Smashbomb

"I knew and liked David Lean, a director of genius, who was very kind to me when he was making The Sound Barrier for my Uncle Alex, and Brief Encounter has always seemed to me the very best of classic British filmmaking, with its fiercely restrained emotions and good manners trumping passion, typical of its era. It is the best of the “small” British pictures, which my Uncle Alex tried to replace with “big” British pictures in an attempt to outdo Hollywood, rather than coexist with it, after he left it for Britain in 1932. Lean, who in Brief Encounter made this most English of English films (a distinction perhaps shared by This Happy Breed and The Fallen Idol, see below), moved onward and upward to ever bigger pictures, by way of The Sound Barrier, Summertime, and eventually the biggest and best of all epic films, Lawrence of Arabia, escaping from the confines of England to “international” films that challenged and beat those of the Hollywood studios. But Brief Encounter was a perfect, close-up view of a shabby, threadbare England, the England of “books from Boot’s, good drains, and class distinction,” in John Betjeman’s words, and of a muted, sad, doomed, and very English love affair. It has always been a film that puzzles the French, who find it hard to believe in a love story with almost no eroticism, and in which the lovers are usually dressed in raincoats. It is also Trevor Howard, a wonderful actor, at his best."

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ClareR (6106 KP) rated Sistersong in Books

Aug 9, 2021

Sistersong

Lucy Holland | 2021 | Fiction & Poetry, LGBTQ+, Science Fiction/Fantasy, Young Adult (YA)

10.0

(1 Ratings)

Book Rating

Sistersong is a stunning story, steeped in the mythology of Ancient Britain. It’s set in Dumnonia (a real place - I googled it. It was in SW England where Cornwall, Devon and some of West Somerset are now), at a time of great change and fear. Christianity is making itself known, and the Saxons are a very real threat. King Cador has lost his magical connection to his Land, due to the threats and sermons of a priest called Gildas. With this loss comes the danger of the Dumnonians being unable to protect themselves effectively, and the land not providing food for them.

Cadors three daughters do still have that magical connection. The story is told from their perspective. The eldest, Riva, has been badly burnt in the past, and whilst she can heal others, she can’t heal herself.

Keyne, although born female, has never felt female and longs to be recognised as a man.

Sinne, the youngest, lives for love and flirtation.

When an emissary from another kingdom arrives, he drives a wedge between Riva and Sinne. They see their chance at escape from the Hold. Whilst this is happening, Keyne trains with Myrdin, in the hope that he’ll be recognised as next in line to the throne.

I loved this book - it has all of my favourite elements in a story: mythology, history, magic, lies, deceit, the love of family and siblings, along with the themes of duty and identity. It really packs a punch. The world building is fantastic, and thoroughly immersive. Highly recommended!

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Allan Arkush recommended Monterey Pop (1968) in Movies (curated)

Monterey Pop (1968)

1968 |

(0 Ratings)

Movie Favorite

"Anyone who knows me is aware that I am obsessed with rock and roll. I have thousands and thousands of LPs, CDs, and shelves of DVDs. Monterey Pop is one of the DVDs that I play the most, especially the disc featuring Jimi Hendrix and Otis Redding. Hendrix is a guitar colossus so relaxed during his first American concert that he’s chewing gum. I love his groovy raps, the intro to “Like a Rolling Stone.” One of my all-time favorites, Otis Redding, with Booker T. and the MG’s, plays a ferocious and ultratight set that to me says that this is one of the greatest groups of all time, at their absolute peak. Months on the road hone “Shake” and “I’ve Been Loving You Too Long” into a pair of definitive performances. The box set allows us to witness the beginning of the era of great live rock. All the bands are about the same age and at the same point in their careers, all facing a similar aesthetic problem. Formed in dance halls and clubs around the U.S. and Britain, they were trying to capture the excitement and power of their live performances on LP. The camera captures them in the moment of creation, playing for the approval of each other. Their sincerity, honesty, and devotion to the musicianship could not be any more different from the state of music today. For me the glorious catharsis of the Who’s “My Generation” is one of the things that make life worth living."

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