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Kirk Bage (1775 KP) rated Game Of Thrones in TV
Aug 6, 2020
Look on the bright side, we all said, without really believing it, when lockdown hit in March – time to watch those box sets we’ve been putting off. Well that was, of course, a great idea! For me that box set was possibly the biggest of all: the behemoth that is GOT.
Much like when a new band gets big quickly and you refuse to listen to the hype, I avoided watching the biggest show in the world, even when it was on in the same room as I tried to read a book in the other corner. It wasn’t that I thought I wouldn’t like it, but more that I didn’t believe it could be anywhere near as good as folk were making it out to be, especially as season one looked like only a slight step up on the swords and sandles exploitation-fests that had been going around. I labelled it “Tits and Dragons” and got on with my life for the next 8 years.
March 2020 will go down in history as the biggest spike in streaming TV services the globe will ever see. Literally millions of previously casual watchers, who had been busy having lives and jobs, turned to Netflix, Amazon Prime, Now TV and iPlayer etc, in search of endless hours of easy entertainment they could immerse their bored and twitchy minds inside of. Without internet at home, I had to go a bit more old school and rely on my daughter posting me the DVDs of GOT season by season.
I found season one enjoyable, with caveats, as it seemed to be one massive exposition (and sexposition) workshop. Obviously the main characters were being set up for big storylines down the road. In which sense it reminded me of a soap opera; in how it flitted between characters and relationships, never dwelling on one plot point for more than two minutes. I liked the way the production had set itself up though – the sets and costumes were of a much higher level than was usual for this kind of thing. Then there was those great opening credits, which become impossible not to hum along to as you get more into it.
Sadly, the first big shock moment didn’t shock me, as I’d heard so much about it on social media 9 years ago. But it was still very well done. Bold and brave; to take out a big name that early was a master stroke. By the end of S1E9 I was properly hooked. Although it helped I didn’t have anything else to do!
The next two weeks I had to wait for season two to be posted out, so I embarked on watching all the DVD commentaries too to kill some time in the evenings whilst I waited. This is almost certainly something I wouldn’t have done under normal circumstances and I believe it is what cemented my enjoyment of it as a whole. Listening to the cast and crew reminisce about what a great time they had, and how close they all were, really helped put it into context for me. I was already loving Peter Dinklage and Lena Headey, but their humour and irreverence in the commentaries made it feel like there were pals in the room watching it with me.
By season two and beyond, I was looking at maps, memorizing every minor character’s name, house and motto, and just immersing in it to the point of obsession. As, I guess, millions of people had already done over the years, but now I got what the fuss was all about. It is an addictive show; you have to know what happens next, you simply can’t leave it alone! Whether it is hissing and booing at Joffrey, or loving to hate Cersei, or siding with the bastards and broken things, there is always something engaging going on – and when a character you disliked dies horribly it is so satisfying!
It is a weird mix, however, of moments so horribly signposted, with some dubious acting, and moments of real surprise and emotion delivered with great acting. Many of the characters really grow into their skins as the actors get more familiar and comfortable being them. The writers too get better at putting the right words in their mouths, and learn to minimise the exposition moments. The young ones in particular really grow impressively as it goes on into seasons 3 and 4. Maisie Williams as the slightly sadistic loner Arya Stark especially. I loved how none stereotypical that character was, and have to say her relationship with The Hound was my favourite thing in the whole show.
At the climax of season four, which I believe was the peak of it artistically, the story arc of Dinklage as Tyrion Lannister, aka The Imp, becomes so compellingly good you can’t take your eyes off him. I had already come to the conclusion that his scenes were the best ones, but this went to 11 on the dial. And it gets better thinking back on it too. Which can’t truly be said of where they go with John Snow and Daenarys, who are ostensibly the main draw by this point, as all storylines seem to mirror their journeys on opposite sides of the world; a song of ice and fire, indeed.
Seasons 5 and 6 continued to be great, even though the dramatic peaks were hard to top. What did improve was the big set pieces, as episodes such as Hardhome and Battle of the Bastards upper the bar on huge battles, staged masterfully. There were things happening that I had never seen in a TV show before, both creatively and budget spent. Watching some of the making of documentaries was fascinating in this regard. The props department alone was astonishingly detailed, to Lord of the Rings degrees, properly impressive!
To go into story and scene details here is pointless, and I don’t want to include any more spoilers than I already have, just in case there is anyone else like me, that hasn’t done the whole journey yet. Obviously, there was some controversy in where seasons 7 and especially 8 went with some storylines and characters. I thought it was mostly fine, to be honest, I just went with it. But it did become a little stretched and hurried, as it raced towards its conclusion. It’s hard for me to get a proper impression of how tense and then annoying it would be to wait a long time for a new season and then have it not go where you imagined it would. Not a problem for me, as I blitzed the final 4 seasons in about a week.
