end, I mean I was just so sad but so moved. Please don’t pass this book up because you may or may not cry. I really don’t think there’s a single thing I didn’t like about this book. I hate that people had to go through so much in those time frames. It makes me sad that we live in a world where, while it’s gotten better, but we still have a long way to go and I’m not sure how long it would take to really get there, you know?
“It’s always been fascinating to me how things can be simultaneously true and false, how people can be good and bad all in one, how someone can love you in a way that is beautifully selfless while serving themselves ruthlessly.”
I will say that so far this is my favorite read of this year so far. There will have to be an outstanding book to surpass this one this year. I wonder which one would be up for the challenge next?
I do plan on reading more of Reid’s books. This one is on my top recommended list if you haven’t read anything from her’s yet.
Ryan Hill (152 KP) rated Suicide Squad (2016) in Movies
May 9, 2019 (Updated May 26, 2019)
"Oh, I'm not gonna kill you... I'm just gonna hurt you really, really bad."
Suicide Squad, aka Suicide Squandered, was one of my most anticipated movies of 2016. It would bring back to the big screen one of the most iconic comic book characters, Mr. J, and Harley Quinn would make her long awaited movie debut. It also promised to offer a different approach on the superhero genre, as it would star the villains instead of the good guys.
However, the movie delivers much less than what it teases. It begins on a high note, by introducing some characters in a fun, energetic and fast-paced way, in spite of the messy editing that makes these segments look like mini trailers. It goes downhill from there, showing only a couple of scenes more that could justify all the love these superhero movies get. Ultimately, what distinguishes these sequences from the mediocre ones are the characters in them and whether the audience cares for them or not.
Displaying some information on the screen about certain characters or telling their backstory doesn't necessarily contribute to their development, nor to the knowledge the viewer has about them. Therefore, it's impossible to care about all the characters and only those who are played by the (more) famous actors have any meaning to the audience.
Will Smith's Deadshot is the best of the bunch. Smith has this unique ability to deliver comedic lines that many comedians wish they had. His charisma drives most of the movie and so does his character's motivation. Right now, he could be the only character capable of leading a franchise of his own. Deadshot ended up establishing a mildly interesting dynamic with Joel Kinnaman's forgettable Rick Flag.
Margot Robbie's Harley Quinn is the other character we end up caring about. Robbie provides a fantastic performance and hits all the right notes. Her amazing backstory is only slightly explored and it has potential for a future psychological thriller movie. With the right script and direction, it could be an incredible film. People have already talked about her body and I can only add that she could possibly be right below Kate Hudson's Penny Lane on the sexiest female movie characters. She could.
I love all sorts of crazy and psychotic performances on screen. In fact, one of my favourites is Gary Oldman's in Leon. Jared Leto delivers another one of those performances. It's truly stellar, I loved his interpretation of the Joker and I believe Leto can still receive high praise for his extraordinary efforts. It could happen in the form of that Batman movie, by Matt Reeves.
Just to conclude my thought on the performances, I would like to add that Viola Davis is an excellent Amanda Waller, even more menacing that Cara Delevingne's witch, more on that later. Jai Courtney was great , he got all the best jokes. Jay Hernandez sounds a lot like Jon Bernthal's Frank Castle, doesn't he? His Diablo is the best character, out of the less interesting ones. I love Katana from CW's Arrow and it was disappointing to see that the screenwriters didn't care about her, even more so because Karen Fukuhara seems perfect for the role. Killer Croc has the best entrance on water ever.
A movie is as good as its villain, right? Indeed. Cara Delevingne's Enchantress could very well be the worst movie villain ever. Malekith is relegated to second place. Honestly, I don't know who's to blame. Sure, Delevingne's acting isn't top-notch, but the screenwriters made her dance (?) in a weird way and her voice is laughable. The final result is ridiculous and by far the worst aspect of the movie.
While Batman v Superman: Dawn of Justice was a dark film and proud to 'own that shit', Suicide Squad is ashamed to exhibit that dark side, which results in confusing tone shifts. One moment, it's clearly a DC movie, and another, it is a Marvel family friendly one. Therefore, the comedy sometimes doesn't land, at all. Besides, I also didn't find anything special about the way the action was shot. It was generic stuff, mostly.
