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Blazing Minds (92 KP) rated Wild Rose (2018) in Movies
Nov 1, 2021 (Updated Nov 3, 2021)
Right from the very start of Wild Rose I had the same feeling that I had for the brilliant A Star is Born with Lady GaGa and Bradley Cooper, the opening music for Wild Rose just has you ready for a film that you know is going to be a well made and produced British made movie and it is.
Julie Walters is brilliant as Rose’s mother her Scottish accent is nicely done and you can see from her performance why she is one the best British actresses that we have around at the moment, her on-screen presence with Jessie Buckley certainly brings across the rocky mother and daughter relationship.
Jessie Buckley comes across very well as the down-trodden mother that only wants her dream to come true and head over to Nashville to sing Country, she puts on a great performance as Rose-Lynn, at first you get the feeling that you aren’t going to like the foul-mouthed “Wild Rose“, but as the mother progresses and you see that there is so much more to just wanting to sing.
Julie Walters is brilliant as Rose’s mother her Scottish accent is nicely done and you can see from her performance why she is one the best British actresses that we have around at the moment, her on-screen presence with Jessie Buckley certainly brings across the rocky mother and daughter relationship.
Jessie Buckley comes across very well as the down-trodden mother that only wants her dream to come true and head over to Nashville to sing Country, she puts on a great performance as Rose-Lynn, at first you get the feeling that you aren’t going to like the foul-mouthed “Wild Rose“, but as the mother progresses and you see that there is so much more to just wanting to sing.
Bob Mann (459 KP) rated A Star Is Born (2018) in Movies
Sep 28, 2021
Dullsville Arizona.
It’s unusual for the illustrious Mrs. Movie-Man and I to disagree over our opinion of a movie. Sure, she doesn’t like some genres like horror and sci-fi that I do, and I will often go to them alone. But in the main if we sit there together then we tend to have the same general view as to whether we liked it or not. (I guess that’s why we’ve been such a good match for nearly 40 years!). Not so though with this film.
The story has been filmed three times before: in 1937 (with Janet Gaynor and Fredric March); 1954 (with Judy Garland and James Mason) and 1976 (with Barbra Streisand and Kris Kristofferson). In all of these films the story has been the same: an alcoholic and over-the-hill actor (or with Kris Kristofferson, rock star) finds a young talented ingenue to love and develop into a superstar.
The modern day remake is a little different in that Jackson Maine, our older star (now played by Bradley Cooper), is a stadium-filling mega-rock-star, recognised and idolised in every bar he goes into…. and he frequents a LOT of bars. Maine mixes the cocktail with drugs in this version meaning that as one star is ascending, his seems destined to be heading into a black hole.
At its heart, this is a good story of having self-confidence in your own abilities, no matter how people around you try to put you down. Gaga’s Ally is one such person; a waitress who is constantly being told, especially by her blue-collar dad and his boozy friends, that although she has a great voice she’s “never going to make it” because of the way she looks. In chilled fashion she meets Jackson Maine, who hears her sing and thinks she might be on the edge of glory. Not worried about her big nose, he appreciates she was born that way: in fact he likes her so much he wants to poke her face. (Sorry… couldn’t resist it).
I appreciate from the IMDB rating that I am probably in a minority here. (At the time of writing this – pre-general release – it is a ridiculously high – and I suspect artificially pumped up – 8.8). But for me, I found the whole thing a dull affair. I can’t remember the last time I went to a film when I actively looked at my watch… but 1 hour 45 into this, I did (it had another 30 minutes to run).
For one thing, I just didn’t believe Bradley Cooper as the rock star character. He just came across as totally false and unbelievable to me. I had more resonance with Gaga’s Ally. Even though she is a novice actor (and it showed at times) in general I thought she did a creditable job. But given these two factors together, there are long and indulgent exchanges between the pair that seemed to me to go on in–ter–min–ably. Best actor in the film for me was Sam Elliott as Jackson’s brother Bobby. The mellowing of the brothers is a scene that I found genuinely touching.
