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Merissa (12861 KP) rated Out For Blood (Monsters of London #3) in Books
Mar 11, 2025
OUT FOR BLOOD concludes the Monsters of London but I'm hoping it's not the end of this world!
Vasilie and Deacon have successfully avoided each other for two books and now we find out why. Tamesis (the big bad of the trilogy) is Vasilie's sire and 'just a tad' obsessed. And it seems he was just the same one hundred years ago. He puts a major spanner in the works for Vas and Deacon, leading to them both running away from the other and trying to deal with the consequences of the choices they made. But now Tamesis is back on the scene and both Vas and Deacon realise their feelings (and the bond) aren't as dormant as they thought!
The scenes with Vas and Deacon, both together and separately, show you quite clearly just how their minds and feelings worked, one hundred years ago and in the present. There is pining, longing, tenderness, hotness, you name it. Neither their story nor the overarching one suffers from the other one getting page time. Both of them fit perfectly with the other, giving the reader a well-rounded, spectacular read.
You really need to read this as a trilogy to understand it all, but you will love it if you have! Kieran's pack is as wonderful as ever, and I finally, FINALLY, found out just why Tamesis attacked Kieran so many years ago. Talk about a self-fulfilling prophecy. The overarching story was superbly finished, and I found all the answers I needed.
HIGHLY RECOMMENDED by me and I really hope to return to this world again.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 16, 2024
Vasilie and Deacon have successfully avoided each other for two books and now we find out why. Tamesis (the big bad of the trilogy) is Vasilie's sire and 'just a tad' obsessed. And it seems he was just the same one hundred years ago. He puts a major spanner in the works for Vas and Deacon, leading to them both running away from the other and trying to deal with the consequences of the choices they made. But now Tamesis is back on the scene and both Vas and Deacon realise their feelings (and the bond) aren't as dormant as they thought!
The scenes with Vas and Deacon, both together and separately, show you quite clearly just how their minds and feelings worked, one hundred years ago and in the present. There is pining, longing, tenderness, hotness, you name it. Neither their story nor the overarching one suffers from the other one getting page time. Both of them fit perfectly with the other, giving the reader a well-rounded, spectacular read.
You really need to read this as a trilogy to understand it all, but you will love it if you have! Kieran's pack is as wonderful as ever, and I finally, FINALLY, found out just why Tamesis attacked Kieran so many years ago. Talk about a self-fulfilling prophecy. The overarching story was superbly finished, and I found all the answers I needed.
HIGHLY RECOMMENDED by me and I really hope to return to this world again.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 16, 2024
Acanthea Grimscythe (300 KP) rated Let the Right One In in Books
May 16, 2018
Several years ago, I had the pleasure (I think?) of watching the American remake of the film, Let the Right One In, which was titled Let Me In. I don’t remember any of it -only that I had found it interesting at the time. Undoubtedly, it had something to do with the fact that, during those years, I had an obsession with vampires. In fact, I gobbled up the Twilight books around then, and yes I am ashamed to admit that. Let the Right One In never crossed my mind again after that, until I received a box of books for free and found a copy of the Thomas Dunne Books translation inside it. Remembering the movie vaguely, and knowing the original version is among my boyfriend’s favorite films, I decided to give it a read and, once again, I am not in the least bit disappointed. I’m not sure if it’s a difference in what Americans find to be taboo in comparison to Swedish folk or what, but between John Ajvide Lindqvist and Stieg Larsson, I think I’m ready to delve deeper into Scandinavian novels!
Lindqvist has created for readers a completely deplorable cast of characters, ranging from Eli, the child, to her caretaker, Håkan Bengtsson. These characters aren’t hate-worthy in the same manner as Gone Girl‘s Amy Dunne, but rather in the way that they simply are. I won’t go too much into the details behind why I find the cast of this book to be unsavory, because I feel that just about anything I could say about the characters would, in one form or another, spoil the book; these characters and their flaws, which are bountiful, provide the book with so many unexpected twists and turns that just about anything that could be said might reveal something vital to the plot. Except for my favorite character, which, oddly enough, is Gösta. This may or may not have something to do with the fact that, like Gösta, I adore cats and it is extremely difficult for me to not want to take a stray in. (My boyfriend and I have too many, and I love them more than the entire world!)
The plot takes place over the course of about three weeks, beginning near the last week of October and ending on Friday, November 13. For a book of about five-hundred pages, that’s quite a few days to cover and often, that expanse of time, when it is written as detailed as Lindqvist has penned it, can seem like it simply drags on – that is not the case here. As I read, it felt more like a few days than several weeks, largely because the plot is fast paced and constantly moving. Because there isn’t a lot of exposition, there isn’t really much to slow the story down. Told from alternating perspectives, readers are given several different points of view of what’s going on, and from there it is relatively easy to come to your own conclusions regarding the story’s events as well as the behaviors of the various characters. Those I loathed, others might feel pity for, and vice versa.
