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Kristy H (1252 KP) rated The Girl with a Clock for a Heart in Books
Feb 13, 2018
George Foss is enjoying drinks with his on-again, off-again girlfriend, Irene, in a Boston bar when he is convinced he has spotted his college girlfriend, Liana. When George returns later that evening, his suspicions are confirmed. George hasn't seen Liana for twenty years, since she disappeared in a cloud of uncertain (and illegal) circumstances after their first semester freshmen year. As such, he knows that Liana has probably been on the run for the entire period. She quickly asks George for help, and he finds himself embroiled again in Liana's drama. Quickly he wonders if his safety (and hers) is at sake.
This is the second book I've read by Swanson now, and I've liked them both well-enough, but haven't been overly impressed with either. So many people seem to love him, so I was kind of disappointed that I didn't enjoy this one more. I never connected with any of the characters, and the book just sort of meandered about, taking a while to get to its various points. Yes, it certainly has some twists and turns, and some "aha" moments, but I was always waiting for some big shocking moment that never came. Instead, the plot was rather straightforward. George was a rather spineless creature who seemed to get into trouble easily, while Liana was never fully fleshed out. I would have liked to learned more about her - besides the fact that she was "heartless."
Overall, while I found the plot for this one intriguing, it didn't wow me, and I don't think this one will stay with me very long.
I received this novel via a Goodreads Giveaway in return for an unbiased review - thank you!
This is the second book I've read by Swanson now, and I've liked them both well-enough, but haven't been overly impressed with either. So many people seem to love him, so I was kind of disappointed that I didn't enjoy this one more. I never connected with any of the characters, and the book just sort of meandered about, taking a while to get to its various points. Yes, it certainly has some twists and turns, and some "aha" moments, but I was always waiting for some big shocking moment that never came. Instead, the plot was rather straightforward. George was a rather spineless creature who seemed to get into trouble easily, while Liana was never fully fleshed out. I would have liked to learned more about her - besides the fact that she was "heartless."
Overall, while I found the plot for this one intriguing, it didn't wow me, and I don't think this one will stay with me very long.
I received this novel via a Goodreads Giveaway in return for an unbiased review - thank you!
Gareth von Kallenbach (980 KP) rated The Wolves of Savin Hill (2014) in Movies
Aug 16, 2019
The indie movie, The Wolves of Savin Hill is a very fine directorial debut for John Beaton Hill. He also wrote this story where sentimentalities and brutality clash between two best friends who have lost touch over the years. In their youth, they made a promise youth that now haunts them as they are adults. In what results is a trial of what’s left of their friendship. In how this film treats the subject matter is like that of silent lucidity.
In what they have become, Tom (David Cooley) stayed in Boston only to grow up to be an alcoholic troublemaker and Sean (Brian Scannell) relocated to Los Angeles with Tom’s sister Emily to eventually work the beat as a cop with an axe to grind. Anyone who tries to mess with him often got the end of the stick. But when Emily is found dead and news reaches home, Tom goes to LA to confront Sean. The web of deceit he finds himself in is more than he can handle.
Cooley and Scannel deliver strong performances. The plot only gets stranger at every succeeding moment, and the draw this film creates gets viewers invested into wanting to understand the psyche of each of these leading men. Hill crafted a nicely enticing film that wraps two time periods together to reveal the darkest nature of what friends are willing to do for each other. The flashbacks are far more interesting than the now.
To reveal anymore information will only spoil the causality of how these two have to contend with each other. When this film hits more festivals, viewers can discover for themselves in what human nature means according to this filmmaker. The hills have eyes and what he sees may not be necessarily good.
In what they have become, Tom (David Cooley) stayed in Boston only to grow up to be an alcoholic troublemaker and Sean (Brian Scannell) relocated to Los Angeles with Tom’s sister Emily to eventually work the beat as a cop with an axe to grind. Anyone who tries to mess with him often got the end of the stick. But when Emily is found dead and news reaches home, Tom goes to LA to confront Sean. The web of deceit he finds himself in is more than he can handle.
Cooley and Scannel deliver strong performances. The plot only gets stranger at every succeeding moment, and the draw this film creates gets viewers invested into wanting to understand the psyche of each of these leading men. Hill crafted a nicely enticing film that wraps two time periods together to reveal the darkest nature of what friends are willing to do for each other. The flashbacks are far more interesting than the now.
To reveal anymore information will only spoil the causality of how these two have to contend with each other. When this film hits more festivals, viewers can discover for themselves in what human nature means according to this filmmaker. The hills have eyes and what he sees may not be necessarily good.
Gareth von Kallenbach (980 KP) rated Edge of Darkness (2010) in Movies
Aug 8, 2019
Mel Gibson is back on the screen in the winter thriller “Edge of Darkness”. Boston cop Thomas Craven (Gibson) is excited about his daughter Emma’s (Bojana Novakovic) visit home from her first post college employment position. Yet from the very start something seems wrong. Before dinner is even served a masked assailant kills Emma in cold blood on the porch of her father’s house leaving Officer Craven determined to figure out who killed his daughter and why which requires Craven to do this with or without the help of the law.
