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Sarah (7800 KP) rated Christopher Robin (2018) in Movies
Aug 22, 2018 (Updated Aug 22, 2018)
A wonderful piece of heartwarming nostalgia
I'd seen some of the not very positive reviews about this film so I hadn't been expecting much, but I cannot tell you how pleasantly surprised and happy I was watching this.
I was a Winnie the Pooh fan as a child but probably haven't seen much of it since, and this was a wonderful nostalgic trip back to my childhood. Right from the opening scene and any time Pooh and his friends were on screen, I couldn't wipe the silly warm grin off my face. The CGI on the characters is very well done and they look fantastic, and the voices too are just spot on (even those not voiced by Jim Cummings). The main problem with this film is that when Pooh and his friends aren't on screen it obvious and whilst it's never dull, you notice their huge absence.
I loved the inclusion of the drawings over parts of the title sequence, and I think the whole way they've briefed over Christopher Robin's life is done well. For once this is a film that shows us what we need to know, and nothing more. It's nice to watch something that isn't aiming for an over 2 hour runtime.
Mark Gatiss is suitably hammy as Robin's boss and Ewan McGregor is as good as he ever is. Hayley Atwell though is vastly underused. And yes this is a Disney film, so there is a small amount of sickly sweet schmaltz thrown in. But for once this is kept almost entirely to the end and isn't overbearing in the slightest, which is a refreshing change for Disney.
This is the most wonderful film I've seen at the cinema for quite some time. I can't remember the last time I smiled so much.
I was a Winnie the Pooh fan as a child but probably haven't seen much of it since, and this was a wonderful nostalgic trip back to my childhood. Right from the opening scene and any time Pooh and his friends were on screen, I couldn't wipe the silly warm grin off my face. The CGI on the characters is very well done and they look fantastic, and the voices too are just spot on (even those not voiced by Jim Cummings). The main problem with this film is that when Pooh and his friends aren't on screen it obvious and whilst it's never dull, you notice their huge absence.
I loved the inclusion of the drawings over parts of the title sequence, and I think the whole way they've briefed over Christopher Robin's life is done well. For once this is a film that shows us what we need to know, and nothing more. It's nice to watch something that isn't aiming for an over 2 hour runtime.
Mark Gatiss is suitably hammy as Robin's boss and Ewan McGregor is as good as he ever is. Hayley Atwell though is vastly underused. And yes this is a Disney film, so there is a small amount of sickly sweet schmaltz thrown in. But for once this is kept almost entirely to the end and isn't overbearing in the slightest, which is a refreshing change for Disney.
This is the most wonderful film I've seen at the cinema for quite some time. I can't remember the last time I smiled so much.
Sarah (7800 KP) rated Bridget Jones's Diary (2001) in Movies
Dec 29, 2018
Lovable & heartwarming rom-com
Out of all the rom-coms out there, Bridget Jones Diary is one of my favourites. For a start Bridget herself isn’t your usual perfect rom-com lead - she’s not stick thin and drinks and smokes far too much - for me that makes Bridget all the more endearing. I think most women can relate to Bridget in some way. She’s funny, loud mouthed and not very coherent at public speaking, and can’t help but make an idiot out of herself, and this is what makes this film all the more lovable.
It’s a heartwarming story of love, not only for Bridget but for her parents too. And it’s also funny and a little on the adult side with a great soundtrack, and yes the plot is predictable but this is one of those films where it doesn’t matter. Yes we can predict what the ending will be, but it’s the getting there that matters.
It has a great cast. I’ve never been a fan of Renee Zellweger but I couldn’t imagine anyone else playing Bridget. And to have both Colin Firth and Hugh Grant as the male leads was always going to be a winner - the fight the two have us hilarious. It’s an altogether lovely, funny rom-com that despite being 17 years old (which i find so hard to believe) is still so relatable today.
I’ll be honest, I’m virtually the same age as Bridget and I actually feel like so much like Bridget right now it’s scary, some of the scenes in this are exactly how I’ve been behaving these past few months! Albeit sadly without the Mark Darcy, or even a charming, sex-pest boss....
