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JT (287 KP) rated Only God Forgives (2013) in Movies
Mar 10, 2020
Now here is a film that completely split critics. It’s not going to be everyone’s cup of tea and it’s clear to see why. Anyone expecting a well constructed follow up to Winding Refn’s hit Drive are going to be sorely disappointed, as Only God Forgives serves up a mix of beautiful neon visuals, character dreamscapes and minimal dialogue.
Julian (Ryan Gosling) runs a Thai boxing club deep in the heart of Bangkok using it as front for a drug smuggling ring with his brother. Events take a horrific turn when his brother rapes and murders an underage prostitute. Enter retired cop Chang (Vithaya Pansringarm), more well known as the ‘Angel of Vengeance’ who has a unique and almost godlike way of handing out retribution to those who cross his path.
When he allows Julian’s brother to be murdered by the father of the girl he killed, Julian’s mother Crystal and family matriarch heads out to demand that Julian take revenge for his brothers death.
Only God Forgives is a film doused in deep colours that awash the actors on screen and cast them in a variety of different lights. It feels a bit art house and at times arrogant. This must have been the easiest pay cheque that Gosling has ever picked up. He barely speaks and stamps any authority on screen by long drawn out stares of which he is the master.
Scott Thomas is not the mother figure that you would expect to have. Goading Julian into submission in a vile and disgusting manner she belittles him, prompting the question that he is half the man his brother is. She is one of the few standouts. All blonde hair and jewellery along with a arsenal of foul language. However, it will be Chang that leaves the afterthought, as he glides about unleashing his sword on those who stand in his way.
Only God Forgives is violent, and it is certainly not for the faint-hearted, the spilling of blood (particularly one hard to watch scene) is in keeping with the tonal colour of the setting. It doesn’t have Drive’s slickness but does come with an equally pulsating sound track.
There is no arguing that from a cinematography point of view this film his head and shoulders above others. But there is the odd occasion when you really have to question the director and what it was that he set out to achieve?
Julian (Ryan Gosling) runs a Thai boxing club deep in the heart of Bangkok using it as front for a drug smuggling ring with his brother. Events take a horrific turn when his brother rapes and murders an underage prostitute. Enter retired cop Chang (Vithaya Pansringarm), more well known as the ‘Angel of Vengeance’ who has a unique and almost godlike way of handing out retribution to those who cross his path.
When he allows Julian’s brother to be murdered by the father of the girl he killed, Julian’s mother Crystal and family matriarch heads out to demand that Julian take revenge for his brothers death.
Only God Forgives is a film doused in deep colours that awash the actors on screen and cast them in a variety of different lights. It feels a bit art house and at times arrogant. This must have been the easiest pay cheque that Gosling has ever picked up. He barely speaks and stamps any authority on screen by long drawn out stares of which he is the master.
Scott Thomas is not the mother figure that you would expect to have. Goading Julian into submission in a vile and disgusting manner she belittles him, prompting the question that he is half the man his brother is. She is one of the few standouts. All blonde hair and jewellery along with a arsenal of foul language. However, it will be Chang that leaves the afterthought, as he glides about unleashing his sword on those who stand in his way.
Only God Forgives is violent, and it is certainly not for the faint-hearted, the spilling of blood (particularly one hard to watch scene) is in keeping with the tonal colour of the setting. It doesn’t have Drive’s slickness but does come with an equally pulsating sound track.
There is no arguing that from a cinematography point of view this film his head and shoulders above others. But there is the odd occasion when you really have to question the director and what it was that he set out to achieve?
Gareth von Kallenbach (971 KP) rated Olympus Has Fallen (2013) in Movies
Aug 7, 2019
Mike Banning (Butler) is a Secret Service agent in the Presidential detail, and it could be argued a friend to the President; he even lands a punch in an opening boxing practice. All of that changes when, during a horrible automobile accident, the President’s wife is killed. Mike couldn’t save them both, so he chose to save the President. After making “the right call”, as his director (Angela Bassett) tells him; the President just couldn’t stand to be reminded of the failure and moves Mike to the Treasury. Mike wants back into the detail, and he gets his chance when a Korean terrorist infiltrates the White House and all of the fail safes in place to keep an incursion from happening. Banning jumps into action and becomes the only one left/able to save the President and his son.
Admittedly I am a Gerard Butler fan. I see this character as a watered-down, but trying really hard, version of John McLane ala Die Hard. Except the one liners feel forced, not funny, as does the unwarranted use of foul language. A New York cop is one thing for cursing, but it just doesn’t feel right seeing it come out of a Secret Service Agent. Morgan Freeman does an excellent job portraying a man making the tough decisions as Speaker Trumbull (the acting President for much of the movie); he makes mistakes and corrects his actions based on those mistakes. Aaron Eckhart is ok as the President, but doesn’t have the gravity needed to really pull that level of authority off; he is very much an every-man version of the President. His relationship with his son and that of Banning’s and the President’s son is very believable and heartfelt.