I’d also like a glance at the original script, since there are some passages (the “boyfriend/husband” lines is a case in point) where it felt like one of them made an script mistake and, instead of Cooper (as director) shouting “cut”, they kept it going as some sort of half-arsed improv.
What is impressive is that they got to film at live concerts (including at Glastonbury), although most of this footage is of the hand-held nausea-inducing variety. There is zero doubt that Gaga can belt out a song better than anyone. But I didn’t get that same feeling about Bradley Cooper’s singing: like a lot of this film (with Cooper as co-producer, co-screenwriter AND director) it felt to me like a self-indulgent piece of casting.
I know music is extremely subjective, and “country” isnt really my think anyway. But the songs by Gaga and Lukas Nelson were – “Shallow” aside – for me rather forgetable.
Overall, in a couple of years that have brought us some great musicals – “La La Land“; “Sing Street“; “The Greatest Showman” – here’s a film about the music industry that did nothing for me I’m afraid.
But with my new user-rating system (this is the first post on the new web site) you have a chance to have YOUR say, so vote away!
The story has been filmed three times before: in 1937 (with Janet Gaynor and Fredric March); 1954 (with Judy Garland and James Mason) and 1976 (with Barbra Streisand and Kris Kristofferson). In all of these films the story has been the same: an alcoholic and over-the-hill actor (or with Kris Kristofferson, rock star) finds a young talented ingenue to love and develop into a superstar.
The modern day remake is a little different in that Jackson Maine, our older star (now played by Bradley Cooper), is a stadium-filling mega-rock-star, recognised and idolised in every bar he goes into…. and he frequents a LOT of bars. Maine mixes the cocktail with drugs in this version meaning that as one star is ascending, his seems destined to be heading into a black hole.
At its heart, this is a good story of having self-confidence in your own abilities, no matter how people around you try to put you down. Gaga’s Ally is one such person; a waitress who is constantly being told, especially by her blue-collar dad and his boozy friends, that although she has a great voice she’s “never going to make it” because of the way she looks. In chilled fashion she meets Jackson Maine, who hears her sing and thinks she might be on the edge of glory. Not worried about her big nose, he appreciates she was born that way: in fact he likes her so much he wants to poke her face. (Sorry… couldn’t resist it).
I appreciate from the IMDB rating that I am probably in a minority here. (At the time of writing this – pre-general release – it is a ridiculously high – and I suspect artificially pumped up – 8.8). But for me, I found the whole thing a dull affair. I can’t remember the last time I went to a film when I actively looked at my watch… but 1 hour 45 into this, I did (it had another 30 minutes to run).
For one thing, I just didn’t believe Bradley Cooper as the rock star character. He just came across as totally false and unbelievable to me. I had more resonance with Gaga’s Ally. Even though she is a novice actor (and it showed at times) in general I thought she did a creditable job. But given these two factors together, there are long and indulgent exchanges between the pair that seemed to me to go on in–ter–min–ably. Best actor in the film for me was Sam Elliott as Jackson’s brother Bobby. The mellowing of the brothers is a scene that I found genuinely touching.
I’d also like a glance at the original script, since there are some passages (the “boyfriend/husband” lines is a case in point) where it felt like one of them made an script mistake and, instead of Cooper (as director) shouting “cut”, they kept it going as some sort of half-arsed improv.
What is impressive is that they got to film at live concerts (including at Glastonbury), although most of this footage is of the hand-held nausea-inducing variety. There is zero doubt that Gaga can belt out a song better than anyone. But I didn’t get that same feeling about Bradley Cooper’s singing: like a lot of this film (with Cooper as co-producer, co-screenwriter AND director) it felt to me like a self-indulgent piece of casting.
I know music is extremely subjective, and “country” isnt really my think anyway. But the songs by Gaga and Lukas Nelson were – “Shallow” aside – for me rather forgetable.
Overall, in a couple of years that have brought us some great musicals – “La La Land“; “Sing Street“; “The Greatest Showman” – here’s a film about the music industry that did nothing for me I’m afraid.
