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Kristy H (1252 KP) rated Love at First Like in Books
Mar 19, 2020
First of all, please congratulate me for reading a book on my Netgalley backlist! Go me! Second, congratulate me again for reading a book based on a premise I despise: sitting on a throne of lies! :)
When Eliza discovers via Instagram that her last serious ex-boyfriend, Holden is engaged, she flips out. Despite the fact that she runs a successful business, Brooklyn Jewelers, with her sister, Sophie, Eliza feels as if she's lost the breakup--and life--when Holden gets engaged first. After all, she's still single. To console herself, she takes out some of the jewelry store pieces and snaps some insta-worthy shots of them on her left (ring) finger. This process is accompanied with a little alcohol to soothe the loss. Everything seems fine until she wakes up in the morning and realizes she's posted a shot to the store's page--and it's basically gone viral. From there, Eliza makes the perfectly rational (??!!) decision to pretend she's engaged and line up a free wedding and honeymoon to drum up business for Brooklyn Jewelers. All she needs now is a groom.
"My wedding is exactly six months from tomorrow. All I have to do now is find the groom."
I have no idea why I picked this book, I'm guessing it was a Netgalley widget, because I really really hate books based on lies like this. It truly makes me nervous and on edge. I almost didn't keep reading, but I decided to give it a shot. And I will grudgingly admit that Eliza grew on me, okay? If you aren't as bothered by me by the "throne of lies" concept, you might enjoy this book. And if you are into Instagram and jewelry, you could even love it.
Some pluses... Eliza has a lesbian sister. Sure, it's token lesbian representation, but at least it's there. Eliza pines for a man, but she's also a strong businesswoman and her business is very important to her (so much that she'd go along with this harebrained scheme to keep it). She and her sister are running a fairly successful storefront in New York. They admit part of that is because they received an inheritance, but Eliza also puts a lot of work into it. That's cool.
Some negatives... a lot of the dilemmas and plot points come across as very flat and one dimensional. Oh no, suddenly the rent is being raised, heightening the stakes in Eliza's fake wedding scheme?! Her sister's health insurance no longer covers IVF, so she needs more money to have a baby with her wife? You don't say, etc. At times, the plot feels like a trainwreck, where you know something horrible is going to happen, but you just can't look away. Eliza is determined that she's getting married--no matter the cost to anyone. The book stressed me out a lot. (Just tell people the truth!)
Still, much like a Hallmark movie, I found myself invested. I knew how it would probably all wind up, but I was weirdly captivated by it all. The Instagram heavy scenes, Eliza's dramatics, the looming wedding date. Somehow it worked in the end. It was crazy and ridiculous, but oh well. 3 stars.
When Eliza discovers via Instagram that her last serious ex-boyfriend, Holden is engaged, she flips out. Despite the fact that she runs a successful business, Brooklyn Jewelers, with her sister, Sophie, Eliza feels as if she's lost the breakup--and life--when Holden gets engaged first. After all, she's still single. To console herself, she takes out some of the jewelry store pieces and snaps some insta-worthy shots of them on her left (ring) finger. This process is accompanied with a little alcohol to soothe the loss. Everything seems fine until she wakes up in the morning and realizes she's posted a shot to the store's page--and it's basically gone viral. From there, Eliza makes the perfectly rational (??!!) decision to pretend she's engaged and line up a free wedding and honeymoon to drum up business for Brooklyn Jewelers. All she needs now is a groom.
"My wedding is exactly six months from tomorrow. All I have to do now is find the groom."
I have no idea why I picked this book, I'm guessing it was a Netgalley widget, because I really really hate books based on lies like this. It truly makes me nervous and on edge. I almost didn't keep reading, but I decided to give it a shot. And I will grudgingly admit that Eliza grew on me, okay? If you aren't as bothered by me by the "throne of lies" concept, you might enjoy this book. And if you are into Instagram and jewelry, you could even love it.
Some pluses... Eliza has a lesbian sister. Sure, it's token lesbian representation, but at least it's there. Eliza pines for a man, but she's also a strong businesswoman and her business is very important to her (so much that she'd go along with this harebrained scheme to keep it). She and her sister are running a fairly successful storefront in New York. They admit part of that is because they received an inheritance, but Eliza also puts a lot of work into it. That's cool.
Some negatives... a lot of the dilemmas and plot points come across as very flat and one dimensional. Oh no, suddenly the rent is being raised, heightening the stakes in Eliza's fake wedding scheme?! Her sister's health insurance no longer covers IVF, so she needs more money to have a baby with her wife? You don't say, etc. At times, the plot feels like a trainwreck, where you know something horrible is going to happen, but you just can't look away. Eliza is determined that she's getting married--no matter the cost to anyone. The book stressed me out a lot. (Just tell people the truth!)
Still, much like a Hallmark movie, I found myself invested. I knew how it would probably all wind up, but I was weirdly captivated by it all. The Instagram heavy scenes, Eliza's dramatics, the looming wedding date. Somehow it worked in the end. It was crazy and ridiculous, but oh well. 3 stars.
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Bob Mann (459 KP) rated The Personal History of David Copperfield (2019) in Movies
Jan 8, 2021
The fantastic ensemble cast (1 more)
Great directing and editing
Effortlessly stylish and entertaining
The Personal History of David Copperfield starts with the young man (Dev Patel) regaling a theatre audience with a reading of his autobiography. This immediately pitches him into witnessing his own birth to widowed single mother Clara (the wonderful Morfydd Clark, or "Saint Maud" fame). From there, Copperfield goes helter-skelter into a rollercoaster life encompassing workhouse-bottling poverty, fish-gutting and rich gentlemanly pursuits.
