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KittyMiku (138 KP) rated Spiral Of Needs in Books
May 23, 2019
This book over all was fairly good to read. It is definitely a romance novel with a bit of action and all of the drama. It is centered around a werewolf pack and mostly around Ally and Derren. I think what I enjoyed the most about it is how it portrayed how jealous and vengeful people can be when getting into relationships or when their significant other is threatened or hurt. Everyone likes to feel that their lover cares deeply enough to do anything for them when the time calls for it. However, that isn't always the case and in this particular book, you are able to see how possessive and protective people can be, even if their past creates obstacles they have to overcome to find they truly love and accept another.
The past haunts everyone in one way or another and creates a defense mechanism to help us cope. So in Derren's case of not wanting to trust anyone and being loyal to a fault when you earn his trust didn't come as a surprised. After all, trust is a valuable quality that is easily broken. But to watch him struggle at first with trusting Ally due to something one her kind had done to him in the past, was quite splendid. It allowed the reader to see how its not a group of people sharing a trait but the individuals that can hurt how the outlook on a particular group of people can negatively affect us. Even though in this case it was all paranormal traits, it is easy to see and understand where this comes from. People are always judging others by their skin color or position or whatever because of someone else sharing that quality had done something to them personally. This is a huge problem and some people never fully get over the fact it was the individual who was a complete jerk of whatever (for the lack of better words) and not the group of people who share that quality. An example would be gamers. They are often considered lazy, lacking social qualities and short tempered. While most games have some of these qualities, it should be noted that those aren't to define every gamer and those who have these issues also have redeeming qualities as well. So to say anyone who plays games for massive amount of time to have all those qualities and are bad fits because one gamer may have yelled, hurt, ignored, or whatever the case is towards you, is a terrible be thing. In Spiral of Need, it was pleasant to see and watch how one person can change someone's mind on a particular problem a certain category of people fall into, is amazing and makes you wonder if this will happen in your life. Will you be the one to help people see that your category of people aren't all bad? I know my husband, who is a gamer, did that for me, just as Ally, a Seer, did for Derren.
I, also, enjoyed how even though the book had some XXX Rated scenes, it was also very much about building relationships with unlikely characters who was thought to be a problem and coming together to protect one another. Not many of our communities and societies can say that these days. It was amazing to see someone considered to be an outsider at the beginning develop a lasting friendship and place in a pack or community because of her own moral compass making her due things that she felt was only the right thing to do. I personally feel, this book addressed problems we face everyday in our world while keeping it from hitting to close to home to make it uncomfortable. It showed some of the most important qualities that all relationships, no matter the kind (examples being friendships, partnerships, etc.) needed to keep them healthy and how it can be harmful when others view someone as a threat of a problem to be eliminated. With every addressed in this book, I would say I was pleased at how smoothly is ran.
I would rate this book 4 stars out of 5 stars simply because I longed for a little more conflict but loved how it addressed issues and solved the problems it did have residing in the pages. I would recommend this book to anyone who loves a good werewolf love story.
The past haunts everyone in one way or another and creates a defense mechanism to help us cope. So in Derren's case of not wanting to trust anyone and being loyal to a fault when you earn his trust didn't come as a surprised. After all, trust is a valuable quality that is easily broken. But to watch him struggle at first with trusting Ally due to something one her kind had done to him in the past, was quite splendid. It allowed the reader to see how its not a group of people sharing a trait but the individuals that can hurt how the outlook on a particular group of people can negatively affect us. Even though in this case it was all paranormal traits, it is easy to see and understand where this comes from. People are always judging others by their skin color or position or whatever because of someone else sharing that quality had done something to them personally. This is a huge problem and some people never fully get over the fact it was the individual who was a complete jerk of whatever (for the lack of better words) and not the group of people who share that quality. An example would be gamers. They are often considered lazy, lacking social qualities and short tempered. While most games have some of these qualities, it should be noted that those aren't to define every gamer and those who have these issues also have redeeming qualities as well. So to say anyone who plays games for massive amount of time to have all those qualities and are bad fits because one gamer may have yelled, hurt, ignored, or whatever the case is towards you, is a terrible be thing. In Spiral of Need, it was pleasant to see and watch how one person can change someone's mind on a particular problem a certain category of people fall into, is amazing and makes you wonder if this will happen in your life. Will you be the one to help people see that your category of people aren't all bad? I know my husband, who is a gamer, did that for me, just as Ally, a Seer, did for Derren.
