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Gareth von Kallenbach (980 KP) rated Death on the Nile (2022) in Movies
Feb 7, 2022
Originally set to release in December of 2019; the long-delayed cinematic retelling of Agatha Christie’s “Death on the Nile” has finally arrived in cinemas. The last cinematic version of the classic book arrived in 1978 and this time; Director and star Kenneth Branagh beings his version of Master Detective Hercule Poirot to Egypt after a chance encounter with his friend Bouc (Tom Bateman) while on vacation; Poirot attends the wedding of wealthy socialite Linette Ridgeway (Gal Gadot) and notices that she has married a man named Simon Doyle (Armie Hammer).
The wedding is a bit of a shock to many as just six weeks prior Doyle was engaged to Jacqueline de Bellefort (Emma Mackey), and Poirot observed the two of them in a London club and how Ridgeway was introduced to Simon by her friend Jacqueline.
The wedding reception is disrupted by the arrival of Jacqueline and Linette and Simon confides in Poirot that she has been following them around the world and asks the Detective to encourage her to leave them alone so they can get on with their life.
Jacqueline is highly disturbed and pleads her love for Simon and shows a gun which leads Poirot to encourage the newlyweds to abandon their overseas plans and go home. Simon and Linette press on and decide to take their wedding party on a cruise of the Nile in an attempt to get away from Jacqueline.
The plan seems to be working well until Jacqueline shows up as a ticketed passenger at a stop along the way. When a near-fatal accident occurs followed by a murder; Poirot must investigate the guests to find the killer. Naturally, there is plenty of motivation to go around, and as the deaths mount; Poirot must use his genius to find the killer.
The movie takes its time getting started but the CGI-enhanced scenery and the strong cast are very compelling and set the pieces in place very well. While I was able to solve the mystery about halfway into the film, some of the details around it were cleverly concealed and there were plenty of twists that had me consider other possible suspects.
Some may find the film a bit slow but that is the nature of a good mystery as time is given to developing the characters and their motives which adds to the suspense of the film.
In the end, the film is an engaging mystery that recalls the classic movie mysteries of old and it will be very interesting to see if audiences will embrace the film in the same way as they did with “Murder on the Orient Express” and audiences will get more Poirot adventures from Branagh in the near future.
4 stars out of 5.
The wedding is a bit of a shock to many as just six weeks prior Doyle was engaged to Jacqueline de Bellefort (Emma Mackey), and Poirot observed the two of them in a London club and how Ridgeway was introduced to Simon by her friend Jacqueline.
The wedding reception is disrupted by the arrival of Jacqueline and Linette and Simon confides in Poirot that she has been following them around the world and asks the Detective to encourage her to leave them alone so they can get on with their life.
Jacqueline is highly disturbed and pleads her love for Simon and shows a gun which leads Poirot to encourage the newlyweds to abandon their overseas plans and go home. Simon and Linette press on and decide to take their wedding party on a cruise of the Nile in an attempt to get away from Jacqueline.
The plan seems to be working well until Jacqueline shows up as a ticketed passenger at a stop along the way. When a near-fatal accident occurs followed by a murder; Poirot must investigate the guests to find the killer. Naturally, there is plenty of motivation to go around, and as the deaths mount; Poirot must use his genius to find the killer.
The movie takes its time getting started but the CGI-enhanced scenery and the strong cast are very compelling and set the pieces in place very well. While I was able to solve the mystery about halfway into the film, some of the details around it were cleverly concealed and there were plenty of twists that had me consider other possible suspects.
Some may find the film a bit slow but that is the nature of a good mystery as time is given to developing the characters and their motives which adds to the suspense of the film.
In the end, the film is an engaging mystery that recalls the classic movie mysteries of old and it will be very interesting to see if audiences will embrace the film in the same way as they did with “Murder on the Orient Express” and audiences will get more Poirot adventures from Branagh in the near future.
4 stars out of 5.
