Search
Search results
Lottie disney bookworm (1056 KP) rated The Wendy (Tales of The Wendy #1) in Books
Dec 29, 2020
Contains spoilers, click to show
If I am being completely honest, Peter Pan has never been my favourite Disney film. Oh sure the lost boys and Michael were cute; Tink was sassy and Hook was a good villain but why did everyone moon over Peter so much? And Wendy was always a bit, well a bit wet!
Enter Erin Michelle Sky and Steven Brown with their Tales of Wendy series to prove me wrong! The Wendy is the first in this series but I am already desperate to finish the second book, The Navigator before their third is released at the end of this year.
The Wendy, as you may expect, centres around Wendy Darling. However, this is not the prissy, mother-idolising figure I love to roll my eyes at: oh no, this Wendy Darling is growing up in the late 1700s in a London orphanage. In a world where her sole career option seems to be to become a mother, this feisty ten-year-old would prefer to “marry Davy Jones than grow up and look after babies”. This Wendy Darling is the one I have been waiting for.
Wendy’s dream is to join the Navy and sail the world. Unlike the rest of 18th Century Britain, she doesn’t see why being a girl should prevent this.
Therefore, over the years she becomes adapt at mathematics, science, navigation, marksmanship and swordsmanship. Nevertheless, despite being just as good, if not better than her childhood friend Charlie, he earns the rank of Officer in the British Navy whilst Wendy is assigned to the Home Office as a Diviner, one who can detect the presence of magic: a post to be filled only by women and dogs.
It is here that the reader meets John and Michael: Wendy’s “brothers-in-arms but in no way related, despite what you may have heard”. They are all stationed in Dover Castle, along with the Brigade’s dog Nana (who else?!). Their mission: to protect Britain from a magical threat, the innisfay or “everlost”, whom are known to kidnap orphans. Sound familiar?
The Wendy is definitely the best retelling of Peter Pan I have read so far. Despite the presence of all our favourite names, the characters are a far cry from their animated counterparts. Michael and John are wonderfully dry and sarcastic; Hook is powerful and attractive; Tink is a shape shifter; Peter, despite possessing a pair of wings and armour, is essentially the same and Wendy is an ambitious, feisty, yet beautifully flawed protagonist.
There are many little nods to the film which are greatly appreciated. Wendy “moving out of the nursery” means leaving the orphanage and gaining an apprenticeship and “thinking happy thoughts” as a means of flight is a practical joke by Peter to make Wendy smile.
Sky and Brown’s conversationalist style of writing makes this a very easy read, despite Wendy galloping all over the South of England with a variety of characters. It also allows the reader to really bond with Wendy and empathise with her and her struggles to achieve the employment she has longed so for since childhood.
As you may have gathered, sexism plays a large part in Wendy’s uphill struggle: as the only main female character she is constantly undermined in her ambition to become a sailor. Even when she proves to be useful in her post within the Home Office she is removed to the country “for her own safety”. Those men whom do not undermine her moon after her romantically: it truly is infuriating.
In some situations, this ingrained attitude was slightly heart-breaking but equally a sign of the times in which this novel was set: Wendy’s thoughts often returned to the propriety of her actions and the danger she experiences just through wearing “men’s clothes” is powerful moment. However, Wendy never lets these attitudes halt her ambition, ending her first novel as a true inspiration to girls following in her footsteps: Navigator Darling.
I can’t wait to discover the next step in her journey which, conveniently, lays past the second star to the right and straight on till morning!
Enter Erin Michelle Sky and Steven Brown with their Tales of Wendy series to prove me wrong! The Wendy is the first in this series but I am already desperate to finish the second book, The Navigator before their third is released at the end of this year.
The Wendy, as you may expect, centres around Wendy Darling. However, this is not the prissy, mother-idolising figure I love to roll my eyes at: oh no, this Wendy Darling is growing up in the late 1700s in a London orphanage. In a world where her sole career option seems to be to become a mother, this feisty ten-year-old would prefer to “marry Davy Jones than grow up and look after babies”. This Wendy Darling is the one I have been waiting for.