While action packed and fast paced; the plot is wholly unbelievable. Maybe I’m just an arrogant American, but I highly doubt the sheer number of protocols that were breached would actually happen. It felt like Eckhart’s character was overriding them through the whole attack sequence. I actually could believe the amount of time it took to respond to the call, but I’ve been to the North Lawn, and could see the snipers from the street and on the surrounding buildings. The White House is just too protected to make an assault like the one depicted.
I enjoyed the movie as long as I didn’t think too much about what was actually happening.
Admittedly I am a Gerard Butler fan. I see this character as a watered-down, but trying really hard, version of John McLane ala Die Hard. Except the one liners feel forced, not funny, as does the unwarranted use of foul language. A New York cop is one thing for cursing, but it just doesn’t feel right seeing it come out of a Secret Service Agent. Morgan Freeman does an excellent job portraying a man making the tough decisions as Speaker Trumbull (the acting President for much of the movie); he makes mistakes and corrects his actions based on those mistakes. Aaron Eckhart is ok as the President, but doesn’t have the gravity needed to really pull that level of authority off; he is very much an every-man version of the President. His relationship with his son and that of Banning’s and the President’s son is very believable and heartfelt.
While action packed and fast paced; the plot is wholly unbelievable. Maybe I’m just an arrogant American, but I highly doubt the sheer number of protocols that were breached would actually happen. It felt like Eckhart’s character was overriding them through the whole attack sequence. I actually could believe the amount of time it took to respond to the call, but I’ve been to the North Lawn, and could see the snipers from the street and on the surrounding buildings. The White House is just too protected to make an assault like the one depicted.
I enjoyed the movie as long as I didn’t think too much about what was actually happening.
Mel Rodriguez recommended Raging Bull (1980) in Movies (curated)
Debbiereadsbook (1102 KP) rated His Lordship's Secret (His Lordship’s Mysteries #1) in Books
Mar 24, 2022
didn't get the whodunnit!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
Someone is trying to kill Alfred, so who would make a better bodyguard than a ruffain from a boxing match? Dominick, thats who, but finding the boy who saved him in the man before him makes Alfred want things, things that could get them both locked up, or worse. Makes a blackmailer a walk in the park. Dominick, finding Alfie before him, in need of a body guard, has feelings that he wasn't sure ever went away: protecting little Alfie was now his life's work. Those pesky feelings aren't reciprocated, are they?
Alfie is lovely! He wants to keep his family wealth but his cousin is happy to pee it up the wall, Alfie cares, but Reginald does not. Dominick cares, but really only about Alfie. The little boy who stole his heart has grown into a beautiful man, one who needs to stay alive, and Dominick will keep him so, even if it costs Dominick a good deal more than his heart.
It's quite emotional, in places. Dealing with growing up in a poorhouse, and then thrown into High Society would mess with anyone's head and Alfie mostly does seem to have taken it all in his stride. Mostly. Dominck is a street man, doing what he needs to do to stay alive, even if he doesn't want to do those things. A bit violent, but dealing with life on London's streets in the 1800s was never gonna be a picnic. Poor Dominick bears the brunt of that!
There is love here, but very little actual smexy time. It concentrates more on who is trying to kill Alfie, and the feelings that grow over time, between these two.
I loved that the whodunnit was so NOT who I was expecting, nor was it WHY! I love being kept on my toes!
I liked this, I liked it a lot. It doesn't quite have the punch that the other book I read by this author does, but I think its a close call! I have book 2 to read shortly, look forward to see where the author is going with these two, besides Scotland!
4 solid stars
*same worded review will appear elsewhere
Someone is trying to kill Alfred, so who would make a better bodyguard than a ruffain from a boxing match? Dominick, thats who, but finding the boy who saved him in the man before him makes Alfred want things, things that could get them both locked up, or worse. Makes a blackmailer a walk in the park. Dominick, finding Alfie before him, in need of a body guard, has feelings that he wasn't sure ever went away: protecting little Alfie was now his life's work. Those pesky feelings aren't reciprocated, are they?
Alfie is lovely! He wants to keep his family wealth but his cousin is happy to pee it up the wall, Alfie cares, but Reginald does not. Dominick cares, but really only about Alfie. The little boy who stole his heart has grown into a beautiful man, one who needs to stay alive, and Dominick will keep him so, even if it costs Dominick a good deal more than his heart.
It's quite emotional, in places. Dealing with growing up in a poorhouse, and then thrown into High Society would mess with anyone's head and Alfie mostly does seem to have taken it all in his stride. Mostly. Dominck is a street man, doing what he needs to do to stay alive, even if he doesn't want to do those things. A bit violent, but dealing with life on London's streets in the 1800s was never gonna be a picnic. Poor Dominick bears the brunt of that!
