"I was excited that I had the chance to sing something in [happythankyoumoreplease]. I did a lot when I was younger and I haven’t in such a long time, but I grew up doing musicals and musical theater. That was my real passion and I soon as I started doing films, when I was 14, I did less. I would love to do movie musicals or Broadway. [A music biopic] would be a dream of mine… that leads into my favorite movies. Coal Miner’s Daughter is my all-time favorite movie. A lot of that has to do with that’s just a dream sort of ideal role for me. I love country music. I love the idea of playing a country singer and the whole thing, I love it. And I love Sissy Spacek. So yeah, that’s one of my favorites."

"My Mother and Father were both in theatre and in some movies. My Mother was on Broadway in the ‘50s before I was around, in a musical, I think she was in it for two or three years. They always did things together, they were always getting the Broadway musicals and listening to them and getting into records. “Broadway musical cast albums are part of my earliest memories. I’ve been told that I would - as children can often do - absorb them and memorise it all, so on a family trip somewhere I would start singing them the whole way through. All of he songs in this musical or that musical, or whatever one they’ve been playing a lot of, or whichever one I maybe liked more and asked to keep hearing. “That’s been a big part of my writing; to have a storytelling aspect, a certain variety, a certain sense of those characters. It’s not all autobiographical, that’s often mixed in when I write and perform - to have that sense of playing or acting and storytelling. “This song is from Man of La Mancha. which was one of my favorites, that was one of the ones I could sing all the way through, and was one stayed with me more. Occasionally I would listen to it even when I was older than six years old, there’s something about a lot of those songs that connected with me. “With ‘Dulcinea’ in particular it’s the heartfeltness and the melody of it. And then it’s actually sung by other people with a different beat, a different groove and a different attitude, the same words are sung in a mocking and taunting way. “I was recently thinking of this - and I didn’t realise at the time - but to learn as a child that a song can be done in such different ways. The same song, the same words, the same chorus, the same melody, can be done as a sincere, heartfelt love, and then also could be done as absolute mocking, taunting and a violent aspect to it, instead of the most tender. It’s the same thing, but a different way and a different attitude. I think there’s something about it that I probably had taken in a very natural way, because I was hearing it. “Actually, from very, very early on, there was a Violent Femmes show or two that I sang a little bit of that song as a little intro to some other song that we did, because it seemed like it would be fun to do or it was in my head to do it. So it even made it to a Violent Femmes concert once or twice in the very early years of our band"