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Jesters_folly (230 KP) rated The Quatermass Experiment (2005) in Movies
Sep 14, 2020
The first U.K. Maned mission to space vanishes off course only to return with two two of it's three crew missing and the third unable to communicate. As Professor Quatermass and his team try to find out what happened they discover that they come to realise that the rocket may have returned with more than they first thought.
As remakes go This one is quite good, it follows the same basic script as the original and the modernisation (mostly) works. The film doesn't go for much in the way of monster effects, relying instead on building atmosphere and tension which helps it keep the feel of the original 1955 version. It also helps that the original writer, Nigel Kneale, was also consulted on this remake.
This version of the film does have a very (modern) British feel to it which is mostly from the fact that is was made by the BBC so has actors that have appeared in other BBC sic Fi shows, most noticeably David Tennant and Mark Gatiss.
I do have a couple of problems with this film though, firstly the main set, used though tout the first half of the film does look to much like a,well film set. The hospital ward, MoD offices and press conference room all appear to be in the same building and, in fact in one scene, the camera pans from one room to the next making the whole thing look as if it was set up in a warehouse or large stage, which it probability was for filming but you shouldn't realy notice that in the finished film.
The other issue was some of the costumes. The film seems to be set in time it was filmed (2007) but some of the costumes don't seem to fit. One reporter looks like a 'teddy boy' whilst one looks like she's from the 20's and there's a scene with 80's/90's looking goths (Yes I know there are still goths but the look has changed a bit through the decades, as with most looks).
I can't quite work out if the remake looses anything from the original, in some ways the threat seems bigger but the ending seems less climatic. The final scene takes place in an art gallery instead of a church but this is due to a slight change in some of the symbology in the film (and probably because the BBC have had complainants when they have blown up churches in the past).
The original had scenes that stuck with me ( I was quite young when i first saw it) and I feel that the remake doesn't have this effect, although that could just be my age now. However the remake does up the tension and it does feel that there is more riding on Quatermass' success
Apart from those points the film is good. Fans of the original will recognise it for what it is but new views won't need any knowledge of the original to watch it.
As remakes go This one is quite good, it follows the same basic script as the original and the modernisation (mostly) works. The film doesn't go for much in the way of monster effects, relying instead on building atmosphere and tension which helps it keep the feel of the original 1955 version. It also helps that the original writer, Nigel Kneale, was also consulted on this remake.
This version of the film does have a very (modern) British feel to it which is mostly from the fact that is was made by the BBC so has actors that have appeared in other BBC sic Fi shows, most noticeably David Tennant and Mark Gatiss.
I do have a couple of problems with this film though, firstly the main set, used though tout the first half of the film does look to much like a,well film set. The hospital ward, MoD offices and press conference room all appear to be in the same building and, in fact in one scene, the camera pans from one room to the next making the whole thing look as if it was set up in a warehouse or large stage, which it probability was for filming but you shouldn't realy notice that in the finished film.
The other issue was some of the costumes. The film seems to be set in time it was filmed (2007) but some of the costumes don't seem to fit. One reporter looks like a 'teddy boy' whilst one looks like she's from the 20's and there's a scene with 80's/90's looking goths (Yes I know there are still goths but the look has changed a bit through the decades, as with most looks).
I can't quite work out if the remake looses anything from the original, in some ways the threat seems bigger but the ending seems less climatic. The final scene takes place in an art gallery instead of a church but this is due to a slight change in some of the symbology in the film (and probably because the BBC have had complainants when they have blown up churches in the past).
The original had scenes that stuck with me ( I was quite young when i first saw it) and I feel that the remake doesn't have this effect, although that could just be my age now. However the remake does up the tension and it does feel that there is more riding on Quatermass' success
Apart from those points the film is good. Fans of the original will recognise it for what it is but new views won't need any knowledge of the original to watch it.
