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Gareth von Kallenbach (980 KP) rated The Hobbit: The Desolation of Smaug (2013) in Movies
Jun 19, 2019
The much anticipated second film in Peter Jackson’s Hobbit Trilogy has arrived in time to reap box office gold much the way the previous films based on Tolkien’s works have. The film continues the adventure started in the previous film and finds the band of adventurers chased by a pack of Orcs and faced with the deadly and dark Mirkwood Forest as they attempt to reach The Lonely Mountain in time.
The journey is long and filled with peril as everything from Orcs to giant spiders stand in the way and should the group be successful in reaching their destination, there is the little matter of a giant and very nasty dragon named Smaug to contend with.
Undaunted the group press on despite finding danger a constant companion and once again give us a series staples of endless shots of them walking and walking in locales lifted from the Tourism New Zealand film room in between the amazing visual work that makes up the battle sequence and other-worldly visuals of the film.
Bilbo (Martin Freeman), is becoming more and more under the spell of the ring he obtained in the previous film and Gandalf (Sir Ian McKellen), suspects that darker forces are growing and sets off to confirm his suspicions. This divides the film into two quest centric storylines that are sure to cause some division amongst fans of the series.
The film does manage to hold your attention throughout its 2.5 hr plus run time and does have a very enjoyable finale act as the arrival of Smug (Benedict Cumberbatch), for me has been honestly the most enjoyable of any of the four prior films in the series to date. His interactions with Bilbo and the group flesh him out to be more than a creation of CGI, but rather infuse him with a evil and complexity that make him a very compelling and dynamic character.
Despite the strong cast and amazing visual FX in the film that is captured very well by the 3D filming Jackson used, the movie does have it’s share of frustrations.
Jackson has once again loaded the film with tons of characters, scenarios, and padding that easily make up more than half of the film. The idea seems to be to show a greater connection to the original LOTR films and the inclusion of Orlando Bloom as Legolas and Evangeline Lilly as Tauriel is bound to cause controversy. On one hand it was great to see the two characters and the great amounts of action they brought to the film, but the entire time I kept thinking that there was no need for most of this extra stuff as it was included simply to stretch out the film in order to justify a third movie and ensure another big box office.
When the film reaches it’s conclusion it was very clear to me that they could have completed the film in two films had the removed all of the padding and fluff and stuck to the source material. Segments are drawn out or included that really do not need to be there no matter how exciting and visually appealing they may be.
When the film was first announced it was planned to be two films but was later expanded to three when Jackson took over as Director following the departure of Guillermo del Toro. If one film was sufficient to capture each book in the original series than three films for this one book is simply overkill to me and it undermines the source material.
That being said, I did enjoy the film as it works best for me if I look at it as “inspired by’ rather than a cinematic translation of the book and in doing so I was able to get caught up in the action of the film and the character’s.
In the end the film is a true delight filled with plenty of action and adventure and will keep fans old and new entertained as despite the issues I had with it, it was one of the better action/fantasy films of the year and is a great technological achievement.
http://sknr.net/2013/12/13/the-hobbit-the-desolation-of-smaug/
The journey is long and filled with peril as everything from Orcs to giant spiders stand in the way and should the group be successful in reaching their destination, there is the little matter of a giant and very nasty dragon named Smaug to contend with.
Undaunted the group press on despite finding danger a constant companion and once again give us a series staples of endless shots of them walking and walking in locales lifted from the Tourism New Zealand film room in between the amazing visual work that makes up the battle sequence and other-worldly visuals of the film.
Bilbo (Martin Freeman), is becoming more and more under the spell of the ring he obtained in the previous film and Gandalf (Sir Ian McKellen), suspects that darker forces are growing and sets off to confirm his suspicions. This divides the film into two quest centric storylines that are sure to cause some division amongst fans of the series.
The film does manage to hold your attention throughout its 2.5 hr plus run time and does have a very enjoyable finale act as the arrival of Smug (Benedict Cumberbatch), for me has been honestly the most enjoyable of any of the four prior films in the series to date. His interactions with Bilbo and the group flesh him out to be more than a creation of CGI, but rather infuse him with a evil and complexity that make him a very compelling and dynamic character.
Despite the strong cast and amazing visual FX in the film that is captured very well by the 3D filming Jackson used, the movie does have it’s share of frustrations.
Jackson has once again loaded the film with tons of characters, scenarios, and padding that easily make up more than half of the film. The idea seems to be to show a greater connection to the original LOTR films and the inclusion of Orlando Bloom as Legolas and Evangeline Lilly as Tauriel is bound to cause controversy. On one hand it was great to see the two characters and the great amounts of action they brought to the film, but the entire time I kept thinking that there was no need for most of this extra stuff as it was included simply to stretch out the film in order to justify a third movie and ensure another big box office.
