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The Medusa Touch (1978)
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British paranormal thriller/horror movie based on a novel by Peter Van Greenaway. A detective...
psychic powers
101 (1989)
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Hot off the heels of its breakthrough album, "Music for the Masses," British synth pop group Depeche...
Richard Linklater recommended If... (1968) in Movies (curated)
Awix (3310 KP) rated In Fabric (2018) in Movies
Aug 7, 2019 (Updated Aug 9, 2019)
Playfully bonkers British comedy-horror, which plays rather like a mash-up of Mike Leigh and Dario Argento, as pastiched by the League of Gentlemen. A woman makes the mistake of buying a cursed dress (from a department store which appears to be run by witches) and finds herself assailed by increasingly bizarre events.
A knowingly silly homage to various seventies horror movies, but done with great style and deftness - the movie shifts from absurd comedy to something with genuine pathos to a sequence of the utmost weirdness and back again, barely putting a foot wrong. The pseudo-portmanteau style is a bit wrong-footing if you're not expecting it and the first segment of the film is certainly stronger than the rest, but this is a very funny and always interesting film.
A knowingly silly homage to various seventies horror movies, but done with great style and deftness - the movie shifts from absurd comedy to something with genuine pathos to a sequence of the utmost weirdness and back again, barely putting a foot wrong. The pseudo-portmanteau style is a bit wrong-footing if you're not expecting it and the first segment of the film is certainly stronger than the rest, but this is a very funny and always interesting film.
Gareth von Kallenbach (980 KP) rated The Lady In The Van (2015) in Movies
Aug 6, 2019
In the last two decades America has seen an almost literal ‘invasion’ of British film and television programming. Like the British ‘music invasion’ some 60 years ago we just can’t seem to get enough of it. Today’s film for your consideration is the 2015 British dramatic comedy ‘The Lady In The Van’. Based upon the 1999 West End play of the same name written by Alan Bennett and starring famed British actress Maggie Smith, who also portrayed the lead in the original stage production at Queens Theater in London and again in a 2009 BBC 4 radio adaption, ‘The Lady In The Van’ follows the true story of Maggie Shepherd. An elderly lady who lived in a rundown van in Bennett’s driveway for 15 years.
Directed by Nicholas Hytner, who also directed the stage play, the film stars legendary British actress Maggie Smith as Maggie Shepherd, Alex Jennings as Alan Bennett, Jim Broadbent as Underwood, Deborah Findlay as Pauline, Roger Allam as Rufus, Gwen Taylor as Mam, Cecillia Noble as Miss Brisco, Nicholas Burns as Giles Perry, Pandora Colin as Mrs Perry, and Frances de la Tour As Ursula Vaughan Williams.
‘The Lady In The Van’ follows the true story of playwright Alan Bennett’s strained and tested relationship with Miss Maggie Shepherd. An eccentric and frightened homeless woman whom he befriended in the 1970s shortly after he moved into London’s Camden neighborhood. Originally, Bennett invites Shepherd to park her aging Bedford van in his driveway so she can list it as an address in order to collect benefits and eventually move on. Instead, Shepherd ends up living in the van in Bennett’s driveway for 15 years. Just before her death in 1989, Alan learns that Maggie Shepherd is actually Margaret Fairchild. A gifted piano player who was a pupil of pianist Alfred Cortot and had a fondness for Chopin. So much so that when she tried to become a nun, she was kicked out of her religious order twice for wanting to play music. Bennett also learns that the reason Shepherd was homeless was that she was on the run for leaving the scene of a crime she didn’t commit after escaping an institution where she’d been committed by her own brother.
