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ClareR (5849 KP) rated China Room in Books
Aug 13, 2021
China Room was a beautifully written, emotional novel set in rural Punjab in 1929 and the 1990’s. The unnamed male protagonist in the 90’s has travelled to stay with family mainly to kick a drug habit before he starts at university back in the UK. His addiction could well have been caused by the racist taunts and violence he has experienced at home in Britain - these things are addressed in the book.
He ends up staying on the abandoned family farm: a ramshackle building that needs a lot of work. One room is locked: the China Room. This is where his grandmother, Mehar, would have lived away from the prying eyes of men, working with the wives of the other two brothers to her husband. None of the women know who their husband is - they never see them in daylight. They cook and clean for them, and then have sex with them when their mother-in-law, Mai, allows. Their main function is to bear sons.
It’s a hard way of life, but the women accept their roles. As a 21st century women, living in the West, I found this very difficult to read. It’s an oppressive, claustrophobic life - even down to the veils that they had to wear when out in public which gave the impression of suffocation. I don’t know whether any of the girls actually looked another human in the face, other than each other and their mother-in-law.
But I found this timeline fascinating, and it was a huge contrast to that of Mehar’s grandson. It’s a compelling read - I read it in one sitting, and was a bit sad when I turned the last page, to leave the world of Mehar in particular.
Many thanks to Harvill Secker and Viking for my copy of this book to read and review.
He ends up staying on the abandoned family farm: a ramshackle building that needs a lot of work. One room is locked: the China Room. This is where his grandmother, Mehar, would have lived away from the prying eyes of men, working with the wives of the other two brothers to her husband. None of the women know who their husband is - they never see them in daylight. They cook and clean for them, and then have sex with them when their mother-in-law, Mai, allows. Their main function is to bear sons.
It’s a hard way of life, but the women accept their roles. As a 21st century women, living in the West, I found this very difficult to read. It’s an oppressive, claustrophobic life - even down to the veils that they had to wear when out in public which gave the impression of suffocation. I don’t know whether any of the girls actually looked another human in the face, other than each other and their mother-in-law.
But I found this timeline fascinating, and it was a huge contrast to that of Mehar’s grandson. It’s a compelling read - I read it in one sitting, and was a bit sad when I turned the last page, to leave the world of Mehar in particular.
Many thanks to Harvill Secker and Viking for my copy of this book to read and review.
Pulse and Prejudice (The Confession of Mr. Darcy, Vampire #1)
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ClareR (5849 KP) rated The Secret Diaries of Charles Ignatius Sancho in Books
May 7, 2024
The Secret Diaries of Charles Ignatius Sancho was a real eye opener of a novel. I listened to the audiobook, read so well by the author, Paterson Joseph.
This is the true story of Charles Ignatius Sancho, fictionalised somewhat, but only so that the modern day reader can begin to grasp what living in London as a black ex-slave in the mid-1700’s would have been like. And whilst Sancho may have had a more privileged life than most, it wasn’t his own life to live until he ran away from his first owners - sisters who used him as their entertainment.
Charles has a fear of the slave catcher, and rightly so, as they could kidnap any black person and sell them into slavery - whether they had escaped or been freed. These men were a constant threat.
Charles though, catches the eye of a duke who helps him to become educated, and he even works for the King for a while. He ends his life as a business owner and the first black person to vote in Britain. All of this from a life begun on a slave ship.
I don’t think it really matters how much of this book was fictionalised - we can never exactly know what went on in his head, but we can have a fair guess - and I like to think that Paterson Joseph has really caught the essence of the real Charles Ignatius Sancho. I liked Charles very much, and the love he shows for his son through the letters included in the novel are so touching.
I’d recommend this book, it’s a great read (or listen - I can definitely vouch for that!).
This is the true story of Charles Ignatius Sancho, fictionalised somewhat, but only so that the modern day reader can begin to grasp what living in London as a black ex-slave in the mid-1700’s would have been like. And whilst Sancho may have had a more privileged life than most, it wasn’t his own life to live until he ran away from his first owners - sisters who used him as their entertainment.
