"First is The Devil Wears Prada, which I watched a million times over. I’m a fashion fanatic, and I love how it’s like a character in the film. I think it’s one of Meryl Streep‘s most amazing performances. I don’t know, there’s just something about it, the subtleties like the little purse of her lips that she does. I think it’s just really cool, and it’s a bit of a guilty pleasure. And the soundtrack on it is fabulous. I loved watching the way in which they used fashion through it, the dedication to keeping it very fashion-forward. I loved it. I thought it was brilliant."

"Another maverick reinventor of film procedure, Leigh arrives at his scripts by hiring actors capable of improvising behavior for the characters Leigh conceives, and then he compiles and hones the script from weeks of their recorded improvisations. The characters as filmed are always convincing and multidimensional in the way of real life, something rare in fiction movies. Usually Leigh’s films are ultimately optimistic or at least life-affirming, but Naked is an exception. It’s a study of a brilliant, manipulative, domineering, womanizing, articulate, suicidally provocative, near-Satanic young man, who is finally sympathetic, with a worldview that can’t be dismissed, and who is doomed. That’s the way I remember it, anyway."

"Once again, another movie that I don’t think people could watch these days because they have to sit too long and listen to people talk. This is a brilliant movie, and Paul Newman, out of everything he ever did, this was his greatest performance. When he got the Academy Award for The Color of Money, I think it was a make-up job [by the Academy]. Jack Warden was terrific in it, as well as James Mason. I hated [James Mason] in that movie more than any character I’ve ever hated as the defense attorney for the Catholic Church. He was really mean–cold, really. All the actors are terrific, too."

"It was seminal, you know? It’s still a cult film for actors. It’s just about two out-of-work actors in England. I keep that on my iPad; I’ll go back and watch that at any point or scene. And there’s a performance by Uncle Monty (Richard Griffiths) — I think it’s one of the greatest comedic performances I’ve seen in my life. Such a wonderful film. It just reaffirms to me that I’m part of an ongoing world of actors. It’s funny, but it’s also beautiful in the end. When Grant does the Hamlet speech… It’s about success, failure, moving on, friendship, loss, and just life. It’s brilliant."