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Eurovision Song Contest: The Story of Fire Saga (2020)
Eurovision Song Contest: The Story of Fire Saga (2020)
2020 | Comedy, Music, Romance
Decent comedy, though some real liberties taken with Edinburgh's geography
This is a decent comedy following the events leading up to mediocre Icelandic pop duo Fire Saga heading to represent their country at the Eurovision semi-finals. The portrayal of Icelandic people as being quite stupid and backwards and still believing in fairies was maybe a little offensive but added some of the best comedy, and with a silly film like this anyone taking that seriously would have real problems.
The setting of the contest in Edinburgh was a nice touch, as with Infinity War it is always good to see the end product from the annoying road closures. However it didn't make sense, given the hosts were not British and Britain didn't win the contest, but again lets not take this too seriously. The car chase was a mess though, with the car one minute heading one way along a street and shortly appearing at a roundabout at the end behind them. Also, the Glasgow SSE Hydro arena being at the end of George IV Bridge was just all sorts of wrong.
The geographical inconsistencies aside, this is a nice silly little comedy that drags on a little too long with a fairly cliche'd plot.
  
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Peter Strickland recommended Bait (2019) in Movies (curated)

 
Bait (2019)
Bait (2019)
2019 | Drama
9.0 (1 Ratings)
Movie Favorite

"I saw this at Helsinki’s Love and Anarchy Film Festival with Mark Jenkin taking questions from the audience. From the very opening, I was transported to a completely different place even though we’re in contemporary Britain and I haven’t seen anything so singular from my home country in years. I had a sauna with Mark Jenkin the day after its Helsinki premiere and told him how jealous I was. It’s the kind of film I wish I had made. Its success is remarkable and it regally urinates on the perceived industry wisdom regarding so many things: nobody wants grainy black-and-white 16mm, nobody wants unknown actors and so on and so on. Congratulations not only to the truly visionary Mr. Jenkin, but also to the thousands of people adventurous enough to pay to see such a film. Both parties have hopefully made industry heads doubt their opinions. I recently got into an argument with a friend’s salsa partner who told me off for not being an audience-friendly director after he saw “In Fabric” since he regarded filmmaking as being on a par with customer service. I should’ve used “Bait” as a happy example of a film that finds its audience without pandering."

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