LeftSideCut (3778 KP) rated World War Z (2013) in Movies
Aug 6, 2019 (Updated Aug 6, 2019)
World War Z - the movie that finally dared to make the zombie genre family friendly.
That premise sounds horrible on paper, but somehow, it's not too bad!
Zombie films as a rule of thumb, tend to have a slow build up, before all hell breaks loose, and were treated to over the top violence and gore.
Not the case here... WWZ takes no time at all to kick off, as Brad Pitt and his family find themselves stuck in traffic when the shit hits that fan. Were less than 5 minutes in at this time.
As mentioned, the gore is kept to a minimum, but that didn't bother me. WWZ is more a disaster film than horror, but instead of a tidal wave or a hurricane, the threat are the undead.
And there a lot of them. The zombies here run fast, and in huge numbers, making for some true spectacles as they climb on top of each other to climb buildings etc.
There are two set pieces that are particularly eye catching. The scene in Jerusalem, and the scene on the plane, are both pretty full on and entertaining.
The last quarter of the film is a bit puzzling.
After the aforementioned set pieces, the film really slows down for the last 25 minutes. It's not necessarily a bad move, but just a bit...odd for a Hollywood blockbuster.
The film ends rather abruptly (after feeling a little overlong) and on a freeze frame no less (shoot me now).
The cast are pretty good for the most part - I'm an absolutely unashamed fan of Brad Pitt. I've never seen him play a bad part, so his involvement was always going to be a winner for me.
I've never read the book of WWZ but from what I've heard, the movie sharply deviates from it, pretty much only sharing the title.
From what I've gathered about the books layout, it seems that the film could have explored so much more - it may even suit a series rather than a movie.
WWZ is not much more than a dumb, Hollywood action film, with a couple of jump scares thrown in, but it's pretty entertaining here and there.
And with David Fincher in the directors chair for a future sequel, I'm up for what comes next.
That premise sounds horrible on paper, but somehow, it's not too bad!
Zombie films as a rule of thumb, tend to have a slow build up, before all hell breaks loose, and were treated to over the top violence and gore.
Not the case here... WWZ takes no time at all to kick off, as Brad Pitt and his family find themselves stuck in traffic when the shit hits that fan. Were less than 5 minutes in at this time.
As mentioned, the gore is kept to a minimum, but that didn't bother me. WWZ is more a disaster film than horror, but instead of a tidal wave or a hurricane, the threat are the undead.
And there a lot of them. The zombies here run fast, and in huge numbers, making for some true spectacles as they climb on top of each other to climb buildings etc.
There are two set pieces that are particularly eye catching. The scene in Jerusalem, and the scene on the plane, are both pretty full on and entertaining.
The last quarter of the film is a bit puzzling.
After the aforementioned set pieces, the film really slows down for the last 25 minutes. It's not necessarily a bad move, but just a bit...odd for a Hollywood blockbuster.
The film ends rather abruptly (after feeling a little overlong) and on a freeze frame no less (shoot me now).
The cast are pretty good for the most part - I'm an absolutely unashamed fan of Brad Pitt. I've never seen him play a bad part, so his involvement was always going to be a winner for me.
I've never read the book of WWZ but from what I've heard, the movie sharply deviates from it, pretty much only sharing the title.
From what I've gathered about the books layout, it seems that the film could have explored so much more - it may even suit a series rather than a movie.
WWZ is not much more than a dumb, Hollywood action film, with a couple of jump scares thrown in, but it's pretty entertaining here and there.
And with David Fincher in the directors chair for a future sequel, I'm up for what comes next.
One Direction: Where We are (100% Official): Our Band, Our Story
Book
Calling all One Direction fans! This is the only official book from 1D, charting their journey over...
Ring
Koji Suzuki, Glynne Walley and Robert B. Rohmer
9.0
Rate It
Book
Stunning Japanese thriller with a chilling supernatural twist. The novel that inspired the cult...