Let the Right One In is a vampire novel, as I’ve alluded to earlier in this review; however, Lindqvist does not approach the idea of vampires in the same method that many books do presently. These are not romanticized vampires, but rather monsters. Horrible, bloodthirsty creatures that will rip out your throat, not sparkle – that’s what Lindqvist’s vampires are. This fact alone scores extra points with me, because I prefer vampires as the terrors they are meant to be, rather than the glorified, dark lovers that plague most contemporary literature.
My only gripe with this translation of Let the Right One In deals largely with its flow. While the story itself is excellent and the characters dynamic, the translation seemed to be a bit on the rough side. I do not speak Swedish. If I did, I wouldn’t have a use for the translated version of the story. That said, I know absolutely nothing of the language. Given that my major is in Creative Writing and that I have taken Linguistic courses, I do know that some languages have no tense – at least, not in the way that those of us that speak English view it. That said, there are many times in the translation that I was reading where the tense seemed to switch randomly, and I do not know if this was intentional or not. It was not an issue that I encountered while reading The Girl with the Dragon Tattoo though, so it’s a bit hard for me to be forgiving about it.
This book was definitely worth the read, and I’m hoping that I’ll get a chance to watch the original film adaptation in the future – my boyfriend might have it, actually. I should check!
Lindqvist has created for readers a completely deplorable cast of characters, ranging from Eli, the child, to her caretaker, Håkan Bengtsson. These characters aren’t hate-worthy in the same manner as Gone Girl‘s Amy Dunne, but rather in the way that they simply are. I won’t go too much into the details behind why I find the cast of this book to be unsavory, because I feel that just about anything I could say about the characters would, in one form or another, spoil the book; these characters and their flaws, which are bountiful, provide the book with so many unexpected twists and turns that just about anything that could be said might reveal something vital to the plot. Except for my favorite character, which, oddly enough, is Gösta. This may or may not have something to do with the fact that, like Gösta, I adore cats and it is extremely difficult for me to not want to take a stray in. (My boyfriend and I have too many, and I love them more than the entire world!)
The plot takes place over the course of about three weeks, beginning near the last week of October and ending on Friday, November 13. For a book of about five-hundred pages, that’s quite a few days to cover and often, that expanse of time, when it is written as detailed as Lindqvist has penned it, can seem like it simply drags on – that is not the case here. As I read, it felt more like a few days than several weeks, largely because the plot is fast paced and constantly moving. Because there isn’t a lot of exposition, there isn’t really much to slow the story down. Told from alternating perspectives, readers are given several different points of view of what’s going on, and from there it is relatively easy to come to your own conclusions regarding the story’s events as well as the behaviors of the various characters. Those I loathed, others might feel pity for, and vice versa.
Let the Right One In is a vampire novel, as I’ve alluded to earlier in this review; however, Lindqvist does not approach the idea of vampires in the same method that many books do presently. These are not romanticized vampires, but rather monsters. Horrible, bloodthirsty creatures that will rip out your throat, not sparkle – that’s what Lindqvist’s vampires are. This fact alone scores extra points with me, because I prefer vampires as the terrors they are meant to be, rather than the glorified, dark lovers that plague most contemporary literature.
My only gripe with this translation of Let the Right One In deals largely with its flow. While the story itself is excellent and the characters dynamic, the translation seemed to be a bit on the rough side. I do not speak Swedish. If I did, I wouldn’t have a use for the translated version of the story. That said, I know absolutely nothing of the language. Given that my major is in Creative Writing and that I have taken Linguistic courses, I do know that some languages have no tense – at least, not in the way that those of us that speak English view it. That said, there are many times in the translation that I was reading where the tense seemed to switch randomly, and I do not know if this was intentional or not. It was not an issue that I encountered while reading The Girl with the Dragon Tattoo though, so it’s a bit hard for me to be forgiving about it.
This book was definitely worth the read, and I’m hoping that I’ll get a chance to watch the original film adaptation in the future – my boyfriend might have it, actually. I should check!
Acanthea Grimscythe (300 KP) rated Let Me In in Books
May 16, 2018
Several years ago, I had the pleasure (I think?) of watching the American remake of the film, Let the Right One In, which was titled Let Me In. I don’t remember any of it -only that I had found it interesting at the time. Undoubtedly, it had something to do with the fact that, during those years, I had an obsession with vampires. In fact, I gobbled up the Twilight books around then, and yes I am ashamed to admit that. Let the Right One In never crossed my mind again after that, until I received a box of books for free and found a copy of the Thomas Dunne Books translation inside it. Remembering the movie vaguely, and knowing the original version is among my boyfriend’s favorite films, I decided to give it a read and, once again, I am not in the least bit disappointed. I’m not sure if it’s a difference in what Americans find to be taboo in comparison to Swedish folk or what, but between John Ajvide Lindqvist and Stieg Larsson, I think I’m ready to delve deeper into Scandinavian novels!