Wendy’s dream is to join the Navy and sail the world. Unlike the rest of 18th Century Britain, she doesn’t see why being a girl should prevent this.
Therefore, over the years she becomes adapt at mathematics, science, navigation, marksmanship and swordsmanship. Nevertheless, despite being just as good, if not better than her childhood friend Charlie, he earns the rank of Officer in the British Navy whilst Wendy is assigned to the Home Office as a Diviner, one who can detect the presence of magic: a post to be filled only by women and dogs.
It is here that the reader meets John and Michael: Wendy’s “brothers-in-arms but in no way related, despite what you may have heard”. They are all stationed in Dover Castle, along with the Brigade’s dog Nana (who else?!). Their mission: to protect Britain from a magical threat, the innisfay or “everlost”, whom are known to kidnap orphans. Sound familiar?
The Wendy is definitely the best retelling of Peter Pan I have read so far. Despite the presence of all our favourite names, the characters are a far cry from their animated counterparts. Michael and John are wonderfully dry and sarcastic; Hook is powerful and attractive; Tink is a shape shifter; Peter, despite possessing a pair of wings and armour, is essentially the same and Wendy is an ambitious, feisty, yet beautifully flawed protagonist.
There are many little nods to the film which are greatly appreciated. Wendy “moving out of the nursery” means leaving the orphanage and gaining an apprenticeship and “thinking happy thoughts” as a means of flight is a practical joke by Peter to make Wendy smile.
Sky and Brown’s conversationalist style of writing makes this a very easy read, despite Wendy galloping all over the South of England with a variety of characters. It also allows the reader to really bond with Wendy and empathise with her and her struggles to achieve the employment she has longed so for since childhood.
As you may have gathered, sexism plays a large part in Wendy’s uphill struggle: as the only main female character she is constantly undermined in her ambition to become a sailor. Even when she proves to be useful in her post within the Home Office she is removed to the country “for her own safety”. Those men whom do not undermine her moon after her romantically: it truly is infuriating.
In some situations, this ingrained attitude was slightly heart-breaking but equally a sign of the times in which this novel was set: Wendy’s thoughts often returned to the propriety of her actions and the danger she experiences just through wearing “men’s clothes” is powerful moment. However, Wendy never lets these attitudes halt her ambition, ending her first novel as a true inspiration to girls following in her footsteps: Navigator Darling.
I can’t wait to discover the next step in her journey which, conveniently, lays past the second star to the right and straight on till morning!
Reiko LJ (126 KP) rated The Psychology of Time Travel in Books
Aug 13, 2018
Engaging, fully formed world (1 more)
Complex female characters
This book had my interest on the premise alone, enough to give it a shot - but I didn't expect it to be such an enjoyable ride.
Usually when fiction tackles time travel concepts you get glaring paradoxes, intentional blurring of details or overdone tropes but this book actually pulled it off well. Rather than focusing on the usual quandaries faced by time travelling instead we had a plethora of content I'd never even considered before!
From the humble beginnings of the four 'pioneers' in the '60s (which most books would have kept focus on) we jump forwards to the modern era and have what happened between was filled in through very natural exposition and character discovery. The result is a rich and vast world I wanted to know more and more about. What a fantastic concept to show modern day Britain with a history knocked off course by the creation of the conclave and decades of shared knowledge.
I was repeatedly impressed by the level of detail that Mascarenhas took things to (the time travel terminology/slang definitely being one of them!) and the areas she covered.
Over the course of reading this book I found myself bringing up the book in conversation at work and home. I couldn't help but talk about it. It was also at this point, in describing the book, that I suddenly realised there were no male characters of note in the book at all. This absolutely took nothing away from the story. The women in this story were fully formed and real enough to be flawed. Such a refreshing experience in sci-fi! I was pleasantly surprised by the romantic sub-plot between two women as well. This was such a natural progression of the story, with no fan-fare or overdue focus - it was just right and wonderfully depicted.
