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Ross (3284 KP) rated A Time of Dread in Books
Jan 16, 2018
Twists were quite obvious from very early on (1 more)
Less action on much smaller scale than previous
A new series following on from the events of The Faithful and the Fallen
*** Disclosure: I received an advance copy of this book from NetGalley in return for an honest review. Typos and formatting issues (of which there were many) have not been reflected in this review ***
The first book in John Gwynne's new series (Of Blood and Bone) comes a little over 100 years after the conclusion of Wrath.
In some senses, and I have seen a number of reviews opining this, this marks the start of a different series, and no prior knowledge of the Banished Lands is needed. I would agree to an extent, though I would imagine a lot of things are taken for granted (the creatures and races of people for one, if not the actual storyline). However, if someone then wants to read the previous series I think a lot of the events of those books has been spoilt, not the overall conclusion but certain little details would be annoying to have spoilt. I would strongly encourage readers to read Malice et all first (though beware of the epic scope and cast of characters from the off).
The story follows three main paths which at times become two. Riv (a trainee warrior) and Bleda (a young ward, stolen from his family at a young age) are living with the "angels" that have broken through to the real world and are training to fight the "demons". Their story serves to chronicle the events of the first series quite neatly, and shows how the angels are not perfect in their role as mankind's guardians. Drem is a trapper living in the wilderness with his father and begins to uncover some unusual signs of dark work afoot. Finally, Sig the giant (a minor character in the first series) also works to eliminate the demons from the world, but does so independently of the angels.
The scope of the story and cast of characters is so much smaller more focused than Gwynne's previous books, which took some getting used to. While I felt the scope of the first series was so epic it was hard work, here it seems like a very different, simpler work. Almost, but not quite, like a step backwards.
As usual, there are twists and turns along the way, not all of which were particularly surprising (sometimes you just know that unless someone's head was cut off, they're going to come back again later!) and I felt they could have been dealt with better.
I felt there was maybe another chunk of the story that could have been added as the final 50 pages rattled along all of a sudden and ended abruptly with more still to tell.
I very much enjoyed the book and am looking forward to the next instalment to see where the story goes from here, though I expect it will be a smaller series than TFAF, looking to tie up loose ends.
The first book in John Gwynne's new series (Of Blood and Bone) comes a little over 100 years after the conclusion of Wrath.
In some senses, and I have seen a number of reviews opining this, this marks the start of a different series, and no prior knowledge of the Banished Lands is needed. I would agree to an extent, though I would imagine a lot of things are taken for granted (the creatures and races of people for one, if not the actual storyline). However, if someone then wants to read the previous series I think a lot of the events of those books has been spoilt, not the overall conclusion but certain little details would be annoying to have spoilt. I would strongly encourage readers to read Malice et all first (though beware of the epic scope and cast of characters from the off).
The story follows three main paths which at times become two. Riv (a trainee warrior) and Bleda (a young ward, stolen from his family at a young age) are living with the "angels" that have broken through to the real world and are training to fight the "demons". Their story serves to chronicle the events of the first series quite neatly, and shows how the angels are not perfect in their role as mankind's guardians. Drem is a trapper living in the wilderness with his father and begins to uncover some unusual signs of dark work afoot. Finally, Sig the giant (a minor character in the first series) also works to eliminate the demons from the world, but does so independently of the angels.
The scope of the story and cast of characters is so much smaller more focused than Gwynne's previous books, which took some getting used to. While I felt the scope of the first series was so epic it was hard work, here it seems like a very different, simpler work. Almost, but not quite, like a step backwards.
As usual, there are twists and turns along the way, not all of which were particularly surprising (sometimes you just know that unless someone's head was cut off, they're going to come back again later!) and I felt they could have been dealt with better.
I felt there was maybe another chunk of the story that could have been added as the final 50 pages rattled along all of a sudden and ended abruptly with more still to tell.
I very much enjoyed the book and am looking forward to the next instalment to see where the story goes from here, though I expect it will be a smaller series than TFAF, looking to tie up loose ends.
Emma @ The Movies (1786 KP) rated Line of Duty (2019) in Movies
Jul 12, 2020
I know a throwaway action film when I see it and they're usually either brilliant films to relax to or a great opportunity to catch up on your social media feeds.
Frank Penny is bumbling through his life as a cop, a loner, disgraced, but he still knows what's right. When an operation to rescue a kidnap victim goes awry he leaps into the pursuit against orders, cornering the suspect it looks like it's a job well done, until he has to draw his gun. With the suspect down there might not be any way to get the girl back safely.
You'd be forgiven for thinking this was a different film from the outset. It starts with heavy inspirational music over Frank working out, is it a sports movie about redemption? A stylised title comes up, is it a romcom? None of the above, it is of course a crime thriller. After the opening that does thankfully become evident.
When we meet characters that would normally be a time for a slightly slower pace, but Line Of Duty seems to keep everything quick from the very beginning and it doesn't slow as we get further in. The constant action sweeps you along with everything and you really don't notice how long you've been watching for.
Aaron Eckhart in the lead role... makes me pause. It works in a John McClane-esque race against time kind of way but the dynamic with Courtney Eaton is strange. The recklessness that he takes by bringing her along with him (if you ignore the madness of doing it in the first place) makes you think it's going to be a flirty kind of relationship, but he's over twice her age and with his backstory you'd expect a protective father figure... but remember there's all that action and peril so that really doesn't work either.
Eaton gives a fairly solid performance as the intrepid reporter, there's not anything mindblowing mixed in the role but it's nice to have the action broken up with the ongoing commentary and slight touch of humour.
As you'd expect with a fast pace those cameras go running a lot, ugh to jiggly camerawork, but thankfully because it's incorporated with the action you don't notice so much. Along with that you get to see some of Ava's phone camera footage, I think the film could have stood to have more of it, it would have been a relevant change in style and added a little more to spice up the expected elements. I was a little surprised to see some random video game shots creep in, those clips work just fine in things like Guns Akimbo, but in the context of Line Of Duty it didn't make a lot of sense when there was a sensible alternative available.