Darren Fisher (2465 KP) rated Killer's Moon (1978) in Movies
Dec 11, 2020 (Updated Dec 11, 2020)
Classic low budget British horror
I love my bonkers films and this demented British horror from Alan Birkinshaw certainly is up there. Four lunatics escape from a cottage (yep, not even a mental institution) whilst dosed up on LSD provided by the psychiatrists (it's a experiment in which said nutters think they are only dreaming - so whatever they do whilst tripping holds no consequence). Meanwhile, in the middle of nowhere, a bus full of schoolgirls brakes down. With no other choice the bus driver goes lookin for help whilst the teachers and girls seek refuge in a desolate hotel. As the escaped lunatics make their murderous way across country they come across the hotel. Once inside they begin tormenting, raping and decimating the cast. It's grimy, sleazy and very non-politically correct. I certainly can't imagine it getting made in todays times. The infrequent gore scenes are more 'Carry On...' style than gruesome, the special effects are amateur, accompanied with goofy sound effects. What carries the film along is the dialogue. Co-written with the directors sister Fay Weldon, the script is jaw droppingly unbelievable, unintentionally hilarious and mind-bogglingly bizarre. The most infamous quote comes after one school girl has been raped by one of the lunatics and pretty much sets the tone of what you are watching...
"Look, you were only raped, as long as you don't tell anyone about it you'll be alright. You pretend it never happened, I pretend I never saw it and if we ever get out of this alive, well, maybe we'll both live to be wives and mothers"
Just one of many delicious quotes from the film I hasten to add. Guaranteed trash gold. Highly recommended.
"Look, you were only raped, as long as you don't tell anyone about it you'll be alright. You pretend it never happened, I pretend I never saw it and if we ever get out of this alive, well, maybe we'll both live to be wives and mothers"
Just one of many delicious quotes from the film I hasten to add. Guaranteed trash gold. Highly recommended.
Darren (1599 KP) rated A United Kingdom (2017) in Movies
Jun 20, 2019
Story: A Untied Kingdom starts in 1947 England where Prince Seretse Khama (Oyelowo) of Bechuanaland (known today as Botswana) is in England studying law, he meets file clerk Ruth Williams (Pike) and the two fall in love.
With tension between Bechuanaland and South Africa high the idea of the soon to be King marrying a white woman would be unheard off. The British government doesn’t want him to become king and Seretse own family don’t want him to become king if he stays with Ruth. With the racial divide still going strong, Seretse pushed for equality over anything else, so he can unite his kingdom when he becomes king.
Thoughts on A United Kingdom
Characters – Seretse Khama is the prince of Bechuanaland he has been studying law in England to prepare for his time as king, he falls in love a white woman in Ruth Williams which throws tensions from his family, government in the air and to prove his love is more important than his traditions and bring the equality between the races together. Ruth Williams is an English clerk whose family has been working to teach Christianity to Africans, she meets and falls in love with Seretse and goes against everyone else’s desires and marries him. Rufus Lancaster is the British liaison in Bechuanaland who leads the opposition from the land, which only shows us just how the English were over controlling.
Performances – David Oyelowo is wonderful in the leading role, showing us once again that he can lead any movie he wants too. Rosamund Pike shines to showing everyone that she can handle to calm roles after the psycho ones in Gone Girl. The rest of the cast are wonderful even if the British characters are as stuck up as you would imagine them to be.
Story – The story follows the lives of King Seretse who marries an English white woman which puts the balance between the racial tension in his home land and British rule. We learn a lot from this movie, because we see how the country was being controlled from outside forces that only saw them as a piece of land. There is a lot to take in and the history lesson about this union that created a chance in the land.
Biopic/Romance – What King Seretse and his wife Ruth achieved for Botswana was incredible and this shows us how their love drove them to achieve this change.
Settings – The settings show us the high society British look at an African country that was following its own traditions to become the independent from this style of rule.
Scene of the Movie – Speech to the ‘tribe’ as the British called them.
That Moment That Annoyed Me – Knowing the English were this shallow.
Final Thoughts – This is a good look at how the world was once ruled by people who believe they are in the right to control countries affairs and how their union would change everything.
Overall: History is always worth learning.
https://moviesreview101.com/2019/05/21/abc-film-challenge-biopics-u-a-united-kingdom-2016/
With tension between Bechuanaland and South Africa high the idea of the soon to be King marrying a white woman would be unheard off. The British government doesn’t want him to become king and Seretse own family don’t want him to become king if he stays with Ruth. With the racial divide still going strong, Seretse pushed for equality over anything else, so he can unite his kingdom when he becomes king.