The themes covered by the book are equal parts beautiful and painful - just like life itself. What an incredible debut novel from a voice I am keen to hear more from.
----
Thank you to NetGalley and Head of Zeus for an ARC of this book in in exchange for an honest review
Usually when fiction tackles time travel concepts you get glaring paradoxes, intentional blurring of details or overdone tropes but this book actually pulled it off well. Rather than focusing on the usual quandaries faced by time travelling instead we had a plethora of content I'd never even considered before!
From the humble beginnings of the four 'pioneers' in the '60s (which most books would have kept focus on) we jump forwards to the modern era and have what happened between was filled in through very natural exposition and character discovery. The result is a rich and vast world I wanted to know more and more about. What a fantastic concept to show modern day Britain with a history knocked off course by the creation of the conclave and decades of shared knowledge.
I was repeatedly impressed by the level of detail that Mascarenhas took things to (the time travel terminology/slang definitely being one of them!) and the areas she covered.
Over the course of reading this book I found myself bringing up the book in conversation at work and home. I couldn't help but talk about it. It was also at this point, in describing the book, that I suddenly realised there were no male characters of note in the book at all. This absolutely took nothing away from the story. The women in this story were fully formed and real enough to be flawed. Such a refreshing experience in sci-fi! I was pleasantly surprised by the romantic sub-plot between two women as well. This was such a natural progression of the story, with no fan-fare or overdue focus - it was just right and wonderfully depicted.
The themes covered by the book are equal parts beautiful and painful - just like life itself. What an incredible debut novel from a voice I am keen to hear more from.
----
Thank you to NetGalley and Head of Zeus for an ARC of this book in in exchange for an honest review
Daniel Boyd (1066 KP) rated The Sisters Brothers (2018) in Movies
Jan 7, 2019 (Updated Jan 7, 2019)
Cast all give brilliant performances (1 more)
Quirky filming techniques
He Ain't Heavy, He's My Brother
I was dying to see this movie as soon as I saw the first trailer for it, but even though it dropped in the states months ago, it's not coming to UK cinemas until April 2019! However, if you mess around with the location settings on your on-demand website of choice, it is possible to legally watch this movie in Britain without having to wait another 4 months for it to release.
We seem to be at a point cinematically where traditional westerns that follow a gunslinger duelling his way across the west have all been done to death. Instead, it seems like modern westerns have to take a different, more unorthodox approach to the stories that they decide to tell. Take The Hateful Eight for example, as much as I loved that film, it was closer to the Clue movie than it was any of Sergio Leonne's Spaghetti Westerns. Or there is the very recent Ballad Of Buster Scruggs, which I personally enjoyed, but even within that movie, the tone and feel varied wildly throughout and none of it was what I would call a traditional western.
The Sisters Brothers follows this trajectory of oddity. It follows the titular brothers (played by John C. Reilly and Joaquin Pheonix,) who are essentially hitmen working for a Commodore (played by Rutger Hauer,) who have been sent to kill a chemist/gold prospector (played by Riz Ahmed,) with the help of a scout also working for the commodore, (played by Jake Gyllenhall.)
This movie is strange. It was directed by Jacques Audiard and there is a strange tone to the whole thing which feels distinctly French. There are an abundance of odd yet aesthetically pleasing shots that contribute to the film's odd tone and there are some comedic elements thrown in also. The whole thing is a mixing pot of different elements, yet it all strangely works.
Overall, I enjoyed The Sisters Brothers even if it was unconventional and not exactly the movie that I had expected going in and the performances all around are sublime.
We seem to be at a point cinematically where traditional westerns that follow a gunslinger duelling his way across the west have all been done to death. Instead, it seems like modern westerns have to take a different, more unorthodox approach to the stories that they decide to tell. Take The Hateful Eight for example, as much as I loved that film, it was closer to the Clue movie than it was any of Sergio Leonne's Spaghetti Westerns. Or there is the very recent Ballad Of Buster Scruggs, which I personally enjoyed, but even within that movie, the tone and feel varied wildly throughout and none of it was what I would call a traditional western.