As the episode ratings of season 8 on IMDb indicate, folk were not happy. There was an element of anti-climax, to be fair, but what else could it have been, now so many people claim it as their own? The end isn’t perfect, and that may have a lot to do with the fact they stopped following the books, because they hadn’t been written. In all honestly, I didn’t care. It was spectacular and diverting enough to keep my attention, and my investment in the characters not brutally killed off was not teenage enough to take it personally. I do have sympathy for fans that felt their loyalty betrayed, but come on… it’s just a TV show.
Watching the same fictional world for more than 70 actual hours can do things to you brain. In conclusion I would say I loved going there! The good things always outweighed the annoying things, and it is an experience I would recommend to anyone who hasn’t done it. Whatever age you are, it is a must see phenomenon, like The Sopranos – oh wait, I haven’t seen that yet either…
Much like when a new band gets big quickly and you refuse to listen to the hype, I avoided watching the biggest show in the world, even when it was on in the same room as I tried to read a book in the other corner. It wasn’t that I thought I wouldn’t like it, but more that I didn’t believe it could be anywhere near as good as folk were making it out to be, especially as season one looked like only a slight step up on the swords and sandles exploitation-fests that had been going around. I labelled it “Tits and Dragons” and got on with my life for the next 8 years.
March 2020 will go down in history as the biggest spike in streaming TV services the globe will ever see. Literally millions of previously casual watchers, who had been busy having lives and jobs, turned to Netflix, Amazon Prime, Now TV and iPlayer etc, in search of endless hours of easy entertainment they could immerse their bored and twitchy minds inside of. Without internet at home, I had to go a bit more old school and rely on my daughter posting me the DVDs of GOT season by season.
I found season one enjoyable, with caveats, as it seemed to be one massive exposition (and sexposition) workshop. Obviously the main characters were being set up for big storylines down the road. In which sense it reminded me of a soap opera; in how it flitted between characters and relationships, never dwelling on one plot point for more than two minutes. I liked the way the production had set itself up though – the sets and costumes were of a much higher level than was usual for this kind of thing. Then there was those great opening credits, which become impossible not to hum along to as you get more into it.
Sadly, the first big shock moment didn’t shock me, as I’d heard so much about it on social media 9 years ago. But it was still very well done. Bold and brave; to take out a big name that early was a master stroke. By the end of S1E9 I was properly hooked. Although it helped I didn’t have anything else to do!
The next two weeks I had to wait for season two to be posted out, so I embarked on watching all the DVD commentaries too to kill some time in the evenings whilst I waited. This is almost certainly something I wouldn’t have done under normal circumstances and I believe it is what cemented my enjoyment of it as a whole. Listening to the cast and crew reminisce about what a great time they had, and how close they all were, really helped put it into context for me. I was already loving Peter Dinklage and Lena Headey, but their humour and irreverence in the commentaries made it feel like there were pals in the room watching it with me.
By season two and beyond, I was looking at maps, memorizing every minor character’s name, house and motto, and just immersing in it to the point of obsession. As, I guess, millions of people had already done over the years, but now I got what the fuss was all about. It is an addictive show; you have to know what happens next, you simply can’t leave it alone! Whether it is hissing and booing at Joffrey, or loving to hate Cersei, or siding with the bastards and broken things, there is always something engaging going on – and when a character you disliked dies horribly it is so satisfying!
It is a weird mix, however, of moments so horribly signposted, with some dubious acting, and moments of real surprise and emotion delivered with great acting. Many of the characters really grow into their skins as the actors get more familiar and comfortable being them. The writers too get better at putting the right words in their mouths, and learn to minimise the exposition moments. The young ones in particular really grow impressively as it goes on into seasons 3 and 4. Maisie Williams as the slightly sadistic loner Arya Stark especially. I loved how none stereotypical that character was, and have to say her relationship with The Hound was my favourite thing in the whole show.
At the climax of season four, which I believe was the peak of it artistically, the story arc of Dinklage as Tyrion Lannister, aka The Imp, becomes so compellingly good you can’t take your eyes off him. I had already come to the conclusion that his scenes were the best ones, but this went to 11 on the dial. And it gets better thinking back on it too. Which can’t truly be said of where they go with John Snow and Daenarys, who are ostensibly the main draw by this point, as all storylines seem to mirror their journeys on opposite sides of the world; a song of ice and fire, indeed.
Seasons 5 and 6 continued to be great, even though the dramatic peaks were hard to top. What did improve was the big set pieces, as episodes such as Hardhome and Battle of the Bastards upper the bar on huge battles, staged masterfully. There were things happening that I had never seen in a TV show before, both creatively and budget spent. Watching some of the making of documentaries was fascinating in this regard. The props department alone was astonishingly detailed, to Lord of the Rings degrees, properly impressive!
