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Awix (3310 KP) rated The Eagle Has Landed (1976) in Movies
May 22, 2018 (Updated May 22, 2018)
Pretty reasonable, slightly silly all-star war movie; the Germans attempt to bring the Allies to the negotiating table by kidnapping Churchill. Sent on this improbable mission is Michael Caine's decent paratrooper officer and his men, and ridiculously Irish IRA man Donald Sutherland. Spoiler alert: Germany still loses the war.
Good performances, mostly, and some well-staged action in the closing sections of the film; what's curious about it is the way that the Germans are mostly presented sympathetically, at least as much as the British and American characters. It's a war movie without bad guys, but without much sense of moral or emotional investment either - as a result it's enjoyable as a piece of action cinema, but rather shallow. (It doesn't feel like the moral ambiguity is a deliberate creative choice: Caine thought the director was more interested in going fishing than in overseeing the final edit.) Fun in a disposable sort of way; you could be forgiven for expecting more, given the talent involved.
Good performances, mostly, and some well-staged action in the closing sections of the film; what's curious about it is the way that the Germans are mostly presented sympathetically, at least as much as the British and American characters. It's a war movie without bad guys, but without much sense of moral or emotional investment either - as a result it's enjoyable as a piece of action cinema, but rather shallow. (It doesn't feel like the moral ambiguity is a deliberate creative choice: Caine thought the director was more interested in going fishing than in overseeing the final edit.) Fun in a disposable sort of way; you could be forgiven for expecting more, given the talent involved.
Awix (3310 KP) rated Saving Mr. Banks (2013) in Movies
Apr 4, 2019 (Updated Apr 4, 2019)
Well-mounted but self-referential (and that's putting it very charitably!) look at the origins of Mary Poppins. Pamela Travers (Thompson), who is very British and starchy, flies to Los Angeles where she meets the avuncular Walt Disney (Hanks), intent on adapting her books about a supernatural dominatrix for the cinema. Colin Farrell appears in flashback as Travers' feckless dad; despite what the soundtrack listing suggests, he does not sing 'Chim Chiminee', so manage your expectations.
Nicely made and played, and quite amusing an' all, but hard to escape the impression this is just a massive piece of self-aggrandisement by the House of Mouse: poor old repressed Travers just needs a bit more Disney in her life in order to become happier and more successful, to say nothing of the various factual inaccuracies. But then it's a Disney film actually about Walt Disney, so what do you expect? Watchable stuff, but take a pinch of salt along with the many spoonfuls of sugar.
Nicely made and played, and quite amusing an' all, but hard to escape the impression this is just a massive piece of self-aggrandisement by the House of Mouse: poor old repressed Travers just needs a bit more Disney in her life in order to become happier and more successful, to say nothing of the various factual inaccuracies. But then it's a Disney film actually about Walt Disney, so what do you expect? Watchable stuff, but take a pinch of salt along with the many spoonfuls of sugar.
Awix (3310 KP) rated Tomorrow Never Dies (1997) in Movies
Apr 9, 2019
Umpty-tumpth Bond film rests on the laurels of GoldenEye perhaps just a bit too much. Evil media magnate Carver tries to orchestrate a war between the UK and China so he can sell more papers and grab a satellite TV franchise; British intelligence decides to disrupt his scheme by sending James Bond to have sex with his wife.
Well-mounted set pieces, and plenty of them, plus Michelle Yeoh gets an eye-catching role as the 'Oh, James!' character, but the problem is that the rest of it feels like karaoke Bond, without the self-awareness or attempts to move the franchise on that lifted GoldenEye somewhat - plus, it's just not as well written. The result is a mid-range entry in the series, assuming one overlooks the schoolboy error of Bond not being able to read Chinese (as any fule kno, he got a First in Oriental Languages at Cambridge). This still equates to an entertaining movie, just not an exceptional one.
Well-mounted set pieces, and plenty of them, plus Michelle Yeoh gets an eye-catching role as the 'Oh, James!' character, but the problem is that the rest of it feels like karaoke Bond, without the self-awareness or attempts to move the franchise on that lifted GoldenEye somewhat - plus, it's just not as well written. The result is a mid-range entry in the series, assuming one overlooks the schoolboy error of Bond not being able to read Chinese (as any fule kno, he got a First in Oriental Languages at Cambridge). This still equates to an entertaining movie, just not an exceptional one.
