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tonidavis (353 KP) rated Limitless - Season 1 in TV
Jan 6, 2018
Premise (3 more)
Finch and Rebecca's relationship
Mike and Ike
Bradley Cooper
Better than the film
I've always liked the limitless premise however for me the movie didn't work that well. I was dubious to watch the tv show but a friend convinced me it was worth doing.
The first episode took me a while to get into mainly because I'm so used to Jake Mc Dorman play Evan in Greek it took a while to adjust to seeing him as Brian Finch. That being said when I got into it I really enjoyed the show.
Brian Finch is a lovable character who has a kind heart but gets into trouble and Rebbeca Harris is just the FBI agent who has the sternness to keep him in check but also the capability to care which makes the team work well. The side characters in the FBI are intresting and amusing poor Mike and Ike ( not there real names but names finch make up.) End up with the rough end of the stick more than once the Janitor is a little hard core.
The first episode took me a while to get into mainly because I'm so used to Jake Mc Dorman play Evan in Greek it took a while to adjust to seeing him as Brian Finch. That being said when I got into it I really enjoyed the show.
Brian Finch is a lovable character who has a kind heart but gets into trouble and Rebbeca Harris is just the FBI agent who has the sternness to keep him in check but also the capability to care which makes the team work well. The side characters in the FBI are intresting and amusing poor Mike and Ike ( not there real names but names finch make up.) End up with the rough end of the stick more than once the Janitor is a little hard core.
Darren (1599 KP) rated Aloha (2015) in Movies
Jun 20, 2019
Story: Aloha starts Brian Gilcrest (Cooper) who dreams of going into space but his dreams go sour after teaming up with billionaire Carson Welch (Murray) before getting a chance to go back to Hawaii. He is now a representative for Carson due to a war injury who has to deal with his ex-girlfriend Tracy (McAdams) but has to follow orders from captain Allison Ng (Stone), while meeting back up with former friends.
Brian working for Carson as he wants to introduce a space program to Hawaii but first Brian needs to negotiate with the locals. All this while Brian ends up in the middle of a love triangle with Allison and Tracy.
Aloha is a film that just never pulled my attention, be it the bland characters slow moving love triangle or whatever Carson was meant to be doing. I personally am not sure what was meant to be happening, everything that did happen just seemed to be very slow moving and offering nothing to really root for. You simply jut didn’t care what was happening. (2/10)
Actor Review
Bradley Cooper: Brain is an injured war veteran who has sided with billionaire Carson to look into making space travel happen, he has to return to Hawaii where he ends up having to see his ex-girlfriend and be followed around by the golden soldier of the local military. He is here to help create a deal to make space travel in Hawaii. Bradley gives a very average performance not getting a chance to show his real talent. (5/10)brian
Emma Stone: Allison is the most prized soldier of General Dixon who has to show Brian around, she admires him and doesn’t want you to forget she is a quarter Hawaii. While many people criticised the character created she was one of the better things in this film. (6/10)allison
Rachel McAdams: Tracy is the ex-girlfriend of Brian who lives on Hawaii with her new husband and family, when the two get to spend time together they get the closure they never really got. Rachel gives a plain performance that really doesn’t seem to do much. (4/10)
Bill Murray: Carson is the billionaire who is looking to make his own space program on the island of Hawaii and he give Brian one last chance to prove himself to him. Bill tries to bring his quirkiness to this role without really pulling it off. (5/10)
Support Cast: Aloha has the standard attempted comedic actors trying to pull this off but they had little to work with.
Director Review: Cameron Crowe – Cameron has given us some great films in the past but now he has managed to give us his worst. (2/10)
Comedy: Aloha doesn’t have many laughs at all can hardly be called a comedy. (2/10)
Romance: Aloha tries to give us an engaging love triangle but doesn’t really succeed to make us care enough. (3/10)
Settings: Aloha tries to give our location something special with the idea of putting it all on Hawaii for the beautiful setting and doesn’t even get that right. (3/10)
Suggestion: Aloha is one too miss this year, if anyone says to watch just say no. (Just Say No)
Best Part: The end.
Worst Part: It is over an Hour and half.
Funniest Scene: Woody and Brian’s ‘Conversation’.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Please God No.
Post Credits Scene: I didn’t both to look.
