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Ditched 4 Murder
Ditched 4 Murder
J.C. Eaton | 2017 | Mystery
5
5.0 (1 Ratings)
Book Rating
Weddings and Killers
Sophie “Phee” Kimball is settling into her new life in Arizona, but it’s about to get crazier thanks to her aunt’s recent engagement. Phee keeps getting asked to help plan the wedding, and finds herself juggling her job as the accountant for a PI, the wedding, and her mother’s phone calls of outrage about the wedding. Phee’s PI boss is working on a murder that took place near her mother’s house, and as Phee works on the wedding, she begins to wonder if there is a connection. Can she solve the case?

I loved the first book in the series, so I was looking forward to revisiting the characters. Sadly, this one didn’t live up to the first. The mystery was overshadowed by the wedding plans. I expected they would come together at some point, but that point came a little late in the book for my tastes. Meanwhile, the climax to the mystery was a little weak as well. Some of the characters walked a fine line between funny and annoying in the first book, and I found them more annoying than funny here. That’s not all the characters. Phee herself is still a strong and sympathetic main character, and I really like several of the supporting characters. And that isn’t to say I didn’t laugh over the course of the book either. I especially laughed at the climax. Considering how much I enjoyed the first book, I’m definitely going to give Phee another visit.
  
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LoganCrews (2861 KP) rated Garden State (2004) in Movies

Sep 20, 2020 (Updated Nov 26, 2020)  
Garden State (2004)
Garden State (2004)
2004 | Comedy, Drama, Romance
Whole quirk, probably just a feature length "Try not to cringe" challenge if I really think about it - which as a cringe connoisseur I always have a soft spot for and you will too if that's your thing - but this taps into something buried deep in the psyche, with an almost primal force. Not only does this capture how fucking insufferable "Hey, how've you been?" small talk can be, but this does better than most movies before or after it in depicting that time in your life (late adolescence/early adulthood) where you were the center of your own moody universe and nothing else mattered - when you thought that's how life would be forever and you just Felt So Deeply™, for good and for ill. It has this authentic, free youthful energy about it but it also has a pretty mopey demeanor to it as well. Hence why I think this would work better if these characters were a bit younger, but I digress - it does that so impeccably well that all of its other blatant shortcomings are easy to forgive (for instance I still can't decide if Braff nailed the emotionally detached, despondent aura of his disillusioned lead character... or if he just sucked). It's so magnetic stylistically (soundtrack is stacked and the cinematography rules) I think it does its job more than capably. Pretty mesmerizingly walks a fine line between "What the fuck is this?" and "Hey who left this bowl of onions here?". Portman is the final boss Manic Pixie Dream Girl.