It’s a heartwarming story of love, not only for Bridget but for her parents too. And it’s also funny and a little on the adult side with a great soundtrack, and yes the plot is predictable but this is one of those films where it doesn’t matter. Yes we can predict what the ending will be, but it’s the getting there that matters.
It has a great cast. I’ve never been a fan of Renee Zellweger but I couldn’t imagine anyone else playing Bridget. And to have both Colin Firth and Hugh Grant as the male leads was always going to be a winner - the fight the two have us hilarious. It’s an altogether lovely, funny rom-com that despite being 17 years old (which i find so hard to believe) is still so relatable today.
I’ll be honest, I’m virtually the same age as Bridget and I actually feel like so much like Bridget right now it’s scary, some of the scenes in this are exactly how I’ve been behaving these past few months! Albeit sadly without the Mark Darcy, or even a charming, sex-pest boss....
Gareth von Kallenbach (980 KP) rated Morning Glory (2010) in Movies
Aug 8, 2019 (Updated Aug 8, 2019)
Suddenly fired from a job she worked incredibly hard at, Becky finds herself hitting the mean streets of New York to continue to pursue her dream of producing a television show. The odds are stacked against her when she finds herself producing a failing morning show with challenging anchors, a boss who doubts her skills, and a new romance threatening to distract her already splintered focus.
Diane Keaton brightens the screen looking great while completely selling her role as the eager morning television show anchorwomen, Colleen Peck. The unexpected Harrison Ford adds a rough edge as the once great journalist and now subpar anchorman, Mike Pomeroy. However, it is rising actress, Rachel Adams, as the determined Becky, who stole the show.
Morning Glory offers exactly the amount of oddness one might expect from a film with action star Harrison Ford as a news guy. Yet somehow the story is sweet and mildly uplifting and, on occasion, laugh out loud funny.
The plot is not brilliant, new, or even all that imaginative, still the film is unique. Morning Glory oddly brings to mind “Little Black Book” all be it in a much lighter and less romantically driven tone. In fact the romance element is so light in this film that it is much more likely to fall in the drama/comedy category, with romance taking a backseat to the real focus of the film: the challenges of work-obsessed Becky.
Mashed firmly between an decent episode of the Mary Tyler Moore show and the Dolly Parton classic “9 to 5”, Morning Glory is a one-of-a-kind take on a story that is increasingly all too familiar. Without the unnecessary bells and whistles so often thrown in to modern cinema, Morning Glory keeps the audience watching and sometimes even laughing.
Diane Keaton brightens the screen looking great while completely selling her role as the eager morning television show anchorwomen, Colleen Peck. The unexpected Harrison Ford adds a rough edge as the once great journalist and now subpar anchorman, Mike Pomeroy. However, it is rising actress, Rachel Adams, as the determined Becky, who stole the show.
Morning Glory offers exactly the amount of oddness one might expect from a film with action star Harrison Ford as a news guy. Yet somehow the story is sweet and mildly uplifting and, on occasion, laugh out loud funny.
The plot is not brilliant, new, or even all that imaginative, still the film is unique. Morning Glory oddly brings to mind “Little Black Book” all be it in a much lighter and less romantically driven tone. In fact the romance element is so light in this film that it is much more likely to fall in the drama/comedy category, with romance taking a backseat to the real focus of the film: the challenges of work-obsessed Becky.
Mashed firmly between an decent episode of the Mary Tyler Moore show and the Dolly Parton classic “9 to 5”, Morning Glory is a one-of-a-kind take on a story that is increasingly all too familiar. Without the unnecessary bells and whistles so often thrown in to modern cinema, Morning Glory keeps the audience watching and sometimes even laughing.
Lindsay (1774 KP) rated Eye of the Eagle in Books
Jan 19, 2019
Well when you first open this book, you think oh another romance like every other one that happens in the office. The author put us in for a what would be typical but it nothing like a typical romance book. I really do like that this not all romance. There is action involved and even some power in followed.
