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Roast: A Very British Cookbook
Marcus Verberne and Iqbal Wahhab
Book
Roast restaurant is a champion of British cooking and Britain's farmers and producers. Located in...
Suswatibasu (1701 KP) rated Spotlight (2015) in Movies
Aug 9, 2017
Such an important film, well worth all the awards
"If it takes a community to raise a child, it takes one to abuse them."
Spotlight is such an important part of media history because they uncovered one of the darkest secrets of one community, which mirrors all communities. The film is awe-inspiring, so much so that I wanted to go back into a newsroom and be a TV journalist again at the forefront of major news. This is literally the best film for journalists to watch and for audiences to understand what it's like to work in a newsroom. More importantly, it shows how vital the media can be when actually doing proper investigations.
It is extremely dark given the subject nature - but having been in a similar situation breaking the story of Jimmy Savile in the UK for British media, the film completely reflects my own personal experiences.
Spotlight is such an important part of media history because they uncovered one of the darkest secrets of one community, which mirrors all communities. The film is awe-inspiring, so much so that I wanted to go back into a newsroom and be a TV journalist again at the forefront of major news. This is literally the best film for journalists to watch and for audiences to understand what it's like to work in a newsroom. More importantly, it shows how vital the media can be when actually doing proper investigations.
It is extremely dark given the subject nature - but having been in a similar situation breaking the story of Jimmy Savile in the UK for British media, the film completely reflects my own personal experiences.
Awix (3310 KP) rated Ghost Stories (2018) in Movies
Mar 18, 2019
Loving and very scary update of the classic British anthology horror film. A skeptical parapsychologist is challenged to investigate three cases of the supernatural and prove there was nothing unearthly involved: a security guard, a teenager, and a wealthy businessman all recount their tales of dark forces - but is there something else going on?
Possibly a bit mannered and old fashioned for today's younger generation (mutter, grumble, etc), but a film made with enormous care and attention to detail, with terrific performances from the cast (okay, it's a bit white-male-centric; get your blazing torches out if you really must). The kind of film where, once you've seen the ending, you reflect on the rest of it and recognise all the subtle ways in which the film was tipping you off all along. And, as mentioned, a properly frightening experience when watched in a darkened cinema, but in a good way.
Possibly a bit mannered and old fashioned for today's younger generation (mutter, grumble, etc), but a film made with enormous care and attention to detail, with terrific performances from the cast (okay, it's a bit white-male-centric; get your blazing torches out if you really must). The kind of film where, once you've seen the ending, you reflect on the rest of it and recognise all the subtle ways in which the film was tipping you off all along. And, as mentioned, a properly frightening experience when watched in a darkened cinema, but in a good way.
The Life and Death of Colonel Blimp (1943)
10.0
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Movie
Epic drama from Powell and Pressburger. The life and career of a British army officer is told, from...
Elstree 1976 (2016)
5.0
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Movie Watch
ELSTREE 1976 explores the lives of the actors and extras behind one of the most celebrated...
Star wars
The Third Man (1949)
8.0
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Movie
The Third Man is a 1949 British film noir directed by Carol Reed and written by Graham Greene....
Ross (3284 KP) rated The Kid Who Would Be King (2019) in Movies
Feb 19, 2019
Great fun British film
This film seems pretty timely - the backdrop of the country being split and in turmoil with everyone miserable and/or arguing perfectly nails pre-Brexit Britain, without actually naming the cause of the upset. Seeing kids sensing their parents' and teachers' stress levels and looking to help really nails home how much we are all struggling with the current climate and need to think about the impact that has on our homelives.
The plot is fairly standard Arthurian legend - boy pulls sword from stone and seeks to unite his enemies behind him in battling against forces of evil. The film does this with full knowledge and gentle telling of the actual legend, and doesn't look to be a re-telling, rather a modern day "second coming of Arthur".
There are plenty of laughs throughout the film, with a typical British flavour.
There is also action aplenty with some really powerful battle scenes and excellent SFX.
Director Joe Cornish (of Adam & Joe fame - there is also a nice cameo from Adam Buxton in the film) does a fantastic job of telling the story through the eyes of a child but without it being patronising or twee.