Learning to Fly
Book
Discover the truth behind the headlines in Victoria Beckham's fascinating memoir, Learning to Fly....
Lee (2222 KP) rated Rose: A Love Story (2020) in Movies
Oct 14, 2020
Married couple Sam (Matt Stokoe) and Rose (Sophie Rundle) are living a quiet, simple life in a remote woodland farmhouse. While Rose spends her days indoors, tapping out a novel on a typewriter, Sam is out in the peaceful, snow-covered woods, setting traps and hunting animals. But, right from the outset, it’s clear that this is anything but a relaxing couples retreat.
As Sam cautiously goes about his work, rifle in hand, it’s obvious that he is alert and on edge, flinching at the slightest sounds that come from beyond the trees. Persistent, ominous music also informs us that something isn't quite right and succeeds in putting us quickly on edge too. And when Sam does return to the farmhouse, we learn that Rose has been locked inside, with all the windows boarded up, only the slightest slivers of light entering the gloomy rooms.
Sam and Rose are clearly a couple in love, their actions and conversations appearing genuine and normal. But occasionally the topic of conversation veers towards the unusual, and we continue to be drip-fed even more sinister clues as to what’s actually going on in their lives. When Rose cuts herself while preparing dinner, black veins pulse throughout her finger. Meanwhile, Sam heads off to an ultraviolet-lit room, where he attaches leeches to his body, casually sitting to read a book while they set to work, gorging on his blood. When the couple head outside for a walk one night, Rose wears a face mask while Sam doesn’t. And she talks of “a poison inside her”. You have a fairly good idea of what's going on, but the answers to any questions you have don't come easy, and we're constantly left guessing at which direction the movie is going to take.
Jennifer Sheridan’s feature directorial debut has a wonderfully claustrophobic feel to it, perfectly capturing the feeling of isolation against the beautiful backdrop of a Welsh forest in Winter. Questions hang throughout - how did Rose get this way, what kind of life did the couple lead beforehand, what actually is this illness doing or going to do to her? We're kept in suspense throughout and even when a young runaway called Amber stumbles across the couple, and stays with them overnight, the answers still don’t come easy. Amber just has to accept the fact that Sam is dropping his trousers in front of her in order to attach leeches to himself. And that she must sleep with the ultraviolet light on in her room...
As we neared the very end of the movie, I began to wonder if any of those answers would ever come, or if we would be left to make our own minds up. But thankfully a quick and frantic last-minute change of pace changed all of that, and still managed to end on something of a cliffhanger!
Writer Matt Stokoe (who also plays Sam) says of ‘Rose’ that while watching traditional vampire movies he was struck by the macabre, horror aspects of the vampire genre and the general avoidance of emotional depth shown in the figure of the ‘monster’. The result of his observations is a beautifully simple movie that focuses more on the love of a married couple than the monster that threatens to overpower their relationship. Sam shows that he will do anything for Rose as they struggle with her life-altering illness. Theirs is indeed a true love story.
As Sam cautiously goes about his work, rifle in hand, it’s obvious that he is alert and on edge, flinching at the slightest sounds that come from beyond the trees. Persistent, ominous music also informs us that something isn't quite right and succeeds in putting us quickly on edge too. And when Sam does return to the farmhouse, we learn that Rose has been locked inside, with all the windows boarded up, only the slightest slivers of light entering the gloomy rooms.
Sam and Rose are clearly a couple in love, their actions and conversations appearing genuine and normal. But occasionally the topic of conversation veers towards the unusual, and we continue to be drip-fed even more sinister clues as to what’s actually going on in their lives. When Rose cuts herself while preparing dinner, black veins pulse throughout her finger. Meanwhile, Sam heads off to an ultraviolet-lit room, where he attaches leeches to his body, casually sitting to read a book while they set to work, gorging on his blood. When the couple head outside for a walk one night, Rose wears a face mask while Sam doesn’t. And she talks of “a poison inside her”. You have a fairly good idea of what's going on, but the answers to any questions you have don't come easy, and we're constantly left guessing at which direction the movie is going to take.