There is love here, but very little actual smexy time. It concentrates more on who is trying to kill Alfie, and the feelings that grow over time, between these two.
I loved that the whodunnit was so NOT who I was expecting, nor was it WHY! I love being kept on my toes!
I liked this, I liked it a lot. It doesn't quite have the punch that the other book I read by this author does, but I think its a close call! I have book 2 to read shortly, look forward to see where the author is going with these two, besides Scotland!
4 solid stars
*same worded review will appear elsewhere
LeftSideCut (3778 KP) rated The Incredible Hulk (2008) in Movies
Feb 11, 2020 (Updated Apr 7, 2020)
The second entry into the ever expanding MCU has it's flaws, but it's still an entertaining enough monster movie featuring one of Marvel Comics most beloved characters.
Edward Norton is a fantastic actor, and his involvement here as Bruce Banner is an inspired choice. It's a shame that behind the scenes politics resulted in him leaving the franchise so soon, even though I love Mark Ruffalo!
He plays Banner as a fairly broody individual, but with an awkward edge, a man who's constantly in fear if what he can turn into.
Liv Tyler plays Betty Ross, and she's pretty much just Liv Tyler throughout. She's actually pretty charming as the character and it would be nice to see her turn up in future MCU films (hey, if they can get Natalie Portman involved again then surely it's a possibility!)
Tim Roth and William Hurt play the antagonists to Banner, and are both enjoyable in the more villainous roles, even if Roth is more or less relegated to spouting out cheesy one liners. Hurt has of course reprised his role in later films and is a welcome main stay in the franchise.
We also have Tim Blake Nelson and Ty Burrell, set up as future characters (The Leader and Doc Samson respectively), but neither of these have yet to come to fruition, so as it stands, both feel like wasted opportunities.
The narrative is pretty straightforward as Banner is pursued across the planet, but it gets the job done, ending in a big showdown between Hulk and Abomination in the middle of Harlem.
One of my main criticisms stems from this scene actually, with the film climaxing in a big CGI fight, between the hero, and an evil version of the hero, exactly like in Iron Man, and unfortunately, in a fair few MCU films further down the line (Iron Man 2, Black Panther, Ant Man). The CGI, whilst still good enough, doesn't hold up anywhere near as well as Iron Man however (which came out in the same year), and the green/grey colour scheme of both characters, and the night-time setting, gives the whole scene a dull edge, even if Hulk does tear a car in half and use both halves as boxing gloves...
The Incredible Hulk is a mostly decent film, but it shows signs of a franchise still finding its feet, and these signs grow in obviousness the older it gets, which is a big contrast when compared to the confident nature of Iron Man.
It also feels a bit stuck in the "look at this cool shot" superhero formula that became rampant during the 2000s.
It's still a fun film however, and deserves it's place in a Marvel movie marathon.
Edward Norton is a fantastic actor, and his involvement here as Bruce Banner is an inspired choice. It's a shame that behind the scenes politics resulted in him leaving the franchise so soon, even though I love Mark Ruffalo!
He plays Banner as a fairly broody individual, but with an awkward edge, a man who's constantly in fear if what he can turn into.
Liv Tyler plays Betty Ross, and she's pretty much just Liv Tyler throughout. She's actually pretty charming as the character and it would be nice to see her turn up in future MCU films (hey, if they can get Natalie Portman involved again then surely it's a possibility!)
Tim Roth and William Hurt play the antagonists to Banner, and are both enjoyable in the more villainous roles, even if Roth is more or less relegated to spouting out cheesy one liners. Hurt has of course reprised his role in later films and is a welcome main stay in the franchise.
We also have Tim Blake Nelson and Ty Burrell, set up as future characters (The Leader and Doc Samson respectively), but neither of these have yet to come to fruition, so as it stands, both feel like wasted opportunities.
The narrative is pretty straightforward as Banner is pursued across the planet, but it gets the job done, ending in a big showdown between Hulk and Abomination in the middle of Harlem.
One of my main criticisms stems from this scene actually, with the film climaxing in a big CGI fight, between the hero, and an evil version of the hero, exactly like in Iron Man, and unfortunately, in a fair few MCU films further down the line (Iron Man 2, Black Panther, Ant Man). The CGI, whilst still good enough, doesn't hold up anywhere near as well as Iron Man however (which came out in the same year), and the green/grey colour scheme of both characters, and the night-time setting, gives the whole scene a dull edge, even if Hulk does tear a car in half and use both halves as boxing gloves...
The Incredible Hulk is a mostly decent film, but it shows signs of a franchise still finding its feet, and these signs grow in obviousness the older it gets, which is a big contrast when compared to the confident nature of Iron Man.
It also feels a bit stuck in the "look at this cool shot" superhero formula that became rampant during the 2000s.
It's still a fun film however, and deserves it's place in a Marvel movie marathon.