To go into story and scene details here is pointless, and I don’t want to include any more spoilers than I already have, just in case there is anyone else like me, that hasn’t done the whole journey yet. Obviously, there was some controversy in where seasons 7 and especially 8 went with some storylines and characters. I thought it was mostly fine, to be honest, I just went with it. But it did become a little stretched and hurried, as it raced towards its conclusion. It’s hard for me to get a proper impression of how tense and then annoying it would be to wait a long time for a new season and then have it not go where you imagined it would. Not a problem for me, as I blitzed the final 4 seasons in about a week.
As the episode ratings of season 8 on IMDb indicate, folk were not happy. There was an element of anti-climax, to be fair, but what else could it have been, now so many people claim it as their own? The end isn’t perfect, and that may have a lot to do with the fact they stopped following the books, because they hadn’t been written. In all honestly, I didn’t care. It was spectacular and diverting enough to keep my attention, and my investment in the characters not brutally killed off was not teenage enough to take it personally. I do have sympathy for fans that felt their loyalty betrayed, but come on… it’s just a TV show.
Watching the same fictional world for more than 70 actual hours can do things to you brain. In conclusion I would say I loved going there! The good things always outweighed the annoying things, and it is an experience I would recommend to anyone who hasn’t done it. Whatever age you are, it is a must see phenomenon, like The Sopranos – oh wait, I haven’t seen that yet either…
Daniel Boyd (1066 KP) rated Rick and Morty - Season 2 in TV
Jul 21, 2017
Absolute insanity (1 more)
Will leave you in stitches throughout
The Universe Is A Crazy and Chaotic Place…
Rick & Morty was one of those shows that totally flew under the radar for me while it was on the air for months, then all of a sudden almost every podcast and youtuber that I subscribe to were recommending it. Though by the time that I was recommended it, I was aware it was an Adult Swim show, so I assumed each episode would only be around six or seven minutes long and put it on the backburner. Then one day I had run out of things to watch, I was up to date on all of my youtube videos and decided to give it a shot. Whilst I didn’t fall in love with it immediately, it did hook me right away and I was pleased to learn each episode was 20 minutes long and because the episodes are so short, I decided to watch a few episodes in a row and by the time I had finished watching Anatomy Park, the third episode of the first season, I realised how great this show was. The writing is so off the wall and insane yet dry that it works and the characters and the dynamic that they have is honestly hilarious, the comedic timing is also spot on. If you haven’t seen the show, think a blend of Family Guy style animation, with a backdrop of a Back To The Future or Doctor Who kind of universe and sprinkled with Always Sunny In Philadelphia style comedy. There is so much about this show that makes it funny, the sheer insanity and traumatisation that Rick exposes his grandchildren to, only to then brush it off as if it is totally normal as it is them that are overreacting and then there is Gerry and Beth’s broken marriage that only exists because Gerry got Beth pregnant with Summer when they were teenagers. Rick and Gerry are probably my two favourite characters in the show, Rick because you know he has seen so many insane things all over the galaxy over the years that literally nothing bothers him anymore and everything is normal to him, no matter how insane it seems to us and the other characters in the show and Gerry because of his exceptional mediocrity and impressive amount of general naivety. Also it would be criminal not to mention the other vast array of fantastically hilarious characters that we meet throughout the show, from Mr Meeseeks, (look at me!) to Mr Poopybutthole, to Birdperson, the list goes on getting more and more crazy as it does. The show is two seasons in so far, with a total of 21 episodes and I can honestly say that there is not one episode that I don’t like. I do have my favourites however, like M Night Shamaliens, when Rick, Morty and Gerry are stuck in a simulation of the real world and Gerry thinks he is having the greatest day of his life, or Rick Potion No.9, where said potion makes everybody fall in love with Morty, then transform into grotesque monsters, so they simply leave that reality behind and move into a fresh one, or Raising Gazorpazorp, where Morty goes through fatherhood in the space of a day, or Mortynight Run where they leave Gerry in a nursing home full of other Gerrys, I don’t want to spoil too much for those who haven’t seen it, but if you haven’t then stop watching this review right now and go watch Rick & Morty. The animation uses an odd art style, which may be initially off-putting, but a few episodes in, it becomes clear that this animation is to a high standard, just done in an odd style. The voice acting also seems fairly amateur at first, but as the show goes on and you get to know the characters and the world, the voice acting actually works perfectly in unison with the way that the show is written.
There isn’t much more to say, this show has hardly any negative qualities, it is one of the best animated shows that I have seen in the last decade and it is totally my kind of humour.
There isn’t much more to say, this show has hardly any negative qualities, it is one of the best animated shows that I have seen in the last decade and it is totally my kind of humour.
Chris Sawin (602 KP) rated Book of Blood (2008) in Movies
Jun 20, 2019
"The dead have highways. Highways that lead to intersections and intersections that spill into our world. And if you find yourself at one of those intersections, you should stop and you should listen because the dead have stories to tell."