This is not a mystery but rather the story of a cop’s determination to avenge his daughter against impossible odds which are stacked with numerous shady characters that Craven must deal with to solve the murder, including senators, businessmen, and one title-less problem solver. Moreover, the flick walks directly into the muddy waters of morality, the law, business, and politics.
Tightly packed with characters, “Edge of Darkness” leaves little room for character development, thereby loosing much of the emotional response it seeks to create. However, the standout performance by Ray Winstone, who plays the insightful but questionably aligned Jedburgh, did lighten what otherwise is a dark and densely packed tale.
Further frustrating the viewer, the film’s ending is expected and not at all as dramatic as the buildup demanded. I left wondering why Gibson would remake the original award winning BBC-miniseries into a boring film that is ripe with undeveloped characters.
This thriller lacks the inventiveness or conclusion to make it worthy of Mel Gibson’s return. There were a couple of mildly tense moments and few well executed scenes but overall “Edge of Darkness” is really more of a substandard drama than an engaging thriller. The 117 minutes spent watching the “Edge of Darkness” was slightly enjoyable, but the story really is nothing new.
This is not a mystery but rather the story of a cop’s determination to avenge his daughter against impossible odds which are stacked with numerous shady characters that Craven must deal with to solve the murder, including senators, businessmen, and one title-less problem solver. Moreover, the flick walks directly into the muddy waters of morality, the law, business, and politics.
Tightly packed with characters, “Edge of Darkness” leaves little room for character development, thereby loosing much of the emotional response it seeks to create. However, the standout performance by Ray Winstone, who plays the insightful but questionably aligned Jedburgh, did lighten what otherwise is a dark and densely packed tale.
Further frustrating the viewer, the film’s ending is expected and not at all as dramatic as the buildup demanded. I left wondering why Gibson would remake the original award winning BBC-miniseries into a boring film that is ripe with undeveloped characters.
This thriller lacks the inventiveness or conclusion to make it worthy of Mel Gibson’s return. There were a couple of mildly tense moments and few well executed scenes but overall “Edge of Darkness” is really more of a substandard drama than an engaging thriller. The 117 minutes spent watching the “Edge of Darkness” was slightly enjoyable, but the story really is nothing new.
ClareR (5938 KP) rated Tuesday Mooney Wore Black in Books
Dec 3, 2019
I loved this book, which is packed with genuinely likeable characters and a mystery to solve. Tuesday Mooney is a bit of an enigma - at least to her gay best friend, Dex. She gives little away about herself, and tries to live apart from other people when she isn’t at work researching rich people who can make charitable donations to the hospital she works at. She loves all things gothic and horror. At a fundraising event, she meets Archie, a rich, possible-contributor to the hospital, and witnesses the death of the eccentric billionaire Vincent Pryce (not to be confused with Vincent Price!). Mr Pryce then sets in motion a treasure hunt across Boston, for anyone to take part in and potentially win a fortune. The clues are inspired by Edgar Allan Poe - something that Tuesday very much appreciates. She starts up a team with Archie (who is not at all who he seems to be), Dex and her teenaged Tuesday-wannabe next door neighbour, Dorry.
Tuesday’s backstory is fascinating and sad in equal measure, and it’s fortunate that she meets Dorry, a girl who misses her dead mother terribly. Tuesday misses her best friend Abby, who went missing without a trace as a 16/17 year old.
On the front cover, this looks as though it will be a YA paranormal/ horror novel. It’s not. There’s a smattering of the paranormal perhaps, but it’s certainly not a main theme. This is a mystery, where we also learn that to be yourself is the most important thing in life - as is friendship. I loved this book, and practically inhaled it on a long train journey. It’s a bit quirky, but it has a lot of heart (and hey, I like quirky!). Highly recommended.
Many thanks to NetGalley and Harper Collins for my copy of this book to read and review!
Tuesday’s backstory is fascinating and sad in equal measure, and it’s fortunate that she meets Dorry, a girl who misses her dead mother terribly. Tuesday misses her best friend Abby, who went missing without a trace as a 16/17 year old.
On the front cover, this looks as though it will be a YA paranormal/ horror novel. It’s not. There’s a smattering of the paranormal perhaps, but it’s certainly not a main theme. This is a mystery, where we also learn that to be yourself is the most important thing in life - as is friendship. I loved this book, and practically inhaled it on a long train journey. It’s a bit quirky, but it has a lot of heart (and hey, I like quirky!). Highly recommended.
Many thanks to NetGalley and Harper Collins for my copy of this book to read and review!
Walden & Civil Disobedience
Henry David Thoreau, Tom Griffith and Henry Claridge
6.0
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