Line Of Duty is the Ronseal of films, you know what to expect and in that regard it doesn't disappoint. It's got lots of your typical action cliches and if you like the race against time type of storyline then I really don't think you'll have any issue watching it.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/07/line-of-duty-movie-review.html
Frank Penny is bumbling through his life as a cop, a loner, disgraced, but he still knows what's right. When an operation to rescue a kidnap victim goes awry he leaps into the pursuit against orders, cornering the suspect it looks like it's a job well done, until he has to draw his gun. With the suspect down there might not be any way to get the girl back safely.
You'd be forgiven for thinking this was a different film from the outset. It starts with heavy inspirational music over Frank working out, is it a sports movie about redemption? A stylised title comes up, is it a romcom? None of the above, it is of course a crime thriller. After the opening that does thankfully become evident.
When we meet characters that would normally be a time for a slightly slower pace, but Line Of Duty seems to keep everything quick from the very beginning and it doesn't slow as we get further in. The constant action sweeps you along with everything and you really don't notice how long you've been watching for.
Aaron Eckhart in the lead role... makes me pause. It works in a John McClane-esque race against time kind of way but the dynamic with Courtney Eaton is strange. The recklessness that he takes by bringing her along with him (if you ignore the madness of doing it in the first place) makes you think it's going to be a flirty kind of relationship, but he's over twice her age and with his backstory you'd expect a protective father figure... but remember there's all that action and peril so that really doesn't work either.
Eaton gives a fairly solid performance as the intrepid reporter, there's not anything mindblowing mixed in the role but it's nice to have the action broken up with the ongoing commentary and slight touch of humour.
As you'd expect with a fast pace those cameras go running a lot, ugh to jiggly camerawork, but thankfully because it's incorporated with the action you don't notice so much. Along with that you get to see some of Ava's phone camera footage, I think the film could have stood to have more of it, it would have been a relevant change in style and added a little more to spice up the expected elements. I was a little surprised to see some random video game shots creep in, those clips work just fine in things like Guns Akimbo, but in the context of Line Of Duty it didn't make a lot of sense when there was a sensible alternative available.
Line Of Duty is the Ronseal of films, you know what to expect and in that regard it doesn't disappoint. It's got lots of your typical action cliches and if you like the race against time type of storyline then I really don't think you'll have any issue watching it.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/07/line-of-duty-movie-review.html
Emma @ The Movies (1786 KP) rated In the Heights (2021) in Movies
Jul 18, 2021
I love me some musical action, so I'm not sure how I never knew this existed. Not to worry though, I was quickly reeducated.
Usnavi is saving up everything he can as he plans a future back in the Dominican Republic. Living at the centre of his neighbourhood, we join his story and the dramas of the community.
In The Heights dives into the stories in the hot spot of the community as a heatwave bears down on them. Families, friendships and business dealings, all come out of the woodwork as they try to cope with the heat... and it does all of that with some and dance thrown on top.
I know that Lin-Manuel Miranda is all the rage these days, but I don't enjoy the talky-singing that's a bit of a trademark. Here though, the jazzy beats and hip-swaying tunes really helped. Had I not been restricted by the fact I was in public and it's generally frowned upon to do it in the cinema, I would have been dancing. With that restriction though, it was dropped to toe-tapping and shimmying in my seat.
There's a lot of talent in the cast, though not all the singing was music to my ears. With so many cast members I'm not going to go into the individual performances because, while a handful of characters are bigger in the story, it's very much an ensemble piece. Together they have great chemistry, and those relationships shine because of it.
Choreography during the numbers is fantastic, and the use of space in and out of those moments worked well with the confined spaces. There's one scene in particular that was very inventive and (even though it gave me a vertigo wobble) it helped to make the song stand out from the others... though there's probably something in every song that I could pick out for the same reason.
Design of... everything... is great in In The Heights. There's not really a point where your eyes aren't darting about looking at the sets or following the performers. If there aren't awards in this film's future then I'd be surprised, it would have to be something epic that beat this.
I didn't have that previous connection with the theatre production, and I think that would definitely have helped matters. In the theatre setting the long runtime never feels like it's actually that long, you have the intermission and scenes are broken up by the nature of it being a live performance. 2 hours and 23 minutes isn't really that long in that context, and these days it's not even particularly long for a film. But as a film, I did feel its length. I'm also one of those people that goes to theatre productions and likes to see what peripheral characters are doing, and that's not something you can easily do in a film. I may listen to the soundtrack at some point, but I don't think I'm in any rush to rewatch In The Height even considering all the things I enjoyed about it.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/07/in-heights-movie-review.html
Usnavi is saving up everything he can as he plans a future back in the Dominican Republic. Living at the centre of his neighbourhood, we join his story and the dramas of the community.
In The Heights dives into the stories in the hot spot of the community as a heatwave bears down on them. Families, friendships and business dealings, all come out of the woodwork as they try to cope with the heat... and it does all of that with some and dance thrown on top.
I know that Lin-Manuel Miranda is all the rage these days, but I don't enjoy the talky-singing that's a bit of a trademark. Here though, the jazzy beats and hip-swaying tunes really helped. Had I not been restricted by the fact I was in public and it's generally frowned upon to do it in the cinema, I would have been dancing. With that restriction though, it was dropped to toe-tapping and shimmying in my seat.
There's a lot of talent in the cast, though not all the singing was music to my ears. With so many cast members I'm not going to go into the individual performances because, while a handful of characters are bigger in the story, it's very much an ensemble piece. Together they have great chemistry, and those relationships shine because of it.
Choreography during the numbers is fantastic, and the use of space in and out of those moments worked well with the confined spaces. There's one scene in particular that was very inventive and (even though it gave me a vertigo wobble) it helped to make the song stand out from the others... though there's probably something in every song that I could pick out for the same reason.
Design of... everything... is great in In The Heights. There's not really a point where your eyes aren't darting about looking at the sets or following the performers. If there aren't awards in this film's future then I'd be surprised, it would have to be something epic that beat this.
