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Hazel (1853 KP) rated Station Eleven in Books
May 30, 2017
Horrifyingly Plausible
This ARC was provided by the publisher via NetGalley in exchange for an honest review
The dystopian idea of a virus wiping out most of the world’s human inhabitants is not a new concept. It has be done and retold over and over again. Emily St. John Mandel’s invention of the Georgian Flu is no different from these. Brought to Canada and the USA by a passenger on a plane from Russia, the highly contagious virus spreads quickly from person to person, town to town, and once caught you are dead within forty-eight hours.
The difference between Station Eleven and other novels of apocalyptic themes is that the story takes place primarily in two time periods – pre-Georgian Flu and twenty years post-Georgian flu – rather than during the outbreak and the immediate days after (although there are a few scenes written within that timeframe). It is difficult to explain the storyline without giving too much away. Although the death of millions of people is a vital feature, it is the lives of the characters that are important. All the significant characters are in some way linked to one man, Arthur Leander, and, particularly in the case of one individual, a graphic novel titled Station Eleven.
The book opens in Toronto with Arthur, a Hollywood actor, starring in a stage production of King Lear. Despite the quick reaction of trainee paramedic Jeevan, Arthur dies of a heart attack after suddenly collapsing during the forth act. Then suddenly, that same night, the Georgian flu makes its first appearance in Canada. Despite this occurring right at the beginning, it is not the last the reader sees of Arthur. Throughout the story the author returns to Arthur, recounting scenes of his life from acting career to his three ex-wives and only child.
Twenty years after the Georgian flu, Kirsten Raymonde, who starred as a child in the same production of King Lear, is part of the Traveling Symphony: a group of actors and musicians walking from decaying-town-to-town performing a number of Shakespeare plays as they go. With her she carries two Station Eleven comics that Arthur gave her before he died – incidentally written and drawn by his first wife. Most people that the Symphony encounter are accommodating and are trying their best to live in a world of no electricity or health care, but then they meet a man who calls himself the Prophet. Believing that he has been given a duty by God to repopulate the world he preaches to the people telling them that everything happens for a reason, likening the epidemic to Noah’s flood in the Bible. However it soon becomes clear that he is a dangerous character.
In a way it is heartening to imagine that high culture (such as Shakespeare and orchestral music) survives in a world that has been destroyed. Shakespeare was born in a time before all the modern inventions relied upon today, and now, in this novel, it is once again an electricity-less era yet these historical things live on.
One problem with Station Eleven is that it is hard to pinpoint the exact plot line. There is the life story of Arthur Leander, his wives and a close friend. Then there is Kirsten living a completely different life. Nonetheless it is still an incredibly fascinating book. Although it flits between time periods it is thankfully not as confusing as some may imagine it would be.
Even though dystopian novels of this nature have been done before, Station Eleven is definitely a book to read; and through it all it poses the question of how you, the reader, would survive in such a world.
The dystopian idea of a virus wiping out most of the world’s human inhabitants is not a new concept. It has be done and retold over and over again. Emily St. John Mandel’s invention of the Georgian Flu is no different from these. Brought to Canada and the USA by a passenger on a plane from Russia, the highly contagious virus spreads quickly from person to person, town to town, and once caught you are dead within forty-eight hours.
The difference between Station Eleven and other novels of apocalyptic themes is that the story takes place primarily in two time periods – pre-Georgian Flu and twenty years post-Georgian flu – rather than during the outbreak and the immediate days after (although there are a few scenes written within that timeframe). It is difficult to explain the storyline without giving too much away. Although the death of millions of people is a vital feature, it is the lives of the characters that are important. All the significant characters are in some way linked to one man, Arthur Leander, and, particularly in the case of one individual, a graphic novel titled Station Eleven.
The book opens in Toronto with Arthur, a Hollywood actor, starring in a stage production of King Lear. Despite the quick reaction of trainee paramedic Jeevan, Arthur dies of a heart attack after suddenly collapsing during the forth act. Then suddenly, that same night, the Georgian flu makes its first appearance in Canada. Despite this occurring right at the beginning, it is not the last the reader sees of Arthur. Throughout the story the author returns to Arthur, recounting scenes of his life from acting career to his three ex-wives and only child.
Twenty years after the Georgian flu, Kirsten Raymonde, who starred as a child in the same production of King Lear, is part of the Traveling Symphony: a group of actors and musicians walking from decaying-town-to-town performing a number of Shakespeare plays as they go. With her she carries two Station Eleven comics that Arthur gave her before he died – incidentally written and drawn by his first wife. Most people that the Symphony encounter are accommodating and are trying their best to live in a world of no electricity or health care, but then they meet a man who calls himself the Prophet. Believing that he has been given a duty by God to repopulate the world he preaches to the people telling them that everything happens for a reason, likening the epidemic to Noah’s flood in the Bible. However it soon becomes clear that he is a dangerous character.
