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JT (287 KP) rated End of Watch (2012) in Movies
Mar 10, 2020
Officer Brian Taylor’s (Jake Gyllenhaal) opening monologue in which we see a car chase and shoot out from the front dashboard camera of a Los Angeles black and white, sets the tone for what will be a gripping action flick.
It’s an indication that this cop film is not going to be as clear cut as any before it, and its no frills policy will surely shock most viewers as officers Taylor and Zavala (Michael Peña) tackle everything from the mundane to the murderous on their watch. We follow the pair during their daily routines which includes in the locker room, the briefing room as well as unique camera set ups from inside the patrol car and a hand held that Taylor carries along with him.
It’s incredibly well shot, and takes the conventional cop film and gives it a big slice of realism. It would give you the impression of what a real ride along might include, and the kinds of situations they find themselves in.
“I am the police, and I’m here to arrest you. You’ve broken the law.”
These situations might affect you in different ways, like the one involving two young children, which is particularly hard to watch. Director David Ayer has not shied away from the brutality of the surroundings the officers find themselves in, and uncomfortable scenarios are all part and parcel of this job. It’s not long before they start to ruffle a few feathers not just on the streets but within their own department. When they uncover a drug cartel which is a small piece of a very large jigsaw they are marked for death.
The film is also looked at from the view point of LA’s criminal underworld, where it seems everyone has a hand held camera and likes to film themselves. It seems a bit stupid really and maybe Ayer should have kept that side of the story to the conventional camera, it doesn’t work all that well if I’m honest. The relationship between Taylor and Zavala is probably the most believable of any on screen buddy cop partnerships, not since Lethal Weapon (the first film at least) has a pairing conveyed such emotion and chemistry. You’d almost believe that these two had been together for years.
Ayer has had plenty of experience in this field already, having written the scripts for S.W.A.T, Training Day and The Fast and the Furious, but those films only looked at cops from the outside. End of Watch goes in just that little bit further which helps to make it unique from all the rest.
It’s an indication that this cop film is not going to be as clear cut as any before it, and its no frills policy will surely shock most viewers as officers Taylor and Zavala (Michael Peña) tackle everything from the mundane to the murderous on their watch. We follow the pair during their daily routines which includes in the locker room, the briefing room as well as unique camera set ups from inside the patrol car and a hand held that Taylor carries along with him.
It’s incredibly well shot, and takes the conventional cop film and gives it a big slice of realism. It would give you the impression of what a real ride along might include, and the kinds of situations they find themselves in.
“I am the police, and I’m here to arrest you. You’ve broken the law.”
These situations might affect you in different ways, like the one involving two young children, which is particularly hard to watch. Director David Ayer has not shied away from the brutality of the surroundings the officers find themselves in, and uncomfortable scenarios are all part and parcel of this job. It’s not long before they start to ruffle a few feathers not just on the streets but within their own department. When they uncover a drug cartel which is a small piece of a very large jigsaw they are marked for death.
The film is also looked at from the view point of LA’s criminal underworld, where it seems everyone has a hand held camera and likes to film themselves. It seems a bit stupid really and maybe Ayer should have kept that side of the story to the conventional camera, it doesn’t work all that well if I’m honest. The relationship between Taylor and Zavala is probably the most believable of any on screen buddy cop partnerships, not since Lethal Weapon (the first film at least) has a pairing conveyed such emotion and chemistry. You’d almost believe that these two had been together for years.
Ayer has had plenty of experience in this field already, having written the scripts for S.W.A.T, Training Day and The Fast and the Furious, but those films only looked at cops from the outside. End of Watch goes in just that little bit further which helps to make it unique from all the rest.
Darren (1599 KP) rated Alienated (2016) in Movies
Jun 20, 2019
Story: Alienated starts as we follow married couple Nate (Katt) & Paige (Burry) as they go about their everyday lives, we see the ups and downs in their communication which every couple has. When Nate believes he sees a space craft and Paige brushes off Nate’s request to watch the video leading to a fight between the two. We see how they have to rebuild their friendship and whether Paige wants to believe Nate did really see a spacecraft.
Alienated gives us a very interesting drama that bottles down to what people want to believe when a loved one believes in something. I will admit that I was expecting more sci-fi element involved as this while very entertaining follows only the conversations between the couple. This showed how to make an ultra-interesting film between the characters giving them a natural feel throughout.
Actor Review
George Katt: Nate is an artist meaning he spends most of his time at home, he is a conspiracy theorist making him believe. He has a smaller social circle compared to his wife and once he believes he sees a spacecraft the relationship with his wife is pushed to the limits as they deal with what is real. George is great in this role as we
Jen Burry: Paige is the successful business woman who comes home everyday to her husband Nate who can easily be pushed into believing in many different conspiracies. She wants to be noticed more by her husband instead of dealing with his theories on a daily basis. Jen is great in this role showing great chemistry with George.