I found this movie to be a prime example of the concept ‘Everyone Has A Story To Tell’. Whether the person wants to tell the story or not is a whole other idea entirely. The strange friendship between Bennett and Shepherd is certainly an unusual one to be sure. While Bennett’s neighbors would be happy to see they as they describe ‘the crazy old lady leave the neighborhood, Bennett seems to follow his writer’s instincts and also his humanity. Maggie Smith’s and Alex Jennings’s performances as the oddly paired friends go far in helping to comprehend what went on between the two. Shepherd and Bennett both excelled as artists in their own way. One as a writer one as a musician. Both kinds of artists tell stories thorough their respective crafts. In this case though, the writer (Bennett) had the ‘responsibility’ of telling Shepherd’s story after debating with himself more than once whether he had the right to do so and whether it was moral or not. On top of that, it took over a decade to find the answers Bennett was looking for. In the end, it seems Bennett did what writers do. They use what’s around them in their lives to write about. And perhaps, by doing so, he helped give Shepherd some sort of closure and perhaps peace as well just before her death.
I’m going to give this film 4 out of 5 stars. The movie clocks in at 104 minutes so it is a long movie but honestly, how can you say ‘no’ to a movie with Maggie Smith? Honestly, explain that one to me. She definitely ‘carries the film’ with her performance as Miss Mary Shepherd but the combination of her performance and that of Alex Jennings as the writer Alan Bennett that really make the film. I think another one of the reasons this film was good was because you had so many of the people that were involved in the original play that worked on the film itself. I personally find some British films, comedies in particular, to be a bit quirky sometimes. As funny as British humor is its sometimes difficult to grasp at first and there’s a bit of that in this film. Don’t let that discourage you though. If you can find an awesome art house movie theater, I’d certainly recommend going to catch it there. If you can’t, watch it online.
This is your friendly neighborhood freelance photographer and movie fanatic ‘The CameraMan’ and on behalf of my fellows at Skewed & Reviewed I’d like to say ‘Thanks For Reading’ and we’ll see you at the movies.
Directed by Nicholas Hytner, who also directed the stage play, the film stars legendary British actress Maggie Smith as Maggie Shepherd, Alex Jennings as Alan Bennett, Jim Broadbent as Underwood, Deborah Findlay as Pauline, Roger Allam as Rufus, Gwen Taylor as Mam, Cecillia Noble as Miss Brisco, Nicholas Burns as Giles Perry, Pandora Colin as Mrs Perry, and Frances de la Tour As Ursula Vaughan Williams.
‘The Lady In The Van’ follows the true story of playwright Alan Bennett’s strained and tested relationship with Miss Maggie Shepherd. An eccentric and frightened homeless woman whom he befriended in the 1970s shortly after he moved into London’s Camden neighborhood. Originally, Bennett invites Shepherd to park her aging Bedford van in his driveway so she can list it as an address in order to collect benefits and eventually move on. Instead, Shepherd ends up living in the van in Bennett’s driveway for 15 years. Just before her death in 1989, Alan learns that Maggie Shepherd is actually Margaret Fairchild. A gifted piano player who was a pupil of pianist Alfred Cortot and had a fondness for Chopin. So much so that when she tried to become a nun, she was kicked out of her religious order twice for wanting to play music. Bennett also learns that the reason Shepherd was homeless was that she was on the run for leaving the scene of a crime she didn’t commit after escaping an institution where she’d been committed by her own brother.
I found this movie to be a prime example of the concept ‘Everyone Has A Story To Tell’. Whether the person wants to tell the story or not is a whole other idea entirely. The strange friendship between Bennett and Shepherd is certainly an unusual one to be sure. While Bennett’s neighbors would be happy to see they as they describe ‘the crazy old lady leave the neighborhood, Bennett seems to follow his writer’s instincts and also his humanity. Maggie Smith’s and Alex Jennings’s performances as the oddly paired friends go far in helping to comprehend what went on between the two. Shepherd and Bennett both excelled as artists in their own way. One as a writer one as a musician. Both kinds of artists tell stories thorough their respective crafts. In this case though, the writer (Bennett) had the ‘responsibility’ of telling Shepherd’s story after debating with himself more than once whether he had the right to do so and whether it was moral or not. On top of that, it took over a decade to find the answers Bennett was looking for. In the end, it seems Bennett did what writers do. They use what’s around them in their lives to write about. And perhaps, by doing so, he helped give Shepherd some sort of closure and perhaps peace as well just before her death.