Lindqvist has created for readers a completely deplorable cast of characters, ranging from Eli, the child, to her caretaker, Håkan Bengtsson. These characters aren’t hate-worthy in the same manner as Gone Girl‘s Amy Dunne, but rather in the way that they simply are. I won’t go too much into the details behind why I find the cast of this book to be unsavory, because I feel that just about anything I could say about the characters would, in one form or another, spoil the book; these characters and their flaws, which are bountiful, provide the book with so many unexpected twists and turns that just about anything that could be said might reveal something vital to the plot. Except for my favorite character, which, oddly enough, is Gösta. This may or may not have something to do with the fact that, like Gösta, I adore cats and it is extremely difficult for me to not want to take a stray in. (My boyfriend and I have too many, and I love them more than the entire world!)
The plot takes place over the course of about three weeks, beginning near the last week of October and ending on Friday, November 13. For a book of about five-hundred pages, that’s quite a few days to cover and often, that expanse of time, when it is written as detailed as Lindqvist has penned it, can seem like it simply drags on – that is not the case here. As I read, it felt more like a few days than several weeks, largely because the plot is fast paced and constantly moving. Because there isn’t a lot of exposition, there isn’t really much to slow the story down. Told from alternating perspectives, readers are given several different points of view of what’s going on, and from there it is relatively easy to come to your own conclusions regarding the story’s events as well as the behaviors of the various characters. Those I loathed, others might feel pity for, and vice versa.
Let the Right One In is a vampire novel, as I’ve alluded to earlier in this review; however, Lindqvist does not approach the idea of vampires in the same method that many books do presently. These are not romanticized vampires, but rather monsters. Horrible, bloodthirsty creatures that will rip out your throat, not sparkle – that’s what Lindqvist’s vampires are. This fact alone scores extra points with me, because I prefer vampires as the terrors they are meant to be, rather than the glorified, dark lovers that plague most contemporary literature.
My only gripe with this translation of Let the Right One In deals largely with its flow. While the story itself is excellent and the characters dynamic, the translation seemed to be a bit on the rough side. I do not speak Swedish. If I did, I wouldn’t have a use for the translated version of the story. That said, I know absolutely nothing of the language. Given that my major is in Creative Writing and that I have taken Linguistic courses, I do know that some languages have no tense – at least, not in the way that those of us that speak English view it. That said, there are many times in the translation that I was reading where the tense seemed to switch randomly, and I do not know if this was intentional or not. It was not an issue that I encountered while reading The Girl with the Dragon Tattoo though, so it’s a bit hard for me to be forgiving about it.
This book was definitely worth the read, and I’m hoping that I’ll get a chance to watch the original film adaptation in the future – my boyfriend might have it, actually. I should check!
Lindqvist has created for readers a completely deplorable cast of characters, ranging from Eli, the child, to her caretaker, Håkan Bengtsson. These characters aren’t hate-worthy in the same manner as Gone Girl‘s Amy Dunne, but rather in the way that they simply are. I won’t go too much into the details behind why I find the cast of this book to be unsavory, because I feel that just about anything I could say about the characters would, in one form or another, spoil the book; these characters and their flaws, which are bountiful, provide the book with so many unexpected twists and turns that just about anything that could be said might reveal something vital to the plot. Except for my favorite character, which, oddly enough, is Gösta. This may or may not have something to do with the fact that, like Gösta, I adore cats and it is extremely difficult for me to not want to take a stray in. (My boyfriend and I have too many, and I love them more than the entire world!)
The plot takes place over the course of about three weeks, beginning near the last week of October and ending on Friday, November 13. For a book of about five-hundred pages, that’s quite a few days to cover and often, that expanse of time, when it is written as detailed as Lindqvist has penned it, can seem like it simply drags on – that is not the case here. As I read, it felt more like a few days than several weeks, largely because the plot is fast paced and constantly moving. Because there isn’t a lot of exposition, there isn’t really much to slow the story down. Told from alternating perspectives, readers are given several different points of view of what’s going on, and from there it is relatively easy to come to your own conclusions regarding the story’s events as well as the behaviors of the various characters. Those I loathed, others might feel pity for, and vice versa.
Let the Right One In is a vampire novel, as I’ve alluded to earlier in this review; however, Lindqvist does not approach the idea of vampires in the same method that many books do presently. These are not romanticized vampires, but rather monsters. Horrible, bloodthirsty creatures that will rip out your throat, not sparkle – that’s what Lindqvist’s vampires are. This fact alone scores extra points with me, because I prefer vampires as the terrors they are meant to be, rather than the glorified, dark lovers that plague most contemporary literature.