The Sisters Brothers follows this trajectory of oddity. It follows the titular brothers (played by John C. Reilly and Joaquin Pheonix,) who are essentially hitmen working for a Commodore (played by Rutger Hauer,) who have been sent to kill a chemist/gold prospector (played by Riz Ahmed,) with the help of a scout also working for the commodore, (played by Jake Gyllenhall.)
This movie is strange. It was directed by Jacques Audiard and there is a strange tone to the whole thing which feels distinctly French. There are an abundance of odd yet aesthetically pleasing shots that contribute to the film's odd tone and there are some comedic elements thrown in also. The whole thing is a mixing pot of different elements, yet it all strangely works.
Overall, I enjoyed The Sisters Brothers even if it was unconventional and not exactly the movie that I had expected going in and the performances all around are sublime.
Hazel (1853 KP) rated Dogfight (Special Operations, #1) in Books
Dec 14, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Quite often novels concerning the Second World War are assumed to be about Great Britain, Germany or life in concentration camps. However, first in series <i>Special Operations: Dogfight</i> by Craig Simpson is set in Norway in 1940 where Nazi’s have invaded.
The story is about fifteen-year-old Finn Gunnersen and his best friend Loki whose families are deeply involved with the resistance. Although they are still young boys, Finn and Loki end up playing an enormous role. Finn survives imprisonment and goes on to help a British Agent who has parachuted into Norway. As well as being a brilliant piece of historical fiction, this novel turns out to be an exciting thriller for teenagers.
Although suitable for both male and female readers, boys of ages ten and up would particularly like this book especially if they have a fascination for aircraft. There is a lot of detail about different types of planes and the author has even included a few diagrams and details at the beginning of the book.
Finn is a great hero with admirable strength and bravery. Simpson does not undermine women however and includes a couple of amazing female characters with just as much courage as the men.
<i>Special Operations: Dogfight</i> is a work of fiction but it was inspired by real events. It’s Norwegian setting makes it educational in that it teaches the reader about the effect of the war on innocent people in countries less spoken about in history textbooks. Despite some of the areas being made up to suit the story, Simpson has done a magnificent job at keeping it historically accurate and must have spent a great deal of time on research.
<i>Special Operations: Dogfight</i> is a brilliant book for young readers. For some the historical setting may be off putting but the characters feel as modern as teenagers today. The story is exciting and has a fantastic ending, including a few plot twists you do not see coming!
Quite often novels concerning the Second World War are assumed to be about Great Britain, Germany or life in concentration camps. However, first in series <i>Special Operations: Dogfight</i> by Craig Simpson is set in Norway in 1940 where Nazi’s have invaded.
The story is about fifteen-year-old Finn Gunnersen and his best friend Loki whose families are deeply involved with the resistance. Although they are still young boys, Finn and Loki end up playing an enormous role. Finn survives imprisonment and goes on to help a British Agent who has parachuted into Norway. As well as being a brilliant piece of historical fiction, this novel turns out to be an exciting thriller for teenagers.
Although suitable for both male and female readers, boys of ages ten and up would particularly like this book especially if they have a fascination for aircraft. There is a lot of detail about different types of planes and the author has even included a few diagrams and details at the beginning of the book.
Finn is a great hero with admirable strength and bravery. Simpson does not undermine women however and includes a couple of amazing female characters with just as much courage as the men.
<i>Special Operations: Dogfight</i> is a work of fiction but it was inspired by real events. It’s Norwegian setting makes it educational in that it teaches the reader about the effect of the war on innocent people in countries less spoken about in history textbooks. Despite some of the areas being made up to suit the story, Simpson has done a magnificent job at keeping it historically accurate and must have spent a great deal of time on research.
<i>Special Operations: Dogfight</i> is a brilliant book for young readers. For some the historical setting may be off putting but the characters feel as modern as teenagers today. The story is exciting and has a fantastic ending, including a few plot twists you do not see coming!