I didn't have that previous connection with the theatre production, and I think that would definitely have helped matters. In the theatre setting the long runtime never feels like it's actually that long, you have the intermission and scenes are broken up by the nature of it being a live performance. 2 hours and 23 minutes isn't really that long in that context, and these days it's not even particularly long for a film. But as a film, I did feel its length. I'm also one of those people that goes to theatre productions and likes to see what peripheral characters are doing, and that's not something you can easily do in a film. I may listen to the soundtrack at some point, but I don't think I'm in any rush to rewatch In The Height even considering all the things I enjoyed about it.
Originally posted on: https://emmaatthemovies.blogspot.com/2021/07/in-heights-movie-review.html
BookInspector (124 KP) rated Hush Little Baby in Books
Sep 24, 2020
More reviews can be found on https://bbookinspector.wordpress.com
This is one of those books which left me confused, whether I liked it or not. I read the name of this book and the blurb, and was ready for some great mystery, maybe some horror; unfortunately, I did not get any of it… What I got, was incredibly strong and interesting characters.
The narrative of this book was told by Sally, Richard and Martha. They are a family; Richard married Sally after having an affair with her, and they took in Martha - Richard’s daughter from first marriage. After night out, Sally is woken up by her husband and whimpering ten month old Oliver, who’s hand has been broken. And that’s where this family’s drama begins. Oliver is taken away by social services and this family has to prove that they didn’t (or did?) break his arm. As the pages are turned, the book unfolds some unexpected discoveries, which changes the events in this book.
I think that the base of this book, which kept me going, was the characters. Their thoughts, which were expressed in this book, are so intriguing and too realistic. I loved the way Sally was telling her story as mistress, and how she seduced Richard. I really enjoyed Richard’s perspective in this book. He is very straight forward man, and I enjoyed reading his amusing thoughts in this book. Martha is a teenage spirit in this novel, sharing her story as a child, who is trying to adjust in her new family, and what difficulties she is facing. Even though, Oliver shows up very rarely in this book, the whole story mainly spins around Oliver and all the motherly/ fatherly love for him. Sally and Richard describe how their lives were going on before Oliver was born, and what happened to their relationship after the birth.
I wasn’t very impressed with narrative of this book, I think it kind of plodded along with few twists, and the main reason I kept reading was, the wish to find out who actually broke Oliver’s arm. Joanna Barnard discussed some serious topics in this novel, such as: what parents have to go through, when they are accused of child abuse; reasons for eating disorders and self harm; relationship problems.
The writing style of this book was very addictive, the pages just turn themselves, and I finished this book quite quickly. I think that was influenced by short chapters, easy language, and very absorbing characters. There is plenty of motherly love in this book, which made me roll my eyes, as I am not very big fan when it gets repeated over and over again. The ending of this book rounded up the story nicely, giving well deserved conclusion to this book. So to conclude, it is a family drama with very strong, diverse and realistic characters, filled with parental love and difficult relationships. If you are into these kinds of things, give this book a try and I hope you will enjoy.
Was given this book by publisher and NetGalley for honest review.
This is one of those books which left me confused, whether I liked it or not. I read the name of this book and the blurb, and was ready for some great mystery, maybe some horror; unfortunately, I did not get any of it… What I got, was incredibly strong and interesting characters.
The narrative of this book was told by Sally, Richard and Martha. They are a family; Richard married Sally after having an affair with her, and they took in Martha - Richard’s daughter from first marriage. After night out, Sally is woken up by her husband and whimpering ten month old Oliver, who’s hand has been broken. And that’s where this family’s drama begins. Oliver is taken away by social services and this family has to prove that they didn’t (or did?) break his arm. As the pages are turned, the book unfolds some unexpected discoveries, which changes the events in this book.
I think that the base of this book, which kept me going, was the characters. Their thoughts, which were expressed in this book, are so intriguing and too realistic. I loved the way Sally was telling her story as mistress, and how she seduced Richard. I really enjoyed Richard’s perspective in this book. He is very straight forward man, and I enjoyed reading his amusing thoughts in this book. Martha is a teenage spirit in this novel, sharing her story as a child, who is trying to adjust in her new family, and what difficulties she is facing. Even though, Oliver shows up very rarely in this book, the whole story mainly spins around Oliver and all the motherly/ fatherly love for him. Sally and Richard describe how their lives were going on before Oliver was born, and what happened to their relationship after the birth.
I wasn’t very impressed with narrative of this book, I think it kind of plodded along with few twists, and the main reason I kept reading was, the wish to find out who actually broke Oliver’s arm. Joanna Barnard discussed some serious topics in this novel, such as: what parents have to go through, when they are accused of child abuse; reasons for eating disorders and self harm; relationship problems.
The writing style of this book was very addictive, the pages just turn themselves, and I finished this book quite quickly. I think that was influenced by short chapters, easy language, and very absorbing characters. There is plenty of motherly love in this book, which made me roll my eyes, as I am not very big fan when it gets repeated over and over again. The ending of this book rounded up the story nicely, giving well deserved conclusion to this book. So to conclude, it is a family drama with very strong, diverse and realistic characters, filled with parental love and difficult relationships. If you are into these kinds of things, give this book a try and I hope you will enjoy.
Was given this book by publisher and NetGalley for honest review.
Outcry: Holocaust Memoirs
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Manny Steinberg (1925-2015) spent his teens in Nazi concentration camps in Germany, miraculously...
Kristy H (1252 KP) rated Broken Horses in Books
Aug 12, 2021
A great memoir for music fans
BROKEN HORSES is Brandi Carlile's story. She grew up poor in Seattle, moving constantly as a child. Her family was musical, giving Brandi a love of music as a young child. She knew was gay since she was a teen--something that wasn't always appreciated in her rural town. She tells her story from childhood, where her love of music began, to coming out, to her marriage and life with her two children, to her musical successes.
"I was a mean, scrappy little trailer girl with the wrong clothes and a very sensitive soul that I was hiding behind a bravado that I had developed performing onstage."
I adore Brandi Carlile and have for a long time. Having such a talented out singer in our community makes us all feel proud. "See her, she's one of us!!" Having followed Brandi's career from the beginning, I know a decent amount about her. Hence my problem with a number of celebrity memoirs I read: if I read a memoir about someone I really love and already know a lot about them, if they write a fairly superficial memoir, I only learn so much.