My only gripe with this translation of Let the Right One In deals largely with its flow. While the story itself is excellent and the characters dynamic, the translation seemed to be a bit on the rough side. I do not speak Swedish. If I did, I wouldn’t have a use for the translated version of the story. That said, I know absolutely nothing of the language. Given that my major is in Creative Writing and that I have taken Linguistic courses, I do know that some languages have no tense – at least, not in the way that those of us that speak English view it. That said, there are many times in the translation that I was reading where the tense seemed to switch randomly, and I do not know if this was intentional or not. It was not an issue that I encountered while reading The Girl with the Dragon Tattoo though, so it’s a bit hard for me to be forgiving about it.
This book was definitely worth the read, and I’m hoping that I’ll get a chance to watch the original film adaptation in the future – my boyfriend might have it, actually. I should check!
mostlyinpyjamas (13 KP) rated It Only Happens in the Movies in Books
Nov 25, 2017
Another cracker by Holly Bourne
The blurb; Audrey is over romance. Since her parents relationship imploded her mother’s been catatonic, so she takes a cinema job to get out of the house. But there she meets wannabe film-maker Harry.
Nobody expects Audrey and Harry to fall in love as hard and fast as they do. But that doesn’t mean things are easy.
Because real love isn’t like the movies…The greatest love story ever told doesn’t feature kissing in the snow, or racing to airports. It features pain and confusion and hope and wonder, and a ban on cheesy clichés. Oh, and Zombies.
~
I’m a huge fan of Holly Bourne, and with It only happens in the movies she has written another cracker!
It only happens in the movies challenges all those cliches from romantic movies, and the message they give about what love and relationships are like.
Audrey is instantly likeable, positive feminist characters are exactly what’s needed and Holly Bourne writes them so well. Audrey is getting over being dumped after having sex for the first time, trying to cope with her mum having a breakdown, and she’s been distant from her friends since her break up, her life is messy – and then she meets Harry.
Harry, with a reputation for being a player! He doesn’t always understand Audrey’s point of view, and he says the wrong things …
‘You’re not like other girls, are you?
but I like Harry. He tries!
In chapter 25, Audrey and her friend Alice talk about first time sex in a refreshingly honest way and this is, in my opinion, such an important thing to see in young adult books. Some girls, for whatever reason, don’t have someone they can talk about these things with, and I feel that it’s such a good thing that authors such as Holly Bourne are putting it out there.
I’ve read a number of feminist YA books this week, and I’m so pleased that they are being written. Conversations about consent, sexism, misogyny and rape culture are so important and these books help to get the message out there.
Excerpt from the book ; Men in films regularly kiss women who don’t want to be kissed. And those are supposed to be the good kisses. Either the woman is taken by surprise, or storming off in a mood, or having a huge go at them, or is engaged to somebody else, or claims she’s just plain Not Interested. And,how do men in movies respond to this clear instruction of “no”? They grab the woman’s face, and kiss her anyway. Roughly. Using their masculine force. And rather than being slapped or even arrested, these movie men are rewarded for their… well… sexual violence. The women “give into” the kiss after a brief moment of fighting it. You see, according to Hollywood, these women wanted to be kissed all along. It was just the male lead’s job to break through the barriers. Barriers like WILFUL CONSENT. Outside Hollywood movies, there is a term for being kissed against your will. This term isn’t “spontaneous” or “romantic” or “passionate”. No, it’s called sexual assault. It’s a crime punishable in the UK by up to ten years in prison.
~
Holly Bourne writes about feminist issues without being patronising and without telling her readers that we should hate all men.
If I’ve made it sound at all like It only happens in the movies is all feminist messages and no story then I must add that it’s entirely not that at all.
I enjoyed the story so much that I read it over a weekend, staying up far too late because I just couldn’t put it down. There’s plenty of drama, humour, and some lovely, touching moments! The ending – although it was perfect – exactly the way this story was meant to end – broke me. I cried actual tears.
Love isn’t just a feeling. Love is a choice too. And you may not be able to help your feelings, but you are responsible for the choices you make about what to do with them. (From It only happens in the movies).
Nobody expects Audrey and Harry to fall in love as hard and fast as they do. But that doesn’t mean things are easy.
Because real love isn’t like the movies…The greatest love story ever told doesn’t feature kissing in the snow, or racing to airports. It features pain and confusion and hope and wonder, and a ban on cheesy clichés. Oh, and Zombies.
~
I’m a huge fan of Holly Bourne, and with It only happens in the movies she has written another cracker!
It only happens in the movies challenges all those cliches from romantic movies, and the message they give about what love and relationships are like.
Audrey is instantly likeable, positive feminist characters are exactly what’s needed and Holly Bourne writes them so well. Audrey is getting over being dumped after having sex for the first time, trying to cope with her mum having a breakdown, and she’s been distant from her friends since her break up, her life is messy – and then she meets Harry.