Awix (3310 KP) rated The Shout (1979) in Movies
Apr 15, 2019
Watchable sort-of horror movie, distinguished by a good cast. These days we'd probably call it a post-horror movie, but they didn't have those back in the 1970s (maybe it's a pre-post-horror movie). An innocent couple are terrorised by a stranger who claims to have magical powers, including a deadly shout.
No-one in The Shout behaves remotely like a real person would, and the title is a bit misleading as the actual Shout itself (while a big moment and fairly well-staged when it comes) doesn't have much to do with the plot. But it does have a very good cast and the various strangenesses of the story can be explained by the fact this is a tall tale being told by the inmate of an insane asylum. Not the great lost British horror film some would have you believe it is, but a curious and distinctive tale.
No-one in The Shout behaves remotely like a real person would, and the title is a bit misleading as the actual Shout itself (while a big moment and fairly well-staged when it comes) doesn't have much to do with the plot. But it does have a very good cast and the various strangenesses of the story can be explained by the fact this is a tall tale being told by the inmate of an insane asylum. Not the great lost British horror film some would have you believe it is, but a curious and distinctive tale.
Awix (3310 KP) rated The Man with the Golden Gun (1974) in Movies
Feb 19, 2018
Ninth James Bond film was rush-released to consolidate Roger Moore in the role, also to cash in on fad for kung fu movies at the time; forms part of the 'British civil servant travels by seaplane to sun-obsessed Christopher Lee's private island in search of missing girl, finds Britt Ekland waiting' movement of 1973-4. Bond must engage in battle of wits with triple-nippled assassin Scaramanga. Then-topical subplot about energy crisis trundles along in the background.
Not bad instance of Bond franchise as pure genre movie; decent fights and chases, but only one moment that really deserves a place on the 'best of Bond' showreel (the corkscrew bridge jump). Christopher Lee barely breaks a sweat as the best actor in the movie. Slightly sleazy atmosphere (in places it resembles a softcore porn movie with the sex edited out); you can kind of see why one of the original producers thought the series had run out of steam and departed before the next one.
Not bad instance of Bond franchise as pure genre movie; decent fights and chases, but only one moment that really deserves a place on the 'best of Bond' showreel (the corkscrew bridge jump). Christopher Lee barely breaks a sweat as the best actor in the movie. Slightly sleazy atmosphere (in places it resembles a softcore porn movie with the sex edited out); you can kind of see why one of the original producers thought the series had run out of steam and departed before the next one.
Awix (3310 KP) rated Warlords of Atlantis (1978) in Movies
Feb 20, 2018 (Updated Feb 20, 2018)
Really-not-bad-considering-what-it-is British fantasy film, from the makers of three other mid-70s Edgar Rice Burroughs adaptations - this story is original (well, up to a point). Two-fisted bathyscape engineer and his posh associate discover Atlantis, which is populated by various unexpected character actors, rubber monsters, and also Cyd Charisse (goes to show you never can tell).
Looks slightly more lavish than the three Amicus films; Atlantis bears a suspicious resemblance to Malta (which may give you a clue as to where the location filming was done). Pleasantly tropey plot, occasionally verges on the absurd; rubber monsters (the Zaargs!) are actually not too bad. The giant octopus has a kind of kitsch grandeur to it; somewhat emblematic of the whole movie. In the end it's not exactly written by Shakespeare but highly entertaining if you like this sort of thing; possibly the best of the Connor-McClure fantasy films.
Looks slightly more lavish than the three Amicus films; Atlantis bears a suspicious resemblance to Malta (which may give you a clue as to where the location filming was done). Pleasantly tropey plot, occasionally verges on the absurd; rubber monsters (the Zaargs!) are actually not too bad. The giant octopus has a kind of kitsch grandeur to it; somewhat emblematic of the whole movie. In the end it's not exactly written by Shakespeare but highly entertaining if you like this sort of thing; possibly the best of the Connor-McClure fantasy films.