But with my new user-rating system (this is the first post on the new web site) you have a chance to have YOUR say, so vote away!
Veronica Pena (690 KP) rated Hit & Run (2012) in Movies
Mar 22, 2020
it's almost like dax and kristin love each other or something
I really enjoyed this film. With this whole pandemic thing going on, I've been listening to Dax Shepard's podcast, Armchair Expert. He has talked about this film on several occasions and I finally decided to watch it. I am so glad I did.
Not only is the plotline great, the cast is phenomenal, the chemistry is there, but it moves, it takes you with them on the journey and you are never bored. The soundtrack for this film was perfect. It is everything you want from a movie like this and you can feel the love that Dax and Kristin have for each other through the screen. This film was released pre-marriage but when they were dating and I think it just shows. It doesn't feel forced, it doesn't feel fake or uncomfortable, it feels genuine and pure. Especially when you know them as a couple and listened to them talk in interviews and things, I think much more of their actual selves radiate through this film than most would think.
Bradley Cooper, Joy Bryant, and Kristin Chenoweth were the cherries on top of this film, but I think the real great character through this is Tom Arnold's Randy. He was just the true underdog of the film.
I would 1000% recommend this film. Watch!
Not only is the plotline great, the cast is phenomenal, the chemistry is there, but it moves, it takes you with them on the journey and you are never bored. The soundtrack for this film was perfect. It is everything you want from a movie like this and you can feel the love that Dax and Kristin have for each other through the screen. This film was released pre-marriage but when they were dating and I think it just shows. It doesn't feel forced, it doesn't feel fake or uncomfortable, it feels genuine and pure. Especially when you know them as a couple and listened to them talk in interviews and things, I think much more of their actual selves radiate through this film than most would think.
Bradley Cooper, Joy Bryant, and Kristin Chenoweth were the cherries on top of this film, but I think the real great character through this is Tom Arnold's Randy. He was just the true underdog of the film.
I would 1000% recommend this film. Watch!
BankofMarquis (1832 KP) rated A Star Is Born (2018) in Movies
Oct 9, 2018
4th time IS the charm
I, like many, rolled my eyes when I heard that Bradley Cooper (of all people) was tabbed to write, direct and star in the 4th film adaptation of A STAR IS BORN. I was not a big fan of the Streisand/Kristofferson version from the 1970's, have vague memories of the Garland/Mason version from the 1950's and never saw the original Gaynor/March version from the 1930's. But when I heard that Lady Gaga was cast in the female lead of this film, I was intrigued and decided to check it out.
And...I'm glad I did as A STAR IS BORN now resides atop my list of BEST PICTURES OF 2018!. The music, acting, directing and story all work well in conjunction with each other to bring this tearjerker new, relevant life for a whole new audience.
For those of you not familiar with the plot, A STAR IS BORN tells the tale of an up and coming performing talent who is taken under the wing of an aging, on the decline, alcoholic superstar performer. We watch her rise and his fall.
In the lead role of Ally, Lady Gaga is outstanding. From her first musical performance to the last, you can clearly see that she has the musical chops, bravura and heart to pull off these scenes and this character. She really brings it here and you are drawn in whenever her character is on-stage, performing. As an actress she is better than "fine". You can see some moments of acting skill and depth, but you do see some of her lack of experience in her acting in some of the quieter scenes. All that said, I will be shocked if she is NOT nominated for an Oscar for this performance - she certainly is going to be nominated (and will probably win) as well for Best Song.
Complimenting her - and holding the screen, and our attention throughout - is Bradley Cooper's performance of Superstar-on-the-decline Jackson Maine. His Country/Rock legend lives up to the billing in voice, musical performance and attitude. This is Cooper's finest performance of his career, nuanced and crushing, drawing us in while simultaneously pushing us away. He is, easily, the front-runner for the Best Actor Oscar.
