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Lenard (726 KP) rated Pet Sematary (2019) in Movies
Apr 9, 2019
A Boston doctor moves his family to what is believed to be a quiet town in Maine. He soon discovers that the town has a secret past and supernatural powers. A good horror movie requires an atmosphere and a good movie based on the book makes you want to read the book to see what was left out. Neither requirement is met in this version of "Pet Sematary." The setting of the atmosphere I may have missed due to longer credits attached to "Shazam" that my gig required me to view. When I entered the theater, the family was already in their Maine house. In the short time I was not there, two things were established, the gas trucks that constantly careen through the town, a ominous sign of accidents to come and the family move to Maine to get away from the hustle of the city. The shadow of death could not have come until I was already in the theater. This aspect of the family dynamic was firmly established later when Ellie sees an animal dead on the road. The titular pet cemetary was also introduced while I was in attendance. The directors did not set up any foreboding specters for the cemetary or the family past, a sign of people in need of paying attention to their own creation. Throughout the film, there should be moments that terrify you from Church to the zombie child to Judd's mysteriously dead wife. None of these approach master level suspense.
BookwormMama14 (18 KP) rated Murder at the Flamingo (A Van Buren and DeLuca Mystery #1) in Books
Jan 2, 2019
Oh, Hamish...My Hamish...Where have you been all my life? Hamish is my kindred spirit. My best friend. The fictional character that I so desperately want to meet.
For Rachel McMillan to take something that she has personally dealt with her whole life, and give it to her HERO...It is one of the most beautiful things you will ever witness. I feel like I not only know Hamish...But I know Ms. McMillan better. She opened her heart and let the words pour onto the page. The description is REAL, the emotion is REAL, the pain and the heartache is REAL. Anxiety...is REAL!
In addition to the anxiety factor...We have all the makings for an intense and intriguing mystery. A suave Italian nightclub owner, a bad guy on the hunt, and a high class born young lady determined to solve a crime. One of the themes that stood out to me in this story, is the sense of finding home.
"What if home wasn't something you were born into but rather something you found and ultimately chose?"
Murder at the Flamingo is a story full of life and adventure! From the North End of Boston to the nightclub scene of the 1930s...You will want to dance the night away with Reggie and Hamish in this new mystery from Rachel McMillan!
I received a complimentary copy of Murder at the Flamingo. I was not required to write a positive review. All opinions expressed are mine alone.
For Rachel McMillan to take something that she has personally dealt with her whole life, and give it to her HERO...It is one of the most beautiful things you will ever witness. I feel like I not only know Hamish...But I know Ms. McMillan better. She opened her heart and let the words pour onto the page. The description is REAL, the emotion is REAL, the pain and the heartache is REAL. Anxiety...is REAL!
In addition to the anxiety factor...We have all the makings for an intense and intriguing mystery. A suave Italian nightclub owner, a bad guy on the hunt, and a high class born young lady determined to solve a crime. One of the themes that stood out to me in this story, is the sense of finding home.
"What if home wasn't something you were born into but rather something you found and ultimately chose?"
Murder at the Flamingo is a story full of life and adventure! From the North End of Boston to the nightclub scene of the 1930s...You will want to dance the night away with Reggie and Hamish in this new mystery from Rachel McMillan!
I received a complimentary copy of Murder at the Flamingo. I was not required to write a positive review. All opinions expressed are mine alone.
JT (287 KP) rated The Possession of Hannah Grace (2018) in Movies
Mar 10, 2020
If there was ever somewhere befitting of a horror film it’s in a morgue. But unlike the terrifying Autopsy of Jane Doe which, uses the location in a dark and gothic manner, The Possession of Hannah Grace feels overworked and desperate to please.
When an exorcism goes horribly wrong the body ends up within the confines of a Boston hospital morgue three months later. There, ex-cop Megan (Shay Mitchell) who is recovering from her own personal trauma, takes a job working the graveyard shift. The setting had so much potential it’s annoying that the film just saunters along, relying on cheap jump scares to capture audience attention.