You have to admire the artistry of Dickens. Of course, I am aware of some of the plethora of rich and complex characters that Dickens imagined including the rascally Mr Micawber (Peter Capaldi) and the ever-'umble but conniving Uriah Heep (Ben Wishaw). But the story is literally rammed with amazing characters. It's almost as if Dickens conjured up full pen-portraits of 30 different characters and then contrived to fit them somehow into the story. Remarkably rich.
There's a very striking nature to the casting of this movie. It had me going "Wha?? Who??" while watching it. Because the roles are cast multi-culturally, without nature to the demographics of the time and - crucially - to the relationship between the characters. For example, with Copperfield, you might - with a bit of a squint - play along with it since we never see the father. But then the mother of the (very-much-white) Steerforth (Aneurin Barnard) turns up as Nigerian-born actress Nikki Amuka-Bird (who is fabulous). Benedict Wong also turns up as legal director Mr Wickfield. It was as if the casting was done purely on talent and regardless of race and appropriateness for the Dickensian times. Which is refreshingly different and much to be welcomed.
Sarah Crowe has won a number of awards for her casting of the film and a BAFTA nomination too. And well deserved, since she pulls in a truly stellar ensemble cast. As well as those mentioned above, we also have Hugh Laurie as the addled Mr Dick; Tilda Swinton as Betsey Trotwood; Anna Maxwell Martin as Mrs Strong; Paul Whitehouse as Daniel Peggotty; and Gwendoline Christie as the evil Mrs Murdstone. Even Daisy May Cooper (from TV's "This Country") turns up and is particularly effective as Peggoty - the housemaid and friend to Copperfield. And casting Morfydd Clark in a second role as the scatty love interest Dora Spenlow is also both brilliant and provocative.
With such a wealth of talent on show, it's difficult to pull out specific performances. This is a movie that genuinely deserved to make the SAG Ensemble award list.
When I saw that the director of this was Armando Iannucci, I raised an eyebrow. For the subject matter seemed to be at right angles to the normal satirical thrust of the director. But the guy behind "The Thick of It" and "The Death of Stalin" reigned in his most satirical barbs and - together with his regular collaborative screenwriter Simon Blackwell - turned the movie into a delightfully quirky telling of the story. I felt that there was something of the Guy Ritchie "Sherlock Holmes" behind the very effective use of the cutting and on screen handwriting.
In that cutting, many of the scene transitions are masterfully done. So a special shout-out to the film editors Mick Audsley and Peter Lambert here. A memorable example is a flashback in the "boat house" where a background tarpaulin blows away to reveal Steerforth on horseback in France: simply breathtaking.
This was a refreshing movie. Endlessly innovative and entertaining. It makes me even possibly want to revisit trying to read the book again! Highly recommended.
(For the full graphical review, please check out the review here - https://rb.gy/ba74zo ).
You have to admire the artistry of Dickens. Of course, I am aware of some of the plethora of rich and complex characters that Dickens imagined including the rascally Mr Micawber (Peter Capaldi) and the ever-'umble but conniving Uriah Heep (Ben Wishaw). But the story is literally rammed with amazing characters. It's almost as if Dickens conjured up full pen-portraits of 30 different characters and then contrived to fit them somehow into the story. Remarkably rich.
There's a very striking nature to the casting of this movie. It had me going "Wha?? Who??" while watching it. Because the roles are cast multi-culturally, without nature to the demographics of the time and - crucially - to the relationship between the characters. For example, with Copperfield, you might - with a bit of a squint - play along with it since we never see the father. But then the mother of the (very-much-white) Steerforth (Aneurin Barnard) turns up as Nigerian-born actress Nikki Amuka-Bird (who is fabulous). Benedict Wong also turns up as legal director Mr Wickfield. It was as if the casting was done purely on talent and regardless of race and appropriateness for the Dickensian times. Which is refreshingly different and much to be welcomed.
Sarah Crowe has won a number of awards for her casting of the film and a BAFTA nomination too. And well deserved, since she pulls in a truly stellar ensemble cast. As well as those mentioned above, we also have Hugh Laurie as the addled Mr Dick; Tilda Swinton as Betsey Trotwood; Anna Maxwell Martin as Mrs Strong; Paul Whitehouse as Daniel Peggotty; and Gwendoline Christie as the evil Mrs Murdstone. Even Daisy May Cooper (from TV's "This Country") turns up and is particularly effective as Peggoty - the housemaid and friend to Copperfield. And casting Morfydd Clark in a second role as the scatty love interest Dora Spenlow is also both brilliant and provocative.
With such a wealth of talent on show, it's difficult to pull out specific performances. This is a movie that genuinely deserved to make the SAG Ensemble award list.
When I saw that the director of this was Armando Iannucci, I raised an eyebrow. For the subject matter seemed to be at right angles to the normal satirical thrust of the director. But the guy behind "The Thick of It" and "The Death of Stalin" reigned in his most satirical barbs and - together with his regular collaborative screenwriter Simon Blackwell - turned the movie into a delightfully quirky telling of the story. I felt that there was something of the Guy Ritchie "Sherlock Holmes" behind the very effective use of the cutting and on screen handwriting.
In that cutting, many of the scene transitions are masterfully done. So a special shout-out to the film editors Mick Audsley and Peter Lambert here. A memorable example is a flashback in the "boat house" where a background tarpaulin blows away to reveal Steerforth on horseback in France: simply breathtaking.
This was a refreshing movie. Endlessly innovative and entertaining. It makes me even possibly want to revisit trying to read the book again! Highly recommended.
(For the full graphical review, please check out the review here - https://rb.gy/ba74zo ).
Darren (1599 KP) rated The Expendables (2010) in Movies
Jul 25, 2019
Story: The Expendables starts as we get to see Barney Ross (Stallone) and his team Lee (Statham), Yin (Li), Gunner (Lundgren), Toll (Couture) and Hale (Crews) eliminate a threat, to show just how capable they are at dealing with international threats.