Awix (3310 KP) rated Greystoke: The Legend of Tarzan, Lord of the Apes (1984) in Movies
Jun 15, 2018
Umpty-tumpth Tarzan movie goes back to Burroughs and features most of the stuff you'd expect from this kind of thing: posh English couple cark it somewhere in Africa, leaving infant son to be raised by wild apes. He grows up, quickly learns to wear a loincloth so as not to outrage the censor, rediscovers his heritage, and so on.
Christopher Lambert is pretty good as the Lord of the Apes, though the script has to explain exactly why Tarzan has a French accent; Ralph Richardson and Ian Holm are really better in supporting roles, though. If the film has a problem it's that it's just a bit too downbeat and glum for a Tarzan movie - you can take gritty realism just a bit too far, and director Hugh Hudson seems determined to make serious angry points about the evils of imperialism, colonialism, and the British establishment. Still, it's probably preferable to most of the previous, ultra-silly Tarzan movies.
Christopher Lambert is pretty good as the Lord of the Apes, though the script has to explain exactly why Tarzan has a French accent; Ralph Richardson and Ian Holm are really better in supporting roles, though. If the film has a problem it's that it's just a bit too downbeat and glum for a Tarzan movie - you can take gritty realism just a bit too far, and director Hugh Hudson seems determined to make serious angry points about the evils of imperialism, colonialism, and the British establishment. Still, it's probably preferable to most of the previous, ultra-silly Tarzan movies.
Sarah (7798 KP) rated Goodbye Christopher Robin (2017) in Movies
Oct 18, 2018
An interesting true story
Like many I know the stories of Winnie the Pooh, but until now I've never known the story behind the writing of the books and the real Christopher Robin.
This is a fascinating, if not slightly disturbing, tale of the creation of Winnie the Pooh and a large part of the life of A.A Milne. It's disturbing mainly for how badly Christopher Robin was treated and used by his parents, and I found this a little difficult to watch and at such a contrast with the happier scenes around the creation of the characters. Domnhall Gleeson is very good and convincing as the very prim and proper author, but I think my only issue is that this film takes the British stiff upper lip much too far. Whilst I don't doubt that this is how people were during this period of time, the stiff English accents really got on my nerves - especially Margot Robbie's, which was a little too proper and English.
This is a fascinating, if not slightly disturbing, tale of the creation of Winnie the Pooh and a large part of the life of A.A Milne. It's disturbing mainly for how badly Christopher Robin was treated and used by his parents, and I found this a little difficult to watch and at such a contrast with the happier scenes around the creation of the characters. Domnhall Gleeson is very good and convincing as the very prim and proper author, but I think my only issue is that this film takes the British stiff upper lip much too far. Whilst I don't doubt that this is how people were during this period of time, the stiff English accents really got on my nerves - especially Margot Robbie's, which was a little too proper and English.
Awix (3310 KP) rated Ford v Ferrari (aka Le Mans '66) (2019) in Movies
Nov 15, 2019
Le Mans-themed movie doesn't quite last the whole 24 hours but certainly takes its time; decent direction and good chemistry from the leads means that two and a half hours mostly skips by. The Ford Motor Company decides to win the famous French endurance race and recruits a renowned racer (Damon) to run their team; he in turn brings in an unpredictable British driver (Bale), who is the very antithesis of a company man.
Very solid entertainment for the most part - rather like that boxing film from a while back, in that Damon turns in a solid leading man turn, allowing Bale to deliver a rather more unorthodox character performance. All the best lines are in the trailer, though, and there's a change of gear near the end which is slightly fluffed. Also arguably slightly disingenuous, in that it delivers a firm anti-corporate groupthink, pro-individual eccentricity message - coming from a major Hollywood studio this inevitably feels a bit insincere.
Very solid entertainment for the most part - rather like that boxing film from a while back, in that Damon turns in a solid leading man turn, allowing Bale to deliver a rather more unorthodox character performance. All the best lines are in the trailer, though, and there's a change of gear near the end which is slightly fluffed. Also arguably slightly disingenuous, in that it delivers a firm anti-corporate groupthink, pro-individual eccentricity message - coming from a major Hollywood studio this inevitably feels a bit insincere.
Hitchcock's Music
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For half a century Alfred Hitchcock created films full of gripping and memorable music. Over his...