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Every Waking Hour
Every Waking Hour
Joanna Schaffhausen | 2021 | Crime, Mystery
8
8.0 (1 Ratings)
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Another thrilling entry in the Ellery & Reed series
Ellery Hathaway is trying to have a normal life. She's attempting to become a police detective in Boston. She's even trying to have a relationship with Reed Markham. But then Chloe Lockhart, a twelve-year-old girl, goes missing, and the case threatens everything Ellery has tried to build. Ellery has many scars--physical and emotional--from her own kidnapping. Is sending a former kidnapped child out to find another the right thing to do? Every moment that Chloe is missing reminds Ellery of her past--and how much she wants, needs, to find Chloe.

I just love the Ellery and Reed series so very much. Book number four is yet another excellent entry. There are two parallel case running, and both keep your attention. I love the tension between Reed and Ellery and how well so many present-day cases can tie back to Ellery's past. She's damaged, yes, but so strong. This is a compelling read, with plenty of twists and turns to keep you reading. And, the epilogue, oh my gosh! What a cliffhanger!

I cannot recommend this entire series enough! 4 stars, and I cannot wait for book #5.
  
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Rupert Thomas recommended Paradoxical Undressing in Books (curated)

 
Paradoxical Undressing
Paradoxical Undressing
Kristin Hersh | 2011 | Biography
(0 Ratings)
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"Kristin Hersh is no ordinary musician, and her mind is unlike any other. In her memoir, Paradoxical Undressing, she captures what it’s like to be young and starting out, but this is a grazed reality, the top layer of skin stripped clean away. The book is based on a diary she kept when she was 18, which is, as she says, “the age when no one takes care of you”. It was a year when everything happened. She moved her band, Throwing Muses, from Providence, Rhode Island, to Boston. She was diagnosed as a schizophrenic, then bipolar. She was offered her first recording contract, with 4AD. She discovered she was pregnant. And she became unlikely friends with faded Hollywood movie star, Betty Hutton. “Betty sings about starlight and champagne,” Hersh writes. “I sing about dead rabbits and blow jobs.” Though Hutton was unpredictable and fragile (“Time is like a hurricane to her – a big, fast mess, sweeping her away”) she was also full of generosity, compassion and advice. “You have to leave things out to tell a story,” she once told Hersh. And Hersh listened. This female Kurt Cobain – he was a fan of her work – has forged her own brave path, often against enormous odds. And she writes better sentences than most writers do."

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