Once home Barney is given a new assignment, to take out General Garza (Zayas) and James Munroe (Roberts) who are controlling an asset the government require, this soon turns into the five-man army taking on a full army.
Thoughts on The Expendables
Characters – Barney Ross is the leader of the mercenaries, he does play by a rule book, which sees him needing make a difficult decision with one of his team. He takes the latest job once he realizes that sometimes the impossible can make a big difference being a better all-around combat asset. Lee Christmas is Barney’s second in command, the one that Barney will turn to most, during this story he finds himself having lady problems and shows a man what will happen if you beat one up, he is also the knife expert on the team. Yin is the smallest member of the team, he is the martial artist of the team and is always worried about enough money for his family. Gunner is the member of the team which gets kicked out because he wants too much brutality in the missions, he has a drug problem which needs to be cleaned up before he could ever be considered back on the team. Eric Roberts is the businessman that has taken over the island, he is paying for everything even if it makes enemies out of the locals, he will strike fear into them with fear. Paine is the strongest member of Munroe’s team, he has been waiting for a challenge which Barney and his team will offer him.
Performances – This movie does have an all-star cast of action heroes, Sylvester Stallone does take centre stage here and does what he knows how to be, a lead action star, Jason Statham does this too, with a little more subtle side to his outside the business performance. These two both get the best action moments in the film. Jet Li does well with the action, but gets wasted outside of these moments, while Dolph Lundgren does what he can with a character that does have plenty more to offer to this film. Eric Roberts fits the generic villainous role, he doesn’t get enough time to make his character as memorable as he could have been.
Story – The story follows a group of mercenaries that are hired to solve the militant control of a small island in the Gulf of Mexico. When it comes to the story, we don’t need too much, this film is more designed to show of the action stars of the movie industry. By keeping everything on the simple side we get an enjoyable story to see unfold, though it would have been nice to get some sort of character development about the crew. This story is easy to watch without ever needing to test us.
Action/Adventure – The action in the film is wildly over the top with a mix of guns, knives and hand to hand combat, all you would want from the cast we have here. The adventure side of the film does take our crew to a new island that they haven’t heard of before to make the events of the film happen.
Settings – The film mixes the home that the men have back in America with the island that needs freeing, showing how they can and will adapt to any landscape they are placed in.
Scene of the Movie – Fly by.
That Moment That Annoyed Me – We don’t get enough Jet Li.
Final Thoughts – This is one movie that is purely for the action fans, it goes well over the top and deliveries you favourite action stars doing what they do best, shooting gun and fighting.
Overall: Fun Filled Action Film.
Once home Barney is given a new assignment, to take out General Garza (Zayas) and James Munroe (Roberts) who are controlling an asset the government require, this soon turns into the five-man army taking on a full army.
Thoughts on The Expendables
Characters – Barney Ross is the leader of the mercenaries, he does play by a rule book, which sees him needing make a difficult decision with one of his team. He takes the latest job once he realizes that sometimes the impossible can make a big difference being a better all-around combat asset. Lee Christmas is Barney’s second in command, the one that Barney will turn to most, during this story he finds himself having lady problems and shows a man what will happen if you beat one up, he is also the knife expert on the team. Yin is the smallest member of the team, he is the martial artist of the team and is always worried about enough money for his family. Gunner is the member of the team which gets kicked out because he wants too much brutality in the missions, he has a drug problem which needs to be cleaned up before he could ever be considered back on the team. Eric Roberts is the businessman that has taken over the island, he is paying for everything even if it makes enemies out of the locals, he will strike fear into them with fear. Paine is the strongest member of Munroe’s team, he has been waiting for a challenge which Barney and his team will offer him.
Performances – This movie does have an all-star cast of action heroes, Sylvester Stallone does take centre stage here and does what he knows how to be, a lead action star, Jason Statham does this too, with a little more subtle side to his outside the business performance. These two both get the best action moments in the film. Jet Li does well with the action, but gets wasted outside of these moments, while Dolph Lundgren does what he can with a character that does have plenty more to offer to this film. Eric Roberts fits the generic villainous role, he doesn’t get enough time to make his character as memorable as he could have been.
Story – The story follows a group of mercenaries that are hired to solve the militant control of a small island in the Gulf of Mexico. When it comes to the story, we don’t need too much, this film is more designed to show of the action stars of the movie industry. By keeping everything on the simple side we get an enjoyable story to see unfold, though it would have been nice to get some sort of character development about the crew. This story is easy to watch without ever needing to test us.
Action/Adventure – The action in the film is wildly over the top with a mix of guns, knives and hand to hand combat, all you would want from the cast we have here. The adventure side of the film does take our crew to a new island that they haven’t heard of before to make the events of the film happen.
Settings – The film mixes the home that the men have back in America with the island that needs freeing, showing how they can and will adapt to any landscape they are placed in.
Scene of the Movie – Fly by.
That Moment That Annoyed Me – We don’t get enough Jet Li.
Final Thoughts – This is one movie that is purely for the action fans, it goes well over the top and deliveries you favourite action stars doing what they do best, shooting gun and fighting.
Overall: Fun Filled Action Film.
Lottie disney bookworm (1056 KP) rated Frozen 2: Dangerous Secrets: The Story of Iduna and Agnarr in Books
Dec 29, 2020
Dangerous Secrets is the greatly anticipated prequel to Frozen II which, for the first time in forever, shines the spotlight onto King Agnarr and Queen Iduna of Arendelle.
The 2019 film undoubtedly revealed some of these secrets, such as Iduna being Northuldra and saving Agnarr as a child as well as the two of them venturing to Ahtohallan to find the answers behind Elsa’s powers. Unfortunately, thanks to the film, we also know that they never completed their journey.