Don't get me wrong, Carlile has written a good and interesting book. She's a fascinating person, and I enjoyed learning about her rather wild journey. I didn't know much about her childhood, so I found those pieces to be the most intriguing. She was a wild and tough kid, who was so musically talented from the beginning. Imagine being one of the people who heard her perform in a pageant or talent show when she was a young kid or teen!
After going through her coming out story, Carlile talks about her musical career, and it's all really amazing, but sometimes feels fast and glossed over. I always love knowing the history of songs, but would have liked knowing more details about things. We skip over full albums, time periods, and more. And, as many celebrity memoirs do, it often feels a bit preachy and overly me-oriented at times (something she'll laughingly and freely admit to). When we get to her meeting her wife, it's a fun story, but also really quick. Still, it's so nice to see a queer woman's story so normalized, and to have someone talk about gay motherhood so matter of factly.
Overall, I'm so glad Carlile decided to share her thoughts on her life. She's such an amazing individual who has lived such an intense and fascinating life so far. I wish she had gone more in-depth with her stories at times, but this is still a great book and certainly worth your time. At some point, I hope to get the audio version, as she sings versions of the songs she discusses in each chapter.
I read this book as part of my new reading project--choosing books off my shelves based on their Goodreads rankings. This is my second book of the project, forcing me out of my comfort zone and to try books in genres I don't usually read!
"I was a mean, scrappy little trailer girl with the wrong clothes and a very sensitive soul that I was hiding behind a bravado that I had developed performing onstage."
I adore Brandi Carlile and have for a long time. Having such a talented out singer in our community makes us all feel proud. "See her, she's one of us!!" Having followed Brandi's career from the beginning, I know a decent amount about her. Hence my problem with a number of celebrity memoirs I read: if I read a memoir about someone I really love and already know a lot about them, if they write a fairly superficial memoir, I only learn so much.
Don't get me wrong, Carlile has written a good and interesting book. She's a fascinating person, and I enjoyed learning about her rather wild journey. I didn't know much about her childhood, so I found those pieces to be the most intriguing. She was a wild and tough kid, who was so musically talented from the beginning. Imagine being one of the people who heard her perform in a pageant or talent show when she was a young kid or teen!
After going through her coming out story, Carlile talks about her musical career, and it's all really amazing, but sometimes feels fast and glossed over. I always love knowing the history of songs, but would have liked knowing more details about things. We skip over full albums, time periods, and more. And, as many celebrity memoirs do, it often feels a bit preachy and overly me-oriented at times (something she'll laughingly and freely admit to). When we get to her meeting her wife, it's a fun story, but also really quick. Still, it's so nice to see a queer woman's story so normalized, and to have someone talk about gay motherhood so matter of factly.
Overall, I'm so glad Carlile decided to share her thoughts on her life. She's such an amazing individual who has lived such an intense and fascinating life so far. I wish she had gone more in-depth with her stories at times, but this is still a great book and certainly worth your time. At some point, I hope to get the audio version, as she sings versions of the songs she discusses in each chapter.
I read this book as part of my new reading project--choosing books off my shelves based on their Goodreads rankings. This is my second book of the project, forcing me out of my comfort zone and to try books in genres I don't usually read!
Bob Mann (459 KP) rated Beautiful Boy (2018) in Movies
Sep 28, 2021
Trying to climb a slippery pole.
As John Lennon’s lyrics go:
“‘Cause it’s a long way to go,
A hard row to hoe
Yes, it’s a long way to go“
And so it proves for young Nic Sheff (Timothée Chalamet). For – based on a true story – Nic has progressively worked through the encyclopaedia of drugs until he has arrived at “C for Crystal Meth” where he is working through a recurring nightmare of addiction and attempted rehab.
What’s harder… being the victim of drugs or being the caring onlookers desperately hoping that this attempt to climb the slippery pole to recovery will be a successful one? This is reflected as a key aspect of the film, and as a parent it makes for a very hard watch. The ‘caring onlookers’ in this case are Nic’s father David (Steve Carell), his girlfriend Karen Barbour (Maura Tierney), the couple’s natural children Jasper (Christian Convery) and Daisy (Oakley Bull), and David’s ex-wife and Nic’s mother Vicki (Amy Ryan).
Flashbacks
This is only the 2nd English-language film from director Felix van Groeningen (after 2012’s ” The Broken Circle Breakdown”) and the film has its fair share of impressive directorial flourishes such that Felix might need to get added to that elusive list of “famous Belgians”! Not least among them is the use of flashbacks. The film starts with a 12 month flashback, but then throughout the story David flashes back to scenes of his boy’s childhood. Many of these reflect the regret in perhaps failing to identify ways he could have done things differently to avoid the current crisis.
While many of these flashbacks are sudden and unexpected, I didn’t find them confusing to follow although I can see how they might annoy some viewers who prefer a more ‘linear’ storytelling approach.
The turns
Above all, it is the acting performances that make this film, and the four key cast members all turn in memorable turns. It’s excruciating watching Carell’s parental anguish and then (like a blast of light) his realization of a truth he’d been avoiding for a long time. It’s Chalamet though who truly shines, delivering fully on the realization of the tortured and self-torturing Nic. Already nominated for a Golden Globe, I would have thought another Oscar nomination is assured for this.
ER’s Maura Tierney also excels in a quieter supporting role: something that generally seems to be her niche at the movies.
Part of the curriculum
This is most definitely a “Father Ted” film…. it’s a gruelling movie from beginning to end and as such it feels a lot longer than it’s 2 hour running time suggests. But it is well worth the effort. A drama that really delivers on its message: “just say no”.
It rather frustrates me that the film is a UK 15 certificate. Not that I’m criticising the BBFC here, since with graphic drug taking, a lot of choice language and one (not overly graphic) sex scene, the rating is appropriate. However this would seem to me to be required viewing by every 13 year old, since if Chalomet’s performance can’t drill the message home to not climb onto that pole in the first place, then noone can.