Naomi Forrest (42 KP) rated The Missing Barbegazi in Books
Jan 4, 2019
This is Helle Norup's debut novel and was featured as a Sunday Times Children's Book of the Year. It is magical and the perfect book to read as you curl up in your pyjamas with a cup of hot chocolate.
A Barbegazi, in case you are wondering as I did, is a type of Swiss mountain/snow elf with a long beard that can only live in freezing conditions and has a severe intolerance to iron. The story is told from the point of view of Tessa, a young skier and Gaiwon, a barbegazi who is hunting for his missing sister. No-one believes the barbegazi exist anymore except Tessa. The only other believer was her recently deceased opa (grandad) and a professor who wrote about them years before. The barbegazi, for their part, rescue humans who have been trapped and injured in avalanches, erasing their memories afterwards. They are extremely mistrusting of humans.
. Norup's passion for skiing, the Alps and magic are clear throughout the novel and I think this is what makes the story so captivating. I loved the development of Tessa from grieving for her grandfather and wanting everybody to believe he was right about the barbegazi to realising that fame and proving a point are less important than trust and friendship. She never wavers in her faith that the barbegazi still exist and is a headstrong and loveable character.
The highlight for me was definitely reading about the barbegazi themselves. I particularly love that despite being more than a hundred old, Gaiwon's parents still treat him like a child. I loved the argument between Gaiwon and his father as Gaiwon shouts "I cannot wait to get my own cave" and his father retorts: "You can build one right now. And take your sesquicentennial hormones with you." This highlights that Norup doesn't 'write down' to the target audience but includes wide ranging vocabulary, as well as her own inventions, such as 'potzblitz', an emphatic expression of the barbegazi.
There is peril throughout the book though this is very mild. Tessa learns that people are not always as trustworthy as they seem. I always love the text-book sections that punctuate the novel (see photo below), describing features and traits of the barbegazi. This is really effective with ambitious vocabulary for children and introduces them to another style of writing, combining fictive and non-fiction styles. The book is set between Boxing Day and New Year's Eve, that magical time when you don't know what day it really is and we are all enjoying the post-Christmas days where we live in our pyjamas, eat too much and don't really do much of anything except relax and catch up. It was simply the most perfect time to read this book and imagine I was in a gorgeous Alpine ski lodge, surrounded by magical folk who will keep me safe in the snow. This is a fantastic debut novel and I really can't wait to see what Norup offers up next. Thanks for making my Christmas even more magical, Helle!
A Barbegazi, in case you are wondering as I did, is a type of Swiss mountain/snow elf with a long beard that can only live in freezing conditions and has a severe intolerance to iron. The story is told from the point of view of Tessa, a young skier and Gaiwon, a barbegazi who is hunting for his missing sister. No-one believes the barbegazi exist anymore except Tessa. The only other believer was her recently deceased opa (grandad) and a professor who wrote about them years before. The barbegazi, for their part, rescue humans who have been trapped and injured in avalanches, erasing their memories afterwards. They are extremely mistrusting of humans.
. Norup's passion for skiing, the Alps and magic are clear throughout the novel and I think this is what makes the story so captivating. I loved the development of Tessa from grieving for her grandfather and wanting everybody to believe he was right about the barbegazi to realising that fame and proving a point are less important than trust and friendship. She never wavers in her faith that the barbegazi still exist and is a headstrong and loveable character.
The highlight for me was definitely reading about the barbegazi themselves. I particularly love that despite being more than a hundred old, Gaiwon's parents still treat him like a child. I loved the argument between Gaiwon and his father as Gaiwon shouts "I cannot wait to get my own cave" and his father retorts: "You can build one right now. And take your sesquicentennial hormones with you." This highlights that Norup doesn't 'write down' to the target audience but includes wide ranging vocabulary, as well as her own inventions, such as 'potzblitz', an emphatic expression of the barbegazi.
There is peril throughout the book though this is very mild. Tessa learns that people are not always as trustworthy as they seem. I always love the text-book sections that punctuate the novel (see photo below), describing features and traits of the barbegazi. This is really effective with ambitious vocabulary for children and introduces them to another style of writing, combining fictive and non-fiction styles. The book is set between Boxing Day and New Year's Eve, that magical time when you don't know what day it really is and we are all enjoying the post-Christmas days where we live in our pyjamas, eat too much and don't really do much of anything except relax and catch up. It was simply the most perfect time to read this book and imagine I was in a gorgeous Alpine ski lodge, surrounded by magical folk who will keep me safe in the snow. This is a fantastic debut novel and I really can't wait to see what Norup offers up next. Thanks for making my Christmas even more magical, Helle!
Gareth von Kallenbach (971 KP) rated Creed II (2018) in Movies
Jun 19, 2019
Since his spectacular fight which ended in a loss at the conclusion of “Creed”, Adonis Johnson Creed (Michael B. Jordan) has won his next six bouts and then pulls off an impressive victory to become the new Heavyweight Champion.