Cue Mari Mancusi who expertly bring the monarchs back to life through her writing and forms these little-known characters into best friends, young lovers and torn parents, always just trying to do the next right thing.
The back stories of Agnarr and Iduna are nothing short of brilliant: the reader meets both characters in the Enchanted Forest on the fateful day of the dam celebration and we experience the wonder of both worlds colliding, along with the following danger and confusion from a first-person perspective.
I thoroughly appreciated how Mari Mancusi didn’t have to explain what had happened between the Arendellian forces and the Northuldra: Mancusi knows that the reader already knows the true turn of events from the movie. All throughout Dangerous Secrets this “inside knowledge” is used beautifully: allowing us to experience events as our protagonists do, but without diluting the tension and excitement with explanations.
The reader grows up alongside the future King and Queen, seeing their friendship blossom and experiencing their respective heartbreaks and secrets. The Northuldra are widely believed to be enemies of Arendelle due to the King’s death and the rumours surrounding it. Iduna’s hardship of hiding her true identity is matched only by her grief of losing the only family she has ever known. Similarly, Agnarr has lost a father, his best friend General Matthias and now has to learn how to be a King. Even when they find solace in their friendship and the later romance that this grows into, Iduna is not royalty: their love is doomed from the start…isn’t it?
Regular readers of my reviews will know I loved Jen Calonita’s “Let it Go” but felt that towards the end the writing emulated the movie verbatim in places. I found Kamilla Benko’s “Forest of Shadows” interesting and unique but ultimately it tried too hard to insert different elements into the Frozen universe that we know and love.
In my opinion, Dangerous Secrets contains none of these criticisms.
Elements of the movie are included, of course they are! Agnarr and Iduna’s reading tree is taken straight out of Elsa’s/Ahtohallan’s ice memories; Oaken’s trading post and sauna is briefly mentioned as a rest stop during one of the couple’s adventures and the wonder of chocolate is something Elsa and Anna definitely inherited from their parents!
The difference with this novel is that any references to the movie are easter eggs: elements that we love to spot; they are not brash and in-your-face; they are subtle and add to the story rather than creating it entirely. For example, I loved the inclusion of Grand-Pabbie and the trolls. I also suspect we may have met Kristoff’s mother – perhaps opening the door to another book from Mari Mancusi?
Of course, Dangerous Secrets can only end with the fateful voyage made by the royal couple and, true to form, this made me cry my little heart out. I know from the author’s note that Mari Mancusi is a mother herself but I feel that I would have known this anyway through the sheer heartbreak she portrays through Iduna, and later Agnarr. From their first discovery of Elsa’s powers; to Anna’s accident; to acknowledging that they were endangering Elsa by asking her to “conceal, don’t feel” right up until the couple’s realisation that they will never see their daughters again: the writing is powerful, hard-hitting and, with Ahtohallan’s last gift, stunningly beautiful.
This is a five-star glimpse into the King and Queen of Arendelle and a must-read for any fan of Frozen.
Will Mancusi reveal the secret of the ice-gatherer woman’s identity next?
Only Ahtohallan knows.
The 2019 film undoubtedly revealed some of these secrets, such as Iduna being Northuldra and saving Agnarr as a child as well as the two of them venturing to Ahtohallan to find the answers behind Elsa’s powers. Unfortunately, thanks to the film, we also know that they never completed their journey.
Cue Mari Mancusi who expertly bring the monarchs back to life through her writing and forms these little-known characters into best friends, young lovers and torn parents, always just trying to do the next right thing.
The back stories of Agnarr and Iduna are nothing short of brilliant: the reader meets both characters in the Enchanted Forest on the fateful day of the dam celebration and we experience the wonder of both worlds colliding, along with the following danger and confusion from a first-person perspective.
I thoroughly appreciated how Mari Mancusi didn’t have to explain what had happened between the Arendellian forces and the Northuldra: Mancusi knows that the reader already knows the true turn of events from the movie. All throughout Dangerous Secrets this “inside knowledge” is used beautifully: allowing us to experience events as our protagonists do, but without diluting the tension and excitement with explanations.
The reader grows up alongside the future King and Queen, seeing their friendship blossom and experiencing their respective heartbreaks and secrets. The Northuldra are widely believed to be enemies of Arendelle due to the King’s death and the rumours surrounding it. Iduna’s hardship of hiding her true identity is matched only by her grief of losing the only family she has ever known. Similarly, Agnarr has lost a father, his best friend General Matthias and now has to learn how to be a King. Even when they find solace in their friendship and the later romance that this grows into, Iduna is not royalty: their love is doomed from the start…isn’t it?
Regular readers of my reviews will know I loved Jen Calonita’s “Let it Go” but felt that towards the end the writing emulated the movie verbatim in places. I found Kamilla Benko’s “Forest of Shadows” interesting and unique but ultimately it tried too hard to insert different elements into the Frozen universe that we know and love.
In my opinion, Dangerous Secrets contains none of these criticisms.
Elements of the movie are included, of course they are! Agnarr and Iduna’s reading tree is taken straight out of Elsa’s/Ahtohallan’s ice memories; Oaken’s trading post and sauna is briefly mentioned as a rest stop during one of the couple’s adventures and the wonder of chocolate is something Elsa and Anna definitely inherited from their parents!
The difference with this novel is that any references to the movie are easter eggs: elements that we love to spot; they are not brash and in-your-face; they are subtle and add to the story rather than creating it entirely. For example, I loved the inclusion of Grand-Pabbie and the trolls. I also suspect we may have met Kristoff’s mother – perhaps opening the door to another book from Mari Mancusi?