“‘Cause it’s a long way to go,
A hard row to hoe
Yes, it’s a long way to go“
And so it proves for young Nic Sheff (Timothée Chalamet). For – based on a true story – Nic has progressively worked through the encyclopaedia of drugs until he has arrived at “C for Crystal Meth” where he is working through a recurring nightmare of addiction and attempted rehab.
What’s harder… being the victim of drugs or being the caring onlookers desperately hoping that this attempt to climb the slippery pole to recovery will be a successful one? This is reflected as a key aspect of the film, and as a parent it makes for a very hard watch. The ‘caring onlookers’ in this case are Nic’s father David (Steve Carell), his girlfriend Karen Barbour (Maura Tierney), the couple’s natural children Jasper (Christian Convery) and Daisy (Oakley Bull), and David’s ex-wife and Nic’s mother Vicki (Amy Ryan).
Flashbacks
This is only the 2nd English-language film from director Felix van Groeningen (after 2012’s ” The Broken Circle Breakdown”) and the film has its fair share of impressive directorial flourishes such that Felix might need to get added to that elusive list of “famous Belgians”! Not least among them is the use of flashbacks. The film starts with a 12 month flashback, but then throughout the story David flashes back to scenes of his boy’s childhood. Many of these reflect the regret in perhaps failing to identify ways he could have done things differently to avoid the current crisis.
While many of these flashbacks are sudden and unexpected, I didn’t find them confusing to follow although I can see how they might annoy some viewers who prefer a more ‘linear’ storytelling approach.
The turns
Above all, it is the acting performances that make this film, and the four key cast members all turn in memorable turns. It’s excruciating watching Carell’s parental anguish and then (like a blast of light) his realization of a truth he’d been avoiding for a long time. It’s Chalamet though who truly shines, delivering fully on the realization of the tortured and self-torturing Nic. Already nominated for a Golden Globe, I would have thought another Oscar nomination is assured for this.
ER’s Maura Tierney also excels in a quieter supporting role: something that generally seems to be her niche at the movies.
Part of the curriculum
This is most definitely a “Father Ted” film…. it’s a gruelling movie from beginning to end and as such it feels a lot longer than it’s 2 hour running time suggests. But it is well worth the effort. A drama that really delivers on its message: “just say no”.
It rather frustrates me that the film is a UK 15 certificate. Not that I’m criticising the BBFC here, since with graphic drug taking, a lot of choice language and one (not overly graphic) sex scene, the rating is appropriate. However this would seem to me to be required viewing by every 13 year old, since if Chalomet’s performance can’t drill the message home to not climb onto that pole in the first place, then noone can.
Debbiereadsbook (1197 KP) rated Charisma Check (Dungeons and Dating #6) in Books
May 27, 2023
saved the best til last, I reckon!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is the final book in the Dungeons and Dating series, and I strongly recommend you read all 5 books previous to this one. Not strictly necessary, but it will give you a better view of Jasper, and how he is with everyone else, and of this amazing group of people. And you know, cos I SAID SO!
Jasper doesn't do commitment, he thinks he's too broken. So crushing after the straight owner of his fav cafe is a safe bet, cos ain't nothing gonna happen. Then, though, Matt turns up at a shibari lesson and is paired with Jasper. Which sets off all sorts of chain reactions from the both of them.
Oh Jasper, Jasper Jasper! I've been waiting, so very impatiently for Jasper to tell his tale, cos all through the other books, he SAYS he's happy with his lot, not having to commit to anyone, just hooking up as and when, but deep down, DEEP down, Jasper needed someone to love him. It comes out in all the other books, and here? Oh my days!
Jasper has crushed on Matt for a couple of years and while Matt looked forward to seeing Jasper every day, he was straight and in a relationship. Then that ends, the lesson occurs and Matt begins to question everything about his previous relationships and why they didn't work. Maybe, just maybe, it wasn't that he needed to be more dominant, like all the girlfriends asked for, but the opposite?
Loved the progression of Matt and Jasper, how well they fit together and moved things along. Jasper was always gonna say yes to Matt, but Matt wasn't sure what he was asking for, til Jasper said or did JUST what Matt needed. And I loved that, while there was some questioning of his sexual preferences by Matt, once he decided that he'd had it all wrong, he was ALL in with Jasper.
But then, Jasper does what he does and I was reading in bed, and I must have said out loud, "oh Jasper, you IDIOT!" cos my partner was, who is Jasper and what has he done?? And I rarely react verbally when reading, so it shows how powerfully what he did affected me, let alone Matt!
And then, against Jasper and Matt's story, we have the Tabletop tavern and what's happening there. Granted, Jasper leaves it late, but once he gets his head out his ass and goes to war, they pull that off wonderfully!
So, now, I'm sad. I'm sad cos all these wonderful people are partnered up and I am so going to miss them! There are lots of people here, with the battle to save the buildings from developers, people I don't recall meeting before. People with interesting hints about and I wonder if we'll get a follow up? I'd love one!
So, 6 books, 5 of those are 5 star reads, and one slipping to 4, but a series I strongly recommend.
5 full and shiny, but kinda sad, stars
*same worded review will appear elsewhere
This is the final book in the Dungeons and Dating series, and I strongly recommend you read all 5 books previous to this one. Not strictly necessary, but it will give you a better view of Jasper, and how he is with everyone else, and of this amazing group of people. And you know, cos I SAID SO!
Jasper doesn't do commitment, he thinks he's too broken. So crushing after the straight owner of his fav cafe is a safe bet, cos ain't nothing gonna happen. Then, though, Matt turns up at a shibari lesson and is paired with Jasper. Which sets off all sorts of chain reactions from the both of them.
Oh Jasper, Jasper Jasper! I've been waiting, so very impatiently for Jasper to tell his tale, cos all through the other books, he SAYS he's happy with his lot, not having to commit to anyone, just hooking up as and when, but deep down, DEEP down, Jasper needed someone to love him. It comes out in all the other books, and here? Oh my days!
Jasper has crushed on Matt for a couple of years and while Matt looked forward to seeing Jasper every day, he was straight and in a relationship. Then that ends, the lesson occurs and Matt begins to question everything about his previous relationships and why they didn't work. Maybe, just maybe, it wasn't that he needed to be more dominant, like all the girlfriends asked for, but the opposite?