Suicide Squad is a huge waste of potential, that could have benefited from some character development and sharp editing. Its greatest strenght is undoubtedly the work done by the talented cast. Could a different cut fix some of these issues? Probably, yes. I was going to attribute 6 stars to this, but a second watch didn't help, either. By the way, what was your favourite sequence? Spoiler alert: mine was the one in which Joker jumps into the acid to Harley.
However, the movie delivers much less than what it teases. It begins on a high note, by introducing some characters in a fun, energetic and fast-paced way, in spite of the messy editing that makes these segments look like mini trailers. It goes downhill from there, showing only a couple of scenes more that could justify all the love these superhero movies get. Ultimately, what distinguishes these sequences from the mediocre ones are the characters in them and whether the audience cares for them or not.
Displaying some information on the screen about certain characters or telling their backstory doesn't necessarily contribute to their development, nor to the knowledge the viewer has about them. Therefore, it's impossible to care about all the characters and only those who are played by the (more) famous actors have any meaning to the audience.
Will Smith's Deadshot is the best of the bunch. Smith has this unique ability to deliver comedic lines that many comedians wish they had. His charisma drives most of the movie and so does his character's motivation. Right now, he could be the only character capable of leading a franchise of his own. Deadshot ended up establishing a mildly interesting dynamic with Joel Kinnaman's forgettable Rick Flag.
Margot Robbie's Harley Quinn is the other character we end up caring about. Robbie provides a fantastic performance and hits all the right notes. Her amazing backstory is only slightly explored and it has potential for a future psychological thriller movie. With the right script and direction, it could be an incredible film. People have already talked about her body and I can only add that she could possibly be right below Kate Hudson's Penny Lane on the sexiest female movie characters. She could.
I love all sorts of crazy and psychotic performances on screen. In fact, one of my favourites is Gary Oldman's in Leon. Jared Leto delivers another one of those performances. It's truly stellar, I loved his interpretation of the Joker and I believe Leto can still receive high praise for his extraordinary efforts. It could happen in the form of that Batman movie, by Matt Reeves.
Just to conclude my thought on the performances, I would like to add that Viola Davis is an excellent Amanda Waller, even more menacing that Cara Delevingne's witch, more on that later. Jai Courtney was great , he got all the best jokes. Jay Hernandez sounds a lot like Jon Bernthal's Frank Castle, doesn't he? His Diablo is the best character, out of the less interesting ones. I love Katana from CW's Arrow and it was disappointing to see that the screenwriters didn't care about her, even more so because Karen Fukuhara seems perfect for the role. Killer Croc has the best entrance on water ever.
A movie is as good as its villain, right? Indeed. Cara Delevingne's Enchantress could very well be the worst movie villain ever. Malekith is relegated to second place. Honestly, I don't know who's to blame. Sure, Delevingne's acting isn't top-notch, but the screenwriters made her dance (?) in a weird way and her voice is laughable. The final result is ridiculous and by far the worst aspect of the movie.
While Batman v Superman: Dawn of Justice was a dark film and proud to 'own that shit', Suicide Squad is ashamed to exhibit that dark side, which results in confusing tone shifts. One moment, it's clearly a DC movie, and another, it is a Marvel family friendly one. Therefore, the comedy sometimes doesn't land, at all. Besides, I also didn't find anything special about the way the action was shot. It was generic stuff, mostly.
Suicide Squad is a huge waste of potential, that could have benefited from some character development and sharp editing. Its greatest strenght is undoubtedly the work done by the talented cast. Could a different cut fix some of these issues? Probably, yes. I was going to attribute 6 stars to this, but a second watch didn't help, either. By the way, what was your favourite sequence? Spoiler alert: mine was the one in which Joker jumps into the acid to Harley.
Jesters_folly (230 KP) rated The Girl With All the Gifts (2017) in Movies
Mar 4, 2021
Contains spoilers, click to show
The Girl With All the Gifts is a slow paced zombie movie based on the book of the same name. Unlike a lot of zombie movies, 'The Girl With All the Gifts' doesn't go in for gore, although there is a bit. Instead it uses it's slow pace to build suspense as the protagonists try to find safety as they pass through zombie infested England. As they travel the group find out more about both the zombies and the strange children that now inhabit the earth.
As I said, 'The Girl With All the Gifts' is slow but it uses this pace to let us know about the new world, the zombies and the other characters. The scenery is both beautiful and harsh as the characters travel through the now overgrown city of London and the visual effects are built on by the eerie soundtrack.