Of course, Dangerous Secrets can only end with the fateful voyage made by the royal couple and, true to form, this made me cry my little heart out. I know from the author’s note that Mari Mancusi is a mother herself but I feel that I would have known this anyway through the sheer heartbreak she portrays through Iduna, and later Agnarr. From their first discovery of Elsa’s powers; to Anna’s accident; to acknowledging that they were endangering Elsa by asking her to “conceal, don’t feel” right up until the couple’s realisation that they will never see their daughters again: the writing is powerful, hard-hitting and, with Ahtohallan’s last gift, stunningly beautiful.
This is a five-star glimpse into the King and Queen of Arendelle and a must-read for any fan of Frozen.
Will Mancusi reveal the secret of the ice-gatherer woman’s identity next?
Only Ahtohallan knows.
Gareth von Kallenbach (980 KP) rated This Is Where I Leave You (2014) in Movies
Aug 6, 2019
This is Where I Leave You focuses on Judd Altman (Jason Bateman) and his relationships with the many personalities in his family. We open the film with Judd walking in on his wife in bed with his boss. We flash forward about 3 months to find Judd feeling pretty miserable still, only to find out that his father passed away. And his father’s last wish is that his family sit Shiva (a Jewish tradition of mourning where the close relatives of the deceased sit for 7-days in the same house, as friends and family come by to offer their condolences. (There’s more to it than this, but it’s the general idea). Over the 7-days following the funeral, a rollercoaster of emotions, excitement and tragedy pass.
This film, in my opinion, is very smartly written. It has the qualities in a film that will attract men and women alike. They also create an atmosphere that most people can relate to. It’s simplistic formula really, there are enough siblings to exhibit the different personalities you can find in most families and no matter who you are, you will find someone to relate to in the cast. And, oh boy, what a cast. Judd’s siblings include Corey Stoll, Adam Driver and Tina Fey. Rounding out the close friends and family include Jane Fonda as mama Altman, Rose Byrne as Penny Moore, Connie Britton as girlfriend of Philip Altman (Driver), Timothy Olyphant as Horry, a man with brain damage who has a secret shared with one of the Altmans, and the list goes on and on (go look it up on IMdB already).
The premise is old, cliché jokes are used, and we all know how it ends. However, we don’t really know how it ends. The cast delivers so well that you can see past the recycled items to the true genius that this film is, and how great an adaptation it is from the book. While I haven’t read the book myself, I have been told it’s quite good. And if it’s half as good as this film, I’m definitely going to enjoy reading it.
Bottom line: if you’re looking for a great date movie this weekend, this is the one to see. You will not regret it, and will probably learn a little something about yourself too! This is another to add to my collection upon release.
This film, in my opinion, is very smartly written. It has the qualities in a film that will attract men and women alike. They also create an atmosphere that most people can relate to. It’s simplistic formula really, there are enough siblings to exhibit the different personalities you can find in most families and no matter who you are, you will find someone to relate to in the cast. And, oh boy, what a cast. Judd’s siblings include Corey Stoll, Adam Driver and Tina Fey. Rounding out the close friends and family include Jane Fonda as mama Altman, Rose Byrne as Penny Moore, Connie Britton as girlfriend of Philip Altman (Driver), Timothy Olyphant as Horry, a man with brain damage who has a secret shared with one of the Altmans, and the list goes on and on (go look it up on IMdB already).
The premise is old, cliché jokes are used, and we all know how it ends. However, we don’t really know how it ends. The cast delivers so well that you can see past the recycled items to the true genius that this film is, and how great an adaptation it is from the book. While I haven’t read the book myself, I have been told it’s quite good. And if it’s half as good as this film, I’m definitely going to enjoy reading it.
Bottom line: if you’re looking for a great date movie this weekend, this is the one to see. You will not regret it, and will probably learn a little something about yourself too! This is another to add to my collection upon release.
Gareth von Kallenbach (980 KP) rated The Dark Knight Rises (2012) in Movies
Aug 7, 2019
Christian Bale reprises his role as Bruce Wayne/Batman in the final installment of Christopher Nolan’s Batman trilogy, The Dark Knight Rises,and is forced to come face to face with new villains once again. This time it is the terrorist leader Bane (Tom Hardy) and cat burglar, Selina Kyle (Anne Hathaway).
In the previous movie Batman had to combat the famed Joker who caused havoc in the city of Gotham. Joker convinced Harvey Dent to seek revenge against Batman and those responsible for the death of his lover, Rachel Dawes. Dent decides to use his lucky coin to decide the fate of those he assumes are responsible, Commissioner Gordon (Gary Oldman) and his family being just a few of the people captured within Dent’s grip of revenge. While Batman saved the life of Gordon’s young son, many still die. Batman decided to let the public think that he was the one responsible for all the deaths to keep Dent’s name in good standing with the public. Gordan on the other hand knows the truth.
The Dark Knight Rises is set eight years after the extensive damage the Joker brought upon the city and its residents. During this time, Batman isolated himself within the walls of Wayne Manor as Gotham rebuilt itself with the help of Gordon and John Blake (Joseph Gordon Leavitt).
During a celebration of Dent’s life and his successes, Gordan is tempted to tell the people of Gotham the truth behind the murders eight years ago but finds that it may not be the right time to do so. Terrorist leader Bane arrives and takes over the celebration and wounds Gordon forcing his subordinate Blake to take over. After Wayne learns that one of his projects he had been investing in over the years was actually being used for nuclear devices, Wayne decides to shut down the project. One of Wayne’s business rivals is suspected to have employed terrorist leader Bane to takeover the company and use its nuclear devices against the city.
After finding out the truth Bruce Wayne decides to return to the streets of Gotham as Batman, though the decision is met with great resistance by his trusty butler Alfred (Michael Caine). Bane has taken the lead in bringing Wayne Enterprises down and an intense confrontation leaves Batman hurt and condemned to an inescapable prison. Bane is left free to wreak uncontested havoc on Gotham, once again bringing a violent storm of perilous destruction upon its people. While Batman is stuck in Bane’s prison, we learn the sordid history of Bane.