I, also, enjoyed how even though the book had some XXX Rated scenes, it was also very much about building relationships with unlikely characters who was thought to be a problem and coming together to protect one another. Not many of our communities and societies can say that these days. It was amazing to see someone considered to be an outsider at the beginning develop a lasting friendship and place in a pack or community because of her own moral compass making her due things that she felt was only the right thing to do. I personally feel, this book addressed problems we face everyday in our world while keeping it from hitting to close to home to make it uncomfortable. It showed some of the most important qualities that all relationships, no matter the kind (examples being friendships, partnerships, etc.) needed to keep them healthy and how it can be harmful when others view someone as a threat of a problem to be eliminated. With every addressed in this book, I would say I was pleased at how smoothly is ran.
I would rate this book 4 stars out of 5 stars simply because I longed for a little more conflict but loved how it addressed issues and solved the problems it did have residing in the pages. I would recommend this book to anyone who loves a good werewolf love story.
My rating: 3.5
<i>I received this book for free through Goodreads First Reads.</i>
Nominated for an Oscar, BAFTA and Golden Globe, <i>Trumbo</i> is a recent film based on the original biography <i>Dalton Trumbo</i> written by Bruce Cook in 1977. Its adaptation to film provided the perfect opportunity to republish this extremely well researched book. With a forward written by John McNamara, the screenwriter of the motion picture, the story of Dalton Trumbo’s life is just as intriguing as it was almost forty years ago. But who is Trumbo?
If, like me, you have never heard of Trumbo or even the infamous “Hollywood Ten,” it may take a while for it to become clear as to why it was worth Cook’s time to produce a book about the man. Dalton Trumbo was a well-known screenwriter of films such as <i>Papillon, Lonely Are The Brave</i> and <i>Roman Holiday</i> as well as author of the novel <i>Johnny Got His Gun</i>. However these are not all he is famous for. During his life, Trumbo became a member of the Communist Party, which Hollywood branded as an Un-American Activity and thus blacklisted him, as well as other screenwriters, directors and actors. Ten of these men, Trumbo included, were imprisoned for their political beliefs – yet nothing prevented Trumbo from continuing his fairly successful career.
Interestingly, Cook begins the book with the final stages of Trumbo’s life. At time of writing Trumbo was still alive, although rather poorly. After contracting lung cancer, having a lung removed, and suffering a heart attack, Trumbo was a very sick man; nonetheless he was still enthusiastic about being interviewed and telling his personal story.
From his childhood, to his evening shifts at a bakery, Cook details Trumbo’s early life, emphasizing the hard upbringing he had before he found himself in the world of Hollywood. Although roughly 75% of the book focuses on Trumbo’s career, Cook highlights Trumbo as a family man, with both a wife and three children who he absolutely adores.
Cook constantly refers to the Hollywood Ten as a concept that the reader should already be familiar with. Granted, someone who picks up this book is more likely to do so having a prior interest in the central figure, and thus already know about his background; however those ignorant on the topic eventually gather a better understanding on the topic once reaching the relevant chapters. It also becomes clearer why Trumbo is worth reading/writing about – he may have been blacklisted, but he managed to break through all the barriers and reinstate his name and many others.
Reading this half a century after the event, it seems strange that Trumbo was imprisoned. He had not done anything intrinsically wrong, it was purely prejudice against his political beliefs that got him into the mess he found himself. But when you consider the events of the time: World War Two, the Cold War, the Korean War, and Vietnam; it is understandable why many feared those who claimed to be Communists.
Cook’s narrative does not flow as a story, and much of it is broken up with quotes from various people he interviewed. The timeline jumps about between past and present (1970s), which occasionally gets a bit confusing. A large part of the book is spent analyzing many of Trumbo’s works – both for screen and written formats – which, unless you have a particular interest, can be a little tedious.