In a way it is heartening to imagine that high culture (such as Shakespeare and orchestral music) survives in a world that has been destroyed. Shakespeare was born in a time before all the modern inventions relied upon today, and now, in this novel, it is once again an electricity-less era yet these historical things live on.
One problem with Station Eleven is that it is hard to pinpoint the exact plot line. There is the life story of Arthur Leander, his wives and a close friend. Then there is Kirsten living a completely different life. Nonetheless it is still an incredibly fascinating book. Although it flits between time periods it is thankfully not as confusing as some may imagine it would be.
Even though dystopian novels of this nature have been done before, Station Eleven is definitely a book to read; and through it all it poses the question of how you, the reader, would survive in such a world.
Hazel (1853 KP) rated Station Eleven in Books
Dec 7, 2018
<i>This ARC was provided by the publisher via NetGalley in exchange for an honest review</i>
The dystopian idea of a virus wiping out most of the world’s human inhabitants is not a new concept. It has be done and retold over and over again. Emily St. John Mandel’s invention of the Georgian Flu is no different from these. Brought to Canada and the USA by a passenger on a plane from Russia, the highly contagious virus spreads quickly from person to person, town to town, and once caught you are dead within forty-eight hours.
The difference between <i>Station Eleven</i> and other novels of apocalyptic themes is that the story takes place primarily in two time periods – pre-Georgian Flu and twenty years post-Georgian flu – rather than during the outbreak and the immediate days after (although there are a few scenes written within that timeframe). It is difficult to explain the storyline without giving too much away. Although the death of millions of people is a vital feature, it is the lives of the characters that are important. All the significant characters are in some way linked to one man, Arthur Leander, and, particularly in the case of one individual, a graphic novel titled <i>Station Eleven</i>.
The book opens in Toronto with Arthur, a Hollywood actor, starring in a stage production of <i>King Lear</i>. Despite the quick reaction of trainee paramedic Jeevan, Arthur dies of a heart attack after suddenly collapsing during the forth act. Then suddenly, that same night, the Georgian flu makes its first appearance in Canada. Despite this occurring right at the beginning, it is not the last the reader sees of Arthur. Throughout the story the author returns to Arthur, recounting scenes of his life from acting career to his three ex-wives and only child.
Twenty years after the Georgian flu, Kirsten Raymonde, who starred as a child in the same production of <i>King Lear</i>, is part of the Traveling Symphony: a group of actors and musicians walking from decaying-town-to-town performing a number of Shakespeare plays as they go. With her she carries two <i>Station Eleven</i> comics that Arthur gave her before he died – incidentally written and drawn by his first wife. Most people that the Symphony encounter are accommodating and are trying their best to live in a world of no electricity or health care, but then they meet a man who calls himself the Prophet. Believing that he has been given a duty by God to repopulate the world he preaches to the people telling them that everything happens for a reason, likening the epidemic to Noah’s flood in the Bible. However it soon becomes clear that he is a dangerous character.
In a way it is heartening to imagine that high culture (such as Shakespeare and orchestral music) survives in a world that has been destroyed. Shakespeare was born in a time before all the modern inventions relied upon today, and now, in this novel, it is once again an electricity-less era yet these historical things live on.
One problem with <i>Station Eleven</i> is that it is hard to pinpoint the exact plot line. There is the life story of Arthur Leander, his wives and a close friend. Then there is Kirsten living a completely different life. Nonetheless it is still an incredibly fascinating book. Although it flits between time periods it is thankfully not as confusing as some may imagine it would be.
Even though dystopian novels of this nature have been done before, <i>Station Eleven</i> is definitely a book to read; and through it all it poses the question of how you, the reader, would survive in such a world.
The dystopian idea of a virus wiping out most of the world’s human inhabitants is not a new concept. It has be done and retold over and over again. Emily St. John Mandel’s invention of the Georgian Flu is no different from these. Brought to Canada and the USA by a passenger on a plane from Russia, the highly contagious virus spreads quickly from person to person, town to town, and once caught you are dead within forty-eight hours.
The difference between <i>Station Eleven</i> and other novels of apocalyptic themes is that the story takes place primarily in two time periods – pre-Georgian Flu and twenty years post-Georgian flu – rather than during the outbreak and the immediate days after (although there are a few scenes written within that timeframe). It is difficult to explain the storyline without giving too much away. Although the death of millions of people is a vital feature, it is the lives of the characters that are important. All the significant characters are in some way linked to one man, Arthur Leander, and, particularly in the case of one individual, a graphic novel titled <i>Station Eleven</i>.
The book opens in Toronto with Arthur, a Hollywood actor, starring in a stage production of <i>King Lear</i>. Despite the quick reaction of trainee paramedic Jeevan, Arthur dies of a heart attack after suddenly collapsing during the forth act. Then suddenly, that same night, the Georgian flu makes its first appearance in Canada. Despite this occurring right at the beginning, it is not the last the reader sees of Arthur. Throughout the story the author returns to Arthur, recounting scenes of his life from acting career to his three ex-wives and only child.