Oscar Chances: No
Box Office: $20 Million
Budget: $37 Million
Runtime: 1 Hour 45 Minutes
Tagline: Sometimes you have to say goodbye before you can say hello.
Overall: Just watch paint dry it will be more entertaining.
https://moviesreview101.com/2015/11/07/emma-stone-weekend-aloha-2015/
Brian working for Carson as he wants to introduce a space program to Hawaii but first Brian needs to negotiate with the locals. All this while Brian ends up in the middle of a love triangle with Allison and Tracy.
Aloha is a film that just never pulled my attention, be it the bland characters slow moving love triangle or whatever Carson was meant to be doing. I personally am not sure what was meant to be happening, everything that did happen just seemed to be very slow moving and offering nothing to really root for. You simply jut didn’t care what was happening. (2/10)
Actor Review
Bradley Cooper: Brain is an injured war veteran who has sided with billionaire Carson to look into making space travel happen, he has to return to Hawaii where he ends up having to see his ex-girlfriend and be followed around by the golden soldier of the local military. He is here to help create a deal to make space travel in Hawaii. Bradley gives a very average performance not getting a chance to show his real talent. (5/10)brian
Emma Stone: Allison is the most prized soldier of General Dixon who has to show Brian around, she admires him and doesn’t want you to forget she is a quarter Hawaii. While many people criticised the character created she was one of the better things in this film. (6/10)allison
Rachel McAdams: Tracy is the ex-girlfriend of Brian who lives on Hawaii with her new husband and family, when the two get to spend time together they get the closure they never really got. Rachel gives a plain performance that really doesn’t seem to do much. (4/10)
Bill Murray: Carson is the billionaire who is looking to make his own space program on the island of Hawaii and he give Brian one last chance to prove himself to him. Bill tries to bring his quirkiness to this role without really pulling it off. (5/10)
Support Cast: Aloha has the standard attempted comedic actors trying to pull this off but they had little to work with.
Director Review: Cameron Crowe – Cameron has given us some great films in the past but now he has managed to give us his worst. (2/10)
Comedy: Aloha doesn’t have many laughs at all can hardly be called a comedy. (2/10)
Romance: Aloha tries to give us an engaging love triangle but doesn’t really succeed to make us care enough. (3/10)
Settings: Aloha tries to give our location something special with the idea of putting it all on Hawaii for the beautiful setting and doesn’t even get that right. (3/10)
Suggestion: Aloha is one too miss this year, if anyone says to watch just say no. (Just Say No)
Best Part: The end.
Worst Part: It is over an Hour and half.
Funniest Scene: Woody and Brian’s ‘Conversation’.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: Please God No.
Post Credits Scene: I didn’t both to look.
Oscar Chances: No
Box Office: $20 Million
Budget: $37 Million
Runtime: 1 Hour 45 Minutes
Tagline: Sometimes you have to say goodbye before you can say hello.
Overall: Just watch paint dry it will be more entertaining.
https://moviesreview101.com/2015/11/07/emma-stone-weekend-aloha-2015/
Joe Elliott recommended Every Picture Tells a Story by Rod Stewart in Music (curated)
Gareth von Kallenbach (971 KP) rated The Words (2012) in Movies
Aug 7, 2019
On paper, The Words is a film that is better suited as a literary novella. In print, we, as readers, are often granted insight to our characters thoughts and motivation that is frequently lost on film or delivered in a lackluster voiceover that most critics deem as lazy film making. Furthermore, the story within a story, within a story approach in film often leaves the audience with uninteresting shells of characters and can make a story forgettable at best.
Given these reasons, it is easy to see why many would choose to undertake a less ambitious story for their directorial debut. That group does not include co-writer-directors Brian Klugman and Lee Sternthal. This duo is actually successful at tackling this dangerous story-within-a-story film device by keeping it simple. Focusing on the main characters of each story and their motivation, while tying each together with some common themes like love, what it means to write something great, and how far the need for success will drive the characters.
The movie begins with highly successful author Clay Hammond (Dennis Quaid) conducting a reading of his latest novel The Words. Among his audience is literary grad student and adoring fan, Daniella (Olivia Wilde), who has aspirations of picking the brain of the man that authored her favorite stories and perhaps getting involved romantically. As Hammond begins to read his story we are introduced to the tale of starving writer Rory Jensen (Bradley Cooper) and his wife Dora (Zoe Saldana). The two are a young couple in love, trying to get on their feet while Rory struggles with multiple rejections of his novels, until he is finally forced to come to grips with his own limitations as an artist and a writer.