Thoughts on A United Kingdom
Characters – Seretse Khama is the prince of Bechuanaland he has been studying law in England to prepare for his time as king, he falls in love a white woman in Ruth Williams which throws tensions from his family, government in the air and to prove his love is more important than his traditions and bring the equality between the races together. Ruth Williams is an English clerk whose family has been working to teach Christianity to Africans, she meets and falls in love with Seretse and goes against everyone else’s desires and marries him. Rufus Lancaster is the British liaison in Bechuanaland who leads the opposition from the land, which only shows us just how the English were over controlling.
Performances – David Oyelowo is wonderful in the leading role, showing us once again that he can lead any movie he wants too. Rosamund Pike shines to showing everyone that she can handle to calm roles after the psycho ones in Gone Girl. The rest of the cast are wonderful even if the British characters are as stuck up as you would imagine them to be.
Story – The story follows the lives of King Seretse who marries an English white woman which puts the balance between the racial tension in his home land and British rule. We learn a lot from this movie, because we see how the country was being controlled from outside forces that only saw them as a piece of land. There is a lot to take in and the history lesson about this union that created a chance in the land.
Biopic/Romance – What King Seretse and his wife Ruth achieved for Botswana was incredible and this shows us how their love drove them to achieve this change.
Settings – The settings show us the high society British look at an African country that was following its own traditions to become the independent from this style of rule.
Scene of the Movie – Speech to the ‘tribe’ as the British called them.
That Moment That Annoyed Me – Knowing the English were this shallow.
Final Thoughts – This is a good look at how the world was once ruled by people who believe they are in the right to control countries affairs and how their union would change everything.
Overall: History is always worth learning.
https://moviesreview101.com/2019/05/21/abc-film-challenge-biopics-u-a-united-kingdom-2016/
Suswatibasu (1703 KP) rated Dunkirk (2017) in Movies
Jan 2, 2018
Wish it focused on the importance of this historic event
I might be an anomaly here, but sadly I didn't find Christopher Nolan's blockbuster as good as it should have been, and actually am fairly disappointed. The battle at Dunkirk is one of the most catastrophic moments in British military history, essentially British soldiers were completely out of their depth, with little backing and resources, and it was the tipping point in which Britain was very likely to lose the war - if it wasn't for a costly strategic mistake by the Germans to show leniency. It was then that Winston Churchill made his renowned speech, "We Shall Fight on the Beaches" - which we saw a glimpse of in the last scene.
Unfortunately none of this was apparent in the film, and as much as I love Nolan as a director, he seems to have concentrated too much on the cinematography rather than the importance of this event. No doubt, visually it was as beautiful as some of his previous work such as Interstellar, and the acting was subtle, yet stirring. As per usual, Mark Rylance stands out as the most understated and refined actor - but it was an all-round great cast. It's watchable, but it doesn't really show the true magnitude and significance of this period.
Unfortunately none of this was apparent in the film, and as much as I love Nolan as a director, he seems to have concentrated too much on the cinematography rather than the importance of this event. No doubt, visually it was as beautiful as some of his previous work such as Interstellar, and the acting was subtle, yet stirring. As per usual, Mark Rylance stands out as the most understated and refined actor - but it was an all-round great cast. It's watchable, but it doesn't really show the true magnitude and significance of this period.
The Lost City of Z: A Legendary British Explorer's Deadly Quest to Uncover the Secrets of the Amazon
Book
**NOW A MAJOR FILM STARRING ROBERT PATTINSON, CHARLIE HUNNAM AND SIENNA MILLER** 'A riveting,...
Awix (3310 KP) rated The Body Stealers (Invasion of the Body Stealers) (1969) in Movies
Mar 16, 2019 (Updated Mar 16, 2019)
British sci-fi emanating from a weird dimension deep below the bottom of the barrel. When parachutists start vanishing into thin air mid-drop, the authorities call in rugged investigator and borderline sex pest Bob Megan (Patrick Allen). It turns out aliens from Outer Space are responsible!