If you have read the book then you should find that the film is close to the main story, of course the film cuts out some of the back story's and there are some scenes missing but over all the film does well and manages to show how the events of the story change some of the characters (although even this is a bit lacking from the book but that is too be expected) and, over all the film does manage to get the feel of the book.
As I said, 'The Girl With All The Gifts' does not really go for gore so, if you want to see lots of action and people getting eaten then this isn't really for you. 'The Girl With All the Girts' focus more on what lies ahead, both for the reaming humans and for the zombies who will be left and the answer is bleak.
So, 'The Girl With All the Gifts' is a slow, story based zombie film with an interesting, well thought out take on the popular monster.
As I said, 'The Girl With All the Gifts' is slow but it uses this pace to let us know about the new world, the zombies and the other characters. The scenery is both beautiful and harsh as the characters travel through the now overgrown city of London and the visual effects are built on by the eerie soundtrack.
If you have read the book then you should find that the film is close to the main story, of course the film cuts out some of the back story's and there are some scenes missing but over all the film does well and manages to show how the events of the story change some of the characters (although even this is a bit lacking from the book but that is too be expected) and, over all the film does manage to get the feel of the book.
As I said, 'The Girl With All The Gifts' does not really go for gore so, if you want to see lots of action and people getting eaten then this isn't really for you. 'The Girl With All the Girts' focus more on what lies ahead, both for the reaming humans and for the zombies who will be left and the answer is bleak.
So, 'The Girl With All the Gifts' is a slow, story based zombie film with an interesting, well thought out take on the popular monster.
Erika (17789 KP) rated Peter Rabbit 2: The Runaway (2021) in Movies
Jun 15, 2021
Full disclosure, I absolutely loved the first Peter Rabbit film. I found it completely hilarious and cackled numerous times. The sequel did not make me laugh.
I typically don’t watch straight-up kid movies anymore, because they’re not funny, and they are as annoying as the kids in the audience. This movie completely reminded me of that.
The film begins with the wedding of Bea and Thomas, the rabbits and other members of McGregor’s Garden are all present. The animals are mixed in with the humans, and it looked very odd. I can’t figure out why. Bea and Thomas enter married bliss (?), running a shop in town, and tending the garden. Bea’s first Peter Rabbit book has been published by Thomas himself. Bea receives an offer from a publisher, Nigel Basil-Jones, played by David Oyelowo, to have her book republished so it can reach a wider audience. Bea begins to compromise her integrity to please Nigel and make the rabbits hipper to boost sales. Meanwhile, Peter embraces his bad boy/ mischievous image and makes friends with this super creepy rabbit from the city, participating in food heists.
The two main plotlines really didn’t make sense together and seemed to only be related because they were both about family. Yawn.
James Corden, who I can tolerate most of the time, was so completely annoying. His performance killed any motivation I had to see a possible third movie. This movie was just dumb, but I guess it probably entertained children.
There were a few positives. Oyelowo was hilarious, and one of the best parts of the film. He is the only reason I’m giving this film two-stars His comedy skills are on point and his interactions with Domhnall Gleeson were the best source of adult laughs. I also loved the voice acting of Flopsy, Mopsy, and Cottontail. Though, I was a little bummed that Daisy Ridley did not return as Cottontail.
The recent marketing stated, “In Theaters. Finally”. I’m not sure this film should have been released in theaters, they should have released it on VOD at Easter-time either in 2020, or 2021.
I typically don’t watch straight-up kid movies anymore, because they’re not funny, and they are as annoying as the kids in the audience. This movie completely reminded me of that.
The film begins with the wedding of Bea and Thomas, the rabbits and other members of McGregor’s Garden are all present. The animals are mixed in with the humans, and it looked very odd. I can’t figure out why. Bea and Thomas enter married bliss (?), running a shop in town, and tending the garden. Bea’s first Peter Rabbit book has been published by Thomas himself. Bea receives an offer from a publisher, Nigel Basil-Jones, played by David Oyelowo, to have her book republished so it can reach a wider audience. Bea begins to compromise her integrity to please Nigel and make the rabbits hipper to boost sales. Meanwhile, Peter embraces his bad boy/ mischievous image and makes friends with this super creepy rabbit from the city, participating in food heists.
The two main plotlines really didn’t make sense together and seemed to only be related because they were both about family. Yawn.
James Corden, who I can tolerate most of the time, was so completely annoying. His performance killed any motivation I had to see a possible third movie. This movie was just dumb, but I guess it probably entertained children.