It has got to be said that Bruce Cook was an exemplary writer with a great eye for detail. He did not jump to conclusions or only talk about things from his point of view. Instead he interviewed, what seems like, everyone who ever met Trumbo, and based his writing on fact backed up with numerous quotes and citations.
This edition of <i>Trumbo</i> contains a selection of photographs taken on the set of the movie. Disappointingly it does not contain any of Trumbo himself – you would think that some photos could have been tracked down!
<i>Trumbo</i> is not a book that will interest everyone. Most people today – particularly in England – will probably be unaware of who Dalton Trumbo was, and thus would only seek out this publication due to a fascination with film production. I have not seen the film, but after reading this and discovering how books go from novels, to screenplays to moving image, it would be interesting to find out which parts of Trumbo’s life made it onto the big screen.
<i>I received this book for free through Goodreads First Reads.</i>
Nominated for an Oscar, BAFTA and Golden Globe, <i>Trumbo</i> is a recent film based on the original biography <i>Dalton Trumbo</i> written by Bruce Cook in 1977. Its adaptation to film provided the perfect opportunity to republish this extremely well researched book. With a forward written by John McNamara, the screenwriter of the motion picture, the story of Dalton Trumbo’s life is just as intriguing as it was almost forty years ago. But who is Trumbo?
If, like me, you have never heard of Trumbo or even the infamous “Hollywood Ten,” it may take a while for it to become clear as to why it was worth Cook’s time to produce a book about the man. Dalton Trumbo was a well-known screenwriter of films such as <i>Papillon, Lonely Are The Brave</i> and <i>Roman Holiday</i> as well as author of the novel <i>Johnny Got His Gun</i>. However these are not all he is famous for. During his life, Trumbo became a member of the Communist Party, which Hollywood branded as an Un-American Activity and thus blacklisted him, as well as other screenwriters, directors and actors. Ten of these men, Trumbo included, were imprisoned for their political beliefs – yet nothing prevented Trumbo from continuing his fairly successful career.
Interestingly, Cook begins the book with the final stages of Trumbo’s life. At time of writing Trumbo was still alive, although rather poorly. After contracting lung cancer, having a lung removed, and suffering a heart attack, Trumbo was a very sick man; nonetheless he was still enthusiastic about being interviewed and telling his personal story.
From his childhood, to his evening shifts at a bakery, Cook details Trumbo’s early life, emphasizing the hard upbringing he had before he found himself in the world of Hollywood. Although roughly 75% of the book focuses on Trumbo’s career, Cook highlights Trumbo as a family man, with both a wife and three children who he absolutely adores.
Cook constantly refers to the Hollywood Ten as a concept that the reader should already be familiar with. Granted, someone who picks up this book is more likely to do so having a prior interest in the central figure, and thus already know about his background; however those ignorant on the topic eventually gather a better understanding on the topic once reaching the relevant chapters. It also becomes clearer why Trumbo is worth reading/writing about – he may have been blacklisted, but he managed to break through all the barriers and reinstate his name and many others.
Reading this half a century after the event, it seems strange that Trumbo was imprisoned. He had not done anything intrinsically wrong, it was purely prejudice against his political beliefs that got him into the mess he found himself. But when you consider the events of the time: World War Two, the Cold War, the Korean War, and Vietnam; it is understandable why many feared those who claimed to be Communists.
Cook’s narrative does not flow as a story, and much of it is broken up with quotes from various people he interviewed. The timeline jumps about between past and present (1970s), which occasionally gets a bit confusing. A large part of the book is spent analyzing many of Trumbo’s works – both for screen and written formats – which, unless you have a particular interest, can be a little tedious.
It has got to be said that Bruce Cook was an exemplary writer with a great eye for detail. He did not jump to conclusions or only talk about things from his point of view. Instead he interviewed, what seems like, everyone who ever met Trumbo, and based his writing on fact backed up with numerous quotes and citations.
This edition of <i>Trumbo</i> contains a selection of photographs taken on the set of the movie. Disappointingly it does not contain any of Trumbo himself – you would think that some photos could have been tracked down!