Twenty years after the Georgian flu, Kirsten Raymonde, who starred as a child in the same production of <i>King Lear</i>, is part of the Traveling Symphony: a group of actors and musicians walking from decaying-town-to-town performing a number of Shakespeare plays as they go. With her she carries two <i>Station Eleven</i> comics that Arthur gave her before he died – incidentally written and drawn by his first wife. Most people that the Symphony encounter are accommodating and are trying their best to live in a world of no electricity or health care, but then they meet a man who calls himself the Prophet. Believing that he has been given a duty by God to repopulate the world he preaches to the people telling them that everything happens for a reason, likening the epidemic to Noah’s flood in the Bible. However it soon becomes clear that he is a dangerous character.
In a way it is heartening to imagine that high culture (such as Shakespeare and orchestral music) survives in a world that has been destroyed. Shakespeare was born in a time before all the modern inventions relied upon today, and now, in this novel, it is once again an electricity-less era yet these historical things live on.
One problem with <i>Station Eleven</i> is that it is hard to pinpoint the exact plot line. There is the life story of Arthur Leander, his wives and a close friend. Then there is Kirsten living a completely different life. Nonetheless it is still an incredibly fascinating book. Although it flits between time periods it is thankfully not as confusing as some may imagine it would be.
Even though dystopian novels of this nature have been done before, <i>Station Eleven</i> is definitely a book to read; and through it all it poses the question of how you, the reader, would survive in such a world.
Kristy H (1252 KP) rated The Familiar Dark in Books
Apr 9, 2020
This book was powerful and utterly absorbing. I couldn't wait to get my hands on it after reading Amy Engel's previous novel, The Roanoke Girls, which is one of my favorite of books. It's one that I recommend to everyone. The Familiar Dark has much of the grittiness of The Roanoke Girls and, man, Engel is an amazing writer who excels at creating these worlds that just suck you in and, in some ways, spit you right back out.
"It had happened now, finally. The disaster I'd been anticipating from the second Junie was born. And I had never even seen it coming."
The title of the book simply doesn't cover it. This is a dark story. Engel captures the small town of Barren Springs perfectly. Our story is told completely from Eve's perspective, which I loved, and things unwind and unfurl as she figures things out. As mentioned, this is a dark tale, as Junie and Izzy's deaths are terrible. Eve's grief just pours off the pages. She is quickly pulled back to the horrors of her childhood and all that she endured. We see immediately that she's going to seek vengenance for what happened to Junie--no matter what. In any fashion, in any way.
I felt as if I almost became one with Eve as I read this book. She is riveting. As a mom, this book broke my heart, and the novel was a testament to a mother's love. It's oddly tender despite its horrifying and sad moments, and I defy you not to love Eve, despite her flaws. The book shows how her childhood formed her, and her brother Cal, whom is really the only person Eve has left after Junie's death.
I could rave on and on, but I don't want to risk spoiling anything. This book isn't for the faint of heart and it's not exactly an uplifting read, but as mentioned, it still resonates as a read about the power of family and love, despite its tense, uncomfortable moments. I am wowed by Engel's writing and can't wait to see what she comes up with next.
"It had happened now, finally. The disaster I'd been anticipating from the second Junie was born. And I had never even seen it coming."
The title of the book simply doesn't cover it. This is a dark story. Engel captures the small town of Barren Springs perfectly. Our story is told completely from Eve's perspective, which I loved, and things unwind and unfurl as she figures things out. As mentioned, this is a dark tale, as Junie and Izzy's deaths are terrible. Eve's grief just pours off the pages. She is quickly pulled back to the horrors of her childhood and all that she endured. We see immediately that she's going to seek vengenance for what happened to Junie--no matter what. In any fashion, in any way.
I felt as if I almost became one with Eve as I read this book. She is riveting. As a mom, this book broke my heart, and the novel was a testament to a mother's love. It's oddly tender despite its horrifying and sad moments, and I defy you not to love Eve, despite her flaws. The book shows how her childhood formed her, and her brother Cal, whom is really the only person Eve has left after Junie's death.
I could rave on and on, but I don't want to risk spoiling anything. This book isn't for the faint of heart and it's not exactly an uplifting read, but as mentioned, it still resonates as a read about the power of family and love, despite its tense, uncomfortable moments. I am wowed by Engel's writing and can't wait to see what she comes up with next.
Sarah (126 KP) rated Justice League (2017) in Movies
Aug 25, 2018
Very Weak
Upfront, let me say that I'm neither a Marvel nor a DC girl - to be honest, I would struggle (in the past) to differentiate one universe from the other, so there's no bias - in that sense - to my review.