One of those films where you quickly become pleasantly surprised when something isn't cheesy, inept, or horribly inappropriate; the kind of movie which gives science fiction a bad name (fans of the genre will doubtless recognise the alien spaceship from a more prominent appearance in another film). Various fairly capable actors find themselves adrift in a sea of uproarious nonsense; Neil Connery proves once again that, limited though his range may be, big brother Sean got all the acting ability in the family. Kind of fun to watch if you like bad movies.
One of those films where you quickly become pleasantly surprised when something isn't cheesy, inept, or horribly inappropriate; the kind of movie which gives science fiction a bad name (fans of the genre will doubtless recognise the alien spaceship from a more prominent appearance in another film). Various fairly capable actors find themselves adrift in a sea of uproarious nonsense; Neil Connery proves once again that, limited though his range may be, big brother Sean got all the acting ability in the family. Kind of fun to watch if you like bad movies.
Awix (3310 KP) rated Kind Hearts and Coronets (1949) in Movies
Mar 4, 2018 (Updated Mar 4, 2018)
Justly acclaimed black comedy is a somewhat atypical film from Ealing Studios, better known for their affectionate depictions of post-war British life. Calculating man-on-the-make Dennis Price sets out to get on in the world by murdering the eight members of the D'Ascoyne family who stand between him and inheriting the dukedom of Chalfont.
Best known for the fact that Alec Guinness plays all the D'Ascoynes, but Dennis Price is just as good as the homicidal would-be aristocrat. The broad comedy of some of Guinness' performances, plus the staging of several of the murders, is underpinned by some much subtler and more understated humour about class and morality. One of those films you can watch several times and still find new layers to enjoy; very funny, too, though that should go without saying.
Best known for the fact that Alec Guinness plays all the D'Ascoynes, but Dennis Price is just as good as the homicidal would-be aristocrat. The broad comedy of some of Guinness' performances, plus the staging of several of the murders, is underpinned by some much subtler and more understated humour about class and morality. One of those films you can watch several times and still find new layers to enjoy; very funny, too, though that should go without saying.
A Canterbury Tale (1944)
Movie
Michael Powell and Emeric Pressburger’s beloved classic A Canterbury Tale is a profoundly personal...
James P. Sumner (65 KP) rated Official Secrets (2019) in Movies
Oct 16, 2019
Should this tense, dramatic thriller remain a Secret?
I was lucky enough to be invited to an advanced screening of this film, ahead of it's general release.
"Official Secrets (2019)" is a tense and clever thriller based on real events that occurred during the beginning of the Iraq War in 2003. Keira Knightley plays Katherine Gun, a British spy-turned-whistleblower who worked for GCHQ at the time. She leaked confidential information to the press, exposing illegal activities at the highest levels of government intended to falsely justify the invasion of Iraq. Backed by a high-calibre support cast, which includes Matt Smith and Ralph Fiennes, this film serves to show you the true story of what happened during this shadowy and questionable chapter in our history.
The film uses actual news footage from the time to great effect, making you feel as if you're watching a biographical documentary on the History Channel. Knightley is captivating as the Robin Hood-esque lead, delivering a truly believable and heartfelt performance throughout. It wasn't until the credits began to roll and they showed you footage of the real Katherine Gun from news reels at the time that you realise just how good Knightley's performance really was. From the way she dressed to the tone in which she spoke and the small mannerisms of her personality, it was a very, very good portrayal.
As with most films like this, I imagine certain events and aspects of the story were dramatised or exaggerated for the purposes of cinema, but at no point did it ever feel like it. Any changes to real events were subtle enough that you couldn't spot them without detailed knowledge of what really happened at the time - something, it turns out, very few people actually had.
Matt Smith is both charming and uncompromising as the stubborn reporter who champions Gun's crusade for the truth, giving her support and a platform to get her message out to the world. Similarly, Ralph Fiennes looks right at home as the lawyer who defends her in the public eye.
I admit that certain aspects and legalities within the plot felt, at times, a little far-fetched, but honestly, the film did such a good job of telling this story, I'm inclined to think that's still how things actually happened.
Spoilers aren't as much of an issue for films like this, as you already know the outcome. But this film isn't about the destination, it's about the journey. It shines a spotlight on the down-and-dirty world of global politics, as well as how difficult it can sometimes be to choose to do the right thing.