<i>Trumbo</i> is not a book that will interest everyone. Most people today – particularly in England – will probably be unaware of who Dalton Trumbo was, and thus would only seek out this publication due to a fascination with film production. I have not seen the film, but after reading this and discovering how books go from novels, to screenplays to moving image, it would be interesting to find out which parts of Trumbo’s life made it onto the big screen.
Nadya R (9 KP) rated The Nightingale in Books
Jul 2, 2018
I am speechless. I finished the book 15 minutes ago, but I am still staring in the wall and tears are falling down my cheeks. It’s been a while since I’ve been that touched by a book. This story and this two sisters turn upside down the idea of the women’s role in WWII.
Kristin Hanna leads us through the dangerous way of Isabelle Rossignol - The Nightingale why fly to the freedom. She is one of the most active person in the Resistance. Fully opposite to her is her sister Vianne. She is humble and mild tempered she doesn’t want to be a hero. Her only wish is to survive the war together with her family. The Rossignol sisters were abandoned by their father (veteran of WWI) after their mother dead. Soon Vianne met Antoine and has a family with him. While Isabelle’s rebellious temper doesn’t allow her to accept her father decision and escape from every boarding school, she was sent to, and continue to go back to her father and to fight for his love. Exactly this part of her character made her The Nightingale- a woman equal to the men.
"Women were integral to the Resistance. Why couldn't men see that?"
On the other side Vianne doesn’t want to take part in the war. She doesn’t rise her voice, doesn’t ask questions. She’s been comfortable to the Nazis. And that is her point- been quiet and invisible means that you will survive. But as much as you want to close your eyes for injustice there is a breaking point - all these brutalities and injustice make us leave our ‘comfortable’ lives in the name of hundreds of saved lives.
The rebellious in Isabelle takes her to the centre of the French Resistance. First- used as a courier, she prove herself and began an important member in no time. Exposing her life to danger, she leads a pilot after a pilot through the high peaks of Pyrenees to their freedom. Meanwhile Vianne is living with Nazi officer, when one day the war bent her. She initiated a mission to save the Jews children.
"Vianne started them off on a song and they picked it up instantly, singing loudly as they clapped and bounced and skipped. Did they even notice the bombed out buildings they passed? The smoking piles of ribble that had once been homes? Or was destruction the ordinary view of their childhoods, unremarkable, unnoticeable."
But the war left its mark on all these kids, forced them to grow up fast and even in very young age they have already seen all these misfortunes in the world.
"Really, Maman? How long must we pretend?" The sadness-and the anger-in those beautiful eyes was heartbreaking. Vianne apparently had hidden nothing from this child who'd lost her childhood to war."
The author doesn’t save anything. At the end of the book she takes us to the Ravensbrück - the concentration camp in Germany for women why took an action against the Nazis. It’s known as one of the most brutal of them all. The picture, the author shows us, are breathtaking. All these tortures, rapes all these things that they did to women... I kinda felt it son deep and personal. I am not really able to write about this.
And at the end let’s speak about the love in the book. Here you can find lots of love.
Love of country.
Mother love.
Sisters love.
Love in the wartime is strong but faded at the same time. Set on the background, love is there but she(love) realises that in this times there is no place for blind love stories. On other hand this love is even stronger.
Every stolen second.
Every kiss is unspoken ‘Goodbye'.
Every meeting may be the last one.
".. a broken heart hurts as badly in wartime as in peace. Say good-bye to your young man well."
When it comes to war we imagine all these men risking their lives in the name of their country. But this is the story about war but trough women’s view. A women’s war on the shadow. Taking a risk of being caught and executed they keep delivering the message between the Resistance members. They are the connection between all pieces of the puzzle.
"Men tell stories. Women get on with it. For us it was a shadow war. There were no parades for us when it was over, no medals or mentions in history books. We did what we had to during the war, and when it was over, we picked up the pieces and started our lives over."