Charles has a fear of the slave catcher, and rightly so, as they could kidnap any black person and sell them into slavery - whether they had escaped or been freed. These men were a constant threat.
Charles though, catches the eye of a duke who helps him to become educated, and he even works for the King for a while. He ends his life as a business owner and the first black person to vote in Britain. All of this from a life begun on a slave ship.
I don’t think it really matters how much of this book was fictionalised - we can never exactly know what went on in his head, but we can have a fair guess - and I like to think that Paterson Joseph has really caught the essence of the real Charles Ignatius Sancho. I liked Charles very much, and the love he shows for his son through the letters included in the novel are so touching.
I’d recommend this book, it’s a great read (or listen - I can definitely vouch for that!).
Factually Accurate
I received this book for free through Goodreads First Reads.
A spectacle of celebrity, talent and burning ambition, Queen Bees combines the biographical stories of six ambitious women who helped to shape the standards of British society between the two world wars. Londoner Siân Evans is a cultural historian who has previously worked with the Victoria and Albert Museum, National Trust and Design Museum, and takes great lengths to thoroughly research into her written subject in order to portray a highly accurate insight to the lives of historical figures. Due to the non-existent political status of women in the early 1900s, the women featured in this book are virtually unknown today, yet they had a great impact during the 20s and 30s and helped to shape the Britain of today.
Although not necessarily born into it, circumstances such as marriage meant these six women were regarded as upper class. In no particular order, the names impacting on the social revolution and thus featured in Queen Bees are as follows: Lady Nancy Astor, the first female MP; Lady Sybil Colefax, who became a friend of Edward VIII; Lady Emerald Cunard, also connected with the royal family; Mrs. Ronnie Greville, a rather formidable woman; Lady Edith Londonderry, the founder of the Women’s Legion; and Laura Corrigan, the youngest of the set. Evans talks the reader through these women’s careers as professional hostesses as they compete to throw the better party, entertaining famous writers and actors as well as members of royalty, both national and foreign.
What is perhaps the most interesting, and indeed the most worth learning, is the way a couple of these women altered the future of the British monarchy. Without their interference the future George VI would never have married Elizabeth Bowes-Lyon, and without their involvement in the relationship between Edward VIII and Wallis Simpson, George VI would never have come to the throne. This is such an important aspect of British history that has been widely left out and ignored. Without these hostesses influence we would all be experiencing a slightly different life.
In terms of the actual writing, Siân Evans manages fairly well to engage the reader as she relates the factual story in a more or less chronological way. A slight issue is the quick, often undetected, move from one woman to the next, resulting in a lot of confusion about who is who particularly at the beginning of the book. A lot of the narrative features other key figures from the same period and often moves away from the main characters, which, whilst interesting, is not what the reader necessarily expected from a book whose title Queen Bees suggested it was only going to be about the women’s lives.
Footnotes, quotes and extracts from letters and diaries help to make the book appear reliable, factual and believable. Some of the content, without back up, would have seemed rather fanciful or exaggerated. Queen Bees can be read as a source of entertainment or as a citation for historical research. What is found within these pages is a more unbiased account of the early twentieth century than would be found in numerous male dominated history textbooks.
Mature readers of all ages are likely to gain something from reading Queen Bees – pleasure, knowledge etc., however it is most likely to appeal to the contemporary feminist. With this in mind, be aware that the six hostesses were not feminists of their time; they were not involved in Suffragette movements and were fairly content to live off money earned by their husbands or fathers. Yet, on the other hand, they impacted on the future of Britain as much as the male politicians of the time. Highly political in content, Queen Bees is worth reading to discover our own history, but be prepared for initial confusion over who is who and rather lengthy paragraphs.
A spectacle of celebrity, talent and burning ambition, Queen Bees combines the biographical stories of six ambitious women who helped to shape the standards of British society between the two world wars. Londoner Siân Evans is a cultural historian who has previously worked with the Victoria and Albert Museum, National Trust and Design Museum, and takes great lengths to thoroughly research into her written subject in order to portray a highly accurate insight to the lives of historical figures. Due to the non-existent political status of women in the early 1900s, the women featured in this book are virtually unknown today, yet they had a great impact during the 20s and 30s and helped to shape the Britain of today.