For family film night we decided to watch Justice League - we'd all really enjoyed Wonder Woman (me, in particular) so figured a superhero film with the lovely Gal Gadot back again would be a good choice.
Oh how wrong we were.
The whole thing, from start to finish, is just exceptionally weak. Almost the complete opposite of Wonder Woman, neither the story or action were sufficient to capture any of our attention. The plot, with the boxes was rather vague and not compelling, too much time was spent on "getting the gang together", with very little happening, and not enough on the actual story itself.
One observation was "what's the point of Aquaman?" - other than having another location for a box, this was quite a good point. It felt like we spent a fair amount of time on setting the scene with him, but for very little in terms of what he could do or offer the Justice League.
To be completely honest, the whole ensemble seemed to be lacking - we didn't see the gadgets of Batman, the awesome power of Wonder Woman, anything very much at all of The Flash or Victor Stone - speaking of whom, for people like me who don't know the comic books, a bit of an idea of who these characters are wouldn't go amiss! My husband even asked "so, is he a knock off Iron Man?"
Then we come to Henry Cavill's face. Reading another review, I now understand he had a moustache which was digitally edited out - when watching I actually asked did he die part way through filming so they had to CGI him in? (Jokingly, I knew he didn't but the CGI was THAT bad!)
There is so much CGI in the film, it begs the question why not just make an animated film? It's so badly worked in at times, and so poorly done (see Henry Cavill's face).
I was so disappointed in this, not even topless Jason Momoa or stunning Gal Gadot could save it for me. But at least we had a laugh working lines from 'Born to be Wild' into our commentary of the film...
For family film night we decided to watch Justice League - we'd all really enjoyed Wonder Woman (me, in particular) so figured a superhero film with the lovely Gal Gadot back again would be a good choice.
Oh how wrong we were.
The whole thing, from start to finish, is just exceptionally weak. Almost the complete opposite of Wonder Woman, neither the story or action were sufficient to capture any of our attention. The plot, with the boxes was rather vague and not compelling, too much time was spent on "getting the gang together", with very little happening, and not enough on the actual story itself.
One observation was "what's the point of Aquaman?" - other than having another location for a box, this was quite a good point. It felt like we spent a fair amount of time on setting the scene with him, but for very little in terms of what he could do or offer the Justice League.
To be completely honest, the whole ensemble seemed to be lacking - we didn't see the gadgets of Batman, the awesome power of Wonder Woman, anything very much at all of The Flash or Victor Stone - speaking of whom, for people like me who don't know the comic books, a bit of an idea of who these characters are wouldn't go amiss! My husband even asked "so, is he a knock off Iron Man?"
Then we come to Henry Cavill's face. Reading another review, I now understand he had a moustache which was digitally edited out - when watching I actually asked did he die part way through filming so they had to CGI him in? (Jokingly, I knew he didn't but the CGI was THAT bad!)
There is so much CGI in the film, it begs the question why not just make an animated film? It's so badly worked in at times, and so poorly done (see Henry Cavill's face).
I was so disappointed in this, not even topless Jason Momoa or stunning Gal Gadot could save it for me. But at least we had a laugh working lines from 'Born to be Wild' into our commentary of the film...
Debbiereadsbook (1186 KP) rated Two For The Road in Books
Jan 28, 2019
I loved this bookj!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Dylan saw Riley when he was just 15, Riley was suited and booted and Dylan fell in love. At 22, Dylan manages to wrangle to lift to work with Riley, in an effort to get his man. Because Riley is HIS: Riley just needs to see it too. But Riley is 20 years older than Dylan, and Dylan's dad's best fried, even if a bit estranged. Coming back to the village he was born to spend time with his dying father was a shock to Riley's system, but a much needed one. Leaving his partner of 20 years not so much of a shock as a revelation of just what had been going on behind his back for the bigger part of that relationship. Dylan is a breath of fresh air to Riley, who is lonely after his dad passed away. Chatting on the 45 minute drive to work every day brings the two men closer, and when Dylan finally declares his intention to make Riley his, all Riley thinks about is what would Dylan's dad think. Can Riley get past the age gap?
I started reading this and I was liking it. It was shaping up nicely for a 4 star rating. Not loving, just really enjoying it. And then SOMETHING! I've no idea what happened, or who said what, but something happened and I began to LOVE this book! I loved it from that point!
Dylan is young, yes, but he is old enough to know what he wants, more importantly, WHO he wants, and Dylan WANTS Riley. Riley is his and no one else's and Dylan will fight for Riley, even if Riley is scared and worried and all those negative feelings. When Dylan finds out why Riley is scared (not cos of the age gap, that's mentioned a lot!) Dylan steps up his advances a notch and poor Riley doesn't stand a chance. But Dylan's dad catches them, and Riley pushes Dylan away, running at the first hurdle. Dylan though, he doesn't. He'll wait til Riley comes round, cos he WILL come round, just as Dylan's dad will. And they do, wonderfully.