Complimenting these two are Andrew Dice Clay (interestingly enough) as Ally's father , who brings a multi-faceted character to life. He is star-struck, hopeful, protective and angry - always wishing for the best for his daughter, and protecting her from those that will prey on her. I would say he could be nominated for Best Supporting Actor, but he is not the Best Supporting Actor in this film, not by a long shot.
That Best Support Actor performance belongs to Sam Elliott who plays Cooper's (much) older brother. Cooper and Elliott's characters have a love/hate relationship with deep familial scars. As often happens with Supporting Roles, Elliot's performance shines and then is elevated to another level from one scene late in the film. He'll easily get an Oscar nomination - and will probably, finally, earn the Oscar he deserves.
But this film isn't all about acting. The Direction by Cooper (who will probably be nominated in all 3 categories - acting, writing and directing) is sharp and to the point. He films the musical scenes with skill and doesn't let the camera get too crazy while driving his lens close in to the actor's faces during the quiet scenes, drawing us in to this pair.
And of course, with this type of film, it will hinge on how good the music, and the musical performances, are - and this film delivers the goods in that space. There is memorable song after memorable song, performed strongly by both Cooper and Lady Gaga. They are good separately, but are INCREDIBLE when they perform together.
I cannot say enough good things about this film - it IS that good. Check this film out, you'll be glad you did, and you'll be able to say that you've seen the front-runner for all the OSCARS of 2018.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank(ofMarquis)
And...I'm glad I did as A STAR IS BORN now resides atop my list of BEST PICTURES OF 2018!. The music, acting, directing and story all work well in conjunction with each other to bring this tearjerker new, relevant life for a whole new audience.
For those of you not familiar with the plot, A STAR IS BORN tells the tale of an up and coming performing talent who is taken under the wing of an aging, on the decline, alcoholic superstar performer. We watch her rise and his fall.
In the lead role of Ally, Lady Gaga is outstanding. From her first musical performance to the last, you can clearly see that she has the musical chops, bravura and heart to pull off these scenes and this character. She really brings it here and you are drawn in whenever her character is on-stage, performing. As an actress she is better than "fine". You can see some moments of acting skill and depth, but you do see some of her lack of experience in her acting in some of the quieter scenes. All that said, I will be shocked if she is NOT nominated for an Oscar for this performance - she certainly is going to be nominated (and will probably win) as well for Best Song.
Complimenting her - and holding the screen, and our attention throughout - is Bradley Cooper's performance of Superstar-on-the-decline Jackson Maine. His Country/Rock legend lives up to the billing in voice, musical performance and attitude. This is Cooper's finest performance of his career, nuanced and crushing, drawing us in while simultaneously pushing us away. He is, easily, the front-runner for the Best Actor Oscar.
Complimenting these two are Andrew Dice Clay (interestingly enough) as Ally's father , who brings a multi-faceted character to life. He is star-struck, hopeful, protective and angry - always wishing for the best for his daughter, and protecting her from those that will prey on her. I would say he could be nominated for Best Supporting Actor, but he is not the Best Supporting Actor in this film, not by a long shot.
That Best Support Actor performance belongs to Sam Elliott who plays Cooper's (much) older brother. Cooper and Elliott's characters have a love/hate relationship with deep familial scars. As often happens with Supporting Roles, Elliot's performance shines and then is elevated to another level from one scene late in the film. He'll easily get an Oscar nomination - and will probably, finally, earn the Oscar he deserves.
But this film isn't all about acting. The Direction by Cooper (who will probably be nominated in all 3 categories - acting, writing and directing) is sharp and to the point. He films the musical scenes with skill and doesn't let the camera get too crazy while driving his lens close in to the actor's faces during the quiet scenes, drawing us in to this pair.
And of course, with this type of film, it will hinge on how good the music, and the musical performances, are - and this film delivers the goods in that space. There is memorable song after memorable song, performed strongly by both Cooper and Lady Gaga. They are good separately, but are INCREDIBLE when they perform together.
I cannot say enough good things about this film - it IS that good. Check this film out, you'll be glad you did, and you'll be able to say that you've seen the front-runner for all the OSCARS of 2018.
