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Awix (3310 KP) rated Aladdin (2019) in Movies
Jun 12, 2019
Eye-searingly garish, largely redundant auto-cash-in on the 1992 cartoon (which, full disclosure, I've never seen) - if you don't know the plot, well, what's wrong with your parents, did they never take you to a pantomime when you were young? Cave, lamp, genie, princess - I note that Widow Twankey has been ruthlessly scythed from the story.
After a slow start it does generate some energy and entertainment value, mainly because of Will Smith's turn as the genie (Will Smith in good movie role choice shocker!), and for anyone looking for something of substance to contemplate, there is an interesting subtext about the nature of power in traditional hierarchical societies. In the end, though, it manages to take panto plotting, Broadway show tunes, MOR power-ballads, blockbuster CGI, and Bollywood dancing and produce something which still feels essentially lifeless and calculated.
After a slow start it does generate some energy and entertainment value, mainly because of Will Smith's turn as the genie (Will Smith in good movie role choice shocker!), and for anyone looking for something of substance to contemplate, there is an interesting subtext about the nature of power in traditional hierarchical societies. In the end, though, it manages to take panto plotting, Broadway show tunes, MOR power-ballads, blockbuster CGI, and Bollywood dancing and produce something which still feels essentially lifeless and calculated.
Kate Mara recommended Coal Miner's Daughter (1980) in Movies (curated)
Not as funny as I hoped, but engaging enough
Holland has been obsessed with a handsome subway busker for quite some time. One evening, he winds up rescuing her after she falls on the subway tracks, kicking off a whirlwind of events. Holland helps Calvin get an audition with her uncle Robert, a Broadway musical director. Calvin is infinitely talented, but, it turns out, also in the United States illegally. So Holland does something she never does: makes an impulsive decision. She'll offer to marry Calvin so he can stay in the country, live out his dream, and help her uncle's hit show. Calvin quickly becomes a Broadway star. As for Calvin and Holland--they quickly realize they may be more than roommates. But what will it take for them to admit it? And for each to move past their own issues?
This was my first Christina Lauren book, which I picked up after hearing lots of Goodreads friends praise the dynamic duo. I am always a sucker for a good, fun romance. I was surprised to find the book start with Holland already lusting after Calvin, whom she called "Jack," as she watched him from afar at the subway. The action gets underway quickly, and it did seem like they each agreed to their extreme plan (marriage to someone they'd never met!) rather rapidly and easily. Even Holland's protective uncles came on board very quickly.
Some pros--a somewhat diverse cast, including Holland's adorable gay uncles, who were often couple goals. I enjoyed getting some insight into a Broadway musical, as well as the immigration process, although I bet both of those were sugarcoated a bit. Still, I found Holland a bit of a doormat; she frustrated me with her lack of ability to stand up for herself. While her inability to find herself is the premise of the book, a strong romance only works for me if I'm invested in the characters, and I just didn't always feel it with Holland and Calvin. Holland was too wishy washy and I never felt like I got to know Calvin enough. It was frustrating, because I could see moments of humor in the book, but never enough to truly win me over. I needed more to fully root for the couple. That's not to say I didn't enjoy the book: it's cute and fun at times, and an easy read.
Overall, I had a tough time warming up to the main characters, and I didn't always find the funny situations that humorous. The premise was a little crazy, but was engaging enough. I'll be curious to see how I feel about my next Christina Lauren read.
This was my first Christina Lauren book, which I picked up after hearing lots of Goodreads friends praise the dynamic duo. I am always a sucker for a good, fun romance. I was surprised to find the book start with Holland already lusting after Calvin, whom she called "Jack," as she watched him from afar at the subway. The action gets underway quickly, and it did seem like they each agreed to their extreme plan (marriage to someone they'd never met!) rather rapidly and easily. Even Holland's protective uncles came on board very quickly.
Some pros--a somewhat diverse cast, including Holland's adorable gay uncles, who were often couple goals. I enjoyed getting some insight into a Broadway musical, as well as the immigration process, although I bet both of those were sugarcoated a bit. Still, I found Holland a bit of a doormat; she frustrated me with her lack of ability to stand up for herself. While her inability to find herself is the premise of the book, a strong romance only works for me if I'm invested in the characters, and I just didn't always feel it with Holland and Calvin. Holland was too wishy washy and I never felt like I got to know Calvin enough. It was frustrating, because I could see moments of humor in the book, but never enough to truly win me over. I needed more to fully root for the couple. That's not to say I didn't enjoy the book: it's cute and fun at times, and an easy read.