When the film reaches it’s conclusion it was very clear to me that they could have completed the film in two films had the removed all of the padding and fluff and stuck to the source material. Segments are drawn out or included that really do not need to be there no matter how exciting and visually appealing they may be.
When the film was first announced it was planned to be two films but was later expanded to three when Jackson took over as Director following the departure of Guillermo del Toro. If one film was sufficient to capture each book in the original series than three films for this one book is simply overkill to me and it undermines the source material.
That being said, I did enjoy the film as it works best for me if I look at it as “inspired by’ rather than a cinematic translation of the book and in doing so I was able to get caught up in the action of the film and the character’s.
In the end the film is a true delight filled with plenty of action and adventure and will keep fans old and new entertained as despite the issues I had with it, it was one of the better action/fantasy films of the year and is a great technological achievement.
http://sknr.net/2013/12/13/the-hobbit-the-desolation-of-smaug/
Mark @ Carstairs Considers (2400 KP) rated Murder at the Palace in Books
Jun 14, 2019
First Days are Murder
When Nora Paige’s movie star husband is caught having an affair with a co-star, she decides it is time to start over. Fortunately, Nora’s friend Robbie needs someone to manage the Palace Theater up in San Francisco. However, Nora’s first day doesn’t go as planned. She’s barely met the staff when she finds a dead body in the backup ice maker in the basement. Naturally, she doesn’t recognize the victim, but none of the staff know who he is either. Could his murder be tied to the death of the previous manager? And, if that shock weren’t enough, Nora starts to see a hallucination that just might be the ghost of an usherette named Trixie from the 1930’s. Is Nora going crazy? Can she figure out what is going on?
Since I rarely do paranormal cozies, I almost skipped this book, but I was so drawn to the classic movies theme that I had to give it a try. I’m very glad I did because it was fun. While we find the body early on, the set up, including introducing Trixie to the mix, does slow thing down at the beginning, but there is a strong mystery for Nora to solve. Nora, Trixie, and the rest of the cast are a hoot, and I can’t wait to hang out with all of them again. And there is plenty of talk about old movies. While I haven’t seen many of the movies mentioned yet, the discussion certainly made me want to fix that. I’m already buying my ticket for the next entry in this series.
Since I rarely do paranormal cozies, I almost skipped this book, but I was so drawn to the classic movies theme that I had to give it a try. I’m very glad I did because it was fun. While we find the body early on, the set up, including introducing Trixie to the mix, does slow thing down at the beginning, but there is a strong mystery for Nora to solve. Nora, Trixie, and the rest of the cast are a hoot, and I can’t wait to hang out with all of them again. And there is plenty of talk about old movies. While I haven’t seen many of the movies mentioned yet, the discussion certainly made me want to fix that. I’m already buying my ticket for the next entry in this series.
Sassy Brit (97 KP) rated A Week to Be Wild in Books
Jun 6, 2019
Smart and intelligent books for smart and intelligent people. I would say women, by why should we have all the fun?
^^ A Week to be Wild by JC Harroway is the first in a daring new, sexy series — aptly named DARE — by Mills and Boon, and boy have they upped their sizzle with this range, if this book is anything to go by!
^^ This bold story features an intelligent American business woman, Libby Noble, and her adventure with British billionaire businessman Alex Lancaster. When I say adventure, I mean that on more levels than one. He wants to invest in services as a marketer for Able-Active, a new charity, which is very meaningful to him. With a week to be wild, he’d agreed to play a sensual game by her rules, and as part of that agreement, she’ll have to agree to try out his charity’s programme, forcing her to step outside her comfort zone with some daredevil pursuits of his own. All for a good cause, of course! If you’re going to work for any company, it’s certainly wise to get stuck right in and get down and dirty, as they say. Well, I hope they do!
^^ The only trouble is, will she be able to focus with Alex around? After all, he’s a movie star, bad-boy, gentleman rogue, geeky surfer dude, with brains and business acumen, (and quite a mouthful!) all rolled into one mouth-watering package. He’s also worth quite a bit, too. Always a bonus.
^^ I love the way both Libby and Alex are vying for alpha status, yet she comes out on top (pun intended) and manages to control an alpha male who is usually used to getting his own way. Alex thinks she’s a stubborn, independent women, and Libby is keen to show she’s no pushover, whilst forcing his natural alpha tendencies into submission. It’s a battle of wills, I can tell you!
^^ In addition to the actual storyline I must also comment on the style of this new range and branding. It. Is. Gorgeous! They’re hot, without being in your face pornographic. Very classy. The paperbacks are just the right size to carry around in a handbag for when you’re on the go.