The film moves along at a slow yet perfect pace. It doesn't look or feel like a Hollywood movie, which I think is a very good thing. Instead, it feels like a BBC drama, similar to Line of Duty or Luther or Spooks, and that's exactly the kind of approach this film needed to work.
I went into this admittedly understanding very little of what went on back in 2003. I was much younger and wasn't interested in geopolitics, or even the news in general. But seeing this film piqued my interest, and after a few hours of Googling the events depicted in the film, I'm even more in awe of just how well made this was. Kudos to everyone involved.
My only criticism, if I had to give one, would be the number of times people had to say "Official Secrets Act"... I get that's what the film is about, but it seemed like every character had a quota for the number of times they had to mention it! But that's just nit-picking for nit-picking's sake. This truly is a cracking film. One of the gems of the year that's not to be missed!
"Official Secrets (2019)" is a tense and clever thriller based on real events that occurred during the beginning of the Iraq War in 2003. Keira Knightley plays Katherine Gun, a British spy-turned-whistleblower who worked for GCHQ at the time. She leaked confidential information to the press, exposing illegal activities at the highest levels of government intended to falsely justify the invasion of Iraq. Backed by a high-calibre support cast, which includes Matt Smith and Ralph Fiennes, this film serves to show you the true story of what happened during this shadowy and questionable chapter in our history.
The film uses actual news footage from the time to great effect, making you feel as if you're watching a biographical documentary on the History Channel. Knightley is captivating as the Robin Hood-esque lead, delivering a truly believable and heartfelt performance throughout. It wasn't until the credits began to roll and they showed you footage of the real Katherine Gun from news reels at the time that you realise just how good Knightley's performance really was. From the way she dressed to the tone in which she spoke and the small mannerisms of her personality, it was a very, very good portrayal.
As with most films like this, I imagine certain events and aspects of the story were dramatised or exaggerated for the purposes of cinema, but at no point did it ever feel like it. Any changes to real events were subtle enough that you couldn't spot them without detailed knowledge of what really happened at the time - something, it turns out, very few people actually had.
Matt Smith is both charming and uncompromising as the stubborn reporter who champions Gun's crusade for the truth, giving her support and a platform to get her message out to the world. Similarly, Ralph Fiennes looks right at home as the lawyer who defends her in the public eye.
I admit that certain aspects and legalities within the plot felt, at times, a little far-fetched, but honestly, the film did such a good job of telling this story, I'm inclined to think that's still how things actually happened.
Spoilers aren't as much of an issue for films like this, as you already know the outcome. But this film isn't about the destination, it's about the journey. It shines a spotlight on the down-and-dirty world of global politics, as well as how difficult it can sometimes be to choose to do the right thing.
The film moves along at a slow yet perfect pace. It doesn't look or feel like a Hollywood movie, which I think is a very good thing. Instead, it feels like a BBC drama, similar to Line of Duty or Luther or Spooks, and that's exactly the kind of approach this film needed to work.
I went into this admittedly understanding very little of what went on back in 2003. I was much younger and wasn't interested in geopolitics, or even the news in general. But seeing this film piqued my interest, and after a few hours of Googling the events depicted in the film, I'm even more in awe of just how well made this was. Kudos to everyone involved.
My only criticism, if I had to give one, would be the number of times people had to say "Official Secrets Act"... I get that's what the film is about, but it seemed like every character had a quota for the number of times they had to mention it! But that's just nit-picking for nit-picking's sake. This truly is a cracking film. One of the gems of the year that's not to be missed!
BankofMarquis (1832 KP) rated Gosford Park (2001) in Movies
Mar 24, 2020
Underneath it all...and Altman film
Do you like DOWNTON ABBEY? Do you like Agatha Christie Murder Mysteries? Do you like the 1970's British television series UPSTAIRS DOWNSTAIRS? If your answer to any of these questions is yes, then do I have a film for you.
GOSFORD PARK is an English Murder Mystery, set in the 1920's, featuring an All Star Cast, Directed by a 7 time Oscar nominee. It received critical acclaim in the year it was released (2001), earned 7 Oscar nominations (including Best Picture) and won the Oscar for Best Original Screenplay (Julian Fellowes...who would go on to create/write DOWNTON ABBEY).