Overall, I had a tough time warming up to the main characters, and I didn't always find the funny situations that humorous. The premise was a little crazy, but was engaging enough. I'll be curious to see how I feel about my next Christina Lauren read.
Gordon Gano recommended track Dulcinea by Various Artists in Man of La Mancha by Various Artists in Music (curated)
Sarah (7798 KP) rated The Prom (2020) in Movies
Jan 1, 2021
Ruined by James Corden
The Prom is the latest film from Glee creator Ryan Murphy, adapted from the Broadway musical of the same name. It follows Emma (Jo Ellen Pellman) who inadvertently causes her high school prom to be cancelled from wanting to attend with her girlfriend Alyssa (Ariana DeBose), in a school governed by a PTA that is very much against inclusion. Meanwhile on Broadway, four down on their luck actors (Meryl Streep, Nicole Kidman, James Corden and Andrew Rannells) pick up on Emma’s story and decide to use it as a perfect opportunity to garner some publicity for themselves by showing their support.
The Prom is obviously a personal movie for director Ryan Murphy, after growing up in Indiana himself, but unfortunately he doesn’t quite manage to pull this off. The story has a very important message about inclusion and you can’t deny how powerful this is, but I don’t think it has been very well executed. Yes the entire film looks amazing, the colourful and flashy outfits look wonderful and add some much needed colour when the story moves from Broadway to Indiana. The songs too are good and toe-tappingly catchy, with ‘Love Thy Neighbor’ from Andrew Rannells being a particular standout for me, and I’d be lying if I said the glitz, glam and catchy songs didn’t make me smile. Newcomer Jo Ellen Pellman has a cracking voice and her performance here shows she’s definitely one to watch in future.
However this is where the positives stop. A large number of the songs sound the same and aside from the aforementioned ‘Love Thy Neighbor’ and the finale ‘It’s Time to Dance’, none of them are particularly memorable. The film is full of clichés and stereotypes and awkward dialogue and scenes – the cringeworthy and entirely unbelievable flirtation between Dee Dee (Streep) and Principal Hawkins (Keegan-Michael Key) is possibly one of the worst things I’ve had to watch in quite a while. The cast are obviously having a lot of fun with this and it shows in the musical numbers, but some of the characters and performances are entirely unlikeable. I know Dee Dee is meant to be a self obsessed narcissist, and Streep is hamming her up to the max, but she is a horrible character and I couldn’t abide her. Scenes with her that are meant to be comedic to me came across as awful and repulsive. Whilst she does improve over the course of the rather drawn out run time, I’m afraid the damage is done in the first 90 minutes. And I felt very sorry for Nicole Kidman, who aside from a Chicago-esque number, seems to have been entirely sidelined.
But the worst part of The Prom is the decision to cast James Corden as the gay male lead, Barry Glickman. What was Ryan Murphy thinking? I’ve never been a fan of Corden, but surely anyone watching this can see he’s a talk show host, not a Hollywood musical star? Not only is his American accent terrible, his performance is completely unbelievable and overly camp and outdated. How Andrew Rannells could bear to work opposite James Corden in this role when he could’ve shone as Barry I will never know. Had it not been for Corden, I probably would have liked this a lot more.
The Prom is a glitzy mash-up of old school Broadway and cheesy high school musicals, full of colourful catchy tunes, neat choreography and a powerful message, it’s just a shame the characters and some of the casting are lacking in the substance to make this anything better than average.
The Prom is obviously a personal movie for director Ryan Murphy, after growing up in Indiana himself, but unfortunately he doesn’t quite manage to pull this off. The story has a very important message about inclusion and you can’t deny how powerful this is, but I don’t think it has been very well executed. Yes the entire film looks amazing, the colourful and flashy outfits look wonderful and add some much needed colour when the story moves from Broadway to Indiana. The songs too are good and toe-tappingly catchy, with ‘Love Thy Neighbor’ from Andrew Rannells being a particular standout for me, and I’d be lying if I said the glitz, glam and catchy songs didn’t make me smile. Newcomer Jo Ellen Pellman has a cracking voice and her performance here shows she’s definitely one to watch in future.
However this is where the positives stop. A large number of the songs sound the same and aside from the aforementioned ‘Love Thy Neighbor’ and the finale ‘It’s Time to Dance’, none of them are particularly memorable. The film is full of clichés and stereotypes and awkward dialogue and scenes – the cringeworthy and entirely unbelievable flirtation between Dee Dee (Streep) and Principal Hawkins (Keegan-Michael Key) is possibly one of the worst things I’ve had to watch in quite a while. The cast are obviously having a lot of fun with this and it shows in the musical numbers, but some of the characters and performances are entirely unlikeable. I know Dee Dee is meant to be a self obsessed narcissist, and Streep is hamming her up to the max, but she is a horrible character and I couldn’t abide her. Scenes with her that are meant to be comedic to me came across as awful and repulsive. Whilst she does improve over the course of the rather drawn out run time, I’m afraid the damage is done in the first 90 minutes. And I felt very sorry for Nicole Kidman, who aside from a Chicago-esque number, seems to have been entirely sidelined.