Life is good for the new champion as he believes he has moved out of the shadow of his legendary father and is ready to settle down with Bianca (Tessa Thompson) and move ahead with life.
At the same time, former Russian Champion Ivan Drago (Dolph Lundgren) is training his son Viktor (Florian Munteanu) in Kiev to become and even more devastating boxer than he was. Ivan has suffered much since losing to Rocky in “Rocky IV” as his wife has left him and he has been shunned and cast out of the country which once lauded him as their prize athlete. Losing to Rocky in Moscow in front of numerous dignitaries has ruined him and made his life a shell of what he was leaving him and his son cold, bitter, and driven.
When the opportunity for Viktor and Adonis to box is presented, Rocky (Sylvester Stallone) advises Adonis not to take the match. Rocky recounts that not only did Ivan kill his father in the ring, but in beating him, Rocky suffered injuries which ended his boxing career and have never fully healed.
Despite the warnings, Adonis takes the match and is unprepared for the raw brutality that Viktor presents and sufferers a horrific beating but manages to hold his title due to a technicality.
The film then follows a standard redemption story of Adonis trying to recover, face his fears, train, and find a new level of strength that he has never shown before. The climatic fight is very entertaining and well-staged and had fans at our screening reacting with cheers and dismay as the punches landed.
The film does follow some very familiar territory for the series from the emotional highs and lows of the ring, battling yourself as well as an opponent, the grueling training session, and of course the big match at the end.
Stallone gives another moving and solid performance as the aging Rocky showing that his Academy Award nominated turn in the prior film was not a fluke. What was also impressive was how Dolph Lundgren returned to a role he initially had reservations about doing and gave Drago a sympathetic side even though he is a bad guy in the film. We see a man desperate to recover what he was and who is devastated by what life has dealt him but forces himself to examine the past as he guides his son’s future.
Jordan carries a lot of swagger with his character and while the story attempts to show a softer side of his character; he is not as sympathetic as he was in the past film. I noted that Rocky was much easier to get behind as he was a more sympathetic underdog at times. That is part of what makes the series so interesting in that Rocky is still there as a presence over Adonis to guide and inform him to try to make him a true champion while allowing him to have his own identity and style.
If you are a fan of the series, then you should enjoy this next offering as long as you do not mind the formula for much of the series repeated.
http://sknr.net/2018/11/20/creed-ii/
Life is good for the new champion as he believes he has moved out of the shadow of his legendary father and is ready to settle down with Bianca (Tessa Thompson) and move ahead with life.
At the same time, former Russian Champion Ivan Drago (Dolph Lundgren) is training his son Viktor (Florian Munteanu) in Kiev to become and even more devastating boxer than he was. Ivan has suffered much since losing to Rocky in “Rocky IV” as his wife has left him and he has been shunned and cast out of the country which once lauded him as their prize athlete. Losing to Rocky in Moscow in front of numerous dignitaries has ruined him and made his life a shell of what he was leaving him and his son cold, bitter, and driven.
When the opportunity for Viktor and Adonis to box is presented, Rocky (Sylvester Stallone) advises Adonis not to take the match. Rocky recounts that not only did Ivan kill his father in the ring, but in beating him, Rocky suffered injuries which ended his boxing career and have never fully healed.
Despite the warnings, Adonis takes the match and is unprepared for the raw brutality that Viktor presents and sufferers a horrific beating but manages to hold his title due to a technicality.
The film then follows a standard redemption story of Adonis trying to recover, face his fears, train, and find a new level of strength that he has never shown before. The climatic fight is very entertaining and well-staged and had fans at our screening reacting with cheers and dismay as the punches landed.
The film does follow some very familiar territory for the series from the emotional highs and lows of the ring, battling yourself as well as an opponent, the grueling training session, and of course the big match at the end.
Stallone gives another moving and solid performance as the aging Rocky showing that his Academy Award nominated turn in the prior film was not a fluke. What was also impressive was how Dolph Lundgren returned to a role he initially had reservations about doing and gave Drago a sympathetic side even though he is a bad guy in the film. We see a man desperate to recover what he was and who is devastated by what life has dealt him but forces himself to examine the past as he guides his son’s future.
Jordan carries a lot of swagger with his character and while the story attempts to show a softer side of his character; he is not as sympathetic as he was in the past film. I noted that Rocky was much easier to get behind as he was a more sympathetic underdog at times. That is part of what makes the series so interesting in that Rocky is still there as a presence over Adonis to guide and inform him to try to make him a true champion while allowing him to have his own identity and style.
