"I do this playlist on Spotify [Ben Watt's Spincycle] and I stumbled across Gem Roses while doing it. My daughter was 15, 16 at the time, and she wandered into the room when I was playing this, and she suddenly stopped short. "Dad! This is Gem Club!" And I was all, "Yes! Yes it is." It was a really touching moment – this obscure band from Boston crossing over from a teenager to her old dad. We've always been hesitant about imposing music on the kids. When the girls were about seven, we showed them a video of us on Top of the Pops. They burst into tears. They couldn't cope with it. It was outside their comprehension. To them, we're just mum and dad. 
This record is very tender, beautiful and diaphanous. The music hovers, almost. It reminds me of Anthony and the Johnsons and The Antlers, and Christopher Barnes' voice is beautiful. There's a song about a doomed gay relationship, and you feel this different worldview being exposed to you in this very beautiful way. Gem Club supported me a few years ago, and I loved hearing them live. There's a quiet defiance to them, this outsider melancholy, that's hard to resist."

"Kristin Hersh is no ordinary musician, and her mind is unlike any other. In her memoir, Paradoxical Undressing, she captures what it’s like to be young and starting out, but this is a grazed reality, the top layer of skin stripped clean away. The book is based on a diary she kept when she was 18, which is, as she says, “the age when no one takes care of you”. It was a year when everything happened. She moved her band, Throwing Muses, from Providence, Rhode Island, to Boston. She was diagnosed as a schizophrenic, then bipolar. She was offered her first recording contract, with 4AD. She discovered she was pregnant. And she became unlikely friends with faded Hollywood movie star, Betty Hutton. “Betty sings about starlight and champagne,” Hersh writes. “I sing about dead rabbits and blow jobs.” Though Hutton was unpredictable and fragile (“Time is like a hurricane to her – a big, fast mess, sweeping her away”) she was also full of generosity, compassion and advice. “You have to leave things out to tell a story,” she once told Hersh. And Hersh listened. This female Kurt Cobain – he was a fan of her work – has forged her own brave path, often against enormous odds. And she writes better sentences than most writers do."