Harry, with a reputation for being a player! He doesn’t always understand Audrey’s point of view, and he says the wrong things …
‘You’re not like other girls, are you?
but I like Harry. He tries!
In chapter 25, Audrey and her friend Alice talk about first time sex in a refreshingly honest way and this is, in my opinion, such an important thing to see in young adult books. Some girls, for whatever reason, don’t have someone they can talk about these things with, and I feel that it’s such a good thing that authors such as Holly Bourne are putting it out there.
I’ve read a number of feminist YA books this week, and I’m so pleased that they are being written. Conversations about consent, sexism, misogyny and rape culture are so important and these books help to get the message out there.
Excerpt from the book ; Men in films regularly kiss women who don’t want to be kissed. And those are supposed to be the good kisses. Either the woman is taken by surprise, or storming off in a mood, or having a huge go at them, or is engaged to somebody else, or claims she’s just plain Not Interested. And,how do men in movies respond to this clear instruction of “no”? They grab the woman’s face, and kiss her anyway. Roughly. Using their masculine force. And rather than being slapped or even arrested, these movie men are rewarded for their… well… sexual violence. The women “give into” the kiss after a brief moment of fighting it. You see, according to Hollywood, these women wanted to be kissed all along. It was just the male lead’s job to break through the barriers. Barriers like WILFUL CONSENT. Outside Hollywood movies, there is a term for being kissed against your will. This term isn’t “spontaneous” or “romantic” or “passionate”. No, it’s called sexual assault. It’s a crime punishable in the UK by up to ten years in prison.
~
Holly Bourne writes about feminist issues without being patronising and without telling her readers that we should hate all men.
If I’ve made it sound at all like It only happens in the movies is all feminist messages and no story then I must add that it’s entirely not that at all.
I enjoyed the story so much that I read it over a weekend, staying up far too late because I just couldn’t put it down. There’s plenty of drama, humour, and some lovely, touching moments! The ending – although it was perfect – exactly the way this story was meant to end – broke me. I cried actual tears.
Love isn’t just a feeling. Love is a choice too. And you may not be able to help your feelings, but you are responsible for the choices you make about what to do with them. (From It only happens in the movies).
Mariafrancesca (30 KP) rated The Demon’s surrendee (Demon’s Lexicon #3) in Books
Apr 7, 2019
This is a review for the whole series
I read these books because a friend of mine suggested them and she enjoyed them very much. I really like Sarah Rees Brennan style, it is funny and engaging and I really couldn't put these books down. However the end of this trilogy makes me angry, there are so many problems with it that I don't know where to start. I apologise in advance for the mistakes in this review, I am not a native speaker so please be patient.
The Disney happy ending: I don't want to comment the fact that everyone gets paired off here, but what about the magicians? In this book the magicians are evil, they kill people, they are addicted to power, the lousy solution they found through Jamie it's not solid. What happens when Jamie dies? When Nick dies? It can last for 50-60 years, what then? This magicians are not vampires that can drink animal blood, they are addicts that need to kill people in order to have power, this solution is just temporary and I cannot see another way to make it happens afterwards, unless they start to sacrifice babies that is even worse. Moreover they unleash 2 demons on Earth (the most irresponsible and incoherent thing they can do after 3 books of saying how they are pure evil) and the only explanation we get is "winning a war comes with a price"
Diversity: the way diversity is treated in this book is ridiculous. She throws in some black or gay character, family problems, a past of abuses and then she uses them to makes the white rich kids shine. I will talk about Sin in a minute, but what about Seb? He could have been such a precious character instead you see him as bully, then as the magicians' pet, then he gets to date the boy he always loved in secret, after he bullied him for years, just because he's the only gay character still available
All that is wrong with Sin:
The Character: Sin is a strong teenage girl who had a tough life but she has always worked hard to achieve her goal: become the leader of a place that she loves deeply, understands deeply and where she spent her entire life. And when a tourist threats to get the position instead, she is the first to recognise that this girl who has been at the Goblin Market 4 times is better than her in everything. Sin doesn't simply fail, she surrenders to the fact that Mae's is better than her and she just let her have the Market. Sin, that should be the main character of the third book, stays a secondary character with no development other than getting rid of a stupid superstition about limping guys and getting a boyfriend.
Point of view: although I enjoyed Sin's POV far more than Mae's, I can't see the reason of this choice. The previous POV where of main characters who were actually living the situation and acting in the situation. In here Sin, instead of becoming a main character, spends more than half of the book overhearing conversations (with her supernatural hearing) and following Mae's plans. Again, it seems they wanted to show off about the diversity inside this book and instead it results in a joke. Alan's POV, or Jamie's, would have been so much better.
