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Opium and Empire: The Lives and Careers of William Jardine and James Matheson

Richard J. Grace

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Book

In 1832 William Jardine and James Matheson established what would become the greatest British...

Awix (3310 KP) rated Quatermass and the Pit (1967) in Movies

Feb 13, 2018

Quatermass and the Pit (1967)

1967 | Horror, Sci-Fi

7.7

(7 Ratings)

Movie Rating

The best of the Quatermass films keeps all the unsettling ideas of Nigel Kneale's original TV scripts and adds Hammer's talent for coming up with smart casting and polished production values. Weird projectile turns up buried under London; the authorities initially assume it's an unexploded bomb from the Second World War, but the presence of fossil ape skeletons in and around the object indicates otherwise, as does a history of hauntings in the area going back hundreds of years. Professor Quatermass begins to suspect that this is a relic of a highly unusual alien invasion that happened before man had even evolved...

Pretty much a perfect fusion of horror and science fiction, giving a convincing extraterrestrial rationale for various paranormal and demonic phenomena; thoughtful and disturbing rather than actually scary. Andrew Keir rocks the joint as Professor Q but is well-supported by everyone else. The sequence in which London is transformed in the final reel is also very well done. Sets the standard for intelligent British SF movies; rather influential in its own way, too.

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Sean Farrell (9 KP) rated Dead Wake: The Last Crossing of the Lusitania in Books

Mar 15, 2018

Erik Larson has done it again. One of our time's finest writers of non-fiction has once more taken a page from our history and turned it into a most compulsively readable book. This time telling the tale of the sinking of the luxury liner Lusitania by the Germans during World War I, the narrative follows everyone from the passengers and crew of the ill-fated ship, to the men on the U-boat that fired the torpedo, to the British and American officials monitoring the situation and making the decisions about how to respond. Mr. Larson provides a stunning amount of detail, enough to make one feel as if they had actually spent time aboard the opulent liner with its travelers, but at no point does it seem as though the details are bogging things down. To the contrary, events move along at a brisk pace as they head towards their tragic end. It is a sad but fascinating tale, handled here with aplomb, in what is sure to wind up on many year-end best lists.