As Megan walks about with not much to do until the eventual arrival of Hannah Grace’s disfigured corpse, she spends the time familiarising herself with the creepy surroundings. Megan’s backstory is far more interesting. Suffering from PTSD after watching her partner get gunned down, she battles an addiction to pills and now has the thankless task of having to battle a demon – hardly job satisfaction.
The setting had so much potential it’s annoying that the film just saunters along, relying on cheap jump scares to capture audience attention.
In fairness to director Diederik Van Rooijen, he has chosen a tried and tested subgenre. And he isn’t helped by Brian Sieve‘s poor script. There is the odd positive moment, mainly when Hannah’s twisted body offers a glimpse at something more sinister lurking inside her. But that’s about it.
“When you die, you die. End of story,” says Megan – and after 85 minutes we’re pleased it did.
When an exorcism goes horribly wrong the body ends up within the confines of a Boston hospital morgue three months later. There, ex-cop Megan (Shay Mitchell) who is recovering from her own personal trauma, takes a job working the graveyard shift. The setting had so much potential it’s annoying that the film just saunters along, relying on cheap jump scares to capture audience attention.
As Megan walks about with not much to do until the eventual arrival of Hannah Grace’s disfigured corpse, she spends the time familiarising herself with the creepy surroundings. Megan’s backstory is far more interesting. Suffering from PTSD after watching her partner get gunned down, she battles an addiction to pills and now has the thankless task of having to battle a demon – hardly job satisfaction.
The setting had so much potential it’s annoying that the film just saunters along, relying on cheap jump scares to capture audience attention.
In fairness to director Diederik Van Rooijen, he has chosen a tried and tested subgenre. And he isn’t helped by Brian Sieve‘s poor script. There is the odd positive moment, mainly when Hannah’s twisted body offers a glimpse at something more sinister lurking inside her. But that’s about it.
“When you die, you die. End of story,” says Megan – and after 85 minutes we’re pleased it did.
Mark @ Carstairs Considers (2336 KP) rated Trust Me in Books
Mar 29, 2020
Claustrophobic Game of Cat and Mouse
Mercer Hennessey is a former reporter who is getting over a deep personal loss. Her life is altered when her former editor, Katherine, asks her to cover the Baby Boston trial. Ashlyn Bryant is about to go on trial for the death of her daughter, Tasha Nicole. Mercer is among those who is certain that Ashlyn is guilty, and Katherine is asking Mercer to write a book about the case and the trial. With the way it grabbed headlines, it is certain to be a best seller. Mercer reluctantly agrees, but Ashlyn’s constant claims of innocence begin to get to Mercer. As Mercer delves further into the book, Ashlyn begins to get into her head. What is true? Is Ashlyn guilty?
I had intended to read Hank Phillippi Ryan’s stand-alone suspense novels before now, but I’m glad I picked up this first one. The book starts out a little slowly. Yes, we are getting needed background, but it feels like it could have been shortened a little. However, once things really get going, I was completely hooked. This is a strong psychological suspense story as Mercer is forced to question everything she thinks is true. The almost claustrophobic feeling of this part of the book certainly helps with that. To pull this off, the characters have to be strong, and they absolutely are, making me question what I thought was going on the entire time. Once you start, you’ll have to know how this book ends.
I had intended to read Hank Phillippi Ryan’s stand-alone suspense novels before now, but I’m glad I picked up this first one. The book starts out a little slowly. Yes, we are getting needed background, but it feels like it could have been shortened a little. However, once things really get going, I was completely hooked. This is a strong psychological suspense story as Mercer is forced to question everything she thinks is true. The almost claustrophobic feeling of this part of the book certainly helps with that. To pull this off, the characters have to be strong, and they absolutely are, making me question what I thought was going on the entire time. Once you start, you’ll have to know how this book ends.
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