If you are a fan of the series, then you should enjoy this next offering as long as you do not mind the formula for much of the series repeated.
http://sknr.net/2018/11/20/creed-ii/
Daniel Boyd (1066 KP) rated Sons of Anarchy - Season 1 in TV
Jul 21, 2017
The Sins of The Father Are Visited On The Sons…
When this show initially premiered I dismissed it entirely. I instantly assumed that it was just some manly, cheesy rubbish that wasn’t worth my time. How small minded of me. It was only after the caretaker in my work recommended that I give it a go that I went back to it. For the first few episodes, it seemed as though I was right. A bunch of leather clad manly bikers shooting up rival gangs and blowing stuff up, but stick with this show and you will see just how deep the rabbit hole really goes. The writing here is phenomenal, the show was created and co-written by Kurt Sutter, who also plays Otto in the show. He is clearly a literary genius, as he also penned The Shield, as well as the recent, brilliantly written Jake Gyllenhall boxing movie, Southpaw. The show follows a gang of bikers called SAMCRO, (the Sons of Anarchy Motorcycle Club Redwood Original,) loosely based on the real life biker gang, The Hell’s Angels, (a few of which’s members actually have cameo roles in the show,) our protagonist is a young man named Jackson Teller, he is the son of John Teller, the original founder of the biker gang. Soon after Jax was born, his father was killed in a traffic collision, although it is suspected that there is more to his death than just that. Since then his mother Gemma has remarried to the current President of the gang, a man called Clay Morrow, who was also John Teller’s best friend and who co-founded the gang along with JT. When the show begins Jax is Clay’s Vice president, or VP and when Clay begins to lead the club on what Jax sees as a more violent, destructive path, he opposes him and he seeks a way to maintain the club, without having to kill anyone or take part in any shady business. Clay sees Jax as an idealist and tells him so, but Jax is persistent in his ideals, as he believes that this is the way that his Father would have wanted the club to be ran. The supporting cast of characters also add a lot to the overarching plot and each have their own respective back stories. There is Tara, Jax’s ex girlfriend, whom he falls back in love with, Gemma, who is Jax’s mother and the matriarch of the club, then there is Tig, Clay’s triggerman initially, but as the show goes on we see that he has a softer side, then there is Opie, Jax’s best friend from a young age who initially wants to leave the biker life behind, but after certain events in the first season of the show unfold, circumstances force him to stay by Jax’s side. There is also Chibs, the Scotsman who doesn’t mess about when it comes to dealing with a problem, there is also Happy, an emotional psychopath who is also played brilliantly by a real life ex Hell’s Angel member. Then there is Juice, a young Latino man who struggles with his personal demons throughout the show and lastly there is Bobby Elvis, another older member of the group who may be a big softie on the cover, but can also handle himself if anyone tries to cross him. From after the first season, the plot begins to twist and turn as we witness several double crosses and multiple agendas come into play and one of my favourite things about this show is that even though Jax is clearly the protagonist, he isn’t always the good guy and he makes some questionable decisions when he is put under pressure. I don’t want to say much else as I’m worried that I will spoil the show, but it definitely is worth your time and I would definitely recommend this show to anyone who is interested in a good crime saga.
postapocalypticplayground (27 KP) rated Heart of Thorns (Heart of Thorns #1) in Books
Aug 13, 2018
Firstly, I did enjoy Heart of Thorns, I found it an easy going read with lots going on and some twists I genuinely didn't see coming. Whilst Mia is the MC, I have to say that Quin does actually steal the show. As far as character development goes his transformation from formal and unemotional prince to what he becomes is a real joy to read with so many facets of his personality. I liked the way that the history of the world we find ourselves in is laid out conversationally rather than in one big chunk. The journey Mia and Quin find themselves on is long and for the most part without peril so it's the perfect way to fill the time. Given Quin's sheltered upbringing at the castle it's not so far fetched that given his fathers fears, he would know very little of the surrounding lands. Mia does struggle to get out her one dimension though, which I don't know if is by design to explain things later on or whether she simply needed a bit more breathing room and perhaps a different focus from time to time. Things really felt like she was too transfixed on righting the wrongs of the past to focus upon the present dangers.
The book also raises a lot about feminism, I have to say that it take a while to get to this point and to start I felt it was yet again another misrepresentation that Fighter = Feminist but thankfully all that changed. It makes much of the differences in society between men and women and how women need to fight to be anything but a pair of legs that needed to open. The origins of the magic within the story are really quite heartbreaking and born out of a necessity for self preservation which naturally becomes misrepresented and skewed over time to make magic a true evil which is feared by men. There is an element of the macabre in the King's fascination with the slaughter of those with magic and his trophy room will have your stomach clenching.
This book does misdirection well and it's all the more easier to achieve with a large supporting cast. I genuinely was left with a number of WTF moments as the story went on, I had to re-read a few pages just to confirm that the twist was as awesome as it was and this book has them in spades towards the end.