You seem to get not only spiritual powers and some Native American culture but you get a story or plot full of government talents and bring in someone new and really cute looking. Then there a budding romance before they leave the office.
This got all kinds of powers involved. The hero and Heroine become a team. What you do if someone could eagle shifter? He looks human and act all human? What does a little ugly man doing? We seem to have it all.
It starts out with a child missing and no other then Bert's family member. He does not want his boss to come. She intents on want to go with him. She determine to help. Things start to happen as soon as they get here at the hotel. She has secrets as well has Bret Blackfeather? What are Phoebes and her mother secrets? Seems not all now about his secret other then family possibly.
The characters are created and developed quite well. I love that we learn more each character though out the story. We do not get all them until the end of the book. We got not only the bad guys but also the good guys in full development.
Is Bert family in danger and why? Seem the US Senator daughter get caught up with someone from Bert past and with an enemy of the US. The Monster as Phoebe calls him see to be into human tracking and other crimes.
You seem to get not only spiritual powers and some Native American culture but you get a story or plot full of government talents and bring in someone new and really cute looking. Then there a budding romance before they leave the office.
This got all kinds of powers involved. The hero and Heroine become a team. What you do if someone could eagle shifter? He looks human and act all human? What does a little ugly man doing? We seem to have it all.
It starts out with a child missing and no other then Bert's family member. He does not want his boss to come. She intents on want to go with him. She determine to help. Things start to happen as soon as they get here at the hotel. She has secrets as well has Bret Blackfeather? What are Phoebes and her mother secrets? Seems not all now about his secret other then family possibly.
The characters are created and developed quite well. I love that we learn more each character though out the story. We do not get all them until the end of the book. We got not only the bad guys but also the good guys in full development.
Is Bert family in danger and why? Seem the US Senator daughter get caught up with someone from Bert past and with an enemy of the US. The Monster as Phoebe calls him see to be into human tracking and other crimes.
Dakotah Salazar (12 KP) rated Child's Play (2019) in Movies
Jul 1, 2019
Good Kills (1 more)
Good Doll Design
Slasher Cliches (1 more)
Predictable
A.I. Chucky reborn in a tech savvy world.
As Chucky embarks into a new century, the filmmakers realize that it was time to make Chucky into artificial intelligence. In previous films, there was always a sense of witchcraft going on where it made Chucky come to life. This makes more sense of making Chucky as a Amazon Alexa type of technology. A Buddi of sorts.
They cleverly weave that into the depth of where Chucky's madness is taking over him. In how it started was a little far fetched. A guy decided to break the rules at his job because of poor working conditions and a over the top douche of a boss. It was mishandled how it happened.
I think that Aubrey Plaza, Gabriel Bateman, and Brian Tyree Howard are amazing in this movie. They really sell the world that was created for them, especially Bateman who is tortured by Chucky's antics.
As for the doll design, I think it looked really good. There are moments where rendering in the CGI was needed, but overall, it looked amazing in some scenes. I specifically remember the moment where Bateman is walking Chucky into his room and the way his facial expressions are used makes him weirdly human, and that increases the creepy factor within Chucky.
As for the negatives, it follows the typical ground plan of every slasher, especially Child's Play movies. Mom's boyfriend is a douche. Mom doesn't believe her son. Friends believe Andy. Nice cop who lives with mother may be the knight in shining armor. We can see where this is going, and it also takes a while for Chucky to actually kill something. It panders too much and I think they could've had more potential with the horror.
They cleverly weave that into the depth of where Chucky's madness is taking over him. In how it started was a little far fetched. A guy decided to break the rules at his job because of poor working conditions and a over the top douche of a boss. It was mishandled how it happened.
I think that Aubrey Plaza, Gabriel Bateman, and Brian Tyree Howard are amazing in this movie. They really sell the world that was created for them, especially Bateman who is tortured by Chucky's antics.