All that is wrong with Mae:
I am not a fan of Mae, I couldn't stand her form the beginning. I don't want to get started on this because I could talk about it for hours but to summarise my opinion, I think that author wanted to go for a character very much like Hermione but much more popular and cool. The problem is that Hermione, even though she is smart and talented, succeeds in everything she does because she works very hard to get there she sacrifice herself for a greater cause, and she has flow and doubts as every teenager. Mae succeeds in everything without any particular reason, she is just lucky and most of the time she doesn't deserve what she gets.
Last but not lest: COULD YOU EXPLAIN HOW ON EARTH A DEMON AND A HUMAN GIRL GET TOGETHER?????
The Disney happy ending: I don't want to comment the fact that everyone gets paired off here, but what about the magicians? In this book the magicians are evil, they kill people, they are addicted to power, the lousy solution they found through Jamie it's not solid. What happens when Jamie dies? When Nick dies? It can last for 50-60 years, what then? This magicians are not vampires that can drink animal blood, they are addicts that need to kill people in order to have power, this solution is just temporary and I cannot see another way to make it happens afterwards, unless they start to sacrifice babies that is even worse. Moreover they unleash 2 demons on Earth (the most irresponsible and incoherent thing they can do after 3 books of saying how they are pure evil) and the only explanation we get is "winning a war comes with a price"
Diversity: the way diversity is treated in this book is ridiculous. She throws in some black or gay character, family problems, a past of abuses and then she uses them to makes the white rich kids shine. I will talk about Sin in a minute, but what about Seb? He could have been such a precious character instead you see him as bully, then as the magicians' pet, then he gets to date the boy he always loved in secret, after he bullied him for years, just because he's the only gay character still available
All that is wrong with Sin:
The Character: Sin is a strong teenage girl who had a tough life but she has always worked hard to achieve her goal: become the leader of a place that she loves deeply, understands deeply and where she spent her entire life. And when a tourist threats to get the position instead, she is the first to recognise that this girl who has been at the Goblin Market 4 times is better than her in everything. Sin doesn't simply fail, she surrenders to the fact that Mae's is better than her and she just let her have the Market. Sin, that should be the main character of the third book, stays a secondary character with no development other than getting rid of a stupid superstition about limping guys and getting a boyfriend.
Point of view: although I enjoyed Sin's POV far more than Mae's, I can't see the reason of this choice. The previous POV where of main characters who were actually living the situation and acting in the situation. In here Sin, instead of becoming a main character, spends more than half of the book overhearing conversations (with her supernatural hearing) and following Mae's plans. Again, it seems they wanted to show off about the diversity inside this book and instead it results in a joke. Alan's POV, or Jamie's, would have been so much better.
All that is wrong with Mae:
I am not a fan of Mae, I couldn't stand her form the beginning. I don't want to get started on this because I could talk about it for hours but to summarise my opinion, I think that author wanted to go for a character very much like Hermione but much more popular and cool. The problem is that Hermione, even though she is smart and talented, succeeds in everything she does because she works very hard to get there she sacrifice herself for a greater cause, and she has flow and doubts as every teenager. Mae succeeds in everything without any particular reason, she is just lucky and most of the time she doesn't deserve what she gets.
Last but not lest: COULD YOU EXPLAIN HOW ON EARTH A DEMON AND A HUMAN GIRL GET TOGETHER?????
For the lovers of football and history - this book will be of your interest. If you happen to have any connecting with Northern Ireland as well - this book is made for you! I don’t think I fit in the description above. I love watching football - but I am not a football maniac, that knows who plays where, the club’s managers and who is on top of the Champion’s League this year. I love me some good sports matches, and I know a lot of players by name or face, but that’s about it.
Now - Gunshots & Goalposts: The Story of Northern Irish Football - the book that covers the stories of many football players in the past century in Northern Ireland.
While it covers so many stories, I wasn’t able to connect to any of the characters, and I choose to blame this on the way the book was written.
Which - is not a bad thing at all. Why? Because, this book is not meant to make you fall in love with the characters. It is instead, meant to show you the real picture of their lives, the politics that were ongoing in that time, and give you a brief history lesson of what you happened to miss in high school. All related to football, of course.
For me, it was very useful to learn a bit about the politics and history. Before I started the book, I knew NOTHING about Northern Ireland’s history. I knew NOTHING about their football history. This was a great first book for me to dive into the waters of the history of Northern Ireland's football.
The author, Benjamin Roberts, has done a wonderful job in the description and research. It covers a lot of the history period from the First and Second World War, the protestants vs catholics, the unionists vs nationalists, the east vs the west.
This book reminds me a lot of a movie that has been made in the country where I was born - Macedonia. The movie was called ‘’The Third Half’’ and deals with Macedonian Football during World War II, and the deportation of Jews from Macedonia. It reminded me a bit of this, even though in this book we don’t connect with the characters, or dive into their stories too much.