There were a few positives. Oyelowo was hilarious, and one of the best parts of the film. He is the only reason I’m giving this film two-stars His comedy skills are on point and his interactions with Domhnall Gleeson were the best source of adult laughs. I also loved the voice acting of Flopsy, Mopsy, and Cottontail. Though, I was a little bummed that Daisy Ridley did not return as Cottontail.
The recent marketing stated, “In Theaters. Finally”. I’m not sure this film should have been released in theaters, they should have released it on VOD at Easter-time either in 2020, or 2021.
5 Minute Movie Guy (379 KP) rated Tomorrowland (2015) in Movies
Jun 29, 2019
With Tomorrowland's lifeless fantasy world, bland characters, second-rate special effects, forced dialogue, and uninspired story, your future will undoubtedly be better off if it doesn't involve watching this movie.
Disney’s Tomorrowland implores us to imagine a world without limitation. One where nothing is impossible, and all of our wildest dreams can come true. (Sounds very trademark Disney, doesn’t it?) In the movie, that world exists in the form of a secret utopian society that has been built by only the brightest of minds. It is a place that exists free of politics and corruption, where people can push the boundaries of possibility as far as their imaginations will take them. Tomorrowland is a world meant to inspire, to evoke wonder, and to nurture creativity. It’s a stunning shame then, that all I ever felt while watching the movie was sheer boredom. For all of its endless opportunity, Tomorrowland ends up being almost completely uninteresting. With Tomorrowland‘s lifeless fantasy world, bland characters, second-rate special effects, forced dialogue, and uninspired story, your own future will undoubtedly be better off if it doesn’t involve ever watching this movie.
With the star talent of George Clooney, the directorial skill of Brad Bird, and the film’s promising trailers, I must admit that I was caught off guard by Tomorrowland‘s lackluster execution. The greatest compliment I can give the film is that it’s blandly passable, but in no area is it particularly good, engaging, or thought-provoking. For being a film that is about celebrating creativity, it sure is lacking in that regard. Tomorrowland itself feels like a poorly-realized pipe dream. It’s supposed to be this wonderfully ingenious world of innovation, but nothing about it struck me as notably exciting or exceptional. From the surface, it looks like your typical futuristic metropolis, complete with jetpacks and flying cars. Beyond that, I couldn’t really tell you what makes Tomorrowland so special, and I believe that’s largely because we’re given so little access to it. The movie treats us as outsiders to this place, and we spend the majority of the film tagging alongside the two main characters as they try to get in, but we’re never given any sort of rewarding payoff once we get there. The world of Tomorrowland is practically nothing more than a shallow, fantasy world facade.
The movie starts off with an uncomfortably awkward recruitment video recorded by Tomorrowland’s two main characters, Frank Walker (George Clooney) and Casey Newton (Britt Robertson), in which they argue over how they should tell their story. It’s a poor attempt at humor with banter that feels entirely forced. If anything, this overly long introduction should have served as an early indicator that I was about to embark on a two-hour snooze-fest. From there we transition to each of their character’s respective origin stories, and their separate journeys that led them to Tomorrowland.
Frank’s story takes us to the 1964 World’s Fair at Disneyland where as a young boy he’s trying to enter with his faulty jetpack creation. His invention is rejected, but he still manages to catch the attention of a girl named Athena, who gives him a special pin with the Tomorrowland logo. Young Frank is ordered to secretly follow her in the theme park, leading to the “It’s A Small World” ride, where he’s magically transported to Tomorrowland. Here we’re given our first glimpse of this futuristic world, but the entire sequence isn’t nearly as fun or awe-inspiring as it should be. Frank takes to the skies in his newly-repaired jetpack and yet this significant moment somehow winds up feeling surprisingly empty. The movie fails to capture that youthful element of whimsy and excitement that comes from discovery.
Next we learn the much more recent story of Casey, an enthusiastic high school student with a passion for making the world a better place. She’s the daughter of a struggling inventor who gets herself in trouble with the law after trying to sabotage the government’s planned demolition of a NASA launch pad. Once bailed out of jail, Casey finds a mysterious Tomorrowland token among her belongings, and upon touching it, she is magically transported to a wheat field with the distinguished metropolis of Tomorrowland in the distance. However, when trying to reach this futuristic city, she finds that boundaries in the real world inhibit her in this golden future world, even though she cannot see them while holding the token. It’s a novel idea, and one of the movie’s better moments, but if you’ve seen the film’s trailers then you’ve already seen most of how it plays out.