As for the doll design, I think it looked really good. There are moments where rendering in the CGI was needed, but overall, it looked amazing in some scenes. I specifically remember the moment where Bateman is walking Chucky into his room and the way his facial expressions are used makes him weirdly human, and that increases the creepy factor within Chucky.
As for the negatives, it follows the typical ground plan of every slasher, especially Child's Play movies. Mom's boyfriend is a douche. Mom doesn't believe her son. Friends believe Andy. Nice cop who lives with mother may be the knight in shining armor. We can see where this is going, and it also takes a while for Chucky to actually kill something. It panders too much and I think they could've had more potential with the horror.
Olivia Spencer gives a tour de force performance as a "unbalanced" veterinary assistant. I call it "unbalanced" because it is not really clear whether or not she is mentally ill, sociopathic, or just megalomaniacal. In Ma, a teenager moves back to her mom's hometown and makes friends with a group of teenagers who include the son of a prominent businessman. The friends with nothing to do in the town decide to get some booze and go down in the quarry to drink it, like a bunch of teenagers from the 70s. How to get the booze is the problem. Then, Sue Ann whom the teens start to call Ma, out walking one of the canine patients reluctantly agrees. Given how uncool she was in high school, she attempts to be the cool adult to these teenagers. However her social skills need a lot of work and she ends up seeming a little off to everyone. At this point, she goes off the handle and starts to torment the teenagers and all of her former classmates from high school, including Erica (the single mother), Ben (the divorced father), and Mercedes (Ben's slutty lover). She also for no discernible reason other than she just plain dislikes her murders her boss, the town veterinarian which seems irresponsible. In the end, the teenagers are able to save themselves from the twisted Ma, burn down her house, and Ma decides to cuddle up with the "love of her life" Ben who had raped her in high school. Maybe it is a comment on toxic masculinity and the effects it has on weaker women or the bonds formed between a rapist and his victim. Either way the film leaves many questions and is only saved by the performance of Olivia Spencer.
Mark @ Carstairs Considers (2395 KP) rated The Wolves of Christmas in Books
Dec 18, 2019
This Christmas Will Not Be Completely Festive
Phoenix Homicide Cops Joe, Tom, and Gretchen’s boss, Jerry, has announced that his retirement has been put on hold since someone has stolen his retirement investment. The fraud division of the police department is going to look into it, but Joe and Tom have just been given a case that may tie in. A dead body was found in Salt River Canyon, but since the victim lived in Phoenix, the case has been transferred to these two. The connection? He worked for the investment firm where Jerry had his money. Could the two tie together?
The book starts out well, but it gets a bit unfocused as it goes along with too many sub-plots. This is especially true when we learn that Tom’s cousin, and Joe’s infatuation, has been brutally raped and left for dead. The two fly over to Ireland to be by her side and help solve the crime, but we also get updates on what is happening in Phoenix thanks to scenes with Gretchen. I did enjoy the main mystery, and I found myself caught up in it, but I wish the book had been a little more focused. This is definitely more serious than the cozies I normally read, but we don’t get too many needless details. Since this is book eight in the series, I really do love the characters, and it was great to spend Christmas with them. In fact, the book stretches from mid-December into the New Year, so we get some nice holiday scenes. The early books in the series were written in the mid-90’s, and the author has kept that time period for the books, as this one makes very clear. All told, I was left smiling when I finished the book.
The book starts out well, but it gets a bit unfocused as it goes along with too many sub-plots. This is especially true when we learn that Tom’s cousin, and Joe’s infatuation, has been brutally raped and left for dead. The two fly over to Ireland to be by her side and help solve the crime, but we also get updates on what is happening in Phoenix thanks to scenes with Gretchen. I did enjoy the main mystery, and I found myself caught up in it, but I wish the book had been a little more focused. This is definitely more serious than the cozies I normally read, but we don’t get too many needless details. Since this is book eight in the series, I really do love the characters, and it was great to spend Christmas with them. In fact, the book stretches from mid-December into the New Year, so we get some nice holiday scenes. The early books in the series were written in the mid-90’s, and the author has kept that time period for the books, as this one makes very clear. All told, I was left smiling when I finished the book.