This is one of those books that you just fall into and inhale, you know?? Not too complicated, but you have to pick up the clues about Riley's past relationship. It's not overly explicit, but it is incredibly sexy, especially when Riley's experience is bought to light, even with being in a 20 year relationship (I did NOT like that man!) There is angst and turmoil, but it's not too heavy. Just enough for you to shed a tear when Riley breaks down and cries for what could have been with Dylan.
This really is a warm and fuzzies slash too stinking cute book! It also seems to be the first I've read of Milne, so my wish list is now a little longer.
So!
5 full and shiny and COLOURFUL stars (because after 20 years of white, Riley needs colour)
**same worded review will appear elsewhere**
Dylan saw Riley when he was just 15, Riley was suited and booted and Dylan fell in love. At 22, Dylan manages to wrangle to lift to work with Riley, in an effort to get his man. Because Riley is HIS: Riley just needs to see it too. But Riley is 20 years older than Dylan, and Dylan's dad's best fried, even if a bit estranged. Coming back to the village he was born to spend time with his dying father was a shock to Riley's system, but a much needed one. Leaving his partner of 20 years not so much of a shock as a revelation of just what had been going on behind his back for the bigger part of that relationship. Dylan is a breath of fresh air to Riley, who is lonely after his dad passed away. Chatting on the 45 minute drive to work every day brings the two men closer, and when Dylan finally declares his intention to make Riley his, all Riley thinks about is what would Dylan's dad think. Can Riley get past the age gap?
I started reading this and I was liking it. It was shaping up nicely for a 4 star rating. Not loving, just really enjoying it. And then SOMETHING! I've no idea what happened, or who said what, but something happened and I began to LOVE this book! I loved it from that point!
Dylan is young, yes, but he is old enough to know what he wants, more importantly, WHO he wants, and Dylan WANTS Riley. Riley is his and no one else's and Dylan will fight for Riley, even if Riley is scared and worried and all those negative feelings. When Dylan finds out why Riley is scared (not cos of the age gap, that's mentioned a lot!) Dylan steps up his advances a notch and poor Riley doesn't stand a chance. But Dylan's dad catches them, and Riley pushes Dylan away, running at the first hurdle. Dylan though, he doesn't. He'll wait til Riley comes round, cos he WILL come round, just as Dylan's dad will. And they do, wonderfully.
This is one of those books that you just fall into and inhale, you know?? Not too complicated, but you have to pick up the clues about Riley's past relationship. It's not overly explicit, but it is incredibly sexy, especially when Riley's experience is bought to light, even with being in a 20 year relationship (I did NOT like that man!) There is angst and turmoil, but it's not too heavy. Just enough for you to shed a tear when Riley breaks down and cries for what could have been with Dylan.
This really is a warm and fuzzies slash too stinking cute book! It also seems to be the first I've read of Milne, so my wish list is now a little longer.
So!
5 full and shiny and COLOURFUL stars (because after 20 years of white, Riley needs colour)
**same worded review will appear elsewhere**
Hazel (1853 KP) rated How to Stop Time in Books
Jun 30, 2017
Favourite book of 2017 so far
This eBook was provided by the publisher via NetGalley in exchange for an honest review
All the world’s a stage/And all the men and women merely players/They have their exits and their entrances/And one man in his time plays many parts …
How to Stop Time is British author Matt Haig’s latest novel, and a very interesting one it is, too. In the present day, Tom Hazard is a 40-something-looking man who has landed himself with the position of history teacher at a comprehensive school in Tower Hamlets. Despite not having any formal training, Tom is the perfect candidate for the position because, despite his looks, he is 439 years old. But, that is a secret that no one must ever discover.
The book jumps back and forth between the current time period and flashbacks to various events during Tom’s extensive past. Born in 1581, Tom has experienced a great part of British history and major events around the world. Constantly changing his name and identification, he moved around the world, switching locations whenever people began to get suspicious of his never-aging body.
After a couple of centuries, Tom met a man with the same condition as himself, who revealed that there were many people in the same predicament. Promising to be able to help keep him safe, the stranger coerces Tom into a union called the Albatross Society. There are many rules and conditions to follow, however, the most important advice is to never fall in love. Unfortunately, Tom has already done this.
In London 1623, Tom met the love of his life, Rose, who he eventually married and with whom he had a daughter. Although Tom does age, it is at the rate of one year every 15; therefore he eventually had to leave his family in order to keep them safe. However, his daughter Marion has inherited his condition and Tom spends his subsequent years trying to find her. With promises to help him on his quest, Tom reluctantly joins the Albatross Society, despite their questionable ways.