To say much more would give a lot of the story away. Suffice it to say, The Dark Knight Rises is this year’s best comic book movie so far. The graphics, action, soundtrack and opening sequence are amazing. The storyline leaves you wanting more. Christopher Nolan has does an excellent job in all the installments of Batman but is remarkably exceptional in the third and final installment of the series.
In the previous movie Batman had to combat the famed Joker who caused havoc in the city of Gotham. Joker convinced Harvey Dent to seek revenge against Batman and those responsible for the death of his lover, Rachel Dawes. Dent decides to use his lucky coin to decide the fate of those he assumes are responsible, Commissioner Gordon (Gary Oldman) and his family being just a few of the people captured within Dent’s grip of revenge. While Batman saved the life of Gordon’s young son, many still die. Batman decided to let the public think that he was the one responsible for all the deaths to keep Dent’s name in good standing with the public. Gordan on the other hand knows the truth.
The Dark Knight Rises is set eight years after the extensive damage the Joker brought upon the city and its residents. During this time, Batman isolated himself within the walls of Wayne Manor as Gotham rebuilt itself with the help of Gordon and John Blake (Joseph Gordon Leavitt).
During a celebration of Dent’s life and his successes, Gordan is tempted to tell the people of Gotham the truth behind the murders eight years ago but finds that it may not be the right time to do so. Terrorist leader Bane arrives and takes over the celebration and wounds Gordon forcing his subordinate Blake to take over. After Wayne learns that one of his projects he had been investing in over the years was actually being used for nuclear devices, Wayne decides to shut down the project. One of Wayne’s business rivals is suspected to have employed terrorist leader Bane to takeover the company and use its nuclear devices against the city.
After finding out the truth Bruce Wayne decides to return to the streets of Gotham as Batman, though the decision is met with great resistance by his trusty butler Alfred (Michael Caine). Bane has taken the lead in bringing Wayne Enterprises down and an intense confrontation leaves Batman hurt and condemned to an inescapable prison. Bane is left free to wreak uncontested havoc on Gotham, once again bringing a violent storm of perilous destruction upon its people. While Batman is stuck in Bane’s prison, we learn the sordid history of Bane.
To say much more would give a lot of the story away. Suffice it to say, The Dark Knight Rises is this year’s best comic book movie so far. The graphics, action, soundtrack and opening sequence are amazing. The storyline leaves you wanting more. Christopher Nolan has does an excellent job in all the installments of Batman but is remarkably exceptional in the third and final installment of the series.
Chris Sawin (602 KP) rated Book of Blood (2008) in Movies
Jun 20, 2019
"The dead have highways. Highways that lead to intersections and intersections that spill into our world. And if you find yourself at one of those intersections, you should stop and you should listen because the dead have stories to tell."
Mary Florescu, writer, teacher, and overall expert of the paranormal, is still looking for the distinct evidence of supernatural occurences. A house catches her eye that has been on the market since the daughter of the couple living there before had been murdered. It's said the original homeowner was thrown against the wall by an invisible force so hard that shards of his broken bones pierced his lungs and he choked to death on his own blood. During each incident, the message, "Don't mock us," was found written in blood on the closet doors. Mary decides to move into the house to find proof of the supernatural, bringing an audio/video technician, Reg Fuller, to help document anything they find. A new student, Simon McNeal, transfers into Mary's class. He seems to have a special gift related to the paranormal and is brought into the house to help work with Mary and Reg on the project. Strange occurences seem to begin immediately and only get more violent as they occur. But as things progress, the relationship between Mary and Simon turns physical and suspicious evidence is found in Simon's bag that point to him being a fake. Is the house actually "haunted," or is Simon playing everyone for a fool?
I'm a fairly big fan of Clive Barker's work. I've loved the books and stories (Books of Blood Vol. 1-3, Mister B. Gone, The Hellbound Heart) of his that I've read and several of his films (Hellraiser, Midnight Meat Train) are some of the best the horror genre has to offer. Midnight Meat Train was probably the best horror film to come out of last year, so my expectations were high when I heard about this film and saw the trailer. This was one of my most anticipated horror films of the year even though it seemed to get the short end of the stick with its release much like what happened with Midnight Meat Train. I can tell you that Book of Blood is a good watch, but it may not be what you're expecting.
Book of Blood has its bloody moments, but it's not an all out gorefest. It's actually more of a supernatural thriller. The director, John Harrison, described the film as being more along the lines of films like The Others and The Orphanage. It relies more on mood and atmosphere rather than blood and guts splattering all over your face, which isn't a bad thing at all if done correctly. Book of Blood almost pulls that aspect of the film flawlessly. I say, "almost," because certain lines of dialogue ("I promise we will listen and I will tell your stories to the world.") and a few of the things that happened in the final act of the film (steel briefcase...it'll make sense when you see it) seem a bit cheesy, but may sit better with me on repeat viewings.
The film actually reminded me of Hellraiser quite a bit throughout the film. Other than Doug Bradley's brief cameo (if you blink, you'll probably miss him), the opening scene of when Reg and Mary go into the room where everything happened just reminds me of Frank staying in the attic in Hellraiser. Hellraiser is one of my favorite horror films, so the brief nod to the film (whether intentional or not) was very welcome to me.
My main concern with Book of Blood was how they were going to turn a short story that was originally just an introduction to the actual Books of Blood by Clive Barker into a full length film. The concern wound up being for nothing as Book of Blood met nearly all of my expectations and was extremely faithful to the original material while bringing in elements from another one of his stories called, "On Jerusalem Street." The story fleshes out nicely and the acting is good, for the most part. I think the perfectionist in me kept me from rating this any higher, but I'd definitely recommend it as it's a worthy addition to any avid horror movie enthusiast's collection.