Alex Kapranos recommended track Sonny's Lettah by Linton Kwesi Johnson in Independant Intavenshan: The Island Anthology by Linton Kwesi Johnson in Music (curated)
ClareR (5885 KP) rated Savage Beasts in Books
Jul 4, 2023
Savage Beasts is a re-imagining of the story of Medea. This time, Meena (not Medea) betrays her father, the Nawab of Bengal, and runs away with an adventurer called James Chilcott. But Meena’s initial feelings of adventure and excitement soon wear off when she realises that the man she took to be an adventurer, was just an opportunist who spends her money and betrays her in turn.
I thought it was really clever how the Greek myth was woven into Meena’s story, and showed the impact of colonialism. Great Britain doesn’t come out of this well. James’ uncle, Sir Peter Chilcott, is a powerful man in the East India Company. He’s cold, unforgiving, and sees Meena, Indians, Bengali’s, and anyone from anywhere foreign, as below him and little better than an animal.
It made for really uncomfortable reading, and made me so angry!
Meena comes across as being so young but desperate to be older. She’s determined to make a good life for herself and her child - despite how difficult James and his reprehensible family make it for her.
Honestly, by the end I firmly believed they deserved whatever was coming their way!
I listened to this on audiobook, kindly sent to me via NetGalley by HarperCollins UK Audio. The narrator, Shazia Nicholls, really was outstanding. It always amazes me how a good narrator can make all the characters sound so different - especially in this case, the men. Sir Peter came across as a sneering, superior, calculating monster, and in contrast, Meena was both young and wise - and it felt as though she was really there, speaking for herself. Shazia read with such emotion that it became entirely believable. This could well have been an historical memoir as much as a piece of fiction.
Yes, this is described as a Greek retelling, but it has been made into something all of its own. If you know the story of Medea, then you’ll see where in particular it is borrowing from that story - but this is a great story in its own right. It’s powerful, feminist and it’s about colonialism. It’s a story about family, trust and the devastation of betrayal.
Highly recommended!
I thought it was really clever how the Greek myth was woven into Meena’s story, and showed the impact of colonialism. Great Britain doesn’t come out of this well. James’ uncle, Sir Peter Chilcott, is a powerful man in the East India Company. He’s cold, unforgiving, and sees Meena, Indians, Bengali’s, and anyone from anywhere foreign, as below him and little better than an animal.
It made for really uncomfortable reading, and made me so angry!
Meena comes across as being so young but desperate to be older. She’s determined to make a good life for herself and her child - despite how difficult James and his reprehensible family make it for her.
Honestly, by the end I firmly believed they deserved whatever was coming their way!
I listened to this on audiobook, kindly sent to me via NetGalley by HarperCollins UK Audio. The narrator, Shazia Nicholls, really was outstanding. It always amazes me how a good narrator can make all the characters sound so different - especially in this case, the men. Sir Peter came across as a sneering, superior, calculating monster, and in contrast, Meena was both young and wise - and it felt as though she was really there, speaking for herself. Shazia read with such emotion that it became entirely believable. This could well have been an historical memoir as much as a piece of fiction.
Yes, this is described as a Greek retelling, but it has been made into something all of its own. If you know the story of Medea, then you’ll see where in particular it is borrowing from that story - but this is a great story in its own right. It’s powerful, feminist and it’s about colonialism. It’s a story about family, trust and the devastation of betrayal.
Highly recommended!
Whatchareadin (174 KP) rated Home Fire in Books
May 10, 2018
Two families both from Britain and both with Muslim backgrounds, but from different socioeconomic classes. The Pasha Family, Isma, Aneeka, and Parvaiz, they have lost both of their parents and Isma is the head of the household. When Aneeka and Parvaiz have finished school, she decides that it is now time for her to go to America to finish her studies to be a doctor. With the help of a family friend she does just that, but worries constantly about her brother and sister back home. While in America she meets, Eammon Lone. His father is a high political figure where they are from and it's strange to meet someone like this in America.