Taylor Negron: Griffin is the neighbour of the couple, he comes off very strange but we don’t see too much of the character. Taylor is good giving us mystery about the character.
Director Review: Brian Ackley – Brian gives us one of the most interesting story driven film of the year.
Thriller: Alienated keeps us on edge as we wait to see what is the truth throughout.
Settings: Alienated keeps the setting in the home of the couple showing how this could come off as an everyday conversation but it could also be something bigger.
Suggestion: Alienated is one to try, I do think the casual fans might find this slightly hard to enjoy but once you start you just don’t want to stop. (Try It)
Best Part: Natural feeling throughout.
Worst Part: Not everything you think it will be.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 21 Minutes
Overall: Very interesting thriller that takes away the action only to give us an engrossing story.
https://moviesreview101.com/2016/02/25/alienated-2015/
Alienated gives us a very interesting drama that bottles down to what people want to believe when a loved one believes in something. I will admit that I was expecting more sci-fi element involved as this while very entertaining follows only the conversations between the couple. This showed how to make an ultra-interesting film between the characters giving them a natural feel throughout.
Actor Review
George Katt: Nate is an artist meaning he spends most of his time at home, he is a conspiracy theorist making him believe. He has a smaller social circle compared to his wife and once he believes he sees a spacecraft the relationship with his wife is pushed to the limits as they deal with what is real. George is great in this role as we
Jen Burry: Paige is the successful business woman who comes home everyday to her husband Nate who can easily be pushed into believing in many different conspiracies. She wants to be noticed more by her husband instead of dealing with his theories on a daily basis. Jen is great in this role showing great chemistry with George.
Taylor Negron: Griffin is the neighbour of the couple, he comes off very strange but we don’t see too much of the character. Taylor is good giving us mystery about the character.
Director Review: Brian Ackley – Brian gives us one of the most interesting story driven film of the year.
Thriller: Alienated keeps us on edge as we wait to see what is the truth throughout.
Settings: Alienated keeps the setting in the home of the couple showing how this could come off as an everyday conversation but it could also be something bigger.
Suggestion: Alienated is one to try, I do think the casual fans might find this slightly hard to enjoy but once you start you just don’t want to stop. (Try It)
Best Part: Natural feeling throughout.
Worst Part: Not everything you think it will be.
Believability: No
Chances of Tears: No
Chances of Sequel: No
Post Credits Scene: No
Oscar Chances: No
Runtime: 1 Hour 21 Minutes
Overall: Very interesting thriller that takes away the action only to give us an engrossing story.
https://moviesreview101.com/2016/02/25/alienated-2015/
MA
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Bee (3 KP) rated Bohemian Rhapsody (2018) in Movies
Feb 9, 2019
A good film, not a good biopic
Contains spoilers, click to show
After all my friends have been obsessing over this film, I have finally watched it.
And I have to say, I was disappointed. Don't get me wrong, it is a good film with great visuals, the reshoot of Live Aid was brilliant, Rami Malek was at his best and the singing of Marc Martel was stunning.
But the film, which is supposed to be a biopic blatantly disregards reality or changes it dramatically for a better cinematic effect. While this not a rare thing, the affect of Brian May and Roger Taylor having so much control over the film simply resulted in a very opinionated film that, at least for me, does not do justice to Freddie Mercury or Queen.
The whole point of it being a biopic is lost when facts like how the band met or how Freddie started singing are completely changed, and even small ones, like his proposal, or crucial ones, like the well-known scandal of Live Aid are changed so much.
I did not judge the film based on this, but I think it's also important to note how the studio awarded director billing to Bryan Singer who abandoned the shoot two-thirds along and left Dexter Fletcher to try to pick up the pieces, finish the shoot, editing and any extra shoots. It's only an insult that after all this, they also put Singer forward for awards.
So I do admit that it is an entertaining and good film, but does not do justice to Mercury and can hardly be considered to be a good biopic.
And I have to say, I was disappointed. Don't get me wrong, it is a good film with great visuals, the reshoot of Live Aid was brilliant, Rami Malek was at his best and the singing of Marc Martel was stunning.
But the film, which is supposed to be a biopic blatantly disregards reality or changes it dramatically for a better cinematic effect. While this not a rare thing, the affect of Brian May and Roger Taylor having so much control over the film simply resulted in a very opinionated film that, at least for me, does not do justice to Freddie Mercury or Queen.
The whole point of it being a biopic is lost when facts like how the band met or how Freddie started singing are completely changed, and even small ones, like his proposal, or crucial ones, like the well-known scandal of Live Aid are changed so much.
I did not judge the film based on this, but I think it's also important to note how the studio awarded director billing to Bryan Singer who abandoned the shoot two-thirds along and left Dexter Fletcher to try to pick up the pieces, finish the shoot, editing and any extra shoots. It's only an insult that after all this, they also put Singer forward for awards.
So I do admit that it is an entertaining and good film, but does not do justice to Mercury and can hardly be considered to be a good biopic.