Loved the progression of Matt and Jasper, how well they fit together and moved things along. Jasper was always gonna say yes to Matt, but Matt wasn't sure what he was asking for, til Jasper said or did JUST what Matt needed. And I loved that, while there was some questioning of his sexual preferences by Matt, once he decided that he'd had it all wrong, he was ALL in with Jasper.
But then, Jasper does what he does and I was reading in bed, and I must have said out loud, "oh Jasper, you IDIOT!" cos my partner was, who is Jasper and what has he done?? And I rarely react verbally when reading, so it shows how powerfully what he did affected me, let alone Matt!
And then, against Jasper and Matt's story, we have the Tabletop tavern and what's happening there. Granted, Jasper leaves it late, but once he gets his head out his ass and goes to war, they pull that off wonderfully!
So, now, I'm sad. I'm sad cos all these wonderful people are partnered up and I am so going to miss them! There are lots of people here, with the battle to save the buildings from developers, people I don't recall meeting before. People with interesting hints about and I wonder if we'll get a follow up? I'd love one!
So, 6 books, 5 of those are 5 star reads, and one slipping to 4, but a series I strongly recommend.
5 full and shiny, but kinda sad, stars
*same worded review will appear elsewhere
okletmereviewit (4 KP) rated Closet Monster (2016) in Movies
May 11, 2018
PTSD and Coming of Age and Out
This movie is an amazing tale of coming of age and coming to terms with ones own sexuality. This movie for being an Indie film portrays the inner dialogue and the inner turmoil of coming to terms with ones sexuality, as well as showing the hidden side of a broken home. The movie begins with young Oscar (Jack Fulton) and his father tucking him into bed and their nightly rituals of his father (Aaron Abrams) "giving him a dream".
In the next scene you see Oscar and mother (Joanne Kelly) and father giving him a present of a Hamster, and then his father declaring that Oscars mother is leaving them. You then see Oscar in his room with the hamster, who begins "talking" to Oscar (voiced by Isabella Rossellini) and names herself "Buffy" (as in Buffy the Vampire Slayer) but the voice is an inner monologue that Oscar creates for the critter and is a comforting mechanism for him, as throughout the movie you gain the feeling that Oscar only has one friend, Gemma (Sofia Banzhaf).
The PTSD (Post Traumatic Stress Disorder) comes in when while coming home from school one day, Oscar notices a group of kids bullying another student. He follows them to a secluded cemetery where they see them beating the kids and sodomizing him with a piece of re-bar. Later that night Oscar and his dad are watching the News coverage of the situation and Oscars asks his dad why they did that and the father said "because he was gay" and makes a side reference to Oscars long shaggy hair. To which Oscar being scared cuts his hair himself.
Skip forward: Now Oscar as a teen (Connor Jessup) is taking pictures of Gemma for his portfolio for admissions into college. We also see that the now 18yr old Oscar is now working in a general hardware store who is ran by Allison (Mary Walsh) who teaches him the basics of greeting customers and how to help them make selections, etc. After his shift while in the employee locker room a strapping young man named Wilder (Aliocha Schneider) checks his locker for his employee uniform and realizes that it is not there and asks to borrow Oscars shirt. This is the first time that we witness Oscar's sexual preference, when Wilder takes off his shirt and puts on Oscars shirt. Oscar longingly looks at the finely toned body of Wilder.
Later the next day Wilder gives Oscar his shirt back before work, and says thanks. You then see Oscar smelling the shirt to see if it was "ok" to wear. And then he rushes into the restroom with the shirt and begins touching himself and fantasizing about Wilder, and then has a flash of the students sodomizing that other student when he was a kid.
Slowly Oscar and Wilder begin a friendship and get closer. As Oscar and Gemma seem to grow apart. Things at home take a turn for the worse as Oscars father begins seeing a woman, and Oscar becomes more frustrated with himself, work, life and everything between. It finally escalates into a fight with his father that leaves Oscar physically assaulting his dad, and running away to a party that Wilder had invited him to.
At the party he finds Wilder and his friends, and they take Oscar to a room and put together a costume for him to wear for the party. Wilders friends take some Ecstasy and begin to really party it up. Gemma runs into Oscar and realizes that he is high and Oscar excuses himself as he notices that Wilder is talking to some girls. A guy approaches Oscar and begins hitting on him, and Oscar who was holding out for Wilder notices that he is kissing a girl. So Oscar and the guy make their way into the bathroom where they begin to kiss and have sex. In the midst of it Oscar begins to have flash backs of the beaten boy in the cemetery and freaks out, vomits and passes out.
We then see Wilder waking him up and helping him home. Oscar and Wilder spend the night together in Oscars tree house. Oscar and Wilder begin talking about the escapades of the night and things turn to sexuality when Oscar mistakes Wilders reaching for a bottle of water as him wanting to kiss. Embarrassed, Oscar asks him to leave, and they begin to talk about it, and then Wilder kisses him. In the morning you see Oscar wake up and find a note from Wilder basically saying "See you later gotta run" and you are not sure if the two had slept together or not. Oscar sneaks back into his room only to find that everything had been destroyed by his father.
The next scene you see his mother and father fighting as Oscar is looking through whats left of his possessions that are scattered throughout the drive way. Oscar sees his beloved Buffy laying dead in her cage. Enraged by this, Oscar comes to terms with his sexuality and breaks something of his fathers and then moves in with his mother. The movie ends with Oscar moving to a small house near the beach. Leaving you wondering how much time had passed or if he was in a school or what was going on.
But throughout the whole of the movie. The sexuality is done in a very muted and respectable manner. There is some cussing and things like that but over all very tastefully done. If you are a lover of coming to age films or films dealing with the nature of coming out, then you are sure to love this movie.
In the next scene you see Oscar and mother (Joanne Kelly) and father giving him a present of a Hamster, and then his father declaring that Oscars mother is leaving them. You then see Oscar in his room with the hamster, who begins "talking" to Oscar (voiced by Isabella Rossellini) and names herself "Buffy" (as in Buffy the Vampire Slayer) but the voice is an inner monologue that Oscar creates for the critter and is a comforting mechanism for him, as throughout the movie you gain the feeling that Oscar only has one friend, Gemma (Sofia Banzhaf).