This book was a slow start for me. I wanted to dive right in, but it was not very easy. The subject matter is deep. The Pasha family lost their father because he decided to join the ranks of the Taliban and he was killed for it. The fear is that Parvaiz, the brother will go through the same fate. When Isma loses contact with him while she is in America, she really starts to get scared and when the same becomes true of her sister Aneeka, she worries even more. What can she do so far away from her family in order to help them. Maybe with her connection now to Eammon, she will be able to help her family.
Eammon decides to help Isma out, but not in a way she expects. He is returning to England as she is about to send a parcel to her family. Eammon offers to put it in the post in England, but ends up delivering it himself and meeting Aneeka. There was an immediate attraction for him, but Aneeka has an ulterior motive. While Eammon be able to detect this or will he find out too late. When Aneeka asks Eammon to talk to his father about helping her brother return to the country, he feels like he will be able to help her, but his father doesn't want to have anything to do with the Pasha family given their father's past.
How will this turn out for everyone involved. Will they be able to settle their differences in order to help a young man who has made some stupid choices?
This book was a slow start for me. I wanted to dive right in, but it was not very easy. The subject matter is deep. The Pasha family lost their father because he decided to join the ranks of the Taliban and he was killed for it. The fear is that Parvaiz, the brother will go through the same fate. When Isma loses contact with him while she is in America, she really starts to get scared and when the same becomes true of her sister Aneeka, she worries even more. What can she do so far away from her family in order to help them. Maybe with her connection now to Eammon, she will be able to help her family.
Eammon decides to help Isma out, but not in a way she expects. He is returning to England as she is about to send a parcel to her family. Eammon offers to put it in the post in England, but ends up delivering it himself and meeting Aneeka. There was an immediate attraction for him, but Aneeka has an ulterior motive. While Eammon be able to detect this or will he find out too late. When Aneeka asks Eammon to talk to his father about helping her brother return to the country, he feels like he will be able to help her, but his father doesn't want to have anything to do with the Pasha family given their father's past.
How will this turn out for everyone involved. Will they be able to settle their differences in order to help a young man who has made some stupid choices?
RəX Regent (349 KP) rated V for Vendetta (2005) in Movies
Mar 7, 2019
Missed the point... Ponderously
Contains spoilers, click to show
"BOLLOCKS!" This is the standard British insult which is banded about by the stereotypical characters as perceived by our American cousins. Or is this a succinct review of the film? Alan Moore, more famously known for Watchmen, was the original author of the graphic novel of the same name, which was published between 1982 and '85 and then later reprinted in full by DC comics, had his name removed during production. The Brothers Wachowski, of The Matrix fame, a seminal film, penned the adaptation and did so without truly understanding the source.
We ended up with a dull, overly bombastic and ponderous take on a much more subversive novel, with stereotypical fascist villains, shown to have taken power by releasing a virus upon the country's population, rather than the comic's thesis on the apathetic voters, legitimately electing them.
This is Hollywood does Britain, and as usual, they got it wrong. This is a sci-fi fantasy, where the hero/terrorist dons a Guy Fawkes mask and romantically spreads revolution across the country. But Hugo Weaving's ranting, good though he always is, is just boring and overblown. He is a Nutter and not in the good sense. I don't understand what gives him the right to blow up Parliament for us? I think that he's the other side of the same coin; a dictator in his own right. Is this the point? Maybe, but that point is lost when the film is trying to walk the fine line between epic political film-making with an edge, and a major comic book adaptation by the creators of the revolutionary Matrix. Though, the ill-conceived sequels should have served as a warning to us all as to what to expect from this project.
When I first watched this, I thought it was okay, but on repeat viewings it just continues to fall further and further down in my estimation. Boring, contrived, and misconceived. The Brothers Grimm Wachowski need to rethink their strategy and their role in the business and they are in no way, shape or form serious filmmakers. They have a fantastic and they did have a revolutionary view of cinematography, but as for being deep and meaningful writers... more ponderous and self absorbed than anything else.
We ended up with a dull, overly bombastic and ponderous take on a much more subversive novel, with stereotypical fascist villains, shown to have taken power by releasing a virus upon the country's population, rather than the comic's thesis on the apathetic voters, legitimately electing them.