This is a three-star book for me - for the sole reason that this is not a book that I would usually read, and I wouldn’t read books similar to this one either. I enjoyed it, at times, but wouldn’t re-read it. However, I would definitely recommend it to people that love both football and history. I just prefer books where I connect with the characters.
Now - Gunshots & Goalposts: The Story of Northern Irish Football - the book that covers the stories of many football players in the past century in Northern Ireland.
While it covers so many stories, I wasn’t able to connect to any of the characters, and I choose to blame this on the way the book was written.
Which - is not a bad thing at all. Why? Because, this book is not meant to make you fall in love with the characters. It is instead, meant to show you the real picture of their lives, the politics that were ongoing in that time, and give you a brief history lesson of what you happened to miss in high school. All related to football, of course.
For me, it was very useful to learn a bit about the politics and history. Before I started the book, I knew NOTHING about Northern Ireland’s history. I knew NOTHING about their football history. This was a great first book for me to dive into the waters of the history of Northern Ireland's football.
The author, Benjamin Roberts, has done a wonderful job in the description and research. It covers a lot of the history period from the First and Second World War, the protestants vs catholics, the unionists vs nationalists, the east vs the west.
This book reminds me a lot of a movie that has been made in the country where I was born - Macedonia. The movie was called ‘’The Third Half’’ and deals with Macedonian Football during World War II, and the deportation of Jews from Macedonia. It reminded me a bit of this, even though in this book we don’t connect with the characters, or dive into their stories too much.
This is a three-star book for me - for the sole reason that this is not a book that I would usually read, and I wouldn’t read books similar to this one either. I enjoyed it, at times, but wouldn’t re-read it. However, I would definitely recommend it to people that love both football and history. I just prefer books where I connect with the characters.
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Sassy Brit (97 KP) rated Write Yourself Happy: The Art of Positive Journalling in Books
Jun 5, 2019
With the book Write Yourself Happy: The Art of Positive Journalling, Megan C. Hayes reveals just how we can use practical and scientifically proven methods to increase our happiness through journalling. She’s an academic in Positive Psychology and Creative Writing, and that shows via her knowledge and understanding in this well-written and enlightening book.
I enjoy the process of writing and feel like I am quite a creative person. I’ve read many books like this, and ‘Artist’s Way’ by Julia Cameron and the companion workbook , are just two of them, so I was really happy to learn about this, and keen to read it myself.
The first thing I cannot help but tell you is how the cover has been printed in a way that is is raised in some places, making it very tactile. And yes, I can’t help touching it! The second thing I noticed, before I even began to read it, was how the pages inside are as colourful as the front cover, and filled with the same pastel shades within.
I found it quite amazing how we can use diary writing to discover more about ourselves, overcome difficulties and experience a positive way to reflect on our lives through both good and bad times. It makes sense, when you think about it, how talking to someone about problems can help, so why not express yourself in the form of writing? And this is just what this book encourages you to do in a way that we can reflect on our writing to positively assess our day. It’s not about bigging yourself up and writing only positive things, it’s about really letting go and understanding the psychology behind the case studies and ‘take-away’ lessons to practice for yourself.
Megan has an encouraging, reassuring and uplifting tone, and I really enjoy reading about the psychological and beneficial aspects of journalling. The author uses eight of our most commonly experienced and life-affirming emotions to journal about; joy, gratitude, serenity, interest, hope, pride awe and love. Now some of these may sound a bit new-agey and put some of you off, but it’s set out in a down-to-earth way, that I found very inspiring and not preachy at all.
To conclude, I’d like to explain that writing this way is like reading an engrossing book. When you’re totally immersed it’s like you can actually feel the emotions, experiences and senses of your character. In the same way, writing down evokes similar sensations, memories, smells and feelings. It’s no wonder this positive journalling is a scientifically proven way to support our wellbeing, through personal expression and creativity.
Write Yourself Happy is a thoroughly researched, empowering, positive read.
I enjoy the process of writing and feel like I am quite a creative person. I’ve read many books like this, and ‘Artist’s Way’ by Julia Cameron and the companion workbook , are just two of them, so I was really happy to learn about this, and keen to read it myself.
The first thing I cannot help but tell you is how the cover has been printed in a way that is is raised in some places, making it very tactile. And yes, I can’t help touching it! The second thing I noticed, before I even began to read it, was how the pages inside are as colourful as the front cover, and filled with the same pastel shades within.
I found it quite amazing how we can use diary writing to discover more about ourselves, overcome difficulties and experience a positive way to reflect on our lives through both good and bad times. It makes sense, when you think about it, how talking to someone about problems can help, so why not express yourself in the form of writing? And this is just what this book encourages you to do in a way that we can reflect on our writing to positively assess our day. It’s not about bigging yourself up and writing only positive things, it’s about really letting go and understanding the psychology behind the case studies and ‘take-away’ lessons to practice for yourself.