The PTSD (Post Traumatic Stress Disorder) comes in when while coming home from school one day, Oscar notices a group of kids bullying another student. He follows them to a secluded cemetery where they see them beating the kids and sodomizing him with a piece of re-bar. Later that night Oscar and his dad are watching the News coverage of the situation and Oscars asks his dad why they did that and the father said "because he was gay" and makes a side reference to Oscars long shaggy hair. To which Oscar being scared cuts his hair himself.
Skip forward: Now Oscar as a teen (Connor Jessup) is taking pictures of Gemma for his portfolio for admissions into college. We also see that the now 18yr old Oscar is now working in a general hardware store who is ran by Allison (Mary Walsh) who teaches him the basics of greeting customers and how to help them make selections, etc. After his shift while in the employee locker room a strapping young man named Wilder (Aliocha Schneider) checks his locker for his employee uniform and realizes that it is not there and asks to borrow Oscars shirt. This is the first time that we witness Oscar's sexual preference, when Wilder takes off his shirt and puts on Oscars shirt. Oscar longingly looks at the finely toned body of Wilder.
Later the next day Wilder gives Oscar his shirt back before work, and says thanks. You then see Oscar smelling the shirt to see if it was "ok" to wear. And then he rushes into the restroom with the shirt and begins touching himself and fantasizing about Wilder, and then has a flash of the students sodomizing that other student when he was a kid.
Slowly Oscar and Wilder begin a friendship and get closer. As Oscar and Gemma seem to grow apart. Things at home take a turn for the worse as Oscars father begins seeing a woman, and Oscar becomes more frustrated with himself, work, life and everything between. It finally escalates into a fight with his father that leaves Oscar physically assaulting his dad, and running away to a party that Wilder had invited him to.
At the party he finds Wilder and his friends, and they take Oscar to a room and put together a costume for him to wear for the party. Wilders friends take some Ecstasy and begin to really party it up. Gemma runs into Oscar and realizes that he is high and Oscar excuses himself as he notices that Wilder is talking to some girls. A guy approaches Oscar and begins hitting on him, and Oscar who was holding out for Wilder notices that he is kissing a girl. So Oscar and the guy make their way into the bathroom where they begin to kiss and have sex. In the midst of it Oscar begins to have flash backs of the beaten boy in the cemetery and freaks out, vomits and passes out.
We then see Wilder waking him up and helping him home. Oscar and Wilder spend the night together in Oscars tree house. Oscar and Wilder begin talking about the escapades of the night and things turn to sexuality when Oscar mistakes Wilders reaching for a bottle of water as him wanting to kiss. Embarrassed, Oscar asks him to leave, and they begin to talk about it, and then Wilder kisses him. In the morning you see Oscar wake up and find a note from Wilder basically saying "See you later gotta run" and you are not sure if the two had slept together or not. Oscar sneaks back into his room only to find that everything had been destroyed by his father.
The next scene you see his mother and father fighting as Oscar is looking through whats left of his possessions that are scattered throughout the drive way. Oscar sees his beloved Buffy laying dead in her cage. Enraged by this, Oscar comes to terms with his sexuality and breaks something of his fathers and then moves in with his mother. The movie ends with Oscar moving to a small house near the beach. Leaving you wondering how much time had passed or if he was in a school or what was going on.
But throughout the whole of the movie. The sexuality is done in a very muted and respectable manner. There is some cussing and things like that but over all very tastefully done. If you are a lover of coming to age films or films dealing with the nature of coming out, then you are sure to love this movie.
Debbiereadsbook (1197 KP) rated In Safe Hands in Books
Mar 19, 2019 (Updated Sep 29, 2019)
love love LOVED this one!
Independent reviewer for Divine Magazine, I was gifted my copy of this book.
Mav is. . . .broken, and thinks fixing things is downing a bottle of Jack. Crashing on his sister's sofa isn't doing him or her any favours. When Jamie calls him out to do something for her, Mav really has to dig deep to get out of his stupor. Meeting the new client, however, does wonders. Deacon needs some help. After a scandal last year left him penniless, he can't afford to pay for the protection he needs. someone is out to get him, and the bodies keep piling up. Mav needs to up his game, and when the threat comes to a 2 year old child, Deacon's niece, both Mav and Deacon know they would do anything to keep her safe, even if it means Mav breaks Deacon's heart.
I am, personally, not in a good place. Not a BAD place, just not doing so well and my reading is suffering. I said I would read this before the poop hit the fan, and I was concerned I would not be able to give this book my full attention, or worse, not be able to finish it at all.
BUT!!!
I bloody LOVED this book!
Mav is, by his own admission, one drink short of becoming an alcoholic. His sister takes him in, and he's drowning his sorrows every night. Losing his career, and his leg, after a helicopter was bombed while he was the pilot has soured Mav to life and he just wants to be left alone. His sister, Jamie, ain't having none of it! She ropes him into talking to a possible new client, while she attends another job for her private investigations business. Deacon, lead singer of a boy band who was spectacularly disgraced last, is the client. A reporter twisted some truths, and Deacon's life came crashing down around his ears. He lost custody of his niece. Now, no one believes him, that someone is following him. When things escalate to a break in at his flat, and said reporter turns up dead, the police start to take notice. All the while, as Deacon continues to fall, Mav holds him up, keeps him close.
I loved that things crept up on Deacon and Mav, the feelings they begin to have for each other. It's not that thunderbolt and lightning thing: more a sweeping rain storm that starts off as drizzle then increases in it's intensity til neither Mav nor Deacon can deny it any longer. Loved that, after the initial shock of seeing Mav's face, Deacon is like: okay, scars make you, YOU. Mav is concerned about the other scars, the ones on his leg and residual and again, Deacon is not at all bothered. It makes Mav see that maybe, just maybe, they can make it work.
I must admit, I had an inkling who might be doing what they were doing to Deacon, very early on. Something they said set off bells and it was great being able to watch it all unfold. I have no idea WHAT this person said, I really don't, but something they said went ding ding ding and when Mav puts the pieces together, oh my! That man's alpha-protect-whats0mine instinct went into massive overdrive! Loved that, when it all went down, Mav and Deacon both knew, with just a look, that they might not come out of this alive.