Although not necessarily born into it, circumstances such as marriage meant these six women were regarded as upper class. In no particular order, the names impacting on the social revolution and thus featured in Queen Bees are as follows: Lady Nancy Astor, the first female MP; Lady Sybil Colefax, who became a friend of Edward VIII; Lady Emerald Cunard, also connected with the royal family; Mrs. Ronnie Greville, a rather formidable woman; Lady Edith Londonderry, the founder of the Women’s Legion; and Laura Corrigan, the youngest of the set. Evans talks the reader through these women’s careers as professional hostesses as they compete to throw the better party, entertaining famous writers and actors as well as members of royalty, both national and foreign.
What is perhaps the most interesting, and indeed the most worth learning, is the way a couple of these women altered the future of the British monarchy. Without their interference the future George VI would never have married Elizabeth Bowes-Lyon, and without their involvement in the relationship between Edward VIII and Wallis Simpson, George VI would never have come to the throne. This is such an important aspect of British history that has been widely left out and ignored. Without these hostesses influence we would all be experiencing a slightly different life.
In terms of the actual writing, Siân Evans manages fairly well to engage the reader as she relates the factual story in a more or less chronological way. A slight issue is the quick, often undetected, move from one woman to the next, resulting in a lot of confusion about who is who particularly at the beginning of the book. A lot of the narrative features other key figures from the same period and often moves away from the main characters, which, whilst interesting, is not what the reader necessarily expected from a book whose title Queen Bees suggested it was only going to be about the women’s lives.
Footnotes, quotes and extracts from letters and diaries help to make the book appear reliable, factual and believable. Some of the content, without back up, would have seemed rather fanciful or exaggerated. Queen Bees can be read as a source of entertainment or as a citation for historical research. What is found within these pages is a more unbiased account of the early twentieth century than would be found in numerous male dominated history textbooks.
Mature readers of all ages are likely to gain something from reading Queen Bees – pleasure, knowledge etc., however it is most likely to appeal to the contemporary feminist. With this in mind, be aware that the six hostesses were not feminists of their time; they were not involved in Suffragette movements and were fairly content to live off money earned by their husbands or fathers. Yet, on the other hand, they impacted on the future of Britain as much as the male politicians of the time. Highly political in content, Queen Bees is worth reading to discover our own history, but be prepared for initial confusion over who is who and rather lengthy paragraphs.
<i>I received this book for free through Goodreads First Reads.</i>
A spectacle of celebrity, talent and burning ambition, <i>Queen Bees</i> combines the biographical stories of six ambitious women who helped to shape the standards of British society between the two world wars. Londoner Siân Evans is a cultural historian who has previously worked with the <i>Victoria and Albert Museum, National Trust </i>and <i>Design Museum</i>, and takes great lengths to thoroughly research into her written subject in order to portray a highly accurate insight to the lives of historical figures. Due to the non-existent political status of women in the early 1900s, the women featured in this book are virtually unknown today, yet they had a great impact during the 20s and 30s and helped to shape the Britain of today.
Although not necessarily born into it, circumstances such as marriage meant these six women were regarded as upper class. In no particular order, the names impacting on the social revolution and thus featured in <i>Queen Bees</i> are as follows: Lady Nancy Astor, the first female MP; Lady Sybil Colefax, who became a friend of Edward VIII; Lady Emerald Cunard, also connected with the royal family; Mrs. Ronnie Greville, a rather formidable woman; Lady Edith Londonderry, the founder of the Women’s Legion; and Laura Corrigan, the youngest of the set. Evans talks the reader through these women’s careers as professional hostesses as they compete to throw the better party, entertaining famous writers and actors as well as members of royalty, both national and foreign.
What is perhaps the most interesting, and indeed the most worth learning, is the way a couple of these women altered the future of the British monarchy. Without their interference the future George VI would never have married Elizabeth Bowes-Lyon, and without their involvement in the relationship between Edward VIII and Wallis Simpson, George VI would never have come to the throne. This is such an important aspect of British history that has been widely left out and ignored. Without these hostesses influence we would all be experiencing a slightly different life.