Letter Grade: A
9 (out of 10) stars and you can take that to the Bank(ofMarquis)
Gareth von Kallenbach (965 KP) rated American Sniper (2015) in Movies
Aug 6, 2019
Every once in a while a movie just sneaks up on me. A movie that comes out of nowhere to be one of the best that I have seen in a long while. This is how American Sniper hit me. I had seen previews, and thought that it might end up being a decent flick, but I did not expect it to grab a hold of me and teach me something about myself as well.
American Sniper sees Bradley Cooper as Chris Kyle in his second movie with “American” in the title (see 2013’s American Hustle). Most of us know the story of Chris Kyle, but for those that don’t here’s a quick rundown. Chris Kyle is the most lethal sniper in American history with 160 confirmed kills as a Navy SEAL, and another 95 probable kills. He served four tours, and wrote a book about his life. This film is based on that book. It tells the story of how he was influenced by his father, joined the military, and then went on to serve four tours while trying to balance his life at home with his wife and children. Acting as the true Sheepdog to all in his life, American Sniper looks at the struggle Kyle went through, and tells the story with passion and respect.
Cooper did a fantastic job portraying Texas-native Kyle. He was almost unrecognizable onscreen, as he put in 8 months of prep to get ready for this role, including a 4-hour a day training regime, and another two with a vocal coach. It was even said that some of Kyle’s brothers-in-arms who helped train Cooper and serve as consultants on the movie could feel his presence through Cooper at the end of training and all throughout filming. Sienna Miller was a great compliment to Cooper’s performance as Taya Kyle, Chris’ wife and the mother of his children. And not surprisingly, Clint Eastwood knocked it out of the park in this go at the Director’s chair. This is his best movie in years, though one would hope so with Chris Kyle’s father threatening to unleash hell if the memory of his son was disrespected with the film.
Mr. Kyle’s passing was a tragic event for those that knew him, and even those that did not know him. I think he may rest well knowing that this film, adapted from his own auto-biography, was handled beautifully with such passion and respect. If I have one issue with the film, it was the rapidity at which things progressed. So many different events packed into 15 minute segments with time just seemed to be rushing like a river, and glossing over parts of the story that could really have used some more build up or exploring. But such is the case when adapting a movie from a book. Though I am sure that movie-goers would not have minded lengthy the movie a bit, even with a run-time of 132 minutes.
If you see one movie this month, let it be American Sniper. If you have not heard of Chris Kyle, or his story, go see American Sniper. Hopefully, the Legend will live on through the lives he touched, and saved.
American Sniper sees Bradley Cooper as Chris Kyle in his second movie with “American” in the title (see 2013’s American Hustle). Most of us know the story of Chris Kyle, but for those that don’t here’s a quick rundown. Chris Kyle is the most lethal sniper in American history with 160 confirmed kills as a Navy SEAL, and another 95 probable kills. He served four tours, and wrote a book about his life. This film is based on that book. It tells the story of how he was influenced by his father, joined the military, and then went on to serve four tours while trying to balance his life at home with his wife and children. Acting as the true Sheepdog to all in his life, American Sniper looks at the struggle Kyle went through, and tells the story with passion and respect.
Cooper did a fantastic job portraying Texas-native Kyle. He was almost unrecognizable onscreen, as he put in 8 months of prep to get ready for this role, including a 4-hour a day training regime, and another two with a vocal coach. It was even said that some of Kyle’s brothers-in-arms who helped train Cooper and serve as consultants on the movie could feel his presence through Cooper at the end of training and all throughout filming. Sienna Miller was a great compliment to Cooper’s performance as Taya Kyle, Chris’ wife and the mother of his children. And not surprisingly, Clint Eastwood knocked it out of the park in this go at the Director’s chair. This is his best movie in years, though one would hope so with Chris Kyle’s father threatening to unleash hell if the memory of his son was disrespected with the film.