The cast are superb, with the young Merlin really being a star (and creepily like a young Joe Cornish). While I enjoyed Patrick Stewart's role as Merlin, I felt it added less gravitas than I think was intended and wasn't really necessary, the young incarnation perfectly playing the role himself.
A great, fun and thrilling adventure.
The plot is fairly standard Arthurian legend - boy pulls sword from stone and seeks to unite his enemies behind him in battling against forces of evil. The film does this with full knowledge and gentle telling of the actual legend, and doesn't look to be a re-telling, rather a modern day "second coming of Arthur".
There are plenty of laughs throughout the film, with a typical British flavour.
There is also action aplenty with some really powerful battle scenes and excellent SFX.
Director Joe Cornish (of Adam & Joe fame - there is also a nice cameo from Adam Buxton in the film) does a fantastic job of telling the story through the eyes of a child but without it being patronising or twee.
The cast are superb, with the young Merlin really being a star (and creepily like a young Joe Cornish). While I enjoyed Patrick Stewart's role as Merlin, I felt it added less gravitas than I think was intended and wasn't really necessary, the young incarnation perfectly playing the role himself.
A great, fun and thrilling adventure.
Mike Wilder (20 KP) rated The Descent (2005) in Movies
May 30, 2018
There are some great British films but would this be one of them?
Contains spoilers, click to show
I watched this with my girlfriend Kelly not knowing what to expect. We knew it was a horror, but it was also a British film. There are some great British films but would this be one of them? The film is about a group of women who get together to explore a set of remote caves. During the expedition they encounter strange creatures and end up having to fight for their lives. Staring Shauna Macdonald, Natalie Mendoza, Alex Reid, Saskia Mulder, MyAnna Buring & Nora-Jane No one. All are great in the roles of the six friends, however Natalie Mendoza stands out for me as Juno. There are undertones of something more with her character and her performance is eerie and mysterious. This film is one of the best modern horror films I have seen. While many modern horror films fall under the category of torture porn like Saw and Hostile, this film doesn't rely on gore and gross out moments to shock you. It manages it in traditional ways using subtle camera effects, building tension and good acting. The director is a genius in his ability to scare you. He builds the tension to a point where you feel you will burst. There are no cheesy moments just good old fashioned scares. And what scares they are. There are moments that truly scare and surprise you. This is one of the best horror movies and a very well made film. The intro is just long enough to give you a good background to the friends and then all hell breaks loose! If you like classic horror movies check this one out. Keep the lights on and if you are watching with your girlfriend, watch out for your hands. Kelly was so scared I thought she would break mine when she squeezed it really hard when she jumped!
BackToTheMovies (56 KP) rated For Love or Money (2019) in Movies
Jul 2, 2019
Featuring a wonderful British cast including Samantha Barks, Robert Kazinsky, Tony Way and Anna Chancellor we have the utterly hilarious For Love Or Money.
Our film follows Mark, a man set to inherit £20m on a secret business deal. Little does he know that Connie, a girl he was in love with for many years in high school also knows. A gold digger who hatches a plan to marry Mark to inherit half of his fortune. What Connie doesn’t know however is that quite early on Mark realises what is going on and puts a plan into action.
Labelled as an unromantic comedy this couldn’t ring truer. We have this gold digger hellbent on getting Mark’s fortune. On the flip side, we have Mark who is putting Connie through hell as punishment for her awful actions. The movie never takes itself too seriously and it’s hilarious watching Mark prank Connie at every turn. Every single member of this cast is on point throughout. The plot smoothly flows by with British cheeky charm and whilst sometimes pushes boundaries, it never gets too carried away.
Whilst the whole film does revolve around the pranks and the revenge plot there is another arc. A more subtle and emotional arc that takes place as the film draws to an end. Not the best film to watch for me personally, freshly out of a recent relationship but the film hits home in the more sensitive departments. How far someone would go for money Vs how far someone would go for love. This constant battle between the two contrasting beliefs is endearing to watch.
I can see For Love Or Money being a surprise comedy instalment for 2019. It’s sneaking under the radar. It’s shot beautifully and has a charm that has been rarely replicated in British comedies for many years. One minute you’re laughing, the next you’re welling up. It’s a rollercoaster ride that’s well worth the watch!