All Tom wants is to be able to lead a normal life, yet the narrative reveals how impossible this has been, both in the past and now in the present. From Elizabethan England to Elizabeth II’s reign, Tom lives through several monarchs, wars, colloquial changes, industrialisation, sanitisation of comestibles, and the introduction of digital technology. Without the added pressure of keeping his true identity disguised, it is very interesting to experience historical events through the eyes of the protagonist.
The ending, unfortunately, does not quite satisfy the growing excitement and interest of the rest of the novel. Important things happen too quickly, making it confusing to understand the main storyline. The majority of the story appears to only be setting the scene for the final couple of chapters, but as this is so fascinating, there cannot be too much complaint.
Presuming that Haig has done his research and that the historical periods are factually correct, How to Stop Time is as educational as it is entertaining. History lovers will enjoy reading about famous people such as Shakespeare and Charlie Chaplin, as well as getting an insight into the daily lives of past societies. Most importantly, Tom is a captivating character, who, despite having lived for four centuries, is still as socially awkward as the best of us.
How to Stop Time contains a fantastic concept about the progression of time and aging, but its most poignant point is the emphasis on finding and being you. Change is an inevitable certainty, as witnessed by Tom whose current world looks nothing like his memories. Although people must adapt to the on-going changes, living how you want is more important than adjusting to fit in with everyone else. In essence, do not be afraid to let the world see your true self.
All the world’s a stage/And all the men and women merely players/They have their exits and their entrances/And one man in his time plays many parts …
How to Stop Time is British author Matt Haig’s latest novel, and a very interesting one it is, too. In the present day, Tom Hazard is a 40-something-looking man who has landed himself with the position of history teacher at a comprehensive school in Tower Hamlets. Despite not having any formal training, Tom is the perfect candidate for the position because, despite his looks, he is 439 years old. But, that is a secret that no one must ever discover.
The book jumps back and forth between the current time period and flashbacks to various events during Tom’s extensive past. Born in 1581, Tom has experienced a great part of British history and major events around the world. Constantly changing his name and identification, he moved around the world, switching locations whenever people began to get suspicious of his never-aging body.
After a couple of centuries, Tom met a man with the same condition as himself, who revealed that there were many people in the same predicament. Promising to be able to help keep him safe, the stranger coerces Tom into a union called the Albatross Society. There are many rules and conditions to follow, however, the most important advice is to never fall in love. Unfortunately, Tom has already done this.
In London 1623, Tom met the love of his life, Rose, who he eventually married and with whom he had a daughter. Although Tom does age, it is at the rate of one year every 15; therefore he eventually had to leave his family in order to keep them safe. However, his daughter Marion has inherited his condition and Tom spends his subsequent years trying to find her. With promises to help him on his quest, Tom reluctantly joins the Albatross Society, despite their questionable ways.
All Tom wants is to be able to lead a normal life, yet the narrative reveals how impossible this has been, both in the past and now in the present. From Elizabethan England to Elizabeth II’s reign, Tom lives through several monarchs, wars, colloquial changes, industrialisation, sanitisation of comestibles, and the introduction of digital technology. Without the added pressure of keeping his true identity disguised, it is very interesting to experience historical events through the eyes of the protagonist.
The ending, unfortunately, does not quite satisfy the growing excitement and interest of the rest of the novel. Important things happen too quickly, making it confusing to understand the main storyline. The majority of the story appears to only be setting the scene for the final couple of chapters, but as this is so fascinating, there cannot be too much complaint.
Presuming that Haig has done his research and that the historical periods are factually correct, How to Stop Time is as educational as it is entertaining. History lovers will enjoy reading about famous people such as Shakespeare and Charlie Chaplin, as well as getting an insight into the daily lives of past societies. Most importantly, Tom is a captivating character, who, despite having lived for four centuries, is still as socially awkward as the best of us.
How to Stop Time contains a fantastic concept about the progression of time and aging, but its most poignant point is the emphasis on finding and being you. Change is an inevitable certainty, as witnessed by Tom whose current world looks nothing like his memories. Although people must adapt to the on-going changes, living how you want is more important than adjusting to fit in with everyone else. In essence, do not be afraid to let the world see your true self.
Worth The |Risk (Infinity #1)
5.3
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Some risks are scarier than others because they’re the most important ones we’ll ever...
male/male four stars romance fan yourself its a hot one
Bob Mann (459 KP) rated Jack Reacher: Never Go Back (2016) in Movies
Sep 29, 2021
I’m a big fan of Tom Cruise. He is a real old-fashioned film star, generous with his fans on the red carpet and with real star power at the box office. And I can happily sit down in front of just about any one of his DVD’s time and time again and still enjoy it. Unlike many critics, I even enjoyed his last outing as Jack Reacher.
Unfortunately, and it pains me to say this but, his latest outing – “Jack Reacher: Never Go Back” – is a bit dull.