Kristin Hanna leads us through the dangerous way of Isabelle Rossignol - The Nightingale why fly to the freedom. She is one of the most active person in the Resistance. Fully opposite to her is her sister Vianne. She is humble and mild tempered she doesn’t want to be a hero. Her only wish is to survive the war together with her family. The Rossignol sisters were abandoned by their father (veteran of WWI) after their mother dead. Soon Vianne met Antoine and has a family with him. While Isabelle’s rebellious temper doesn’t allow her to accept her father decision and escape from every boarding school, she was sent to, and continue to go back to her father and to fight for his love. Exactly this part of her character made her The Nightingale- a woman equal to the men.
"Women were integral to the Resistance. Why couldn't men see that?"
On the other side Vianne doesn’t want to take part in the war. She doesn’t rise her voice, doesn’t ask questions. She’s been comfortable to the Nazis. And that is her point- been quiet and invisible means that you will survive. But as much as you want to close your eyes for injustice there is a breaking point - all these brutalities and injustice make us leave our ‘comfortable’ lives in the name of hundreds of saved lives.
The rebellious in Isabelle takes her to the centre of the French Resistance. First- used as a courier, she prove herself and began an important member in no time. Exposing her life to danger, she leads a pilot after a pilot through the high peaks of Pyrenees to their freedom. Meanwhile Vianne is living with Nazi officer, when one day the war bent her. She initiated a mission to save the Jews children.
"Vianne started them off on a song and they picked it up instantly, singing loudly as they clapped and bounced and skipped. Did they even notice the bombed out buildings they passed? The smoking piles of ribble that had once been homes? Or was destruction the ordinary view of their childhoods, unremarkable, unnoticeable."
But the war left its mark on all these kids, forced them to grow up fast and even in very young age they have already seen all these misfortunes in the world.
"Really, Maman? How long must we pretend?" The sadness-and the anger-in those beautiful eyes was heartbreaking. Vianne apparently had hidden nothing from this child who'd lost her childhood to war."
The author doesn’t save anything. At the end of the book she takes us to the Ravensbrück - the concentration camp in Germany for women why took an action against the Nazis. It’s known as one of the most brutal of them all. The picture, the author shows us, are breathtaking. All these tortures, rapes all these things that they did to women... I kinda felt it son deep and personal. I am not really able to write about this.
And at the end let’s speak about the love in the book. Here you can find lots of love.
Love of country.
Mother love.
Sisters love.
Love in the wartime is strong but faded at the same time. Set on the background, love is there but she(love) realises that in this times there is no place for blind love stories. On other hand this love is even stronger.
Every stolen second.
Every kiss is unspoken ‘Goodbye'.
Every meeting may be the last one.
".. a broken heart hurts as badly in wartime as in peace. Say good-bye to your young man well."
When it comes to war we imagine all these men risking their lives in the name of their country. But this is the story about war but trough women’s view. A women’s war on the shadow. Taking a risk of being caught and executed they keep delivering the message between the Resistance members. They are the connection between all pieces of the puzzle.
"Men tell stories. Women get on with it. For us it was a shadow war. There were no parades for us when it was over, no medals or mentions in history books. We did what we had to during the war, and when it was over, we picked up the pieces and started our lives over."
Darren (1599 KP) rated A Walk Among the Tombstones (2014) in Movies
Jun 20, 2019
Story: A Walk Among the Tombstones starts by in 1991 we meet Matt Scudder (Neeson) a nonsense detective who while having his morning Irish coffee ends up going into a shootout. Flash forward to 1999 Matt is now a private investigator and when a former junkie Peter Kristo (Holbrook) invites him to meet his brother Kenny (Stevens) for a job. Kenny’s wife was kidnapped with the ransom paid and murdered; he wants Matt to bring him the names of the people responsible. Matt rejects the offer wisely because it would involving working with a drug trafficker but Kenny won’t take no for an answer.
Kenny tales the story of what happened and how gruesome the murder was, this brings Matt into the case to track down the people responsible. Using all his skills he starts the investigation by questioning the locals. The killers prove to be professionals who cover their tracks when committing their crimes. When it becomes apparent they have been doing this for years Matt finds himself investigating cold cases. Tracking down the leads he does come up with a potential name and a place he could meet them, but nothing could prepare him for the nature of the men.