Hazel (2934 KP) rated A Window Breaks in Books
Mar 1, 2020
Dripping with tension and atmosphere
Well, that certainly was a page-turner with non-stop action from the sound of breaking glass to the sickening crack of metal against bone.
Tom, his wife, Rachel, and their daughter, Holly, have been through it. First their teenage son, Michael, and his girlfriend, Fiona, die in a road traffic collision when Michael was driving and if that wasn't bad enough, Holly is viciously attacked by a mugger. What's needed is for them to getaway and take Tom's boss up on his offer of time away at his secluded and secure lodge in Scotland ... what could possibly go wrong?
Written mainly from Tom's perspective, we are taken on a thrilling journey of survival; we are lulled into a false sense of security when Tom and his family arrive at the lodge but are quickly plunged into a nightmare when they are awoken by the sound of someone walking on broken glass. When Tom goes to investigate, what he sees makes his heart drop to his toes and so it begins 😰
Tom's voice is a breath of fresh air because he is not your usual macho Bear Grylls hero, he is a "normal" husband and father ... vulnerable, fearful and afraid but determined to protect his family despite not being particularly brave, strong or fit ... this made him more real somehow and because of this, you are never quite sure how this was going to end.
With an easy to read, flowing style, this book is dripping with tension and atmosphere with many hold-your-breath moments that had me gripped and eagerly flipping my Kindle® ... I couldn't read fast enough.
Recommended reading for action/thriller/suspense lovers.
Many thanks to Pan Macmillan and NetGalley for my advance copy in return for an honest review.
Tom, his wife, Rachel, and their daughter, Holly, have been through it. First their teenage son, Michael, and his girlfriend, Fiona, die in a road traffic collision when Michael was driving and if that wasn't bad enough, Holly is viciously attacked by a mugger. What's needed is for them to getaway and take Tom's boss up on his offer of time away at his secluded and secure lodge in Scotland ... what could possibly go wrong?
Written mainly from Tom's perspective, we are taken on a thrilling journey of survival; we are lulled into a false sense of security when Tom and his family arrive at the lodge but are quickly plunged into a nightmare when they are awoken by the sound of someone walking on broken glass. When Tom goes to investigate, what he sees makes his heart drop to his toes and so it begins 😰
Tom's voice is a breath of fresh air because he is not your usual macho Bear Grylls hero, he is a "normal" husband and father ... vulnerable, fearful and afraid but determined to protect his family despite not being particularly brave, strong or fit ... this made him more real somehow and because of this, you are never quite sure how this was going to end.
With an easy to read, flowing style, this book is dripping with tension and atmosphere with many hold-your-breath moments that had me gripped and eagerly flipping my Kindle® ... I couldn't read fast enough.
Recommended reading for action/thriller/suspense lovers.
Many thanks to Pan Macmillan and NetGalley for my advance copy in return for an honest review.
JT (287 KP) rated Safe (2012) in Movies
Mar 10, 2020
There doesn’t seem to be a lot that Jason Statham cannot do, if he’s not leaping from building to building he’s punching bad guys through walls, as someone told me once “it’s all chewing gum for the mind.”
Safe is pretty much that, Statham plays Luke Wright an ex-cage fighter among other things whose family are murdered after he fails to throw a fight for a Russian mob boss. Instead of sending him to the grave the Russians’ warn Statham that anyone he gets close to they’ll kill. So he becomes a drifter, a homeless loner. That is until he comes across Mei, a young girl with a mathematical mind who has memorized some numbers for the Triads.
The numbers are the combination to a safe containing a $3om haul. However, it seems that the Russian Mafia have taken an interest in Mei as well as a group of corrupt NYPD cops. The film plays out as you would expect it to, with Statham taking the girl under his wing and gets given the chance to kick some ass once again. “You, the garbage collector?” wails one poor Russian, ” I never collected the garbage, I disposed of it” quips Statham.