The trailers also spoiled Tomorrowland‘s best, and arguably only good action sequence, in which androids invade Frank’s house in an attempt to capture Casey, who possesses that coveted Tomorrowland token. It’s a well-crafted and exciting moment that demonstrates Brad Bird’s talent, but it’s also an unfortunately rare instance of entertainment in what is otherwise a dull film. As for the aforementioned androids, they’re unbelievably cheesy and lame. These robot villains are sourced from the pinnacle of technological advancement, and yet they’re remarkably derivative and hokey. The most original thing about them is that they blink their eyelids alternatively. That’s some real cutting edge creativity right there! To top it off, Tomorrowland even throws in an android-to-human love story for good measure, because why not? Robots need love too, you guys!
You know what the most troubling thing about Tomorrowland is for me? The fact that Brad Bird was the very first choice to direct Star Wars: Episode 7 and he turned it down to make this movie instead. That is almost incomprehensible to me. Even more so when you consider that Tomorrowland features a comic book store scene that is literally brimming with Star Wars props. It’s a decision that may come back to haunt him, but given how poor this movie is, I’m now actually thanking my lucky Death Stars that he’s not the one making the upcoming Star Wars: The Force Awakens.
In the end, Tomorrowland is a movie that I don’t feel any connection to. I wasn’t captivated by the characters or the performances (not even George Clooney could save this one). The plot was a total bore. The sci-fi elements missed the mark. The visuals were mostly just decent, and tended to look more fake than impressive. The underlying message of hope was weak, and please, don’t even get me started on that cliché “two wolves” story that was needlessly tacked in. Nothing about the movie ever reminded me of the actual Tomorrowland from Disneyland Park, nor did it share its level of creativity. The longer the movie went on, the more I wanted it to end. I can honestly tell you that I have had more enjoyment standing in line for two hours for a ride in Disneyland’s Tomorrowland than I ever had while watching this movie. If this is how dull our ideal future is going to be, then sign me up for a front row ticket to the apocalypse where the future belongs to the mad!
(This review was originally posted at 5mmg.com on 5.26.15.)
With the star talent of George Clooney, the directorial skill of Brad Bird, and the film’s promising trailers, I must admit that I was caught off guard by Tomorrowland‘s lackluster execution. The greatest compliment I can give the film is that it’s blandly passable, but in no area is it particularly good, engaging, or thought-provoking. For being a film that is about celebrating creativity, it sure is lacking in that regard. Tomorrowland itself feels like a poorly-realized pipe dream. It’s supposed to be this wonderfully ingenious world of innovation, but nothing about it struck me as notably exciting or exceptional. From the surface, it looks like your typical futuristic metropolis, complete with jetpacks and flying cars. Beyond that, I couldn’t really tell you what makes Tomorrowland so special, and I believe that’s largely because we’re given so little access to it. The movie treats us as outsiders to this place, and we spend the majority of the film tagging alongside the two main characters as they try to get in, but we’re never given any sort of rewarding payoff once we get there. The world of Tomorrowland is practically nothing more than a shallow, fantasy world facade.
The movie starts off with an uncomfortably awkward recruitment video recorded by Tomorrowland’s two main characters, Frank Walker (George Clooney) and Casey Newton (Britt Robertson), in which they argue over how they should tell their story. It’s a poor attempt at humor with banter that feels entirely forced. If anything, this overly long introduction should have served as an early indicator that I was about to embark on a two-hour snooze-fest. From there we transition to each of their character’s respective origin stories, and their separate journeys that led them to Tomorrowland.
Frank’s story takes us to the 1964 World’s Fair at Disneyland where as a young boy he’s trying to enter with his faulty jetpack creation. His invention is rejected, but he still manages to catch the attention of a girl named Athena, who gives him a special pin with the Tomorrowland logo. Young Frank is ordered to secretly follow her in the theme park, leading to the “It’s A Small World” ride, where he’s magically transported to Tomorrowland. Here we’re given our first glimpse of this futuristic world, but the entire sequence isn’t nearly as fun or awe-inspiring as it should be. Frank takes to the skies in his newly-repaired jetpack and yet this significant moment somehow winds up feeling surprisingly empty. The movie fails to capture that youthful element of whimsy and excitement that comes from discovery.