A Walk Among the Tombstones starts very nicely with the broken protagonist trying to make up for something he could never actually make up for, it is hidden from us but we do see he has personal problems. The whole drug dealers being targeting by serial killers also works nicely, giving us a chance to keep guessing on whether it is actually a large scale revenge type thriller than Matt is stuck in the middle off. It goes downhill slowly because of the pace and then turning it into the simple idea that they are just two killers doing it for fun. It is sad because this had a lot of potential from the start but in the end just fizzles out. (6/10)
Actor Review
Liam Neeson: Matt Scudder a private detective who against his better judgment ends up investigating serial killers who enjoy nothing more than kidnapping and killing their victim even if they get their money. He is a former detective who has been recovering from his alcoholism which cost him his job. Liam does do a good job in the role and goes away from the new action star he has created. (7/10)
matt
Dan Stevens: Kenny Kristo drug trafficker whose wife was killed and hires Matt to find the people responsible for it, it will mean risking his connection to help expose the truth. Dan does a good job as the mobster out for revenge for a crime that is personal rather than work related. (7/10)
kenny
Support Cast: A Walk Among the Tombstones has a supporting cast that includes the two killers who are very much evil in what they do, we have other mobsters who are the victims of those killers and we also have a street wise kid trying to help Mark out. They all help the story flow along very well.
Director Review: Scott Frank – Scott does a solid job directing this to make it an interesting thriller with a very dark side to it. (6/10)
Crime: A Walk Among the Tombstones enters into the crime world without going too far over the top with its double crossing, instead focusing on one angle the whole way through. (7/10)
Mystery: A Walk Among the Tombstones does keep you guessing to what would be the motives of the characters creating a nice mystery about the story. (8/10)
Thriller: A Walk Among the Tombstones starts off pulling you in especially when you hear about the murdered wife but afterwards slight starts to fade away. (7/10)
Settings: A Walk Among the Tombstones creates a world that is similar to 1999 New York. (7/10)
Suggestion: A Walk Among the Tombstones is one to try and the fans of Neeson will be watching this, it might not keep everyone happy because it isn’t as dark as its source material. (Try It)
Best Part: The shock of what Kenny finds in the boot of that car.
Worst Part: Falls away by the end.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Similar Too: Cold in July
Oscar Chances: No
Box Office: $53 Million
Budget: $28 Million
Runtime: 1 Hour 54 Minutes
Tagline: People are afraid of all the wrong things.
Overall: A Thriller That Hits Hard Early but Tires Near the End
https://moviesreview101.com/2015/01/26/a-walk-among-the-tombstones-2014/
Kenny tales the story of what happened and how gruesome the murder was, this brings Matt into the case to track down the people responsible. Using all his skills he starts the investigation by questioning the locals. The killers prove to be professionals who cover their tracks when committing their crimes. When it becomes apparent they have been doing this for years Matt finds himself investigating cold cases. Tracking down the leads he does come up with a potential name and a place he could meet them, but nothing could prepare him for the nature of the men.
A Walk Among the Tombstones starts very nicely with the broken protagonist trying to make up for something he could never actually make up for, it is hidden from us but we do see he has personal problems. The whole drug dealers being targeting by serial killers also works nicely, giving us a chance to keep guessing on whether it is actually a large scale revenge type thriller than Matt is stuck in the middle off. It goes downhill slowly because of the pace and then turning it into the simple idea that they are just two killers doing it for fun. It is sad because this had a lot of potential from the start but in the end just fizzles out. (6/10)
Actor Review
Liam Neeson: Matt Scudder a private detective who against his better judgment ends up investigating serial killers who enjoy nothing more than kidnapping and killing their victim even if they get their money. He is a former detective who has been recovering from his alcoholism which cost him his job. Liam does do a good job in the role and goes away from the new action star he has created. (7/10)
matt
Dan Stevens: Kenny Kristo drug trafficker whose wife was killed and hires Matt to find the people responsible for it, it will mean risking his connection to help expose the truth. Dan does a good job as the mobster out for revenge for a crime that is personal rather than work related. (7/10)
kenny
Support Cast: A Walk Among the Tombstones has a supporting cast that includes the two killers who are very much evil in what they do, we have other mobsters who are the victims of those killers and we also have a street wise kid trying to help Mark out. They all help the story flow along very well.