In terms of the actual writing, Siân Evans manages fairly well to engage the reader as she relates the factual story in a more or less chronological way. A slight issue is the quick, often undetected, move from one woman to the next, resulting in a lot of confusion about who is who particularly at the beginning of the book. A lot of the narrative features other key figures from the same period and often moves away from the main characters, which, whilst interesting, is not what the reader necessarily expected from a book whose title <i>Queen Bees</i> suggested it was only going to be about the women’s lives.
Footnotes, quotes and extracts from letters and diaries help to make the book appear reliable, factual and believable. Some of the content, without back up, would have seemed rather fanciful or exaggerated. <i>Queen Bees</i> can be read as a source of entertainment or as a citation for historical research. What is found within these pages is a more unbiased account of the early twentieth century than would be found in numerous male dominated history textbooks.
Mature readers of all ages are likely to gain something from reading <i>Queen Bees</i> – pleasure, knowledge etc., however it is most likely to appeal to the contemporary feminist. With this in mind, be aware that the six hostesses were not feminists of their time; they were not involved in Suffragette movements and were fairly content to live off money earned by their husbands or fathers. Yet, on the other hand, they impacted on the future of Britain as much as the male politicians of the time. Highly political in content, <i>Queen Bees </i>is worth reading to discover our own history, but be prepared for initial confusion over who is who and rather lengthy paragraphs.
A spectacle of celebrity, talent and burning ambition, <i>Queen Bees</i> combines the biographical stories of six ambitious women who helped to shape the standards of British society between the two world wars. Londoner Siân Evans is a cultural historian who has previously worked with the <i>Victoria and Albert Museum, National Trust </i>and <i>Design Museum</i>, and takes great lengths to thoroughly research into her written subject in order to portray a highly accurate insight to the lives of historical figures. Due to the non-existent political status of women in the early 1900s, the women featured in this book are virtually unknown today, yet they had a great impact during the 20s and 30s and helped to shape the Britain of today.
Although not necessarily born into it, circumstances such as marriage meant these six women were regarded as upper class. In no particular order, the names impacting on the social revolution and thus featured in <i>Queen Bees</i> are as follows: Lady Nancy Astor, the first female MP; Lady Sybil Colefax, who became a friend of Edward VIII; Lady Emerald Cunard, also connected with the royal family; Mrs. Ronnie Greville, a rather formidable woman; Lady Edith Londonderry, the founder of the Women’s Legion; and Laura Corrigan, the youngest of the set. Evans talks the reader through these women’s careers as professional hostesses as they compete to throw the better party, entertaining famous writers and actors as well as members of royalty, both national and foreign.
What is perhaps the most interesting, and indeed the most worth learning, is the way a couple of these women altered the future of the British monarchy. Without their interference the future George VI would never have married Elizabeth Bowes-Lyon, and without their involvement in the relationship between Edward VIII and Wallis Simpson, George VI would never have come to the throne. This is such an important aspect of British history that has been widely left out and ignored. Without these hostesses influence we would all be experiencing a slightly different life.
In terms of the actual writing, Siân Evans manages fairly well to engage the reader as she relates the factual story in a more or less chronological way. A slight issue is the quick, often undetected, move from one woman to the next, resulting in a lot of confusion about who is who particularly at the beginning of the book. A lot of the narrative features other key figures from the same period and often moves away from the main characters, which, whilst interesting, is not what the reader necessarily expected from a book whose title <i>Queen Bees</i> suggested it was only going to be about the women’s lives.
Footnotes, quotes and extracts from letters and diaries help to make the book appear reliable, factual and believable. Some of the content, without back up, would have seemed rather fanciful or exaggerated. <i>Queen Bees</i> can be read as a source of entertainment or as a citation for historical research. What is found within these pages is a more unbiased account of the early twentieth century than would be found in numerous male dominated history textbooks.