Lee Child’s Reacher has many years before turned his back on his military past and wanders the country as a drifter righting wrongs outside of the law. In this film, his military past again makes a major (“No, ex-Major”) intrusion into his life. Potential love interest Major Susan Turner (Colbie Smulders, from the “Avengers” world) is arrested on trumped-up espionage charges and Cruise sets out to clear her name. Along the way he accidentally (and rather too conveniently for the plot) discovers that a paternity suit has been filed against him and Reacher confronts the rebellious and light-fingered teenager Samantha (Danika Yarosh, aged 18 playing 15).
Unfortunately the big-cheeses involved in the international arms skulduggery are determined to tie up each and every loose end in their intrigue, and that includes Reacher, Turner and young Samantha by association. Needless to say, the villains – led by a one-man killing machine (Patrick Heusinger) – haven’t counted on Reacher’s ‘particular set of skills’.
My problem with the film (after an entertaining opening) is that the screenplay lumbers from standard thriller set-piece to standard thriller set-piece in a highly predictable way. It’s as if the scripts from 20 different films have been stuck in a blender. Shadowy arms dealing shenanigans: check; Cute teenager in peril: check; Gun fight on a dockside: check; Rooftop chase: check.
Are all the individual set-pieces decently done? Yes, sure. But the combination of these bits of action tapas really don’t add up to a satisfying meal. The story arc is almost non-existent as there is no suspense in the ‘investigation’: the plot is all pretty well laid out for you.
Where there is some fun to be had is in the play-off between the born-leader Reacher and the born-leader Turner, both trying to be top-dog in the decision making. The romantic connection between the leads seems almost plausible despite their 20 (TWENTY!) year age difference: this is more down to how incredibly good Cruise still looks at age 54 (damn him!). Turner makes a good female role-model right up to the point where there is a confrontation in a hotel room and Turner backs down: despite Cruise being the “hero” it would have been nice for female equality for this face-off to have gone the other way.
The director is Edward Zwick, who helmed Cruise’s more interesting movie “The Last Samurai”.
The trailer started off well and then progressed into general mediocrity. Unfortunately – for me at least – the film lived up to the trailer. Watchable, but not memorable.
Unfortunately, and it pains me to say this but, his latest outing – “Jack Reacher: Never Go Back” – is a bit dull.
Lee Child’s Reacher has many years before turned his back on his military past and wanders the country as a drifter righting wrongs outside of the law. In this film, his military past again makes a major (“No, ex-Major”) intrusion into his life. Potential love interest Major Susan Turner (Colbie Smulders, from the “Avengers” world) is arrested on trumped-up espionage charges and Cruise sets out to clear her name. Along the way he accidentally (and rather too conveniently for the plot) discovers that a paternity suit has been filed against him and Reacher confronts the rebellious and light-fingered teenager Samantha (Danika Yarosh, aged 18 playing 15).
Unfortunately the big-cheeses involved in the international arms skulduggery are determined to tie up each and every loose end in their intrigue, and that includes Reacher, Turner and young Samantha by association. Needless to say, the villains – led by a one-man killing machine (Patrick Heusinger) – haven’t counted on Reacher’s ‘particular set of skills’.
My problem with the film (after an entertaining opening) is that the screenplay lumbers from standard thriller set-piece to standard thriller set-piece in a highly predictable way. It’s as if the scripts from 20 different films have been stuck in a blender. Shadowy arms dealing shenanigans: check; Cute teenager in peril: check; Gun fight on a dockside: check; Rooftop chase: check.
Are all the individual set-pieces decently done? Yes, sure. But the combination of these bits of action tapas really don’t add up to a satisfying meal. The story arc is almost non-existent as there is no suspense in the ‘investigation’: the plot is all pretty well laid out for you.
Where there is some fun to be had is in the play-off between the born-leader Reacher and the born-leader Turner, both trying to be top-dog in the decision making. The romantic connection between the leads seems almost plausible despite their 20 (TWENTY!) year age difference: this is more down to how incredibly good Cruise still looks at age 54 (damn him!). Turner makes a good female role-model right up to the point where there is a confrontation in a hotel room and Turner backs down: despite Cruise being the “hero” it would have been nice for female equality for this face-off to have gone the other way.
The director is Edward Zwick, who helmed Cruise’s more interesting movie “The Last Samurai”.
The trailer started off well and then progressed into general mediocrity. Unfortunately – for me at least – the film lived up to the trailer. Watchable, but not memorable.
Bob Mann (459 KP) rated Dream Horse (2021) in Movies
Jun 12, 2021
Ensemble cast (1 more)
Cinematography of racing scenes
My lovely lovely horse fails to fully engage
An extraordinary story of ambition against all the odds - based on a true story - will Dream Alliance fulfil the town's dreams, or will it all end in tears?