^^ In fact, their whole site has had a stunning makeover, and they’ve launched a definitive guide to the Rules of Romance. Check it out!
Overall: I’m really pleased to be part of Mills and Boon’s Dare launch, and excited to read more stories from this range. If I could compare this style to other books I’ve read like this, I’d say it’s up there with the Black Lace titles. Happy to recommend JC Harroway’s book, A Week to be Wild, because it’s a well-written story, highly engaging and brimming with passion. As is, I suspect, the rest of this range is going to be… Stay seated, and switch on that electric fan. It doesn’t matter what the weather’s like out there, it’s going to get hot in here!
^^ A Week to be Wild by JC Harroway is the first in a daring new, sexy series — aptly named DARE — by Mills and Boon, and boy have they upped their sizzle with this range, if this book is anything to go by!
^^ This bold story features an intelligent American business woman, Libby Noble, and her adventure with British billionaire businessman Alex Lancaster. When I say adventure, I mean that on more levels than one. He wants to invest in services as a marketer for Able-Active, a new charity, which is very meaningful to him. With a week to be wild, he’d agreed to play a sensual game by her rules, and as part of that agreement, she’ll have to agree to try out his charity’s programme, forcing her to step outside her comfort zone with some daredevil pursuits of his own. All for a good cause, of course! If you’re going to work for any company, it’s certainly wise to get stuck right in and get down and dirty, as they say. Well, I hope they do!
^^ The only trouble is, will she be able to focus with Alex around? After all, he’s a movie star, bad-boy, gentleman rogue, geeky surfer dude, with brains and business acumen, (and quite a mouthful!) all rolled into one mouth-watering package. He’s also worth quite a bit, too. Always a bonus.
^^ I love the way both Libby and Alex are vying for alpha status, yet she comes out on top (pun intended) and manages to control an alpha male who is usually used to getting his own way. Alex thinks she’s a stubborn, independent women, and Libby is keen to show she’s no pushover, whilst forcing his natural alpha tendencies into submission. It’s a battle of wills, I can tell you!
^^ In addition to the actual storyline I must also comment on the style of this new range and branding. It. Is. Gorgeous! They’re hot, without being in your face pornographic. Very classy. The paperbacks are just the right size to carry around in a handbag for when you’re on the go.
^^ In fact, their whole site has had a stunning makeover, and they’ve launched a definitive guide to the Rules of Romance. Check it out!
Overall: I’m really pleased to be part of Mills and Boon’s Dare launch, and excited to read more stories from this range. If I could compare this style to other books I’ve read like this, I’d say it’s up there with the Black Lace titles. Happy to recommend JC Harroway’s book, A Week to be Wild, because it’s a well-written story, highly engaging and brimming with passion. As is, I suspect, the rest of this range is going to be… Stay seated, and switch on that electric fan. It doesn’t matter what the weather’s like out there, it’s going to get hot in here!
Fashionably Forever After (Hot Damned Series, Book 10)
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A movie deal for the Devil’s autobiography slash romance? Priceless. Maybe I should choose...
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Gareth von Kallenbach (980 KP) rated Morbius (2022) in Movies
Apr 5, 2022
The latest Marvel offering is Morbius. Michael Morbius (Jared Leto) grew up in Greece under the care of Dr.Emil Nikols (Jared Harris). In this universe, Emil is Michael’s Mentor. This story takes
bits from the comic book but it clearly isn’t canon. It is an adequate anti-hero origin story for Phase 4 which gives us the backstory of Morbius’ creation.
Morbius has a rare blood disease. As a child, he made his best friend Milo/Lucien (Matt Smith), a promise to find the cure for their shared illness. Michael, in his quest for the cure, became the youngest scientist to win the Nobel Prize from his development of artificial blood.
He works with fellow scientist Martine Bancroft (Adria Arjona) who becomes his love interest.
Morbius has been working on vampire bats and the abilities within their blood. Once the formula has stabilized, he begins human trials on himself. In doing so, the serum that he has developed transforms him into a vampire that needs human blood to sustain his existence.
The film seems to have dropped the trail to lead the audience to logical conclusions. There are questions that need to be answered which would help flesh out the actions of the characters.
Why the serum, if the reason is to create a cure, why did the bat and human combination mutate instead of the blood changing?
There are points throughout the film that feel like critical explanatory lines were edited out.
Some scenes had witty banter between Michael and Milo. It would have been good to see Morbius enjoy his transformation from his weak, ill state to the Vampire.
The film was good. It definitely could have been better with more information. I wanted to understand motivation by the actors indicating motive or have red herrings thrown through the film.
The best parts for me were the moments where he stumbled upon his new abilities. He observes them like the scientist he is and takes it as data, in order to understand the changes.