As he settles into life and a job as a mail clerk at a publishing firm, he finds a lost manuscript in a vintage leather briefcase that Dora had purchased for him during their honeymoon in Paris. That story turns out to be something that moves him to tears. It is the final thing in his realization that he will never be the great writer that he thought he was, the great writer that wrote this anonymous story. In an effort to feel and try to understand what it is like to create something great, Rory decides to retype the novel word for word on his laptop if only to admire the beautiful story that he had instantly fallen in love with. When Dora mistakenly reads the novel, she encourages him to submit it to a publisher. Before he can tell her the truth, his world is transformed into the life he had always imagined he would have for himself and Dora as the novel gains him both great literary and commercial success. And finally, now that his star has risen he can get his own novel published.
Enter Jeremy Irons as the old man who reveals himself to Rory as the true author of his story. The old man feels compelled to explain to Rory the tragic origin of the story that has become the young author’s success. Irons steals every second he is on screen as his delivery of the old man oozes with the intellectual style that has been his trademark over the years. Like Rory, we are helpless to do nothing but listen and get lost in the words of his story as if he was sitting next to us and telling the story in real life.
The old man reveals that the novel is the result of great love and pain that his younger self (Ben Barnes) and the love of his life Celia (Nora Arnezeder) endured. While I am not familiar with Barnes’ and Arnezeder’s work, their performance as the younger couple in Irons’ story had a genuine connection. And while this love story does not seem to be anything new when it comes to film, it served its purpose by strengthening the other stories, showing how a great story can be mused from someplace unexpected, even if only once.
With Rory now confronted with his deceitful success, he struggles to decide how to make things right and live with himself as a fraud. It’s at this point the film subtly suggest that Hammond’s story of Rory may actually be a disguised autobiography.
As Rory, Bradley Cooper gives perhaps his best performance to date. I feel that despite his poor and deceitful decision, at no point does he lose the audience. With the help of a strong and emotionally charged performance by Zoe Saldana, we experience Cooper’s honest plight and can understand the events that unfold around him. He is effective as a man who genuinely believes he does not deserve the success that he stole. Without a doubt, this will be a surprising role for those fans who only know Cooper from the humorous characters he plays in The Hangover and most recently Hit and Run. I hope this is the beginning of growth in his craft beyond the charming, confident character we have seen in Limitless and perhaps into a deeper emotional actor.
The weakest part of this film is the story of Clay Hammond and Daniella. Dennis Quaid is quite unlikable as Hammond. He is monotone in his readings and the prose of his story is mediocre at best. While the film drops hints that Hammond’s story of Rory is autobiographical it makes sense that Quaid’s character is played this way. He succeeds in helping create the notion that Hammond is unworthy of the success his character has enjoyed. But something about his performance is so unlikable that even when his character has a redeeming moment, it is lost on an audience that may not care enough about him for it to work.
To add to this dislike of Quaid, Olivia Wilde seems out of place as the character Daniella. It is not that her performance is bad, it is just that every time they showed her as the starry-eyed fan who is love struck for Hammond, she just seemed out of place. Additionally there did not seem to be any connection between Daniella and Hammond in the way the other characters’ connections helped strengthen their performances.
In the end, I enjoyed this movie more than I expected. Visually the Montreal backdrop does an excellent job as both New York and Paris. And the continual piano score helps blend the stories. The simple focus on the main characters helped maintain the three different stories and keep the overall pacing of the movie in order. In addition, the solid to exceptional performances also helped to keep the film focused and avoided the empty shell of characters that most movies of this nature create. That being said, this movie is not for everyone, but those looking for a change of pace from the summer blockbusters season should consider this film.
Given these reasons, it is easy to see why many would choose to undertake a less ambitious story for their directorial debut. That group does not include co-writer-directors Brian Klugman and Lee Sternthal. This duo is actually successful at tackling this dangerous story-within-a-story film device by keeping it simple. Focusing on the main characters of each story and their motivation, while tying each together with some common themes like love, what it means to write something great, and how far the need for success will drive the characters.