Our film follows Mark, a man set to inherit £20m on a secret business deal. Little does he know that Connie, a girl he was in love with for many years in high school also knows. A gold digger who hatches a plan to marry Mark to inherit half of his fortune. What Connie doesn’t know however is that quite early on Mark realises what is going on and puts a plan into action.
Labelled as an unromantic comedy this couldn’t ring truer. We have this gold digger hellbent on getting Mark’s fortune. On the flip side, we have Mark who is putting Connie through hell as punishment for her awful actions. The movie never takes itself too seriously and it’s hilarious watching Mark prank Connie at every turn. Every single member of this cast is on point throughout. The plot smoothly flows by with British cheeky charm and whilst sometimes pushes boundaries, it never gets too carried away.
Whilst the whole film does revolve around the pranks and the revenge plot there is another arc. A more subtle and emotional arc that takes place as the film draws to an end. Not the best film to watch for me personally, freshly out of a recent relationship but the film hits home in the more sensitive departments. How far someone would go for money Vs how far someone would go for love. This constant battle between the two contrasting beliefs is endearing to watch.
I can see For Love Or Money being a surprise comedy instalment for 2019. It’s sneaking under the radar. It’s shot beautifully and has a charm that has been rarely replicated in British comedies for many years. One minute you’re laughing, the next you’re welling up. It’s a rollercoaster ride that’s well worth the watch!
Matthew Krueger (10051 KP) rated Scars of Dracula (1970) in Movies
Nov 17, 2020
Start From Scratch
Scars of Dracula- is the sixth Dracula film from Hammer and fifth starring Christopher Lee. Its a re-introducting to Dracula, even though its the six one in the Hammer franchise. Its also takes place after Taste, so im not sure why their did do a re-introducting. Anyways
The plot: Bat's blood hits Dracula's (Christopher Lee) ashes, and he rises again to fight a couple (Dennis Waterman, Jenny Hanley) looking for trouble.
It also gives Lee more to do and say than any other Hammer Dracula film except its first, 1958's Dracula.
This film breaks the continuity maintained through the previous entries in the Hammer Dracula series: whereas at the end of the preceding film, Taste the Blood of Dracula, the Count met his end in a disused church near London, this film opens with a resurrection scene set in Dracula's castle in Transylvania, with no explanation of how his ashes got there (although, they might have been returned from England, as a contingency, by the young acolyte from the prologue of Dracula A.D. 1972). Furthermore; in Scars of Dracula, the Count has a servant named Klove, played by Patrick Troughton; in the third film of the series, Dracula: Prince of Darkness, Dracula has a servant named Klove (played by Philip Latham) who appears to be a different character, though identically named. The disruption of continuity caused by Scars of Dracula reflects the fact the film was originally tooled as a possible reboot of the series in the event Christopher Lee elected not to reprise the role of Dracula.
The British Film group EMI took over distribution of the film after Warner Bros., Universal Pictures and other American studios refused to distribute it in the U.S. It was also the first of several Hammer films to get an 'R' rating.
Its a good film.
The plot: Bat's blood hits Dracula's (Christopher Lee) ashes, and he rises again to fight a couple (Dennis Waterman, Jenny Hanley) looking for trouble.
It also gives Lee more to do and say than any other Hammer Dracula film except its first, 1958's Dracula.
This film breaks the continuity maintained through the previous entries in the Hammer Dracula series: whereas at the end of the preceding film, Taste the Blood of Dracula, the Count met his end in a disused church near London, this film opens with a resurrection scene set in Dracula's castle in Transylvania, with no explanation of how his ashes got there (although, they might have been returned from England, as a contingency, by the young acolyte from the prologue of Dracula A.D. 1972). Furthermore; in Scars of Dracula, the Count has a servant named Klove, played by Patrick Troughton; in the third film of the series, Dracula: Prince of Darkness, Dracula has a servant named Klove (played by Philip Latham) who appears to be a different character, though identically named. The disruption of continuity caused by Scars of Dracula reflects the fact the film was originally tooled as a possible reboot of the series in the event Christopher Lee elected not to reprise the role of Dracula.
The British Film group EMI took over distribution of the film after Warner Bros., Universal Pictures and other American studios refused to distribute it in the U.S. It was also the first of several Hammer films to get an 'R' rating.
Its a good film.