However, all this needs to be offset by some things that made it fall just short for me. It's clear that Mia has studied medicine, but her overly complex use of medical descriptions of bodily parts is unnecessary and makes for jarring reading "She dug her fingertips into the bridge of her nose. 'The sphenoid bone. It's like my whole cerebrum is on fire." Why not just say she had a headache? It's also mega tropey - I don't as a rule mind tropes in books, they exist for a reason but this book turned out so many including the ever present MC as a huntress with the sister who dreamed of marrying a nice prince, that I found my eyes rolling. There is also a lot of tick boxing going on in respect of LGBT diversity, there was a neon sign for one character as if the author was labouring the point - the disappointing thing is that this element did fit organically into the story in a really beautiful yet heartbreaking way at a later time which made me feel that the earlier depiction was somewhat unnecessary.
Whilst there are some failings, this is an enjoyable read with plenty of magic, mystery, and misdirection and if you are in the mood for an adventure you will hopefully enjoy Heart of Thorns
3*
The book also raises a lot about feminism, I have to say that it take a while to get to this point and to start I felt it was yet again another misrepresentation that Fighter = Feminist but thankfully all that changed. It makes much of the differences in society between men and women and how women need to fight to be anything but a pair of legs that needed to open. The origins of the magic within the story are really quite heartbreaking and born out of a necessity for self preservation which naturally becomes misrepresented and skewed over time to make magic a true evil which is feared by men. There is an element of the macabre in the King's fascination with the slaughter of those with magic and his trophy room will have your stomach clenching.
This book does misdirection well and it's all the more easier to achieve with a large supporting cast. I genuinely was left with a number of WTF moments as the story went on, I had to re-read a few pages just to confirm that the twist was as awesome as it was and this book has them in spades towards the end.
However, all this needs to be offset by some things that made it fall just short for me. It's clear that Mia has studied medicine, but her overly complex use of medical descriptions of bodily parts is unnecessary and makes for jarring reading "She dug her fingertips into the bridge of her nose. 'The sphenoid bone. It's like my whole cerebrum is on fire." Why not just say she had a headache? It's also mega tropey - I don't as a rule mind tropes in books, they exist for a reason but this book turned out so many including the ever present MC as a huntress with the sister who dreamed of marrying a nice prince, that I found my eyes rolling. There is also a lot of tick boxing going on in respect of LGBT diversity, there was a neon sign for one character as if the author was labouring the point - the disappointing thing is that this element did fit organically into the story in a really beautiful yet heartbreaking way at a later time which made me feel that the earlier depiction was somewhat unnecessary.
Whilst there are some failings, this is an enjoyable read with plenty of magic, mystery, and misdirection and if you are in the mood for an adventure you will hopefully enjoy Heart of Thorns
3*
Movie Metropolis (309 KP) rated Tomb Raider (2018) in Movies
Jun 10, 2019
Contains little tomb raiding
Academy Award-winner Alicia Vikander is probably not the first choice for many to portray legendary video game character, Lara Croft. Perhaps Jennifer Lawrence, Natalie Portman or even Keira Knightley would have been above Vikander to be in with a shot of bagging the role?
That’s all conjecture anyway as Vikander is the leading lady we have ended up with, for better or for worse. But is this Tomb Raider reboot the film to end that dreaded video game to movie curse and can Vikander take on the role that Angelina Jolie made so famous back in the early 00s? Read on to find out.
Lara Croft (Vikander) is the fiercely independent daughter of an eccentric adventurer (Dominic West) who vanished years earlier. Hoping to solve the mystery of her father’s disappearance, Croft embarks on a perilous journey to his last-known destination – a fabled tomb on a mythical island that might be somewhere off the coast of Japan. The stakes couldn’t be higher as Lara must rely on her sharp mind, blind faith and stubborn spirit to venture into the unknown.
Director Roar Uthaug, who only has a few Swedish movies to his name, directs a decent, if not outstanding adaptation of the famous character’s origins story that features some nifty action set-pieces intertwined with a hectic and often nausea-inducing filming style. It doesn’t break the video game to movie curse, but it’s a good shot.
Unfortunately, the cast is one of the film’s weakest points. Vikander is a whiny, self-absorbed brat for the majority of the runtime, only letting this insipid persona go in the latter half of the movie. This is through no fault of her own as her performance is as solid as we’ve come to expect from the actress, but the script really lets her down. The film starts off poorly with a messily edited boxing match giving way to a rather implausible bike chase that ends with Vikander face planting the bonnet of a police car. Thankfully, this is as bad as it gets.
From then on, the audience is treated to a selection of thrilling set-pieces, populated by some very good CGI indeed. It’s just unfortunate the characters lack any sort of presence whatsoever. Outside of Vikander’s insipid Lara, the rest of the cast are merely there to offer expositional dialogue. Dominic West in particular, who plays Lara’s father, spouts nothing but exposition, even narrating certain parts of the movie.
