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Teenage Tears - Single by Mia Mi
Teenage Tears - Single by Mia Mi
7
7.0 (1 Ratings)
Album Rating
Mia Mi is an up-and-coming 18-year-old singer-songwriter based in North London. Not too long ago, she released an encouraging pop tune, entitled, “Teenage Tears”.

“Teenage tears you cry all these years. Well, they got you here, so just trust that you’ll be okay. Now she got a little confidence. Things that didn’t, starting to make sense. She can make a change just go see what’s next.” – lyrics

‘Teenage Tears’ contains a relatable storyline, ear-welcoming vocals, and lush instrumentation scented with danceable pop aroma.

“And now you know it’s so good to be different. Break out the bucks you ain’t got no limits. Just give it time, you will learn it in a minute.” – lyrics

Mia Mi’s music is a mixture between Ariana Grande and Mabel. At the age of 10, she won a local singing competition.

Shortly afterward, she enrolled at London’s Centre for Young Musicians and then graduated from the critically acclaimed Brit School.

After fulfilling her educational duties, she released cover videos of popular songs via her YouTube channel.

Since then, her debut single, “Talk To Me”, has been added to 30 playlists on Spotify and has amassed over 120K streams.
  
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TacoDave (3484 KP) rated Young In My Head by Starflyer 59 in Music

May 9, 2019 (Updated May 9, 2019)  
Young In My Head by Starflyer 59
Young In My Head by Starflyer 59
2019 | Rock
10
10.0 (1 Ratings)
songs (3 more)
instruments
vocals
vibe
Some song outros end too quickly (0 more)
15 Albums In and Starflyer 59 Still Rocks
If you've never heard of Starflyer 59, I have a treat for you.


What began as a "shoegazer" band in the mid 90's (think Smashing Pumpkins meets The Smiths) has progressed over the years through heavy, chunky guitars, to Brit-pop mixed with synth, to this new album which just ... rocks. With the release of the band's 15th full album (not to mention many EPs and collections), band lead Jason Martin has shown that he's still got it. "Young In My Head" is soothing, catchy rock that is perfect driving music.

I'll attach a Youtube link so you can hear the title song from the album.

The songs themselves are catchy in a way that makes you sing along without realizing it. The lyrics are surprisingly melancholy, dealing with growing older and realizing that you aren't the energetic kid you were when you started ("It's been 25/since I wrote/Blue Collar Love/Man, I had my turn/I need to go/Stayed longer than most"). But the music still has an upbeat groove to it that keeps it from feeling depressing. Martin walks that line between melancholy and depression like an expert.

My only complaint isn't really a complaint: Starflyer has some of the best guitar solos to end songs, and this album is no different, but they feel truncated - like they cut out too early. I would love longer outros like they used on older albums. Listen to the song "Cry," for a good example - the end of the song is amazing, beginning at 2:00, but it doesn't last long enough.

In the past 25 years Starflyer 59 has not released a bad album. Each album has a different sound and groove to it, but they are all undeniably Starflyer. I, for one, will continue to listen to their albums and hope they go another 25 years.
  
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Ian Anderson recommended Head Games by Foreigner in Music (curated)

 
Head Games by Foreigner
Head Games by Foreigner
(0 Ratings)
Album Favorite

"Foreigner was a band that had an anthemic sophistication about their musical approach. It was educated, well-formed, well turned-out British-American music. The primary songwriter and leader of the band [Mick Jones] was a Brit, and the vocal talents of probably rock’s finest ever tenor, Lou Gramm, fitted perfectly with their sound. I got to know Lou many years later after his horrendous illness. When he was making his comeback to singing after brain surgery, me and some other guys played with him on a big German TV show, and we had to change the key of the song we were doing. We dropped it before he came over to Germany and then when he got there we dropped it another couple of steps. I said to him that the Lou Gramm of 20 or 30 years prior, when he was singing at the top of his range, was a pretty hard act to follow. He said that he didn’t write the songs, and just had to sing what was written, and that he could do that in the studio but it was very tough to do night after night on stage. In a sense I have been there myself. I made records in 1982 [The Broadsword And The Beast] and 1984 [Under Wraps] where I sang really well on record, absolutely at the top of my range. I’m a baritone, and my range is usually up to an E or an occasional hasty F, and then I was singing F# and G. I was singing at the top of my range and singing consistently up there, not just the occasional high note. It was something I couldn’t keep up night after night and I lost my voice in 1984 and had to pretty much take a year off to recover. I cancelled three shows in Australia and two shows in the USA. Over the period of a month I cancelled more than 50 per cent of all the shows that I’ve cancelled in my entire 44 years in music. I still have a soft spot for Lou because of his incredible vocal ability and the wonderful controlled quality of his voice. I do believe he is rock’s finest tenor. His diction was good, his articulation and rhythm was great, he was a truly great singer. It doesn’t mean he’s rock’s best singer or best-known singer, because the usually out of tune Rod Stewart and gymnastic Robert Plant were probably more charismatic. Lou was more mainstream, but it was nevertheless a joy to listen to someone, rather like Alfie Boe, who is in complete control of their vocal ability as the result of hard work and a huge amount of natural talent. He may not be the most exciting pop singer, but for me he is the best."

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