The movie begins with highly successful author Clay Hammond (Dennis Quaid) conducting a reading of his latest novel The Words. Among his audience is literary grad student and adoring fan, Daniella (Olivia Wilde), who has aspirations of picking the brain of the man that authored her favorite stories and perhaps getting involved romantically. As Hammond begins to read his story we are introduced to the tale of starving writer Rory Jensen (Bradley Cooper) and his wife Dora (Zoe Saldana). The two are a young couple in love, trying to get on their feet while Rory struggles with multiple rejections of his novels, until he is finally forced to come to grips with his own limitations as an artist and a writer.
As he settles into life and a job as a mail clerk at a publishing firm, he finds a lost manuscript in a vintage leather briefcase that Dora had purchased for him during their honeymoon in Paris. That story turns out to be something that moves him to tears. It is the final thing in his realization that he will never be the great writer that he thought he was, the great writer that wrote this anonymous story. In an effort to feel and try to understand what it is like to create something great, Rory decides to retype the novel word for word on his laptop if only to admire the beautiful story that he had instantly fallen in love with. When Dora mistakenly reads the novel, she encourages him to submit it to a publisher. Before he can tell her the truth, his world is transformed into the life he had always imagined he would have for himself and Dora as the novel gains him both great literary and commercial success. And finally, now that his star has risen he can get his own novel published.
Enter Jeremy Irons as the old man who reveals himself to Rory as the true author of his story. The old man feels compelled to explain to Rory the tragic origin of the story that has become the young author’s success. Irons steals every second he is on screen as his delivery of the old man oozes with the intellectual style that has been his trademark over the years. Like Rory, we are helpless to do nothing but listen and get lost in the words of his story as if he was sitting next to us and telling the story in real life.
The old man reveals that the novel is the result of great love and pain that his younger self (Ben Barnes) and the love of his life Celia (Nora Arnezeder) endured. While I am not familiar with Barnes’ and Arnezeder’s work, their performance as the younger couple in Irons’ story had a genuine connection. And while this love story does not seem to be anything new when it comes to film, it served its purpose by strengthening the other stories, showing how a great story can be mused from someplace unexpected, even if only once.
With Rory now confronted with his deceitful success, he struggles to decide how to make things right and live with himself as a fraud. It’s at this point the film subtly suggest that Hammond’s story of Rory may actually be a disguised autobiography.
As Rory, Bradley Cooper gives perhaps his best performance to date. I feel that despite his poor and deceitful decision, at no point does he lose the audience. With the help of a strong and emotionally charged performance by Zoe Saldana, we experience Cooper’s honest plight and can understand the events that unfold around him. He is effective as a man who genuinely believes he does not deserve the success that he stole. Without a doubt, this will be a surprising role for those fans who only know Cooper from the humorous characters he plays in The Hangover and most recently Hit and Run. I hope this is the beginning of growth in his craft beyond the charming, confident character we have seen in Limitless and perhaps into a deeper emotional actor.
The weakest part of this film is the story of Clay Hammond and Daniella. Dennis Quaid is quite unlikable as Hammond. He is monotone in his readings and the prose of his story is mediocre at best. While the film drops hints that Hammond’s story of Rory is autobiographical it makes sense that Quaid’s character is played this way. He succeeds in helping create the notion that Hammond is unworthy of the success his character has enjoyed. But something about his performance is so unlikable that even when his character has a redeeming moment, it is lost on an audience that may not care enough about him for it to work.
To add to this dislike of Quaid, Olivia Wilde seems out of place as the character Daniella. It is not that her performance is bad, it is just that every time they showed her as the starry-eyed fan who is love struck for Hammond, she just seemed out of place. Additionally there did not seem to be any connection between Daniella and Hammond in the way the other characters’ connections helped strengthen their performances.
In the end, I enjoyed this movie more than I expected. Visually the Montreal backdrop does an excellent job as both New York and Paris. And the continual piano score helps blend the stories. The simple focus on the main characters helped maintain the three different stories and keep the overall pacing of the movie in order. In addition, the solid to exceptional performances also helped to keep the film focused and avoided the empty shell of characters that most movies of this nature create. That being said, this movie is not for everyone, but those looking for a change of pace from the summer blockbusters season should consider this film.