Mr. Kyle’s passing was a tragic event for those that knew him, and even those that did not know him. I think he may rest well knowing that this film, adapted from his own auto-biography, was handled beautifully with such passion and respect. If I have one issue with the film, it was the rapidity at which things progressed. So many different events packed into 15 minute segments with time just seemed to be rushing like a river, and glossing over parts of the story that could really have used some more build up or exploring. But such is the case when adapting a movie from a book. Though I am sure that movie-goers would not have minded lengthy the movie a bit, even with a run-time of 132 minutes.
If you see one movie this month, let it be American Sniper. If you have not heard of Chris Kyle, or his story, go see American Sniper. Hopefully, the Legend will live on through the lives he touched, and saved.
Gareth von Kallenbach (965 KP) rated Licorice Pizza (2021) in Movies
Dec 20, 2021
Set in the San Fernando Valley of 1973; Writer/Director Paul Thomas Anderson has created a loving and nostalgia-filled look at that era with his new film “Licorice Pizza”. The film focuses on a teenaged Gary (Cooper Hoffman) who becomes intrigued by an older photographer assistant named Alana (Alana Haim); during his school photo sessions.
Despite their age difference; the two become friends and Gary attempts to impress her with his hustle as he works in the fringes of Hollywood and has become a regular on the audition circuit and various events thanks to his agent.
When he is able to get Alana to act as his chaperone on a promotional trip to New York; reality sets in when Alana catches the eye of an older actor and starts dating him; Gary moves his hustle into high gear and begins a successful Waterbed business and even convinces his agent to represent Alana.
What follows is a long-winding story as the two move into Hollywood circles and face various challenges associated with their times, confused feelings, and goals.
While the film has some great moments and really great performance; especially that of Haim and Bradley Cooper; the two hours and forty-five minute run time seemed overly long and self-indulgent and could easily have lost forty-five minutes or so and not lost much as the film is loaded with scenes that are overly long or do not advance the story or characters in any meaningful way.
In many ways, the film plays out like a teenaged boy’s fantasy as there is the alluring older woman and his repeated ways to impress her; some of which stretch credibility.
What makes the film work so well is the nostalgic and loving look at the era and the winning performances from the cast. Much like he did with “Boogie Nights”; Anderson is not afraid to take broken or dysfunctional characters and make them sympathetic and relatable.
Expect the movie to do well with the Award voters and it will be interesting to see what the cast will do next.
Despite their age difference; the two become friends and Gary attempts to impress her with his hustle as he works in the fringes of Hollywood and has become a regular on the audition circuit and various events thanks to his agent.
When he is able to get Alana to act as his chaperone on a promotional trip to New York; reality sets in when Alana catches the eye of an older actor and starts dating him; Gary moves his hustle into high gear and begins a successful Waterbed business and even convinces his agent to represent Alana.
What follows is a long-winding story as the two move into Hollywood circles and face various challenges associated with their times, confused feelings, and goals.
While the film has some great moments and really great performance; especially that of Haim and Bradley Cooper; the two hours and forty-five minute run time seemed overly long and self-indulgent and could easily have lost forty-five minutes or so and not lost much as the film is loaded with scenes that are overly long or do not advance the story or characters in any meaningful way.
In many ways, the film plays out like a teenaged boy’s fantasy as there is the alluring older woman and his repeated ways to impress her; some of which stretch credibility.
What makes the film work so well is the nostalgic and loving look at the era and the winning performances from the cast. Much like he did with “Boogie Nights”; Anderson is not afraid to take broken or dysfunctional characters and make them sympathetic and relatable.
Expect the movie to do well with the Award voters and it will be interesting to see what the cast will do next.