Next we learn the much more recent story of Casey, an enthusiastic high school student with a passion for making the world a better place. She’s the daughter of a struggling inventor who gets herself in trouble with the law after trying to sabotage the government’s planned demolition of a NASA launch pad. Once bailed out of jail, Casey finds a mysterious Tomorrowland token among her belongings, and upon touching it, she is magically transported to a wheat field with the distinguished metropolis of Tomorrowland in the distance. However, when trying to reach this futuristic city, she finds that boundaries in the real world inhibit her in this golden future world, even though she cannot see them while holding the token. It’s a novel idea, and one of the movie’s better moments, but if you’ve seen the film’s trailers then you’ve already seen most of how it plays out.
The trailers also spoiled Tomorrowland‘s best, and arguably only good action sequence, in which androids invade Frank’s house in an attempt to capture Casey, who possesses that coveted Tomorrowland token. It’s a well-crafted and exciting moment that demonstrates Brad Bird’s talent, but it’s also an unfortunately rare instance of entertainment in what is otherwise a dull film. As for the aforementioned androids, they’re unbelievably cheesy and lame. These robot villains are sourced from the pinnacle of technological advancement, and yet they’re remarkably derivative and hokey. The most original thing about them is that they blink their eyelids alternatively. That’s some real cutting edge creativity right there! To top it off, Tomorrowland even throws in an android-to-human love story for good measure, because why not? Robots need love too, you guys!
You know what the most troubling thing about Tomorrowland is for me? The fact that Brad Bird was the very first choice to direct Star Wars: Episode 7 and he turned it down to make this movie instead. That is almost incomprehensible to me. Even more so when you consider that Tomorrowland features a comic book store scene that is literally brimming with Star Wars props. It’s a decision that may come back to haunt him, but given how poor this movie is, I’m now actually thanking my lucky Death Stars that he’s not the one making the upcoming Star Wars: The Force Awakens.
In the end, Tomorrowland is a movie that I don’t feel any connection to. I wasn’t captivated by the characters or the performances (not even George Clooney could save this one). The plot was a total bore. The sci-fi elements missed the mark. The visuals were mostly just decent, and tended to look more fake than impressive. The underlying message of hope was weak, and please, don’t even get me started on that cliché “two wolves” story that was needlessly tacked in. Nothing about the movie ever reminded me of the actual Tomorrowland from Disneyland Park, nor did it share its level of creativity. The longer the movie went on, the more I wanted it to end. I can honestly tell you that I have had more enjoyment standing in line for two hours for a ride in Disneyland’s Tomorrowland than I ever had while watching this movie. If this is how dull our ideal future is going to be, then sign me up for a front row ticket to the apocalypse where the future belongs to the mad!
(This review was originally posted at 5mmg.com on 5.26.15.)
BobbiesDustyPages (1259 KP) rated Miss Peregrine's Home for Peculiar Children in Books
Jul 22, 2017
The characters (2 more)
The pictures
The setting
Peculiar and Wonderful
Before I even finished the first chapter I got a very 'Big Fish'(a movie which I love) feeling from this and I became even more excited to read it. The plot is wonderful as well as all the characters they all just come to life, I do feel like the detail of the Miss Peregrine and the children kind of overshadow the plot because they are just so interesting and I wouldn't have minded the book being about them and just all their lives.
I have no idea why but I kept picturing Jacob as being in his early twenties for some reason so when he would act like the typical annoying no one understands me teenager I just started disliking him I really do hope that in the second book you see him grow more and mature as a character.
The only reason I couldn't give it a full five star was the pacing of the book was just odd for me like each section was just leading up to the next set of photos instead of the photos being an exciting extra to the plot. Also the ending just felt so rushed I almost got whiplash at how fast it came at me.
I did really enjoy the ending though and that it left it open for more books.
I have no idea why but I kept picturing Jacob as being in his early twenties for some reason so when he would act like the typical annoying no one understands me teenager I just started disliking him I really do hope that in the second book you see him grow more and mature as a character.
The only reason I couldn't give it a full five star was the pacing of the book was just odd for me like each section was just leading up to the next set of photos instead of the photos being an exciting extra to the plot. Also the ending just felt so rushed I almost got whiplash at how fast it came at me.
I did really enjoy the ending though and that it left it open for more books.