Mary Florescu, writer, teacher, and overall expert of the paranormal, is still looking for the distinct evidence of supernatural occurences. A house catches her eye that has been on the market since the daughter of the couple living there before had been murdered. It's said the original homeowner was thrown against the wall by an invisible force so hard that shards of his broken bones pierced his lungs and he choked to death on his own blood. During each incident, the message, "Don't mock us," was found written in blood on the closet doors. Mary decides to move into the house to find proof of the supernatural, bringing an audio/video technician, Reg Fuller, to help document anything they find. A new student, Simon McNeal, transfers into Mary's class. He seems to have a special gift related to the paranormal and is brought into the house to help work with Mary and Reg on the project. Strange occurences seem to begin immediately and only get more violent as they occur. But as things progress, the relationship between Mary and Simon turns physical and suspicious evidence is found in Simon's bag that point to him being a fake. Is the house actually "haunted," or is Simon playing everyone for a fool?
I'm a fairly big fan of Clive Barker's work. I've loved the books and stories (Books of Blood Vol. 1-3, Mister B. Gone, The Hellbound Heart) of his that I've read and several of his films (Hellraiser, Midnight Meat Train) are some of the best the horror genre has to offer. Midnight Meat Train was probably the best horror film to come out of last year, so my expectations were high when I heard about this film and saw the trailer. This was one of my most anticipated horror films of the year even though it seemed to get the short end of the stick with its release much like what happened with Midnight Meat Train. I can tell you that Book of Blood is a good watch, but it may not be what you're expecting.
Book of Blood has its bloody moments, but it's not an all out gorefest. It's actually more of a supernatural thriller. The director, John Harrison, described the film as being more along the lines of films like The Others and The Orphanage. It relies more on mood and atmosphere rather than blood and guts splattering all over your face, which isn't a bad thing at all if done correctly. Book of Blood almost pulls that aspect of the film flawlessly. I say, "almost," because certain lines of dialogue ("I promise we will listen and I will tell your stories to the world.") and a few of the things that happened in the final act of the film (steel briefcase...it'll make sense when you see it) seem a bit cheesy, but may sit better with me on repeat viewings.
The film actually reminded me of Hellraiser quite a bit throughout the film. Other than Doug Bradley's brief cameo (if you blink, you'll probably miss him), the opening scene of when Reg and Mary go into the room where everything happened just reminds me of Frank staying in the attic in Hellraiser. Hellraiser is one of my favorite horror films, so the brief nod to the film (whether intentional or not) was very welcome to me.
My main concern with Book of Blood was how they were going to turn a short story that was originally just an introduction to the actual Books of Blood by Clive Barker into a full length film. The concern wound up being for nothing as Book of Blood met nearly all of my expectations and was extremely faithful to the original material while bringing in elements from another one of his stories called, "On Jerusalem Street." The story fleshes out nicely and the acting is good, for the most part. I think the perfectionist in me kept me from rating this any higher, but I'd definitely recommend it as it's a worthy addition to any avid horror movie enthusiast's collection.
LeftSideCut (3778 KP) rated Bloodshot (2020) in Movies
Jul 27, 2020
Contains spoilers, click to show
Man, I expected this to be absolute gutter trash based on some of the reviews I've seen here and there, but honestly, found this to be a pretty passable dumb comic book origin story.
The cast are mostly good (minus a couple of generic jumped-up-alpha-male-arseholes). Vin Diesel just being Vin Diesel (which I used to hate but these days kind of love-hate), Guy Pearce playing a typically shady villain, Eiza González representing the badass female quota nicely, and Lamorne Morris playing the sometimes amusing comic relief. They all gel well for the most part.
It also doesn't take itself to seriously - I was ready to hate Bloodshot within the first ten minutes due to some really on the nose dumbfuckery to do with Toby Kebbell's character, but later on, the movie references said scene and pokes fun at it, thankfully.
There's one particular great action set piece during the first third of the film (the one that made up a fair amount of the trailer) which earns Bloodshot more points than it otherwise would have, and the semi-Groundhog Day plot keeps the movie interesting for the most part.
However, and it's a big however, although Bloodshot is fairly good for a fair portion of the runtime, it absolutely shits the bed in the final third.
Opting for a big CGI blowout (of course), the big final sequence just looks horrible.
The character models used in the fight sequences reminded me of Neo from The Matrix Reloaded, and that looked bad 17 years ago!
It's a loud, ugly mess that unfortunately de-rails any good that came before.
It also doesn't make a lick of sense, but WHO CARES, EXPLOSIONS AND CGI VIN DIESEL, WOOOOAHHH. It sucks.
I get the feeling that the ending (after the shitty fight scene) was supposed to be deep and left open to interpretation, but it just felt thrown on and confusing, and I also, I didn't really care by this point.
Ultimately, I would like to see Bloodshot get a sequel. This first outing is truly an origin film, and it would be interesting to see how further entries could flesh out the story, and borrow more from the comics.
I just hope this crappy Coronavirus pandemic is taken into account by the suits when looking at the poor box office.
The cast are mostly good (minus a couple of generic jumped-up-alpha-male-arseholes). Vin Diesel just being Vin Diesel (which I used to hate but these days kind of love-hate), Guy Pearce playing a typically shady villain, Eiza González representing the badass female quota nicely, and Lamorne Morris playing the sometimes amusing comic relief. They all gel well for the most part.
It also doesn't take itself to seriously - I was ready to hate Bloodshot within the first ten minutes due to some really on the nose dumbfuckery to do with Toby Kebbell's character, but later on, the movie references said scene and pokes fun at it, thankfully.