LoganCrews (2861 KP) rated The Hangover Part II (2011) in Movies
Sep 29, 2020 (Updated Oct 1, 2020)
Better than I remembered from the theater, but it's impossible not to notice that the pitch for this was just "the first movie... but worse!" The original will forever be one of my favorite comedies with an ingenious main plot device that I truthfully don't mind them at all reusing (an investigative 'search for clues' procedural wrapped into the raunchy comedy framing device of trying to figure what four drunk fucks did the night before) but I think they went too much 'crime movie' and not enough 'comedy movie' with this one. Has some laugh-out-loud moments but as everyone has already said they're few and far between, then the last 45 minutes of this devolves into everyone screaming and asking each other expository questions for the rest of the runtime. Though one thing I don't think even this franchise's supporters give these enough credit for is the acting. Ed Helms, Bradley Cooper, Zach Galifianakis, Justin Bartha, and Ken Jeong are phenomenal both comedically and dramatically here and find a very reasonable balance between the two. Not to mention each of their respective performances is definable from one another and heavily idiosyncratic. But then you have crap like Bryan Callen in brownface, a monkey hanging out with them for half the movie, and Mike Tyson shows up and raps at the end. So you win some, you lose some I guess. Pretty lovingly depraved at least.
Andy K (10821 KP) rated The Mule (2018) in Movies
Jan 6, 2019
It won me over!
Earl Stone has a lot of regrets in his life. He was a career man and maybe spent too much time drinking with his buddies. His family hates him as he also was remiss at many family functions throughout his life including his daughter's wedding.
When he is truly down on his luck financially, he hears about a job offer to good to be true. Why not just do some "driving" to earn some extra money? Who cares what the cargo is right? He decides to take the job and then decides having money in his life is too good to pass up. His financial situation improves substantially and he then decides to try and make up for lost time with his family.
Things with his new career become complicated and he even is becoming known to the DEA. He unknowingly evades them several times as his stock among the cartel improves.
I thought the film started slow and for some reason the editing in the first hour really bothered me. It seemed like a bunch of random scenes put together in a random way. Not sure if I can explain why.
The acting and screenplay were sometimes good, sometimes not good. I thought Eastwood the actor was amazing, but Bradley Cooper and Laurence Fishburne just phoned this one in.
The 2nd half of the film was much more interesting and won me over in the end. The fact that Eastwood is almost 90 himself and is still acting and directing is incredible and I salute him wholeheartedly for that.
When he is truly down on his luck financially, he hears about a job offer to good to be true. Why not just do some "driving" to earn some extra money? Who cares what the cargo is right? He decides to take the job and then decides having money in his life is too good to pass up. His financial situation improves substantially and he then decides to try and make up for lost time with his family.
Things with his new career become complicated and he even is becoming known to the DEA. He unknowingly evades them several times as his stock among the cartel improves.
I thought the film started slow and for some reason the editing in the first hour really bothered me. It seemed like a bunch of random scenes put together in a random way. Not sure if I can explain why.
The acting and screenplay were sometimes good, sometimes not good. I thought Eastwood the actor was amazing, but Bradley Cooper and Laurence Fishburne just phoned this one in.
The 2nd half of the film was much more interesting and won me over in the end. The fact that Eastwood is almost 90 himself and is still acting and directing is incredible and I salute him wholeheartedly for that.
JT (287 KP) rated The Mule (2018) in Movies
Mar 10, 2020
With the internet flower business putting him into foreclosure, Earl Stone (Eastwood) must find alternative ways to make money. A man who was more dedicated to things growing in the ground than the family he neglected until it was too late he turns up at his granddaughter’s birthday party and doesn’t get a warm welcome.
Leaving with a business card and the offer to drive and deliver goods – no questions asked. Initially reluctant, Earl accepts the offer unbeknown to him the type of cargo he would be carrying.
Grizzled and back to doing what he does best, Clint Eastwood commands a screen presence like no other.
Eastwood’s grizzled charisma is not lost and he strikes up a friendly bond with some members of the cartel as his popularity rises. This puts him on the radar of DEA agents Bates (Bradley Cooper) and Treviño (Michael Peña) who piece together clues as to the identity of the mysterious driver known to the cartel as ‘El Tata’.
While there is a sufficient amount of tension, the film focuses on Earl desperately trying to reconnect with his family and make amends for all the times he wasn’t there – including his daughter’s wedding.
When we’re not in the passenger seat we’re following the DEA as they close in on ‘El Tata’. Changes in hierarchy within the cartel threaten to turn everything on its head and Earl is forced to make a number of decisions that will ultimately save him and his family.