Set in an English Country Manor, overseen by overbearing Lord William McCordle (Michael Gambon, the 2nd Albus Dumbledore in the Harry Potter films), GOSFORD PARK tells of the trials, tribulations, loves and death (yes, there's a murder) of a host of characters both Upstairs (the wealthy) and Downstairs (the servants).
And what a cast it is! Kristin Scott Thomas, Maggie Smith, Charles Dance, Jeremy Northam, Tom Hollander and Bob Balaban lead the group of the wealthy, while Helen Mirren, Alan Bates, Clive Owen, Kelly MacDonald, Eileen Atkins and Emily Watson head up the cast of servants below the stairs.
Both Maggie Smith and Helen Mirren were nominated for an Oscar for Best Supporting Actress for their work in this film (both losing to Jennifer Connelly for A BEAUTIFUL MIND).
Directed by Robert Altman (M*A*S*H, NASHVILLE), GOSFORD PARK is much of what you would expect from an Altman film...many, many people living their lives, sometimes intersecting with others, often times just going off on their own, tied together by the circumstances of being in this giant manor house on a weekend of a murder.
It is an ambitious, "Oscar bait" film that succeeds for the most part. And, if you are into the costumes, sets, Interior Design and intimate scenes of people talking, then you will be richly rewarded by this film.
I loved this film when it first came out and was anxiously looking forward to re-visiting it.
While I still liked it during this viewing, I did find the pacing to be languid and I started finding myself being frustrated by threads and character direction that just sort of petered out or ended all together with no real resolution. I know this was on purpose, for Altman would argue that this is what happens in real life, but I found this frustrating.
But this film has much, much going for it and if you haven't seen this - or haven't seen this in awhile - and are a fan of these types of films, then GOSFORD PARK will be a very rewarding 2 hours and 11 minutes of a movie going experience.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)
GOSFORD PARK is an English Murder Mystery, set in the 1920's, featuring an All Star Cast, Directed by a 7 time Oscar nominee. It received critical acclaim in the year it was released (2001), earned 7 Oscar nominations (including Best Picture) and won the Oscar for Best Original Screenplay (Julian Fellowes...who would go on to create/write DOWNTON ABBEY).
Set in an English Country Manor, overseen by overbearing Lord William McCordle (Michael Gambon, the 2nd Albus Dumbledore in the Harry Potter films), GOSFORD PARK tells of the trials, tribulations, loves and death (yes, there's a murder) of a host of characters both Upstairs (the wealthy) and Downstairs (the servants).
And what a cast it is! Kristin Scott Thomas, Maggie Smith, Charles Dance, Jeremy Northam, Tom Hollander and Bob Balaban lead the group of the wealthy, while Helen Mirren, Alan Bates, Clive Owen, Kelly MacDonald, Eileen Atkins and Emily Watson head up the cast of servants below the stairs.
Both Maggie Smith and Helen Mirren were nominated for an Oscar for Best Supporting Actress for their work in this film (both losing to Jennifer Connelly for A BEAUTIFUL MIND).
Directed by Robert Altman (M*A*S*H, NASHVILLE), GOSFORD PARK is much of what you would expect from an Altman film...many, many people living their lives, sometimes intersecting with others, often times just going off on their own, tied together by the circumstances of being in this giant manor house on a weekend of a murder.
It is an ambitious, "Oscar bait" film that succeeds for the most part. And, if you are into the costumes, sets, Interior Design and intimate scenes of people talking, then you will be richly rewarded by this film.
I loved this film when it first came out and was anxiously looking forward to re-visiting it.
While I still liked it during this viewing, I did find the pacing to be languid and I started finding myself being frustrated by threads and character direction that just sort of petered out or ended all together with no real resolution. I know this was on purpose, for Altman would argue that this is what happens in real life, but I found this frustrating.
But this film has much, much going for it and if you haven't seen this - or haven't seen this in awhile - and are a fan of these types of films, then GOSFORD PARK will be a very rewarding 2 hours and 11 minutes of a movie going experience.
Letter Grade: B
7 stars (out of 10) and you can take that to the Bank (ofMarquis)