Apart from a couple of scenes involving Nick Frost as a greedy pawnbroker, Tomb Raider is devoid of any sense of fun whatsoever
Elsewhere, for a film called Tomb Raider, there’s very little tomb raiding to be had. In fact, it feels like a hybrid of Kong: Skull Island,The Mummy, Indiana Jones and The Hunger Games and for this reason it lacks a sense of identity and any originality whatsoever.
Cinematography wise, Tomb Raider is competent but not exceptional. The shot choices are limited and the action is sometimes messily edited to the point where it’s difficult to tell exactly what it is that’s going on. It avoids unnecessary shaky cam, which is a miracle in itself but it’s not the best the genre has to offer.
Unfortunately, director Roar Uthaug’s idea to go the complete opposite of many blockbusters nowadays results in a film that really doesn’t have a sense of humour. Apart from a couple of scenes involving Nick Frost as a greedy pawnbroker, Tomb Raider is devoid of any sense of fun whatsoever. It seems the scriptwriters missed the memo about the premise being absolutely ridiculous – a dose of humour would have done this tale a world of good.
Overall, Tomb Raider is a decent stab at resurrecting a character that Angelina Jolie performed so well over the course of her two films in the early 00s. Alicia Vikander plays a very different Lara Croft to Jolie and whilst she may need a couple more films for us to get acquainted with her, she’s off to a reasonable if unoriginal start. Whether or not she gets the chance to tomb raid again remains to be seen, it all depends on those box-office numbers.
https://moviemetropolis.net/2018/03/16/tomb-raider-review-contains-little-tomb-raiding/
That’s all conjecture anyway as Vikander is the leading lady we have ended up with, for better or for worse. But is this Tomb Raider reboot the film to end that dreaded video game to movie curse and can Vikander take on the role that Angelina Jolie made so famous back in the early 00s? Read on to find out.
Lara Croft (Vikander) is the fiercely independent daughter of an eccentric adventurer (Dominic West) who vanished years earlier. Hoping to solve the mystery of her father’s disappearance, Croft embarks on a perilous journey to his last-known destination – a fabled tomb on a mythical island that might be somewhere off the coast of Japan. The stakes couldn’t be higher as Lara must rely on her sharp mind, blind faith and stubborn spirit to venture into the unknown.
Director Roar Uthaug, who only has a few Swedish movies to his name, directs a decent, if not outstanding adaptation of the famous character’s origins story that features some nifty action set-pieces intertwined with a hectic and often nausea-inducing filming style. It doesn’t break the video game to movie curse, but it’s a good shot.
Unfortunately, the cast is one of the film’s weakest points. Vikander is a whiny, self-absorbed brat for the majority of the runtime, only letting this insipid persona go in the latter half of the movie. This is through no fault of her own as her performance is as solid as we’ve come to expect from the actress, but the script really lets her down. The film starts off poorly with a messily edited boxing match giving way to a rather implausible bike chase that ends with Vikander face planting the bonnet of a police car. Thankfully, this is as bad as it gets.
From then on, the audience is treated to a selection of thrilling set-pieces, populated by some very good CGI indeed. It’s just unfortunate the characters lack any sort of presence whatsoever. Outside of Vikander’s insipid Lara, the rest of the cast are merely there to offer expositional dialogue. Dominic West in particular, who plays Lara’s father, spouts nothing but exposition, even narrating certain parts of the movie.
Apart from a couple of scenes involving Nick Frost as a greedy pawnbroker, Tomb Raider is devoid of any sense of fun whatsoever
Elsewhere, for a film called Tomb Raider, there’s very little tomb raiding to be had. In fact, it feels like a hybrid of Kong: Skull Island,The Mummy, Indiana Jones and The Hunger Games and for this reason it lacks a sense of identity and any originality whatsoever.
Cinematography wise, Tomb Raider is competent but not exceptional. The shot choices are limited and the action is sometimes messily edited to the point where it’s difficult to tell exactly what it is that’s going on. It avoids unnecessary shaky cam, which is a miracle in itself but it’s not the best the genre has to offer.
Unfortunately, director Roar Uthaug’s idea to go the complete opposite of many blockbusters nowadays results in a film that really doesn’t have a sense of humour. Apart from a couple of scenes involving Nick Frost as a greedy pawnbroker, Tomb Raider is devoid of any sense of fun whatsoever. It seems the scriptwriters missed the memo about the premise being absolutely ridiculous – a dose of humour would have done this tale a world of good.
Overall, Tomb Raider is a decent stab at resurrecting a character that Angelina Jolie performed so well over the course of her two films in the early 00s. Alicia Vikander plays a very different Lara Croft to Jolie and whilst she may need a couple more films for us to get acquainted with her, she’s off to a reasonable if unoriginal start. Whether or not she gets the chance to tomb raid again remains to be seen, it all depends on those box-office numbers.
https://moviemetropolis.net/2018/03/16/tomb-raider-review-contains-little-tomb-raiding/