Mary Florescu, writer, teacher, and overall expert of the paranormal, is still looking for the distinct evidence of supernatural occurences. A house catches her eye that has been on the market since the daughter of the couple living there before had been murdered. It's said the original homeowner was thrown against the wall by an invisible force so hard that shards of his broken bones pierced his lungs and he choked to death on his own blood. During each incident, the message, "Don't mock us," was found written in blood on the closet doors. Mary decides to move into the house to find proof of the supernatural, bringing an audio/video technician, Reg Fuller, to help document anything they find. A new student, Simon McNeal, transfers into Mary's class. He seems to have a special gift related to the paranormal and is brought into the house to help work with Mary and Reg on the project. Strange occurences seem to begin immediately and only get more violent as they occur. But as things progress, the relationship between Mary and Simon turns physical and suspicious evidence is found in Simon's bag that point to him being a fake. Is the house actually "haunted," or is Simon playing everyone for a fool?
I'm a fairly big fan of Clive Barker's work. I've loved the books and stories (Books of Blood Vol. 1-3, Mister B. Gone, The Hellbound Heart) of his that I've read and several of his films (Hellraiser, Midnight Meat Train) are some of the best the horror genre has to offer. Midnight Meat Train was probably the best horror film to come out of last year, so my expectations were high when I heard about this film and saw the trailer. This was one of my most anticipated horror films of the year even though it seemed to get the short end of the stick with its release much like what happened with Midnight Meat Train. I can tell you that Book of Blood is a good watch, but it may not be what you're expecting.
Book of Blood has its bloody moments, but it's not an all out gorefest. It's actually more of a supernatural thriller. The director, John Harrison, described the film as being more along the lines of films like The Others and The Orphanage. It relies more on mood and atmosphere rather than blood and guts splattering all over your face, which isn't a bad thing at all if done correctly. Book of Blood almost pulls that aspect of the film flawlessly. I say, "almost," because certain lines of dialogue ("I promise we will listen and I will tell your stories to the world.") and a few of the things that happened in the final act of the film (steel briefcase...it'll make sense when you see it) seem a bit cheesy, but may sit better with me on repeat viewings.
The film actually reminded me of Hellraiser quite a bit throughout the film. Other than Doug Bradley's brief cameo (if you blink, you'll probably miss him), the opening scene of when Reg and Mary go into the room where everything happened just reminds me of Frank staying in the attic in Hellraiser. Hellraiser is one of my favorite horror films, so the brief nod to the film (whether intentional or not) was very welcome to me.
My main concern with Book of Blood was how they were going to turn a short story that was originally just an introduction to the actual Books of Blood by Clive Barker into a full length film. The concern wound up being for nothing as Book of Blood met nearly all of my expectations and was extremely faithful to the original material while bringing in elements from another one of his stories called, "On Jerusalem Street." The story fleshes out nicely and the acting is good, for the most part. I think the perfectionist in me kept me from rating this any higher, but I'd definitely recommend it as it's a worthy addition to any avid horror movie enthusiast's collection.
Mary Florescu, writer, teacher, and overall expert of the paranormal, is still looking for the distinct evidence of supernatural occurences. A house catches her eye that has been on the market since the daughter of the couple living there before had been murdered. It's said the original homeowner was thrown against the wall by an invisible force so hard that shards of his broken bones pierced his lungs and he choked to death on his own blood. During each incident, the message, "Don't mock us," was found written in blood on the closet doors. Mary decides to move into the house to find proof of the supernatural, bringing an audio/video technician, Reg Fuller, to help document anything they find. A new student, Simon McNeal, transfers into Mary's class. He seems to have a special gift related to the paranormal and is brought into the house to help work with Mary and Reg on the project. Strange occurences seem to begin immediately and only get more violent as they occur. But as things progress, the relationship between Mary and Simon turns physical and suspicious evidence is found in Simon's bag that point to him being a fake. Is the house actually "haunted," or is Simon playing everyone for a fool?
I'm a fairly big fan of Clive Barker's work. I've loved the books and stories (Books of Blood Vol. 1-3, Mister B. Gone, The Hellbound Heart) of his that I've read and several of his films (Hellraiser, Midnight Meat Train) are some of the best the horror genre has to offer. Midnight Meat Train was probably the best horror film to come out of last year, so my expectations were high when I heard about this film and saw the trailer. This was one of my most anticipated horror films of the year even though it seemed to get the short end of the stick with its release much like what happened with Midnight Meat Train. I can tell you that Book of Blood is a good watch, but it may not be what you're expecting.