LOVED that the baddie gets a voice!
Mav and Deacon's story carries some difficult topics: drug abuse, alcohol abuse, PTSD, murder (in some detail from the baddie!) All difficult topics, but very well written, and the research shows. I was particularly impressed with the research into Mav's accident, his injuries and what he went through after losing his leg. That doesn't always come across in a way a lay person such as myself can fully comprehend, but Ms Sue nailed it here!
This book may well have been the one to kick start my ability to write a coherent review, or at least I think it makes sense!
5 full and shiny stars!
Michael Pauley narrates.
Having READ this book previously, what I was particularly looking for was the baddie’s voice. When I read it, something they said made my brain go ding, ding, fire alarm in the head, ding and I KNEW that this person was the baddie. HERE, in audio, I wanted to see if I could pick up just WHAT they said to make all the alarms go.
And I got . . . nothing. The voice gave nothing away! Pauley NAILED that, he really did! So, while I was glad I didn’t get what they said to set me off, I’m also a little miffed 😊
As for Deacon and Mav, Pauley nailed those guys too! Mav’s voice is deep and dark, much like the man. I had a whole different voice in my head when I was reading, but once Mav speaks with the voice Pauley gave him, I knew mine was all kinds of wrong and Pauley’s was the RIGHT voice for Mav. My voice for Deacon was very much like Pauley’s for him, though.
Pauley’s reading voice works very well for my shitty hearing, rolling deep and clear and even. There was no dipping for the voices, even when they were very emotional. The emotions still came across very well, just sometimes, when characters get particularly emotional, the voices dip slightly, but not here.
Michael Pauley is a firm favourite of a narrator and coupled with Victoria Sue’s work?? It can only get. . .
5 stars
**same worded review will appear elsewhere**
Mav is. . . .broken, and thinks fixing things is downing a bottle of Jack. Crashing on his sister's sofa isn't doing him or her any favours. When Jamie calls him out to do something for her, Mav really has to dig deep to get out of his stupor. Meeting the new client, however, does wonders. Deacon needs some help. After a scandal last year left him penniless, he can't afford to pay for the protection he needs. someone is out to get him, and the bodies keep piling up. Mav needs to up his game, and when the threat comes to a 2 year old child, Deacon's niece, both Mav and Deacon know they would do anything to keep her safe, even if it means Mav breaks Deacon's heart.
I am, personally, not in a good place. Not a BAD place, just not doing so well and my reading is suffering. I said I would read this before the poop hit the fan, and I was concerned I would not be able to give this book my full attention, or worse, not be able to finish it at all.
BUT!!!
I bloody LOVED this book!
Mav is, by his own admission, one drink short of becoming an alcoholic. His sister takes him in, and he's drowning his sorrows every night. Losing his career, and his leg, after a helicopter was bombed while he was the pilot has soured Mav to life and he just wants to be left alone. His sister, Jamie, ain't having none of it! She ropes him into talking to a possible new client, while she attends another job for her private investigations business. Deacon, lead singer of a boy band who was spectacularly disgraced last, is the client. A reporter twisted some truths, and Deacon's life came crashing down around his ears. He lost custody of his niece. Now, no one believes him, that someone is following him. When things escalate to a break in at his flat, and said reporter turns up dead, the police start to take notice. All the while, as Deacon continues to fall, Mav holds him up, keeps him close.
I loved that things crept up on Deacon and Mav, the feelings they begin to have for each other. It's not that thunderbolt and lightning thing: more a sweeping rain storm that starts off as drizzle then increases in it's intensity til neither Mav nor Deacon can deny it any longer. Loved that, after the initial shock of seeing Mav's face, Deacon is like: okay, scars make you, YOU. Mav is concerned about the other scars, the ones on his leg and residual and again, Deacon is not at all bothered. It makes Mav see that maybe, just maybe, they can make it work.
I must admit, I had an inkling who might be doing what they were doing to Deacon, very early on. Something they said set off bells and it was great being able to watch it all unfold. I have no idea WHAT this person said, I really don't, but something they said went ding ding ding and when Mav puts the pieces together, oh my! That man's alpha-protect-whats0mine instinct went into massive overdrive! Loved that, when it all went down, Mav and Deacon both knew, with just a look, that they might not come out of this alive.
LOVED that the baddie gets a voice!
Mav and Deacon's story carries some difficult topics: drug abuse, alcohol abuse, PTSD, murder (in some detail from the baddie!) All difficult topics, but very well written, and the research shows. I was particularly impressed with the research into Mav's accident, his injuries and what he went through after losing his leg. That doesn't always come across in a way a lay person such as myself can fully comprehend, but Ms Sue nailed it here!
This book may well have been the one to kick start my ability to write a coherent review, or at least I think it makes sense!
5 full and shiny stars!
Michael Pauley narrates.
Having READ this book previously, what I was particularly looking for was the baddie’s voice. When I read it, something they said made my brain go ding, ding, fire alarm in the head, ding and I KNEW that this person was the baddie. HERE, in audio, I wanted to see if I could pick up just WHAT they said to make all the alarms go.
And I got . . . nothing. The voice gave nothing away! Pauley NAILED that, he really did! So, while I was glad I didn’t get what they said to set me off, I’m also a little miffed 😊
As for Deacon and Mav, Pauley nailed those guys too! Mav’s voice is deep and dark, much like the man. I had a whole different voice in my head when I was reading, but once Mav speaks with the voice Pauley gave him, I knew mine was all kinds of wrong and Pauley’s was the RIGHT voice for Mav. My voice for Deacon was very much like Pauley’s for him, though.
Pauley’s reading voice works very well for my shitty hearing, rolling deep and clear and even. There was no dipping for the voices, even when they were very emotional. The emotions still came across very well, just sometimes, when characters get particularly emotional, the voices dip slightly, but not here.
Michael Pauley is a firm favourite of a narrator and coupled with Victoria Sue’s work?? It can only get. . .
5 stars
**same worded review will appear elsewhere**