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Bong Mines Entertainment (15 KP) rated D.T.M. - Single by Hope Tala in Music

Jun 6, 2019 (Updated Jun 6, 2019)  
D.T.M. - Single by Hope Tala
D.T.M. - Single by Hope Tala
2019
7
7.0 (1 Ratings)
Album Rating
Hope Tala is an up-and-coming singer-songwriter from West London, England. Not too long ago, she released a bittersweet contemporary R&B tune, entitled, “D.T.M.”.

‘D.T.M.’ tells an interesting tale of a young woman who expresses to her ex-beau that she’s also hurting inside after their emotional breakup.

Apparently, not too long ago, the former lovebirds lost their loving way to prosperity. During their problematic journey, their bliss was destroyed and agony replaced their joy.

Even though their relationship ended on a bad note, the woman suggests that they can still remain friends.

‘D.T.M.’ contains a relatable storyline and dreamy vocals. Also, the likable tune possesses summery instrumentation flavored with acoustic guitar chords and a tropical R&B rhythm, almost like a Brazilian bossa nova shuffle.

‘D.T.M.’ is the second single released from Hope Tala’s upcoming sophomore EP.

Also, the first single from the anticipated project, “Lovestained”, has amassed over 600,000 streams online.


https://www.bongminesentertainment.com/hope-tala-d-t-m/
  
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Ed O'Brien recommended Jorge Ben by Jorge Ben in Music (curated)

 
Jorge Ben by Jorge Ben
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"This is a perfect record, It's heart on sleeve music, which is absolutely what I wanted to try to make on my album. Brazil is a very important place for me in terms of its music and culture; it's the first place I lived in where I felt I got pulled out of a bubble, and had to stand on my feet in a different culture to mine, and Jorge Ben is one of its greatest figures. He was so important in the bossa nova era, and a pivotal person in tropicalia – Caetano Veloso and Gilberto Gil looked up to him like a brother, as he was older. There's so much in that country's art that's about richness and magic, like the writing of Gabriel Garcia Marquez, as well. In many parts of England, you have to pretend to down nine pints to get into that frame of mind. That's probably why other cultures appeal to me."

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Brian Eno recommended Fresh by Sly & The Family Stone in Music (curated)

 
Fresh by Sly & The Family Stone
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"I didn't know much about Sly and I'd only heard the two hits that he'd had, which were 'Everyday People', which I loved because of that bass line which goes all the way through without changing once, and 'Thank You (Falettinme Be Mice Elf Agin)', and I loved them but I didn't think that much of them. Then one evening in 1971 I was round the house of this bunch of London musos who I'd kind of fallen in with and they were all sort of jazz-influenced people. They used to smoke a lot of grass. I didn't, but the room was full of enough stuff to probably affect me. They were all talking about this album and how it set the scene for something totally new, and I was interested because they were the very serious people who were into Coltrane and Charlie Parker, yet this was a pop record. It's so sketchy, the whole thing, it hardly holds together. It's like little flicks of paint. Instead of an organised composition, it's just people throwing in these little touches and somehow it coheres. It's like the first time I saw a Jackson Pollock or something. Another interesting thing about this is I had just started experimenting with rhythm boxes, which were considered completely beyond the pale by most musicians. They had like six rhythms on: bossa nova, Latin, rock & roll... something like that, and they had these terrible sounds [mimics rhythm box] but I really liked them and I was starting to write things over them, and everyone was asking me, ""Well, you'll replace that, won't you?"" and I said, ""Actually, I don't think I will."" Then I heard this (first track, 'In Time'), where one is playing alongside Andy Newmark, one of the great drummers of all time. But there's nothing really holding it together except the rhythm box."

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