Jennifer Sheridan’s feature directorial debut has a wonderfully claustrophobic feel to it, perfectly capturing the feeling of isolation against the beautiful backdrop of a Welsh forest in Winter. Questions hang throughout - how did Rose get this way, what kind of life did the couple lead beforehand, what actually is this illness doing or going to do to her? We're kept in suspense throughout and even when a young runaway called Amber stumbles across the couple, and stays with them overnight, the answers still don’t come easy. Amber just has to accept the fact that Sam is dropping his trousers in front of her in order to attach leeches to himself. And that she must sleep with the ultraviolet light on in her room...
As we neared the very end of the movie, I began to wonder if any of those answers would ever come, or if we would be left to make our own minds up. But thankfully a quick and frantic last-minute change of pace changed all of that, and still managed to end on something of a cliffhanger!
Writer Matt Stokoe (who also plays Sam) says of ‘Rose’ that while watching traditional vampire movies he was struck by the macabre, horror aspects of the vampire genre and the general avoidance of emotional depth shown in the figure of the ‘monster’. The result of his observations is a beautifully simple movie that focuses more on the love of a married couple than the monster that threatens to overpower their relationship. Sam shows that he will do anything for Rose as they struggle with her life-altering illness. Theirs is indeed a true love story.
Andy K (10821 KP) rated Halloween II (2009) in Movies
Oct 11, 2018
Haters gotta hate, but I liked it
After another successful "reboot", Rob Zombie tries his hand at a sequel to his version of Michael Myers.
Haunted by the death of his mother, Michael doesn't know what to do with himself other than continue his murderous rampage in pursuit of his sister, Laurie Strode.
Dr. Loomis has capitalized on his Michael encounters in penning a tell-all book which reveals all the "gory" details.
Yeah this movie is extremely violent at times and sometimes goes in various directions, but why all the negative reviews. IMDb has many, many of them. There are certainly lots of crappier horror movies out there. Maybe because expectations were high after the remake and this one went too far off the proven trail.
I was entertained mostly because I have watched all 10 Halloween movies over the last two weeks and this one I could honestly say I didn't know where it was going.
Haunted by the death of his mother, Michael doesn't know what to do with himself other than continue his murderous rampage in pursuit of his sister, Laurie Strode.
Dr. Loomis has capitalized on his Michael encounters in penning a tell-all book which reveals all the "gory" details.
Yeah this movie is extremely violent at times and sometimes goes in various directions, but why all the negative reviews. IMDb has many, many of them. There are certainly lots of crappier horror movies out there. Maybe because expectations were high after the remake and this one went too far off the proven trail.
I was entertained mostly because I have watched all 10 Halloween movies over the last two weeks and this one I could honestly say I didn't know where it was going.
The Marinated Meeple (1848 KP) rated Gone with the Wind Audiobook in Books
Nov 9, 2018
Accents by the Narrator (1 more)
Historical vantage point
Audio Production is great
I struggled to care about these over privileged people as a whole. The main character especially. I made it through the first half of the book, which is 21 cds, and a ton of time. I felt like i invested a lot of my time into it, and didn't feel rewarded with a great classic piece of literature. That said it was well written for it's time and really provides insight into the thought and minds of the confederate side. It's a great slice of life for Civil war buffs. A lot of the racial language is cringe worthy by today's standards, but was probably very real for the time and even maybe lighter. I do not feel compelled to read the rest of it, one day when I am curious, I will watch the movie and that will probably be enough.
Lost At Sea: The Jon Ronson Mysteries
Book
Updated edition. Now includes the complete text of Frank: The True Story that Inspired the Movie....
Midnight in the Garden of Good and Evil
6.9
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Book
Genteel society ladies who compare notes on their husbands' suicides. A hilariously foul-mouthed...