This is Hollywood does Britain, and as usual, they got it wrong. This is a sci-fi fantasy, where the hero/terrorist dons a Guy Fawkes mask and romantically spreads revolution across the country. But Hugo Weaving's ranting, good though he always is, is just boring and overblown. He is a Nutter and not in the good sense. I don't understand what gives him the right to blow up Parliament for us? I think that he's the other side of the same coin; a dictator in his own right. Is this the point? Maybe, but that point is lost when the film is trying to walk the fine line between epic political film-making with an edge, and a major comic book adaptation by the creators of the revolutionary Matrix. Though, the ill-conceived sequels should have served as a warning to us all as to what to expect from this project.
When I first watched this, I thought it was okay, but on repeat viewings it just continues to fall further and further down in my estimation. Boring, contrived, and misconceived. The Brothers Grimm Wachowski need to rethink their strategy and their role in the business and they are in no way, shape or form serious filmmakers. They have a fantastic and they did have a revolutionary view of cinematography, but as for being deep and meaningful writers... more ponderous and self absorbed than anything else.
Hazel (1853 KP) rated Hearts of Stone in Books
Dec 17, 2018
<i>I received this book for free through Goodreads First Reads.</i>
Simon Scarrow brings to life the horrors of World War II in his latest novel <i>Hearts of Stone</i>. In 2013, Anna Thesskoudiss, a history teacher is contacted by a German research student, Dieter Muller who is interested in talking to her grandmother Eleni. He explains that he is the grandson of Peter Muller who was friends with her grandmother whilst staying on the Greek island of Lefkas until the war made them enemies.
Dieter Muller’s introduction implies that the story is going to be about the relationship between Eleni and Peter, which gets destroyed when Peter returns to the island as an enemy intelligence officer. The blurb for <i>Hearts of Stone</i> also implies this. However, the majority of the book focuses on their friend Andreas’ experience of the Navy and his role in the resistance. Scarrow goes into detail of every dangerous situation Andreas finds himself in, but this is not what the reader was expecting to learn about. Eventually the final chapters turn to Peter’s role in the war and the reason Eleni and he could no longer consider themselves friends.
Despite being full of action and war horrors, it gets a little boring reading about Andreas’ life. Although this narrative leads to what happens with Peter, it occasionally felt unnecessary, as it was the final stages that appeared to be the most important.
From an historical point of view it is refreshing to read a war story that is not focused on either Britain or Germany. <i>Hearts of Stone</i> reveals how Greece was affected even though they were not one of the main fighting bodies. It is shocking how many innocent people were killed purely for the Nazi’s to invoke fear in the hopes the natives would submit to their rule.
Hopefully the vast amount of mistakes and grammatical errors would have been corrected before the final – I read an uncorrected proof – publication. Admittedly <i>Hearts of Stone</i> was a bit of a disappointment as it was not exactly what it appeared to be. However it has educational value as well as entertainment for readers who enjoy war stories. Scarrow has also included maps of the Greek island of Lefkas and the Mediterranean during WWII as well as a character list to benefit readers as they take in the story.
Simon Scarrow brings to life the horrors of World War II in his latest novel <i>Hearts of Stone</i>. In 2013, Anna Thesskoudiss, a history teacher is contacted by a German research student, Dieter Muller who is interested in talking to her grandmother Eleni. He explains that he is the grandson of Peter Muller who was friends with her grandmother whilst staying on the Greek island of Lefkas until the war made them enemies.
Dieter Muller’s introduction implies that the story is going to be about the relationship between Eleni and Peter, which gets destroyed when Peter returns to the island as an enemy intelligence officer. The blurb for <i>Hearts of Stone</i> also implies this. However, the majority of the book focuses on their friend Andreas’ experience of the Navy and his role in the resistance. Scarrow goes into detail of every dangerous situation Andreas finds himself in, but this is not what the reader was expecting to learn about. Eventually the final chapters turn to Peter’s role in the war and the reason Eleni and he could no longer consider themselves friends.