I’m going to give this film 4 out of 5 stars. The movie clocks in at 104 minutes so it is a long movie but honestly, how can you say ‘no’ to a movie with Maggie Smith? Honestly, explain that one to me. She definitely ‘carries the film’ with her performance as Miss Mary Shepherd but the combination of her performance and that of Alex Jennings as the writer Alan Bennett that really make the film. I think another one of the reasons this film was good was because you had so many of the people that were involved in the original play that worked on the film itself. I personally find some British films, comedies in particular, to be a bit quirky sometimes. As funny as British humor is its sometimes difficult to grasp at first and there’s a bit of that in this film. Don’t let that discourage you though. If you can find an awesome art house movie theater, I’d certainly recommend going to catch it there. If you can’t, watch it online.
This is your friendly neighborhood freelance photographer and movie fanatic ‘The CameraMan’ and on behalf of my fellows at Skewed & Reviewed I’d like to say ‘Thanks For Reading’ and we’ll see you at the movies.
Cache (Hidden)
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Ever since its world premiere at the Cannes film festival in May 2005, audiences have been talking...
JT (287 KP) rated The Fall Of The Essex Boys (2013) in Movies
Mar 23, 2020
Violent (1 more)
Acting is OK
British grit
Loosely based on a true story surrounding the brutal shooting of three infamous drug dealers from Essex in December 1995, it’s a surprise that this is the fourth film to tell the tale.
After films such as Essex Boys, Rise of the Footsoldier and most recently Bonded by Blood you’d wonder why director Paul Tanter chose to helm this version, had this not already been done? Then you sit down to watch it and you realise that it’s a film in its own right, with powerful performances from British actors that need to be seen and heard in their delivery.
If you don’t know the story by now, and it’s one of underworld folk law, it follows three of Essex’s toughest and hardest drug-dealing criminals, who came to a gruesome end when they wanted to go one step too far.
Pat Tate, Tony Tucker and Craig Rolfe want to corner the drug trafficking market, they’re in it for the long haul and to make serious cash. The trio is vicious to the point of no return and will stop at nothing to get what they want and no one will stand in their way.
The film is told by Darren Nicholls (Nick Nevern) who himself narrates for a portion of the film, giving us the story as it unfolds before us. He’s up to his neck in it, and he wants a way out, seemingly with nowhere to turn he has to go into the lion’s den while keeping himself close to a friend on the outside that is looking for a similar end game.
It’s violent but then you have to expect that, the acting is genuinely disturbing and Tanter’s sharp direction keeps the viewer on tenterhooks. It’s a film that is not going to be for everyone, but fans of the director as well as the genre will love it.
After films such as Essex Boys, Rise of the Footsoldier and most recently Bonded by Blood you’d wonder why director Paul Tanter chose to helm this version, had this not already been done? Then you sit down to watch it and you realise that it’s a film in its own right, with powerful performances from British actors that need to be seen and heard in their delivery.
If you don’t know the story by now, and it’s one of underworld folk law, it follows three of Essex’s toughest and hardest drug-dealing criminals, who came to a gruesome end when they wanted to go one step too far.
Pat Tate, Tony Tucker and Craig Rolfe want to corner the drug trafficking market, they’re in it for the long haul and to make serious cash. The trio is vicious to the point of no return and will stop at nothing to get what they want and no one will stand in their way.
The film is told by Darren Nicholls (Nick Nevern) who himself narrates for a portion of the film, giving us the story as it unfolds before us. He’s up to his neck in it, and he wants a way out, seemingly with nowhere to turn he has to go into the lion’s den while keeping himself close to a friend on the outside that is looking for a similar end game.
It’s violent but then you have to expect that, the acting is genuinely disturbing and Tanter’s sharp direction keeps the viewer on tenterhooks. It’s a film that is not going to be for everyone, but fans of the director as well as the genre will love it.
Shooting 007: And Other Celluloid Adventures
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In Shooting 007, beloved cameraman and director of photography Alec Mills, a veteran of seven James...
Victim
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?Victim (1961) was a landmark in the history both of the cinema and of British society. This modest...