Mature readers of all ages are likely to gain something from reading <i>Queen Bees</i> – pleasure, knowledge etc., however it is most likely to appeal to the contemporary feminist. With this in mind, be aware that the six hostesses were not feminists of their time; they were not involved in Suffragette movements and were fairly content to live off money earned by their husbands or fathers. Yet, on the other hand, they impacted on the future of Britain as much as the male politicians of the time. Highly political in content, <i>Queen Bees </i>is worth reading to discover our own history, but be prepared for initial confusion over who is who and rather lengthy paragraphs.
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ClareR (5849 KP) rated The Parisian in Books
May 30, 2019
Compelling historical fiction
Midhat Kamal arrives in Montpellier in 1914 to study at the University to become a doctor. He falls in love with his University professor landlords daughter, Jeanette, but he becomes disillusioned with the family, and leaves to continue studying in Paris. He lives here during the war, and becomes friends with other Arabic men during a tumultuous time in the Middle East.
When Midhat returns home to Nablus, he is expected to conform to his fathers wishes, marry a woman from a good Muslim family, and work for the family business. He is thereafter known as The Parisian to those who don’t really know him, because of his style of dress and his outlook on life.
Politics soon begin to affect every part of his life, as the colonial powers of Britain and France flex their muscles. Their unwillingness to learn histories and the way people actually want to live cause untold problems, which actually we still see the consequences of today.
I can see that some may struggle with the French and Arabic peppered through the dialogue (I don’t speak Arabic), but I do think it was used in such a way that I didn’t lose track of what was happening, and it lent some credibility to the story. Midhat slips in french words to his speech when something surprises him, or he feels strongly about something. His second language has become a part of him. Endearments are usually in Arabic as well (it took a little while for me to realise what they were, and there are other words used that aren’t just endearments, I’m sure!).
This is a beautifully told story. It’s hard to read in places - history isn’t always very pretty. But I think it’s important to learn about the past in order to understand the present and hopefully learn from past mistakes.
Many thanks to NetGalley and the publisher for my copy of this book to read and honestly review.
When Midhat returns home to Nablus, he is expected to conform to his fathers wishes, marry a woman from a good Muslim family, and work for the family business. He is thereafter known as The Parisian to those who don’t really know him, because of his style of dress and his outlook on life.
Politics soon begin to affect every part of his life, as the colonial powers of Britain and France flex their muscles. Their unwillingness to learn histories and the way people actually want to live cause untold problems, which actually we still see the consequences of today.
I can see that some may struggle with the French and Arabic peppered through the dialogue (I don’t speak Arabic), but I do think it was used in such a way that I didn’t lose track of what was happening, and it lent some credibility to the story. Midhat slips in french words to his speech when something surprises him, or he feels strongly about something. His second language has become a part of him. Endearments are usually in Arabic as well (it took a little while for me to realise what they were, and there are other words used that aren’t just endearments, I’m sure!).
This is a beautifully told story. It’s hard to read in places - history isn’t always very pretty. But I think it’s important to learn about the past in order to understand the present and hopefully learn from past mistakes.
Many thanks to NetGalley and the publisher for my copy of this book to read and honestly review.
Kyera (8 KP) rated Beheld (Kendra Chronicles, #4) in Books
Feb 1, 2018
Beheld by Alex Flinn is the fifth book in the Kendra Chronicles. Readers were first introduced to the witch in Flinns Beauty and the Beast retelling, Beastly. Since then she has been involved in a number of other famous fairy tales like Cinderella and Rapunzel. In this book, readers follow Kendras life as she finds the love of her life, loses him and repeats the cycle. Each time she encounters him, readers are treated to a short retelling. The first is Little Red Riding Hood, which is set in Salem, Ma during the witch trials. The second is Rumplestiltskin, which is set is Bavaria and features a Prince. The third is East of the Sun and West of the Moon, which is set primarily in Britain during the Second World War. The final tale is the Ugly Duckling, which is in modern day Miami.
My least favourite aspect of the book was actually the interludes linking each story together, or Kendras tale of trying to find her love. Each retelling would have been an interesting (if short) read, even if she were not a character and the magic was introduced in another fashion. Personally, I felt that these tales would have been better served as novellas because the thread linking them felt forced. The stories themselves felt rushed at times, perhaps because all four had to be combined into one cohesive story and if they were more detailed than the novel would be much too long.