The Mule has some heart-warming moments and is blessed with a strong cast. It’s not as gritty as Gran Torino but it worked for me.
Leaving with a business card and the offer to drive and deliver goods – no questions asked. Initially reluctant, Earl accepts the offer unbeknown to him the type of cargo he would be carrying.
Grizzled and back to doing what he does best, Clint Eastwood commands a screen presence like no other.
Eastwood’s grizzled charisma is not lost and he strikes up a friendly bond with some members of the cartel as his popularity rises. This puts him on the radar of DEA agents Bates (Bradley Cooper) and Treviño (Michael Peña) who piece together clues as to the identity of the mysterious driver known to the cartel as ‘El Tata’.
While there is a sufficient amount of tension, the film focuses on Earl desperately trying to reconnect with his family and make amends for all the times he wasn’t there – including his daughter’s wedding.
When we’re not in the passenger seat we’re following the DEA as they close in on ‘El Tata’. Changes in hierarchy within the cartel threaten to turn everything on its head and Earl is forced to make a number of decisions that will ultimately save him and his family.
The Mule has some heart-warming moments and is blessed with a strong cast. It’s not as gritty as Gran Torino but it worked for me.
LeftSideCut (3778 KP) rated Nightmare Alley (2021) in Movies
Feb 5, 2022
In short, Nightmare Alley is a sometimes plodding and bloated piece that gets by thanks to a hugely pleasing aesthetic, and a great cast.
Firstly, there is no reason for NA to be 150 minutes long. One could argue that it gives us more time with the many characters introduced, but it feels gratuitous. The first hour and a half has its moments for sure, but it sometimes feels a little direction-less before the last hour hits, and things kick off a bit. It's an issue that certainly impacts proceedings, and I feel it could have lost 30 minutes and been a tighter final product.
Thankfully, the assembled cast is stacked with royalty. Willem Dafoe and Toni Collette are two of my favourite working actors, so having them both involved is a treat. Bradley Cooper, Cate Blanchett, and Rooney Mara are great as the main leads, and the rest of the ensemble is rounded out by some fantastic character actors - Richard Jenkins, Ron Perlman, Mary Steenburgen, David Strathairn - good stuff all round.
The overall visual style is wonderfully Del Toro, from the gloomy and misty carnival sights pierced by neon lights, to the snowy city scape of Buffalo, New York. A lot of the cinematography is gorgeous as well, hats off to Dan Laustsen, and is truly bought to life by a beautifully haunting music score from Nathan Johnson.
All in all, Nightmare Alley ultimately suffers from its pacing, and feels like a slog here and there. However, there are enough positives to carry it over the finish line. I look forward to checking out the black and white version in the near future.
Firstly, there is no reason for NA to be 150 minutes long. One could argue that it gives us more time with the many characters introduced, but it feels gratuitous. The first hour and a half has its moments for sure, but it sometimes feels a little direction-less before the last hour hits, and things kick off a bit. It's an issue that certainly impacts proceedings, and I feel it could have lost 30 minutes and been a tighter final product.
Thankfully, the assembled cast is stacked with royalty. Willem Dafoe and Toni Collette are two of my favourite working actors, so having them both involved is a treat. Bradley Cooper, Cate Blanchett, and Rooney Mara are great as the main leads, and the rest of the ensemble is rounded out by some fantastic character actors - Richard Jenkins, Ron Perlman, Mary Steenburgen, David Strathairn - good stuff all round.
The overall visual style is wonderfully Del Toro, from the gloomy and misty carnival sights pierced by neon lights, to the snowy city scape of Buffalo, New York. A lot of the cinematography is gorgeous as well, hats off to Dan Laustsen, and is truly bought to life by a beautifully haunting music score from Nathan Johnson.
All in all, Nightmare Alley ultimately suffers from its pacing, and feels like a slog here and there. However, there are enough positives to carry it over the finish line. I look forward to checking out the black and white version in the near future.