Director Review: Scott Frank – Scott does a solid job directing this to make it an interesting thriller with a very dark side to it. (6/10)
Crime: A Walk Among the Tombstones enters into the crime world without going too far over the top with its double crossing, instead focusing on one angle the whole way through. (7/10)
Mystery: A Walk Among the Tombstones does keep you guessing to what would be the motives of the characters creating a nice mystery about the story. (8/10)
Thriller: A Walk Among the Tombstones starts off pulling you in especially when you hear about the murdered wife but afterwards slight starts to fade away. (7/10)
Settings: A Walk Among the Tombstones creates a world that is similar to 1999 New York. (7/10)
Suggestion: A Walk Among the Tombstones is one to try and the fans of Neeson will be watching this, it might not keep everyone happy because it isn’t as dark as its source material. (Try It)
Best Part: The shock of what Kenny finds in the boot of that car.
Worst Part: Falls away by the end.
Believability: No (0/10)
Chances of Tears: No (0/10)
Chances of Sequel: No
Post Credits Scene: No
Similar Too: Cold in July
Oscar Chances: No
Box Office: $53 Million
Budget: $28 Million
Runtime: 1 Hour 54 Minutes
Tagline: People are afraid of all the wrong things.
Overall: A Thriller That Hits Hard Early but Tires Near the End
https://moviesreview101.com/2015/01/26/a-walk-among-the-tombstones-2014/
Lee (2222 KP) rated The Aeronauts (2019) in Movies
Mar 19, 2020
As my cinema bookings started to be cancelled, and upcoming releases delayed as part of the chaos that's currently unfolding globally, I thought it was time to start tackling some of those streaming site watch-lists that have been slowly growing in size over recent years. First up, a movie that I managed to miss late last year when released in cinemas, and is now available to stream on Amazon Prime.
The Aeronauts is set in the 1860s and sees Eddie Redmayne and Felicity Jones, last seen together playing husband and wife in The Theory of Everything, reuniting for a story that is inspired by true events. Redmayne plays James Glaisher, a scientist studying and presenting theories surrounding weather prediction, in particular how a trip to the skies in a gas balloon could help us to understand more about it. It's a science very much in it's infancy, which is why Glaisher has become such a laughing stock among his peers within the science community, all of whom declare meteorology to be fortune telling rather than science. Felicity Jones plays the fictional character of Amelia Wren, an aeronaut who lost her husband in a balloon accident and has been convinced by Glaisher to return to the skies and join him as pilot onboard the balloon as they explore some of his theories.
The movie begins with a large crowd who have gathered in London to watch the departure of the Glaisher and Wren. Glaisher is making some last minute checks and adjustments to the numerous pieces of equipment that will provide all of the data and readings he needs while they ascend up into the clouds, while Wren is currently nowhere to be seen. When she does eventually arrive, she's brash and loud, making a big entrance and playing up to the crowds, entertaining them with cartwheels and her parachuting dog. “Do you take anything seriously?" Glaisher asks.
As the balloon gently sets off, we get a beautiful view of 1860s London and a simple on-screen graph begins plotting the duration of their journey against their current height, something which returns every so often to keep us nicely updated with their progress. Before this expedition, the greatest altitude ever reached by a human being was 23,000ft, a record achieved by a French team. So, in addition to gaining some valuable scientific data along the way, there is the added incentive to try and beat the French too!
The whole expedition is followed pretty much in real time, but broken up by a series of flashbacks which give us some additional insight into our main characters and what brought them together. A look at the balloon trip which resulted in the death of her husband shows us just how seriously Amelia takes her role on this particular adventure. Meanwhile, we get more of a glimpse into the ridicule Glaisher received from his scientific colleagues, and an introduction to his dementia suffering father (Tom Courtenay).