There's one particular great action set piece during the first third of the film (the one that made up a fair amount of the trailer) which earns Bloodshot more points than it otherwise would have, and the semi-Groundhog Day plot keeps the movie interesting for the most part.
However, and it's a big however, although Bloodshot is fairly good for a fair portion of the runtime, it absolutely shits the bed in the final third.
Opting for a big CGI blowout (of course), the big final sequence just looks horrible.
The character models used in the fight sequences reminded me of Neo from The Matrix Reloaded, and that looked bad 17 years ago!
It's a loud, ugly mess that unfortunately de-rails any good that came before.
It also doesn't make a lick of sense, but WHO CARES, EXPLOSIONS AND CGI VIN DIESEL, WOOOOAHHH. It sucks.
I get the feeling that the ending (after the shitty fight scene) was supposed to be deep and left open to interpretation, but it just felt thrown on and confusing, and I also, I didn't really care by this point.
Ultimately, I would like to see Bloodshot get a sequel. This first outing is truly an origin film, and it would be interesting to see how further entries could flesh out the story, and borrow more from the comics.
I just hope this crappy Coronavirus pandemic is taken into account by the suits when looking at the poor box office.
Darren (1599 KP) rated Until Death (2007) in Movies
Jul 25, 2019
Story: Until Death starts as we see how Anthony Stowe (Van Damme) operates under his own addictions of heroin, sex alcohol which has put his career on the edge, his marriage in the drain and his enemy Gabriel Callaghan (Rea) is getting away with the crimes he wants.
When Gabriel catches up with Anthony, he puts a bullet in his skull leaving him for dead, only to leave him in a coma in which he shouldn’t recover from. 6 months later he awakens from his coma and is left to the care of his estranged wife Valerie (Giles), as he recovers it turns out he has changed becoming a better person and even more determined to track down Gabriel.
Thoughts on Until Death
Characters – Anthony Stowes is a dirty cop, hooked on heroin with enemies in the force and on the streets, the methods have made his hard to work with and his long running pursuit of Callaghan puts him in the firing line. After he gets shot and left for dead, he must recover, a process which see him changing to become a better man. Valerie is the wife that is about to divorce Anthony after years of problems between the two, after his injury she takes him in even though she has moved on with her life. Gabriel Callaghan is the ruthless mobster trying to get ahead in the city, he disposes of anyone that gets in his way and won’t let Stowe stop his plan.
Performances – We watch Van Damme movies to watch him kick ass, not because of his acting standards, he is good through the film as does give us a chance to work on his serious reactions, he doesn’t get to show the fighting enough though. Selina Giles does struggle with her role though, you never believe her acting in this role. Stephen Rea does seem to enjoy this villainous role where he can become darker as the film unfolds.
Story – The story follows a dirty cop that goes head to head with a crime boss only for his crashing life to be turned around by a near death experience. The pacing of the story is slow for my liking, we spend too much time with the bad version of Stowe and not enough on the reborn versions road to redemption, which is by the book. Granted we don’t need the deepest story here because we know what we are getting going into the film.
Action/Crime – The action is held back for the final act of the movie, which is fine, but when you have Van Damme in the leading role, you would expect more. The crime side of the film does play into the bigger picture of what is going on which give the characters the biggest part of the development they get.
Settings – The film uses New Orleans as the setting which is always a city used for dirty cop locations, it works well without being over used for the films backdrop.
Scene of the Movie – Final act is the saving grace of the film.
That Moment That Annoyed Me – The damn camera turns.
Final Thoughts – This is a typical Van Damme action movie, it tries to give us a serious side without being able to capture this and we are saved by a final act action sequence which is entertaining to watch.
Overall: Van Damme 101
When Gabriel catches up with Anthony, he puts a bullet in his skull leaving him for dead, only to leave him in a coma in which he shouldn’t recover from. 6 months later he awakens from his coma and is left to the care of his estranged wife Valerie (Giles), as he recovers it turns out he has changed becoming a better person and even more determined to track down Gabriel.
Thoughts on Until Death
Characters – Anthony Stowes is a dirty cop, hooked on heroin with enemies in the force and on the streets, the methods have made his hard to work with and his long running pursuit of Callaghan puts him in the firing line. After he gets shot and left for dead, he must recover, a process which see him changing to become a better man. Valerie is the wife that is about to divorce Anthony after years of problems between the two, after his injury she takes him in even though she has moved on with her life. Gabriel Callaghan is the ruthless mobster trying to get ahead in the city, he disposes of anyone that gets in his way and won’t let Stowe stop his plan.
Performances – We watch Van Damme movies to watch him kick ass, not because of his acting standards, he is good through the film as does give us a chance to work on his serious reactions, he doesn’t get to show the fighting enough though. Selina Giles does struggle with her role though, you never believe her acting in this role. Stephen Rea does seem to enjoy this villainous role where he can become darker as the film unfolds.
Story – The story follows a dirty cop that goes head to head with a crime boss only for his crashing life to be turned around by a near death experience. The pacing of the story is slow for my liking, we spend too much time with the bad version of Stowe and not enough on the reborn versions road to redemption, which is by the book. Granted we don’t need the deepest story here because we know what we are getting going into the film.
Action/Crime – The action is held back for the final act of the movie, which is fine, but when you have Van Damme in the leading role, you would expect more. The crime side of the film does play into the bigger picture of what is going on which give the characters the biggest part of the development they get.
Settings – The film uses New Orleans as the setting which is always a city used for dirty cop locations, it works well without being over used for the films backdrop.
Scene of the Movie – Final act is the saving grace of the film.
That Moment That Annoyed Me – The damn camera turns.
Final Thoughts – This is a typical Van Damme action movie, it tries to give us a serious side without being able to capture this and we are saved by a final act action sequence which is entertaining to watch.
Overall: Van Damme 101