Positives:
- Toni Collette! Without her powerful acting presence at the heart of the piece, I think the movie would have died in a ditch. As for her Welsh accent I (as an Englishman) thought it was pretty good: on my 'Welshometer', using the scale of Richard Burton as a 10 to RDW's "Doctor Dolittle" as a 1, I'd give Ms Collette about an 8. The illustrious Mrs Movie Man (as a Welsh lady) was less impressed, but found her "tolerable" when mixed with the other Welsh-born actors!
- And what a wonderful supporting cast of well know names from all our yesterdays. Just so great to see the great Siân Phillips ("I, Claudius"), Lynda Baron ('Nurse Gladys' from "Open all Hours"), Peter Davison ("Doctor Who") and Nicholas Farrell ("Chariots of Fire") in the cast. It was also (as is traditional in these "true stories") for the actual people to appear alongside their acting counterparts in the end titles: Howard Davies in particular seemed to be chuffed to bits to be singing alongside Damien Lewis!
- Hats off to cinematographer Erik Wilson and Chris Bates (the "drone operator"), for some impressive shots. The camera angles from the turf-pumping racing scenes are very impressive.
Negatives:
- How did it make me feel? Very little at all. Which is a problem. The movie is so utterly predictable that I saw every element of the story play out way before it did. Did this happen in real life? In which case, that's annoying that life was so unrealistically predictable in its ups and downs!
- Elements of the story also felt formulaic: from the token comedy cranky old bloke (Karl Johnson) to Jan's brooding father-with-a-grudge. This latter element seems unnecessarily bolted onto the plot: poorly worked through and pretty superfluous.
Summary Thoughts on "Dream Horse": This is a feature debut for welsh-born Euros Lyn, most familiar (as a peculiar name) for popping up in the end credits of TV shows such as "Doctor Who", "Torchwood" and "His Dark Materials". And, as a great supporter of UK films, I really wanted to like this one. But it just didn't do it for me. It's also unfortunate that some of the subject material makes it unsuitable for the 6-to-8 year old horse fanatics... this is no "International Velvet".
I've seen some social media comments from people who adore the movie. And, to be clear, it's NOT a bad movie. I just personally didn't connect with me. Just goes to show that cinema really is 'horses for courses' sometimes!
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/06/11/dream-horse-%e2%99%abi-want-to-shower-you-in-sugar-lumps-and-ride-you-over-fences%e2%99%ab/ . Thanks).
Positives:
- Toni Collette! Without her powerful acting presence at the heart of the piece, I think the movie would have died in a ditch. As for her Welsh accent I (as an Englishman) thought it was pretty good: on my 'Welshometer', using the scale of Richard Burton as a 10 to RDW's "Doctor Dolittle" as a 1, I'd give Ms Collette about an 8. The illustrious Mrs Movie Man (as a Welsh lady) was less impressed, but found her "tolerable" when mixed with the other Welsh-born actors!
- And what a wonderful supporting cast of well know names from all our yesterdays. Just so great to see the great Siân Phillips ("I, Claudius"), Lynda Baron ('Nurse Gladys' from "Open all Hours"), Peter Davison ("Doctor Who") and Nicholas Farrell ("Chariots of Fire") in the cast. It was also (as is traditional in these "true stories") for the actual people to appear alongside their acting counterparts in the end titles: Howard Davies in particular seemed to be chuffed to bits to be singing alongside Damien Lewis!
- Hats off to cinematographer Erik Wilson and Chris Bates (the "drone operator"), for some impressive shots. The camera angles from the turf-pumping racing scenes are very impressive.
Negatives:
- How did it make me feel? Very little at all. Which is a problem. The movie is so utterly predictable that I saw every element of the story play out way before it did. Did this happen in real life? In which case, that's annoying that life was so unrealistically predictable in its ups and downs!
- Elements of the story also felt formulaic: from the token comedy cranky old bloke (Karl Johnson) to Jan's brooding father-with-a-grudge. This latter element seems unnecessarily bolted onto the plot: poorly worked through and pretty superfluous.
Summary Thoughts on "Dream Horse": This is a feature debut for welsh-born Euros Lyn, most familiar (as a peculiar name) for popping up in the end credits of TV shows such as "Doctor Who", "Torchwood" and "His Dark Materials". And, as a great supporter of UK films, I really wanted to like this one. But it just didn't do it for me. It's also unfortunate that some of the subject material makes it unsuitable for the 6-to-8 year old horse fanatics... this is no "International Velvet".
I've seen some social media comments from people who adore the movie. And, to be clear, it's NOT a bad movie. I just personally didn't connect with me. Just goes to show that cinema really is 'horses for courses' sometimes!
(For the full graphical review, please check out the One Mann's Movies review here - https://bob-the-movie-man.com/2021/06/11/dream-horse-%e2%99%abi-want-to-shower-you-in-sugar-lumps-and-ride-you-over-fences%e2%99%ab/ . Thanks).
In An Open Field by Nicholas Krgovich
Album Watch
This record could just as easily be called "In A Sunny South Pasadena Living Room" or "In A...
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