Megan has an encouraging, reassuring and uplifting tone, and I really enjoy reading about the psychological and beneficial aspects of journalling. The author uses eight of our most commonly experienced and life-affirming emotions to journal about; joy, gratitude, serenity, interest, hope, pride awe and love. Now some of these may sound a bit new-agey and put some of you off, but it’s set out in a down-to-earth way, that I found very inspiring and not preachy at all.
To conclude, I’d like to explain that writing this way is like reading an engrossing book. When you’re totally immersed it’s like you can actually feel the emotions, experiences and senses of your character. In the same way, writing down evokes similar sensations, memories, smells and feelings. It’s no wonder this positive journalling is a scientifically proven way to support our wellbeing, through personal expression and creativity.
Write Yourself Happy is a thoroughly researched, empowering, positive read.
Sassy Brit (97 KP) rated Every Wicked Man in Books
Jun 5, 2019
With the book Write Yourself Happy: The Art of Positive Journalling, Megan C. Hayes reveals just how we can use practical and scientifically proven methods to increase our happiness through journalling. She’s an academic in Positive Psychology and Creative Writing, and that shows via her knowledge and understanding in this well-written and enlightening book.
I enjoy the process of writing and feel like I am quite a creative person. I’ve read many books like this, and ‘Artist’s Way’ by Julia Cameron and the companion workbook , are just two of them, so I was really happy to learn about this, and keen to read it myself.
The first thing I cannot help but tell you is how the cover has been printed in a way that is is raised in some places, making it very tactile. And yes, I can’t help touching it! The second thing I noticed, before I even began to read it, was how the pages inside are as colourful as the front cover, and filled with the same pastel shades within.
I found it quite amazing how we can use diary writing to discover more about ourselves, overcome difficulties and experience a positive way to reflect on our lives through both good and bad times. It makes sense, when you think about it, how talking to someone about problems can help, so why not express yourself in the form of writing? And this is just what this book encourages you to do in a way that we can reflect on our writing to positively assess our day. It’s not about bigging yourself up and writing only positive things, it’s about really letting go and understanding the psychology behind the case studies and ‘take-away’ lessons to practice for yourself.
Megan has an encouraging, reassuring and uplifting tone, and I really enjoy reading about the psychological and beneficial aspects of journalling. The author uses eight of our most commonly experienced and life-affirming emotions to journal about; joy, gratitude, serenity, interest, hope, pride awe and love. Now some of these may sound a bit new-agey and put some of you off, but it’s set out in a down-to-earth way, that I found very inspiring and not preachy at all.
To conclude, I’d like to explain that writing this way is like reading an engrossing book. When you’re totally immersed it’s like you can actually feel the emotions, experiences and senses of your character. In the same way, writing down evokes similar sensations, memories, smells and feelings. It’s no wonder this positive journalling is a scientifically proven way to support our wellbeing, through personal expression and creativity.
Write Yourself Happy is a thoroughly researched, empowering, positive read.
I enjoy the process of writing and feel like I am quite a creative person. I’ve read many books like this, and ‘Artist’s Way’ by Julia Cameron and the companion workbook , are just two of them, so I was really happy to learn about this, and keen to read it myself.
The first thing I cannot help but tell you is how the cover has been printed in a way that is is raised in some places, making it very tactile. And yes, I can’t help touching it! The second thing I noticed, before I even began to read it, was how the pages inside are as colourful as the front cover, and filled with the same pastel shades within.
I found it quite amazing how we can use diary writing to discover more about ourselves, overcome difficulties and experience a positive way to reflect on our lives through both good and bad times. It makes sense, when you think about it, how talking to someone about problems can help, so why not express yourself in the form of writing? And this is just what this book encourages you to do in a way that we can reflect on our writing to positively assess our day. It’s not about bigging yourself up and writing only positive things, it’s about really letting go and understanding the psychology behind the case studies and ‘take-away’ lessons to practice for yourself.
Megan has an encouraging, reassuring and uplifting tone, and I really enjoy reading about the psychological and beneficial aspects of journalling. The author uses eight of our most commonly experienced and life-affirming emotions to journal about; joy, gratitude, serenity, interest, hope, pride awe and love. Now some of these may sound a bit new-agey and put some of you off, but it’s set out in a down-to-earth way, that I found very inspiring and not preachy at all.
To conclude, I’d like to explain that writing this way is like reading an engrossing book. When you’re totally immersed it’s like you can actually feel the emotions, experiences and senses of your character. In the same way, writing down evokes similar sensations, memories, smells and feelings. It’s no wonder this positive journalling is a scientifically proven way to support our wellbeing, through personal expression and creativity.
Write Yourself Happy is a thoroughly researched, empowering, positive read.