But the worst part of The Prom is the decision to cast James Corden as the gay male lead, Barry Glickman. What was Ryan Murphy thinking? I’ve never been a fan of Corden, but surely anyone watching this can see he’s a talk show host, not a Hollywood musical star? Not only is his American accent terrible, his performance is completely unbelievable and overly camp and outdated. How Andrew Rannells could bear to work opposite James Corden in this role when he could’ve shone as Barry I will never know. Had it not been for Corden, I probably would have liked this a lot more.
The Prom is a glitzy mash-up of old school Broadway and cheesy high school musicals, full of colourful catchy tunes, neat choreography and a powerful message, it’s just a shame the characters and some of the casting are lacking in the substance to make this anything better than average.
Elizabeth (1521 KP) rated Finding Neverland in Lunt-Fontanne Theatre (New York, United States) in Shows
Jul 20, 2020 (Updated Jul 20, 2020)
Set (1 more)
Songs
Glad I got to see it before it was gone
My mother took my daughter to see this for her birthday and I tagged along as a fan of the movie and Broadway in general. We made it to one of the last few performances and I am so glad we made it before it closed.
My daughter was part of stage crew at her high school at the time and she was blown away by the set. She would have loved to get the chance to go backstage, not to meet the cast, but the crew, she was so impressed. The most impressive part of the set was Captain Hook's ship. The way it came together, jutting over the stage, and was used as part of the dance routine was breathtaking.
The show follows the movie of the same name starring Johnny Depp which weaves reality with fantasy. It stayed very close to the movie and had some great musical performances.
My daughter was part of stage crew at her high school at the time and she was blown away by the set. She would have loved to get the chance to go backstage, not to meet the cast, but the crew, she was so impressed. The most impressive part of the set was Captain Hook's ship. The way it came together, jutting over the stage, and was used as part of the dance routine was breathtaking.
The show follows the movie of the same name starring Johnny Depp which weaves reality with fantasy. It stayed very close to the movie and had some great musical performances.
Zach Galligan recommended A Clockwork Orange (1971) in Movies (curated)
Camryn Manheim recommended Primal Fear (1996) in Movies (curated)
Richard Hell recommended Sweet Smell of Success (1957) in Movies (curated)
Lyndsey Gollogly (2893 KP) rated Rosemary's Baby (Rosemary's Baby, #1) in Books
Jun 13, 2022
106 of 230
Book
Rosemary’s Baby ( Rosemary book 1)
By Ira Levin
⭐️⭐️⭐️
Rosemary Woodhouse and her struggling actor-husband, Guy, move into the Bramford, an old New York City apartment building with an ominous reputation and only elderly residents. Neighbours Roman and Minnie Castavet soon come nosing around to welcome them; despite Rosemary's reservations about their eccentricity and the weird noises that she keeps hearing, her husband starts spending time with them. Shortly after Guy lands a plum Broadway role, Rosemary becomes pregnant, and the Castavets start taking a special interest in her welfare. As the sickened Rosemary becomes increasingly isolated, she begins to suspect that the Castavets' circle is not what it seems.
This is a book I’ve been wanting to read for so long and I finally got round to it! I think I was expecting more while I did enjoy the read it didn’t live up to expectations. It was chilling in places but fell a bit flat for me!
Book
Rosemary’s Baby ( Rosemary book 1)
By Ira Levin
⭐️⭐️⭐️
Rosemary Woodhouse and her struggling actor-husband, Guy, move into the Bramford, an old New York City apartment building with an ominous reputation and only elderly residents. Neighbours Roman and Minnie Castavet soon come nosing around to welcome them; despite Rosemary's reservations about their eccentricity and the weird noises that she keeps hearing, her husband starts spending time with them. Shortly after Guy lands a plum Broadway role, Rosemary becomes pregnant, and the Castavets start taking a special interest in her welfare. As the sickened Rosemary becomes increasingly isolated, she begins to suspect that the Castavets' circle is not what it seems.
This is a book I’ve been wanting to read for so long and I finally got round to it! I think I was expecting more while I did enjoy the read it didn’t live up to expectations. It was chilling in places but fell a bit flat for me!