Despite being full of action and war horrors, it gets a little boring reading about Andreas’ life. Although this narrative leads to what happens with Peter, it occasionally felt unnecessary, as it was the final stages that appeared to be the most important.
From an historical point of view it is refreshing to read a war story that is not focused on either Britain or Germany. <i>Hearts of Stone</i> reveals how Greece was affected even though they were not one of the main fighting bodies. It is shocking how many innocent people were killed purely for the Nazi’s to invoke fear in the hopes the natives would submit to their rule.
Hopefully the vast amount of mistakes and grammatical errors would have been corrected before the final – I read an uncorrected proof – publication. Admittedly <i>Hearts of Stone</i> was a bit of a disappointment as it was not exactly what it appeared to be. However it has educational value as well as entertainment for readers who enjoy war stories. Scarrow has also included maps of the Greek island of Lefkas and the Mediterranean during WWII as well as a character list to benefit readers as they take in the story.
ClareR (5885 KP) rated Future Imperfect in Books
Dec 4, 2023
Future Imperfect is a terrifyingly plausible version of the future. Climate Change has caused displacement of people across the globe, and everyone is either trying to get home to their own countries, or trying to get to a relatively safe country. The UK is taking a hard line, and those who immigrated to Britain up to two or even three generations before, are being sent back to their ‘country of origin’ - a country that for many is an unknown.
In this atmosphere, Helen and Isha are attempting to return to the UK when their home in Arles is flooded, but as Isha is deemed to be Ugandan (her grandparents came from Uganda as refugees) only Helen can enter. Which for them is unacceptable. So Helen decides she must stay with Isha, and the two of them decide to make for Switzerland and an old friends mountain chalet.
But this is a world where everyone is constantly monitored, and as the weather and climate worsen, so do the actions of the French and Swiss governments. To be caught is to potentially be killed.
Jana, Helen and Isha’s adopted daughter, decides to follow her parents. Unlike them, she is permitted to be in France, so her journey, whilst difficult with her small daughter, is much easier.
AI is needed for every aspect of life in this world, and it’s the ideal way to track those who really don’t want to be tracked. Everything needs to be paid for using this method as well. Fortunately, Helen and Isha meet a terrorist organisation who agree to help them. They’re not the only ones to help the women. It just goes to prove that there are good people everywhere in times of need, they just need to be brave enough to step forward.
There’s a lot to think about in this story and a lot of what happens is already happening to a lesser degree (so far!): floods, fires, famine. The future this novel paints is not a good one.
Oddly, I really enjoyed this, as I do with all of these imperfect future novels. There were parts in the story where I didn’t really want to read on, because I didn’t want bad things to happen to these good people, but I’m so glad I did.
Read with The Pigeonhole.
In this atmosphere, Helen and Isha are attempting to return to the UK when their home in Arles is flooded, but as Isha is deemed to be Ugandan (her grandparents came from Uganda as refugees) only Helen can enter. Which for them is unacceptable. So Helen decides she must stay with Isha, and the two of them decide to make for Switzerland and an old friends mountain chalet.
But this is a world where everyone is constantly monitored, and as the weather and climate worsen, so do the actions of the French and Swiss governments. To be caught is to potentially be killed.
Jana, Helen and Isha’s adopted daughter, decides to follow her parents. Unlike them, she is permitted to be in France, so her journey, whilst difficult with her small daughter, is much easier.
AI is needed for every aspect of life in this world, and it’s the ideal way to track those who really don’t want to be tracked. Everything needs to be paid for using this method as well. Fortunately, Helen and Isha meet a terrorist organisation who agree to help them. They’re not the only ones to help the women. It just goes to prove that there are good people everywhere in times of need, they just need to be brave enough to step forward.
There’s a lot to think about in this story and a lot of what happens is already happening to a lesser degree (so far!): floods, fires, famine. The future this novel paints is not a good one.
Oddly, I really enjoyed this, as I do with all of these imperfect future novels. There were parts in the story where I didn’t really want to read on, because I didn’t want bad things to happen to these good people, but I’m so glad I did.
Read with The Pigeonhole.