Book of Blood has its bloody moments, but it's not an all out gorefest. It's actually more of a supernatural thriller. The director, John Harrison, described the film as being more along the lines of films like The Others and The Orphanage. It relies more on mood and atmosphere rather than blood and guts splattering all over your face, which isn't a bad thing at all if done correctly. Book of Blood almost pulls that aspect of the film flawlessly. I say, "almost," because certain lines of dialogue ("I promise we will listen and I will tell your stories to the world.") and a few of the things that happened in the final act of the film (steel briefcase...it'll make sense when you see it) seem a bit cheesy, but may sit better with me on repeat viewings.
The film actually reminded me of Hellraiser quite a bit throughout the film. Other than Doug Bradley's brief cameo (if you blink, you'll probably miss him), the opening scene of when Reg and Mary go into the room where everything happened just reminds me of Frank staying in the attic in Hellraiser. Hellraiser is one of my favorite horror films, so the brief nod to the film (whether intentional or not) was very welcome to me.
My main concern with Book of Blood was how they were going to turn a short story that was originally just an introduction to the actual Books of Blood by Clive Barker into a full length film. The concern wound up being for nothing as Book of Blood met nearly all of my expectations and was extremely faithful to the original material while bringing in elements from another one of his stories called, "On Jerusalem Street." The story fleshes out nicely and the acting is good, for the most part. I think the perfectionist in me kept me from rating this any higher, but I'd definitely recommend it as it's a worthy addition to any avid horror movie enthusiast's collection.
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Hazel (1853 KP) rated Blood and Stars in Books
Sep 24, 2017
Children's Fantasy
This eBook was provided by the publisher via NetGalley in exchange for an honest review
Finally, after leaving everyone on tenterhooks, the fifth book in the Legend of Rhyme series is here. Blood and Stars by Jaime Lee Mann continues on from the tense ending to book four, finally resolving a lot of loose ends. With all the favourite characters from the series, this book transports readers back into the fantasy world of Coraira for more adventure and magic.
Blood and Stars is split into four stories, which eventually all merge together in an explosive climax. Firstly, as expected, the main characters, twins Ariana and Asher, have found themselves separated from each other once again. With Ariana destined to rule Coraira, legend suggests that Asher will be the opposite – a ruler of darkness. But, is there a chance he can be saved from this fate? Meanwhile, the present ruler of Coraira is dying. The only person who could potentially save Calla is her evil twin sister Elora, the infamous witch in the previous books. Can she be trusted enough with such an important task?
Concurrently, in the ethereal world of the mermaids, readers are reintroduced to the mer-queen, Starla and her apprentice, Teagan. Abandoned at birth, Teagan is hoping to discover what happened to her parents; however, her curiosity leads her into the lair of a sea witch. Be that as it may, some dangerous situations result in silver linings.
Eventually, with the majority of the book already concluded, another character is brought back into the story. Grimblerod is still under the curse of an evil king, but he now has hope that it can be broken. As long as his love for Freya does not fail, Grimblerod’s patient determination will lead him back to where he belongs.
With a mix of new and old characters, Jaime Lee Mann smoothly draws her fans back into the storyline with a (mostly) happy ending. There are a couple of things left incomplete, but nothing that will majorly irritate readers. There is no dreaded cliffhanger.
As it may have been some time since children read the last book, or parents and teachers are only just being introduced to the story, the author has provided an in-depth character guide in the end pages to bring everyone up to speed.
Blood and Stars was a more straightforward story than previous books. It resolved more issues than it created. There will be a final book coming (hopefully) soon, but there is no way of guessing what it will feature.
Legend of Rhyme is a series suitable for girls and boys. Mildly scary in parts, the adventure of the twins and their companions will entertain children and their parents. With discussion questions at the end, the books make readers think more about the storyline and help them to understand and interact with the narrative. This is certainly a series for young fantasy lovers.
Finally, after leaving everyone on tenterhooks, the fifth book in the Legend of Rhyme series is here. Blood and Stars by Jaime Lee Mann continues on from the tense ending to book four, finally resolving a lot of loose ends. With all the favourite characters from the series, this book transports readers back into the fantasy world of Coraira for more adventure and magic.
Blood and Stars is split into four stories, which eventually all merge together in an explosive climax. Firstly, as expected, the main characters, twins Ariana and Asher, have found themselves separated from each other once again. With Ariana destined to rule Coraira, legend suggests that Asher will be the opposite – a ruler of darkness. But, is there a chance he can be saved from this fate? Meanwhile, the present ruler of Coraira is dying. The only person who could potentially save Calla is her evil twin sister Elora, the infamous witch in the previous books. Can she be trusted enough with such an important task?
Concurrently, in the ethereal world of the mermaids, readers are reintroduced to the mer-queen, Starla and her apprentice, Teagan. Abandoned at birth, Teagan is hoping to discover what happened to her parents; however, her curiosity leads her into the lair of a sea witch. Be that as it may, some dangerous situations result in silver linings.