Christine A. (965 KP) rated The Grace Year in Books
Jan 22, 2020
has been described as The Handmaid's Tale plus Lord of the Flies with The Hunger Games thrown in
I was provided with a complimentary copy of this book so I could give an honest review.
The Grace Year by Kim Liggett has been described as The Handmaid's Tale plus Lord of the Flies with The Hunger Games thrown in. Every book, movie, song, etc can make us think of other work. It does not mean it is not a good story. Actually, those are pretty good books to be compared to.
In The Grace Year, girls are banished for their sixteenth year. No one talks about what they call the grace year. All Tierney James knows is not everyone returns. Those who do are changed. Some are mentally changed. Others are physically damaged with missing limbs, scars, etc.
I enjoyed the storyline but it was a very slow burn. It took a while for me to get into the story. Once I did, I was hooked. It just took too long to capture my attention.
I read her earlier book, The Last Harvest, and found it was also a slow burn but worth reading. Knowing I will enjoy her books overall means I will keep reading until they grab me. With both books, once they did, I could not stop reading.
The Grace Year was a 2019 Goodreads Choice Award Nominee for Young Adult Fiction.
This 200-word review was published on Philomathinphila.com on 1/21/20.
The Grace Year by Kim Liggett has been described as The Handmaid's Tale plus Lord of the Flies with The Hunger Games thrown in. Every book, movie, song, etc can make us think of other work. It does not mean it is not a good story. Actually, those are pretty good books to be compared to.
In The Grace Year, girls are banished for their sixteenth year. No one talks about what they call the grace year. All Tierney James knows is not everyone returns. Those who do are changed. Some are mentally changed. Others are physically damaged with missing limbs, scars, etc.
I enjoyed the storyline but it was a very slow burn. It took a while for me to get into the story. Once I did, I was hooked. It just took too long to capture my attention.
I read her earlier book, The Last Harvest, and found it was also a slow burn but worth reading. Knowing I will enjoy her books overall means I will keep reading until they grab me. With both books, once they did, I could not stop reading.
The Grace Year was a 2019 Goodreads Choice Award Nominee for Young Adult Fiction.
This 200-word review was published on Philomathinphila.com on 1/21/20.
Mark @ Carstairs Considers (2434 KP) rated Something Wicked in Books
May 23, 2021 (Updated May 23, 2021)
Not all the Dead Bodies on Set are Fake
Annie Lawrence and her finance, Max Darling, have landed parts in the local theater’s summer production of Arsenic and Old Lace. Annie loves the play, so she wants to be enjoying it more, but a series of pranks, growing more serious, have dampened her enthusiasm. Just days before the curtain is supposed to open, one of her fellow actors is killed backstage during the rehearsal. When Max becomes the only suspect in the eyes of the law, Annie jumps in to try to figure out what happened. Can she free Max?
As a fan of Arsenic and Old Lace (the play, which is better than the movie), I really got a kick out of the scenes involving the play. While I did enjoy the book, I’m of two minds about it. The plot is complex, yet everything makes sense when Annie confronts the villain. Yet I felt like the pacing was off. The characters are fun and provide some laughs, but instead of growing over the course of the story, they slip into caricature. The plans for Annie and Max’s wedding provide a funny sub-plot that makes me wonder just what their wedding winds up looking like. This book originally came out in 1988, so it and some of the authors name-dropped are dated, but as long as you know that going in, you’ll be fine. This is another case where the flaws are easy to spot, but I still enjoyed the book overall.
As a fan of Arsenic and Old Lace (the play, which is better than the movie), I really got a kick out of the scenes involving the play. While I did enjoy the book, I’m of two minds about it. The plot is complex, yet everything makes sense when Annie confronts the villain. Yet I felt like the pacing was off. The characters are fun and provide some laughs, but instead of growing over the course of the story, they slip into caricature. The plans for Annie and Max’s wedding provide a funny sub-plot that makes me wonder just what their wedding winds up looking like. This book originally came out in 1988, so it and some of the authors name-dropped are dated, but as long as you know that going in, you’ll be fine. This is another case where the flaws are easy to spot, but I still enjoyed the book overall.
J.K. Simmons recommended To Kill A Mockingbird (1962) in Movies (curated)
A Darkness More Than Night (Harry Bosch, #7; Terry McCaleb, #2; Harry Bosch Universe, #9)
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Harry Bosch is up to his neck in a case that has transfixed all of celebrity-mad Los Angeles: a...