"This includes all of the films in the box set John Cassavetes: Five Films. I’m always a little leery of the routine critical construction “Without X, there would be no Y.” Surely Y would have come along; his or her work might have been a bit different, but he or she would have come along. But in the case of Cassavetes, it is difficult not to think of a whole talkative, financially strapped mob of filmmakers, some brilliant, some not so much, who very well might not have come along if he hadn’t, you know, blazed the path. Still, you don’t watch a Cassavetes film for its historical significance. These films are alive. How very well I remember my first, A Woman Under the Influence. I probably went in because I was a Columbo fan. Not only was I enthralled by a whole new Peter Falk; Gena Rowlands simply blew . . . me . . . away."

"Atomic Blonde, 2016. I’ve seen it three times. It’s directed by David Leitch, of John Wick fame. But this is my idea of the ultimate feminist action movie. Wonder Woman, I’m sorry, just didn’t do it for me, but Charlize Theron is definitely my idea of a female superhero somehow. She balances femininity, vulnerability, and total badass strength. So she is truly great in this film. And I would say, she usually is very strong. I love the way that Charlize Theron is rarely, if ever, like overplaying anything. And the film is ingenious; it takes place in Berlin, just 24 hours before the wall falls. It’s full of betrayal, violence, intrigue, and the idea of life and death become completely irrelevant when the wall comes down. It’s a really brilliant plot. And also James McAvoy, John Goodman, and Toby Jones deliver really engagingly creepy, supporting performances. The action sequences are all amazing, the visual effects, and hats off to Charlize Theron. I really love, Atomic Blonde."

"I think a lot about Martin Scorsese and how heavily influenced Paul Thomas Anderson was by him. I feel like he learned so much from Scorsese in Boogie Nights, and so I feel like picking Boogie Nights is somewhat accounting for my Martin Scorsese love. But I’m also being very honest about a movie that I can watch over and over. Just the epic nature and the grandness of it, and some of the shots and the style of it, and the music — my God, the way he uses music — and that great shot where somebody jumps into the pool and you hear the muffled soundtrack. It’s brilliant. I never get sick of watching it. And the acting is just some of my favorite actors at the top of their game. I love doing impressions and one of my earliest impressions of an actor was Philip Seymour Hoffman in that movie, when he’s saying how much he loves the name and he’s chewing on the pen."

"I made a film not too long ago that was originally called The Moguls, and then they changed the title to The Amateurs. Written and directed by a fellow by the name of Michael Traeger. First time director, I’ve had great success with first time guys. He assembled a brilliant cast. We had Ted Danson, Glenne Headly, Jeanne Tripplehorn, Joey Pantoliano, Tim Blake Nelson, Bill Fichtner, a wonderful cast, and it was about a small town making a porn movie. This was before that movie that came out, Zack & Miri Make a Porno. Anyway, it was a wonderful film, got great laughs, and then it got picked up by a distributor who went bankrupt and took about five or six movies down with him and the movies got very small releases. It’s a film that I’m very proud of, makes me laugh, I think people will like it, so you might check that out."

"I wish I could choose something cool and artsy. I’ll tell you what I saw, which I think kind of shot into my list, and I only watched it recently — I’m ashamed that I didn’t see it earlier — was The Squid and the Whale. It was absolutely fantastic. Again, I guess, similar in tone to the other films I’ve mentioned. A sort of, you know, domestic comedy-drama, but very, very truthful, and brilliant performances again. Is it Jesse Eisenberg who’s in that movie? Yeah, I just thought that was tremendous. Luckily, my parents never got divorced, I never went through that, but it really takes you into the experience of watching your parents split up. And I think cinema’s at its best when it makes you feel an experience that you’ve never had yourself, and sort of understand the emotions of it. I was really impressed by that movie. Just a great, kind of… shot through with this black spine of humor."

"""And then I always think the Pixar film is always the best film of the year. Always. I just think they are amazing. Last year, I thought Coco was the film of the year. Those films are just brilliant, like Wall-E or Up, and you say, “How did they ever get that made? How did they ever get that past somebody?” I don’t know what’ll happen with Lassiter not there, but I’m a big animation fan. But I would say if I had to pick favorites, probably some of the Miyazaki films, those animated films. Spirited Away maybe. They’re just art. He is head and shoulders above everybody, and he said he was retiring. He’s like 86 or something. Then I just read he’s making a new film. Yeah, probably Spirited Away. It’s got 17 different styles of art in it. It just keeps changing. You just keep getting blown away. You can’t believe what you’re seeing"""