Eventually, with the majority of the book already concluded, another character is brought back into the story. Grimblerod is still under the curse of an evil king, but he now has hope that it can be broken. As long as his love for Freya does not fail, Grimblerod’s patient determination will lead him back to where he belongs.
With a mix of new and old characters, Jaime Lee Mann smoothly draws her fans back into the storyline with a (mostly) happy ending. There are a couple of things left incomplete, but nothing that will majorly irritate readers. There is no dreaded cliffhanger.
As it may have been some time since children read the last book, or parents and teachers are only just being introduced to the story, the author has provided an in-depth character guide in the end pages to bring everyone up to speed.
Blood and Stars was a more straightforward story than previous books. It resolved more issues than it created. There will be a final book coming (hopefully) soon, but there is no way of guessing what it will feature.
Legend of Rhyme is a series suitable for girls and boys. Mildly scary in parts, the adventure of the twins and their companions will entertain children and their parents. With discussion questions at the end, the books make readers think more about the storyline and help them to understand and interact with the narrative. This is certainly a series for young fantasy lovers.
Ross (3284 KP) rated The Tower of Living and Dying in Books
Aug 14, 2018
The Empire (of Dust) Strikes Back
*** I received an advance copy of this book from NetGalley in exchange for an honest review. This is that review ***
The follow-up to the epic Court of Broken Knives seamlessly the story.
This time the focus of the action stays in the same place for large chunks of the book (7 parts I think), rather than chapters jumping around from one to another. This allowed a slightly greater focus on the plot than in the first book, but the difficulty with that is keeping the momentum on both parallel stories. This wasn't an issue here, as the narrative flows so smoothly that even when the PoV is a character you care less about, the writing is still a joy to read.
Most of the action follows "King" Marith's plight to rule over all of Irlast's kingdoms, using all the evil creatures and tricks he has to hand, regardless of the cost in human lives. Here the story is told by splitting between Tobias, Landra, Marith and Thalia's points of view, so you get a real feel for what is going on and the impacts of events.
The rest of the book stays in Sorlost, the capital of the Empire, still reeling from the assassination attempt and with political intrigue aplenty. These were my less favourite parts of the book but were still enjoyable, compelling and vital. Again, the PoV is split between characters in these sections, giving more of a feel of the general populace than was present in the first book.
Again Smith Spark's lyrical narrative takes centre stage here, but at no point does it detract from the story and somehow acts to accentuate the grittiness of the action unfolding and adds so much emotion.
For me, this book took the grimdark quotient up several notches from the first instalment, as chapter after chapter sees bad things done by utter shit-bags, and they get away with it.
Characters develop aplenty here, Thalia starts to wake up to the reality of what she has married into and while torn about doing the right thing, seems resigned to her fate. Marith becomes the anti-Rand al'Thor as he tries to do everything himself and explores his powers, but he has a great time doing it. Finally we see great powerful war leaders celebrating the successful campaign by getting absolutely shit-faced and high and spewing everywhere (rather than sulky debriefs and mourning the loss of life). Tobias, so clever, cunning and powerful in the first book, here takes a back seat and almost becomes comic relief - his attempts to end Marith's tyrannical reign just go so badly. And everything is starting to go wrong for Orhan, the Lord of Sorlost, who looked to have manoeuvred himself into real power in the city.
A real page-turner and frankly an awesome story told exceptionally well.
The follow-up to the epic Court of Broken Knives seamlessly the story.
This time the focus of the action stays in the same place for large chunks of the book (7 parts I think), rather than chapters jumping around from one to another. This allowed a slightly greater focus on the plot than in the first book, but the difficulty with that is keeping the momentum on both parallel stories. This wasn't an issue here, as the narrative flows so smoothly that even when the PoV is a character you care less about, the writing is still a joy to read.
Most of the action follows "King" Marith's plight to rule over all of Irlast's kingdoms, using all the evil creatures and tricks he has to hand, regardless of the cost in human lives. Here the story is told by splitting between Tobias, Landra, Marith and Thalia's points of view, so you get a real feel for what is going on and the impacts of events.
The rest of the book stays in Sorlost, the capital of the Empire, still reeling from the assassination attempt and with political intrigue aplenty. These were my less favourite parts of the book but were still enjoyable, compelling and vital. Again, the PoV is split between characters in these sections, giving more of a feel of the general populace than was present in the first book.
Again Smith Spark's lyrical narrative takes centre stage here, but at no point does it detract from the story and somehow acts to accentuate the grittiness of the action unfolding and adds so much emotion.
For me, this book took the grimdark quotient up several notches from the first instalment, as chapter after chapter sees bad things done by utter shit-bags, and they get away with it.