Safe carries on at cat and mouse pace with everyone after Statham and the girl. There are some great action set pieces as you would expect, and they are performed with ferocious ferocity and cool like choreography. There isn’t anything unusual here really, the supporting cast amble along but stand back far enough to let The Stath do his thing.
The relationship with Mei is formed well and has a believable level of trust between the pair as Wright attempts to play the three chasing parties off against each other. It’s what you’d expect and there is no question of being short changed here.
Safe is pretty much that, Statham plays Luke Wright an ex-cage fighter among other things whose family are murdered after he fails to throw a fight for a Russian mob boss. Instead of sending him to the grave the Russians’ warn Statham that anyone he gets close to they’ll kill. So he becomes a drifter, a homeless loner. That is until he comes across Mei, a young girl with a mathematical mind who has memorized some numbers for the Triads.
The numbers are the combination to a safe containing a $3om haul. However, it seems that the Russian Mafia have taken an interest in Mei as well as a group of corrupt NYPD cops. The film plays out as you would expect it to, with Statham taking the girl under his wing and gets given the chance to kick some ass once again. “You, the garbage collector?” wails one poor Russian, ” I never collected the garbage, I disposed of it” quips Statham.
Safe carries on at cat and mouse pace with everyone after Statham and the girl. There are some great action set pieces as you would expect, and they are performed with ferocious ferocity and cool like choreography. There isn’t anything unusual here really, the supporting cast amble along but stand back far enough to let The Stath do his thing.
The relationship with Mei is formed well and has a believable level of trust between the pair as Wright attempts to play the three chasing parties off against each other. It’s what you’d expect and there is no question of being short changed here.
Kristy H (1252 KP) rated The Empty Bed in Books
Mar 19, 2020
The second book in The Burial Society series finds its founder Catherine juggling a variety of "cases," so-to-speak. When Eva Lombard and her husband Peter take a trip to Hong Kong to celebrate their anniversary, Peter wakes in their hotel to find an empty bed. Eva has vanished without a trace. Eva thought she was being followed, and now Peter wonders if she was right. As he quickly becomes a suspect in her disappearance, he turns to his boss, Forrest "Holly" Holcomb, who recommends Catherine (his old lover) to assist. Catherine sends two of her associates to Hong Kong while she tends to other work--mainly, protecting a family in Mexico City whose father knows too much about a pharmaceutical company. Meanwhile, a determined FBI agent is working on tracking down a missing mother and child of a wealthy businessman and threatening Catherine's secret agency.
I enjoyed this book. It's told in short chapters from varying points of view--Eva, Catherine, and Jake and Stephanie (Catherine's associates), etc. The result is a story that moves at a brisk pace, with almost a cinematic-type feel. This is no surprise, considering Sadowsky's background in film and as a screenwriter. The three stories intertwine somewhat--with Catherine as the center--and while a lot of information flies at you, I never found the book confusing.
I really like Catherine, and I enjoyed learning even more about her crew in this one. It's fun seeing some of the proteges interact. The novel kept me guessing and putting together the pieces was quite enjoyable. There are plenty of twists and turns to keep you engaged.
Overall, this is an interesting thriller. The whole idea of the Burial Society fascinates me, and I liked the quick pace of this book, along with its twisty and engaging plot. 4 stars.
I enjoyed this book. It's told in short chapters from varying points of view--Eva, Catherine, and Jake and Stephanie (Catherine's associates), etc. The result is a story that moves at a brisk pace, with almost a cinematic-type feel. This is no surprise, considering Sadowsky's background in film and as a screenwriter. The three stories intertwine somewhat--with Catherine as the center--and while a lot of information flies at you, I never found the book confusing.
I really like Catherine, and I enjoyed learning even more about her crew in this one. It's fun seeing some of the proteges interact. The novel kept me guessing and putting together the pieces was quite enjoyable. There are plenty of twists and turns to keep you engaged.
Overall, this is an interesting thriller. The whole idea of the Burial Society fascinates me, and I liked the quick pace of this book, along with its twisty and engaging plot. 4 stars.