The characters were likable and the world was believable, but neither was particularly developed. I wish that the author had taken the time to delve more deeply into the worlds and build an entrancing narrative. Overall, the book was enjoyable but there were times that it was slow and I had to force myself to pick it back up to continue.
I would recommend this novel, and the series as a whole, to young adult/teen readers who enjoy magic and fantasy in their books, as well as fairytale retellings.
My least favourite aspect of the book was actually the interludes linking each story together, or Kendras tale of trying to find her love. Each retelling would have been an interesting (if short) read, even if she were not a character and the magic was introduced in another fashion. Personally, I felt that these tales would have been better served as novellas because the thread linking them felt forced. The stories themselves felt rushed at times, perhaps because all four had to be combined into one cohesive story and if they were more detailed than the novel would be much too long.
The characters were likable and the world was believable, but neither was particularly developed. I wish that the author had taken the time to delve more deeply into the worlds and build an entrancing narrative. Overall, the book was enjoyable but there were times that it was slow and I had to force myself to pick it back up to continue.
I would recommend this novel, and the series as a whole, to young adult/teen readers who enjoy magic and fantasy in their books, as well as fairytale retellings.
Daniel Boyd (1066 KP) rated Hotel Artemis (2018) in Movies
Sep 28, 2018 (Updated Sep 28, 2018)
Brilliant ensemble cast (2 more)
Cool setting
Great score
You can check out anytime you like, but probably won't want to leave
This was one of those movies that had a really weird release. After seeing the trailer, I was really looking forward to going and seeing this at the cinema. Then, America got it a month before the UK did and when it did drop in Britain, it was a very limited release and was only showing in one cinema in my area. At around the same time, I went on holiday for a fortnight and it is only now, a full 2 months after the movie's initial release that I finally got to get to a screening.
Thankfully, it was worth the wait.
Hotel Artemis is the directorial debut of Drew Pearce and he does a fantastic job as a first-time director. The beautiful cinematography adds a great deal of style and flair to the film and the brilliant score by Cliff Martinez also provides an atmosphere that is an awesome mix of ambient and intense in all of the right moments.
The cast is also great and is made up of an eclectic mix of talented actors. Sterling K Brown does an incredible job of tying the whole thing together and being the anchor that the audience can relate to. Dave Bautista is brilliant as the orderly Everest. Charlie Day is really good at being a totally obnoxious asshole. Jeff Goldblum and Zachary Quinto are great as always and Jodie Foster is also fantastic as the Nurse who runs the hotel. Sofia Boutella is here too, but she doesn't do a great amount any different to what we have already seen from her in past movies.
Overall, this is a stylish, well-acted, exciting action/thriller with great direction and a fantastic score to boot. It is reminiscent of other movies in places, such as Smokin' Aces, but it is still a brilliantly written, well made, fairly original movie well worth seeking out.
Thankfully, it was worth the wait.
Hotel Artemis is the directorial debut of Drew Pearce and he does a fantastic job as a first-time director. The beautiful cinematography adds a great deal of style and flair to the film and the brilliant score by Cliff Martinez also provides an atmosphere that is an awesome mix of ambient and intense in all of the right moments.
The cast is also great and is made up of an eclectic mix of talented actors. Sterling K Brown does an incredible job of tying the whole thing together and being the anchor that the audience can relate to. Dave Bautista is brilliant as the orderly Everest. Charlie Day is really good at being a totally obnoxious asshole. Jeff Goldblum and Zachary Quinto are great as always and Jodie Foster is also fantastic as the Nurse who runs the hotel. Sofia Boutella is here too, but she doesn't do a great amount any different to what we have already seen from her in past movies.
Overall, this is a stylish, well-acted, exciting action/thriller with great direction and a fantastic score to boot. It is reminiscent of other movies in places, such as Smokin' Aces, but it is still a brilliantly written, well made, fairly original movie well worth seeking out.
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‘Paediatric Emergencies’ provides the healthcare professional with the time critical information...