Characters develop aplenty here, Thalia starts to wake up to the reality of what she has married into and while torn about doing the right thing, seems resigned to her fate. Marith becomes the anti-Rand al'Thor as he tries to do everything himself and explores his powers, but he has a great time doing it. Finally we see great powerful war leaders celebrating the successful campaign by getting absolutely shit-faced and high and spewing everywhere (rather than sulky debriefs and mourning the loss of life). Tobias, so clever, cunning and powerful in the first book, here takes a back seat and almost becomes comic relief - his attempts to end Marith's tyrannical reign just go so badly. And everything is starting to go wrong for Orhan, the Lord of Sorlost, who looked to have manoeuvred himself into real power in the city.
A real page-turner and frankly an awesome story told exceptionally well.
Lucy Buglass (45 KP) rated Hereditary (2018) in Movies
Jun 20, 2019
Nature vs Nurture
As the classic saying goes… if you haven’t heard of Hereditary by now you’ve probably been living under a rock. It’s everywhere at the moment; on buses and billboards, plastered over film blogs and magazines, you name it, it’s there. It’s this season’s hottest horror film, with critics even branding it the “scariest thing they’ve ever seen”. Critical reception has been largely positive, which made me a little nervous before I went to see it for myself. When a film is this hyped up in mainstream media, it’s even more devastating if you end up disliking it.
For me, Hereditary really does live up to the hype. It’s a truly unique, harrowing film that goes beyond predictable, boring jump-scares in order to thrill its audience. The horror here is much better than that, but still packs a monumental punch. Something I really liked about this film is how it portrayed the genuine horrors of things like grief and a broken family, that real life audiences can identify with. There are scenes within this film that will probably stay with me for the rest of my life, due to how jarring and brilliantly acted they were.
Every member of Hereditary’s family is portrayed brilliantly, I was blown away by the quality of the acting and just how invested I was in each of the character’s lives and feelings. They’re the stereotypical middle-class family; mother, father, son, daughter, except here they have a much darker secret buried within. Toni Collette certainly shines as the family’s matriarch; it’s been a while since I’ve been haunted by a performance before, she truly is amazing in this film and I can’t wait to see what she does next.
Hereditary is filled with many disturbing images and an overall sense of dread throughout the entire film. The cinematography really knows how to make you feel uncomfortable and on edge, yet completely transfixed on the screen. It truly is reminiscent of films such as Rosemary’s Baby and Carrie, proving that horror stories are still able to thrive, and aren’t reduced to constant jumpy moments and excessive violence. I loved the psychological horror of the narrative, and how I’m still thinking about it even a week after watching the film. It’s the kind of film that gets under your skin and makes you think.
Ari Aster’s debut feature film goes beyond simply portraying the supernatural as terrifying, and instead taps into real life horror and all the traumatic, isolating and disturbing feelings that come with it. It’s a horror film that many can identify with, deep down, dealing with some very real psychological experiences and fears. I seriously recommend this, but I also recommend bracing yourself for a wild ride. It’s not for the faint of heart.
https://lucygoestohollywood.com/2018/07/04/nature-vs-nurture-a-review-of-hereditary/
For me, Hereditary really does live up to the hype. It’s a truly unique, harrowing film that goes beyond predictable, boring jump-scares in order to thrill its audience. The horror here is much better than that, but still packs a monumental punch. Something I really liked about this film is how it portrayed the genuine horrors of things like grief and a broken family, that real life audiences can identify with. There are scenes within this film that will probably stay with me for the rest of my life, due to how jarring and brilliantly acted they were.
Every member of Hereditary’s family is portrayed brilliantly, I was blown away by the quality of the acting and just how invested I was in each of the character’s lives and feelings. They’re the stereotypical middle-class family; mother, father, son, daughter, except here they have a much darker secret buried within. Toni Collette certainly shines as the family’s matriarch; it’s been a while since I’ve been haunted by a performance before, she truly is amazing in this film and I can’t wait to see what she does next.
Hereditary is filled with many disturbing images and an overall sense of dread throughout the entire film. The cinematography really knows how to make you feel uncomfortable and on edge, yet completely transfixed on the screen. It truly is reminiscent of films such as Rosemary’s Baby and Carrie, proving that horror stories are still able to thrive, and aren’t reduced to constant jumpy moments and excessive violence. I loved the psychological horror of the narrative, and how I’m still thinking about it even a week after watching the film. It’s the kind of film that gets under your skin and makes you think.
Ari Aster’s debut feature film goes beyond simply portraying the supernatural as terrifying, and instead taps into real life horror and all the traumatic, isolating and disturbing feelings that come with it. It’s a horror film that many can identify with, deep down, dealing with some very real psychological experiences and fears. I seriously recommend this, but I also recommend bracing yourself for a wild ride. It’s not for the faint of heart.
https://lucygoestohollywood.com/2018/07/04/nature-vs-nurture-a-review-of-hereditary/
Sophia (Bookwyrming Thoughts) (530 KP) rated Hexed (The Witch Hunter, #1) in Books
Jan 23, 2020
Happy Friday the 13th! By no means was this review deliberately placed on this day because it's witchy (maybe it was deliberate in my subconsciousness. I don't have a say in there).