The CGI was muddy, in trying to show movement as quick. What it looked like was trying to
convey speed, but in doing so, ended up having what showed up as squiggly lines instead.
I liked it, but didn’t love it mainly for what it seemed to lack, continuity. I think for an origin film, the character needs to be brought out as clean as possible in order to develop solid character traits.
If you go see the movie, there are two end credit scenes. There are a couple situations that you go see the movie, there are two end credit scenes. There are a couple situations that lead into the Multiverse of Magic. I am definitely looking forward to that film.
3 stars out of 5
bits from the comic book but it clearly isn’t canon. It is an adequate anti-hero origin story for Phase 4 which gives us the backstory of Morbius’ creation.
Morbius has a rare blood disease. As a child, he made his best friend Milo/Lucien (Matt Smith), a promise to find the cure for their shared illness. Michael, in his quest for the cure, became the youngest scientist to win the Nobel Prize from his development of artificial blood.
He works with fellow scientist Martine Bancroft (Adria Arjona) who becomes his love interest.
Morbius has been working on vampire bats and the abilities within their blood. Once the formula has stabilized, he begins human trials on himself. In doing so, the serum that he has developed transforms him into a vampire that needs human blood to sustain his existence.
The film seems to have dropped the trail to lead the audience to logical conclusions. There are questions that need to be answered which would help flesh out the actions of the characters.
Why the serum, if the reason is to create a cure, why did the bat and human combination mutate instead of the blood changing?
There are points throughout the film that feel like critical explanatory lines were edited out.
Some scenes had witty banter between Michael and Milo. It would have been good to see Morbius enjoy his transformation from his weak, ill state to the Vampire.
The film was good. It definitely could have been better with more information. I wanted to understand motivation by the actors indicating motive or have red herrings thrown through the film.
The best parts for me were the moments where he stumbled upon his new abilities. He observes them like the scientist he is and takes it as data, in order to understand the changes.
The CGI was muddy, in trying to show movement as quick. What it looked like was trying to
convey speed, but in doing so, ended up having what showed up as squiggly lines instead.
I liked it, but didn’t love it mainly for what it seemed to lack, continuity. I think for an origin film, the character needs to be brought out as clean as possible in order to develop solid character traits.
If you go see the movie, there are two end credit scenes. There are a couple situations that you go see the movie, there are two end credit scenes. There are a couple situations that lead into the Multiverse of Magic. I am definitely looking forward to that film.
3 stars out of 5
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Matthew Krueger (10051 KP) rated Creepshow (1982) in Movies
Sep 27, 2019
Scary Stories To Tell In The Dark
Creepshow- is a very great movie, with its five short stories that are really horrorfyed and terrorfyed. Each one of them are scary.
The Plot: A compendium of five short but terrifying tales contained within a single full-length feature, this film conjures scares from traditional bogeymen and portents of doom. In one story, a monster escapes from its holding cell. Another focuses on a husband (Leslie Nielsen) with a creative way of getting back at his cheating wife. Other stories concern a rural man (Stephen King) and a visitor from outer space, and a homeowner (E.G. Marshall) with huge bug problems and a boozing corpse.
The film consists of five short stories: "Father's Day", "The Lonesome Death of Jordy Verrill", "Something to Tide You Over", "The Crate" and "They're Creeping Up on You!" Two of these stories were adapted from King's short stories, with the film bookended by prologue and epilogue scenes featuring a young boy named Billy (played by King's son, Joe), who is punished by his father for reading horror comics.
The film was adapted into an actual comic book of the same name soon after the film's release, illustrated by Bernie Wrightson, (of Heavy Metal and Warren magazines fame), an artist fittingly influenced by the 1950s E.C. Comics.
It is a very great movie and i would highly reccordmend it.
The Plot: A compendium of five short but terrifying tales contained within a single full-length feature, this film conjures scares from traditional bogeymen and portents of doom. In one story, a monster escapes from its holding cell. Another focuses on a husband (Leslie Nielsen) with a creative way of getting back at his cheating wife. Other stories concern a rural man (Stephen King) and a visitor from outer space, and a homeowner (E.G. Marshall) with huge bug problems and a boozing corpse.
The film consists of five short stories: "Father's Day", "The Lonesome Death of Jordy Verrill", "Something to Tide You Over", "The Crate" and "They're Creeping Up on You!" Two of these stories were adapted from King's short stories, with the film bookended by prologue and epilogue scenes featuring a young boy named Billy (played by King's son, Joe), who is punished by his father for reading horror comics.
The film was adapted into an actual comic book of the same name soon after the film's release, illustrated by Bernie Wrightson, (of Heavy Metal and Warren magazines fame), an artist fittingly influenced by the 1950s E.C. Comics.
It is a very great movie and i would highly reccordmend it.