Hexed follows Indigo Blackwood, aka Indie, who has a perfect life dating the captain of the football team, popular, and has a mom who works at a voodoo shop. At least until the family "bible" goes missing after a random stranger by the name of Bishop pops into her life and tells her she may be in danger if she doesn't get the bible back. Oh, and add that there's a centuries old rivalry.
Hexed was a pretty delightful read, but it didn't exactly click with me as other witchy books do. I do love Indie's personality though (and her name it's cute), but for a good part of the book she seemed to be the type that let others walk all over her. She seems hesitant sometimes, but then decides to do it anyway, because it makes the person happy. It's not until after some [major] things go down and a chunk of the book (no books broken in process) that she finally realizes her childhood friend Bianca isn't exactly a true friend.
Thus the cheering behind the screens didn't exactly begin until a little over half the book, when Indie basically tells Bianca, "Screw you. I'm outta here." *zips off to new friend recently made that's a lot better than former friend* Oh, and she officially stops being a doormat.
There's also Bishop, in which I actually thought he either a) was shaped like the chess piece, b) has a very diagonal life, also like the chess piece I suppose, and "Bishop" was just a nickname for something super complicated, or c) he just has a weird name. A was an exaggeration, B may or may not be true except for the nickname part and C was the right answer.
Bishop to me was a bit annoying. Immature, and the sexual innuendos weren't exactly appreciated even though he's humorous. Maybe not exactly immature, but Bishop is more of the very carefree type. He also seemed to be the stalker type at first, which I personally really hate (no privacy. Come on!), following Indie around and popping up just everywhere. On the bright side, he had a legitimate reason rather than, say, "Hey, I just met you. And this is crazy. But I have a MAJOR crush on you, so let's go on a date?"
But the bread talk. I thought that was Peeta's job?
Recommended For: Paranormal Romance fans
The "Cellar": Sorcerers vs. Witches aka Magic vs. Magic rather than Mortal/Machine vs. Magic or Humans vs. Witches.
----------------
Advanced review copy provided by publisher for review
Original Review posted on <a href="http://bookwyrming-thoughts.blogspot.com/2014/06/arc-review-hexed-by-michelle-krys.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
Hexed follows Indigo Blackwood, aka Indie, who has a perfect life dating the captain of the football team, popular, and has a mom who works at a voodoo shop. At least until the family "bible" goes missing after a random stranger by the name of Bishop pops into her life and tells her she may be in danger if she doesn't get the bible back. Oh, and add that there's a centuries old rivalry.
Hexed was a pretty delightful read, but it didn't exactly click with me as other witchy books do. I do love Indie's personality though (and her name it's cute), but for a good part of the book she seemed to be the type that let others walk all over her. She seems hesitant sometimes, but then decides to do it anyway, because it makes the person happy. It's not until after some [major] things go down and a chunk of the book (no books broken in process) that she finally realizes her childhood friend Bianca isn't exactly a true friend.
Thus the cheering behind the screens didn't exactly begin until a little over half the book, when Indie basically tells Bianca, "Screw you. I'm outta here." *zips off to new friend recently made that's a lot better than former friend* Oh, and she officially stops being a doormat.
There's also Bishop, in which I actually thought he either a) was shaped like the chess piece, b) has a very diagonal life, also like the chess piece I suppose, and "Bishop" was just a nickname for something super complicated, or c) he just has a weird name. A was an exaggeration, B may or may not be true except for the nickname part and C was the right answer.
Bishop to me was a bit annoying. Immature, and the sexual innuendos weren't exactly appreciated even though he's humorous. Maybe not exactly immature, but Bishop is more of the very carefree type. He also seemed to be the stalker type at first, which I personally really hate (no privacy. Come on!), following Indie around and popping up just everywhere. On the bright side, he had a legitimate reason rather than, say, "Hey, I just met you. And this is crazy. But I have a MAJOR crush on you, so let's go on a date?"
But the bread talk. I thought that was Peeta's job?
Recommended For: Paranormal Romance fans
The "Cellar": Sorcerers vs. Witches aka Magic vs. Magic rather than Mortal/Machine vs. Magic or Humans vs. Witches.
----------------
Advanced review copy provided by publisher for review
Original Review posted on <a href="http://bookwyrming-thoughts.blogspot.com/2014/06/arc-review-hexed-by-michelle-krys.html">Bookwyrming Thoughts</a>
<a href="http://bookwyrming-thoughts.blogspot.com/"><img src="http://4.bp.blogspot.com/-Gi5Rk5yLloA/UtliaUbdL3I/AAAAAAAACbE/J27z92_qrYU/s1600/Official+Banner.png"; /></a>
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