As beautiful and exhilarating as it is to see the balloon as it continues up through the clouds and storms, floating peacefully through blue skies and swarms of butterflies, it wouldn't be much of a movie without some additional drama and tension to spice things up. So, as Glaisher and Wren argue about whether to push on way beyond the 23,000ft record or begin their descent, the temperature drops down to five degrees, and snow and ice begin to form on the balloon and basket. The thinning oxygen and cold temperatures starts to affect their judgement, their equipment and their health, and would you believe it, neither of them thought to bring along their gloves either!
When the pigeons they've brought along for sending instrument readings back down to base either start to die, or drop like rocks when launched from the balloon basket, it's clear that it's time to start heading back down. But, a problem with the balloon means that Wren must venture outside the basket and up on top of the balloon itself, in some of the most vertigo inducing scenes I've seen since watching The Walk on the big screen.
The Aeronauts was a lot more enjoyable than I was expecting. It's two stars, as you'd expect, more than capably carry the story and are both hugely entertaining. The effects used for rendering the balloon and it's surroundings, particularly during adverse weather conditions, are very effective and at times had me on the edge of my seat too.
The Aeronauts is set in the 1860s and sees Eddie Redmayne and Felicity Jones, last seen together playing husband and wife in The Theory of Everything, reuniting for a story that is inspired by true events. Redmayne plays James Glaisher, a scientist studying and presenting theories surrounding weather prediction, in particular how a trip to the skies in a gas balloon could help us to understand more about it. It's a science very much in it's infancy, which is why Glaisher has become such a laughing stock among his peers within the science community, all of whom declare meteorology to be fortune telling rather than science. Felicity Jones plays the fictional character of Amelia Wren, an aeronaut who lost her husband in a balloon accident and has been convinced by Glaisher to return to the skies and join him as pilot onboard the balloon as they explore some of his theories.
The movie begins with a large crowd who have gathered in London to watch the departure of the Glaisher and Wren. Glaisher is making some last minute checks and adjustments to the numerous pieces of equipment that will provide all of the data and readings he needs while they ascend up into the clouds, while Wren is currently nowhere to be seen. When she does eventually arrive, she's brash and loud, making a big entrance and playing up to the crowds, entertaining them with cartwheels and her parachuting dog. “Do you take anything seriously?" Glaisher asks.
As the balloon gently sets off, we get a beautiful view of 1860s London and a simple on-screen graph begins plotting the duration of their journey against their current height, something which returns every so often to keep us nicely updated with their progress. Before this expedition, the greatest altitude ever reached by a human being was 23,000ft, a record achieved by a French team. So, in addition to gaining some valuable scientific data along the way, there is the added incentive to try and beat the French too!
The whole expedition is followed pretty much in real time, but broken up by a series of flashbacks which give us some additional insight into our main characters and what brought them together. A look at the balloon trip which resulted in the death of her husband shows us just how seriously Amelia takes her role on this particular adventure. Meanwhile, we get more of a glimpse into the ridicule Glaisher received from his scientific colleagues, and an introduction to his dementia suffering father (Tom Courtenay).
As beautiful and exhilarating as it is to see the balloon as it continues up through the clouds and storms, floating peacefully through blue skies and swarms of butterflies, it wouldn't be much of a movie without some additional drama and tension to spice things up. So, as Glaisher and Wren argue about whether to push on way beyond the 23,000ft record or begin their descent, the temperature drops down to five degrees, and snow and ice begin to form on the balloon and basket. The thinning oxygen and cold temperatures starts to affect their judgement, their equipment and their health, and would you believe it, neither of them thought to bring along their gloves either!
When the pigeons they've brought along for sending instrument readings back down to base either start to die, or drop like rocks when launched from the balloon basket, it's clear that it's time to start heading back down. But, a problem with the balloon means that Wren must venture outside the basket and up on top of the balloon itself, in some of the most vertigo inducing scenes I've seen since watching The Walk on the big screen.
The Aeronauts was a lot more enjoyable than I was expecting. It's two stars, as you'd expect, more than capably carry the story and are both hugely entertaining. The effects used for rendering the balloon and it's surroundings, particularly during adverse weather conditions, are very effective and at times had me on the edge of my seat too.
Lee (2222 KP) rated Toy Story 4 (2019) in Movies
Jun 24, 2019 (Updated Jun 24, 2019)
I really can't believe it's been 9 years since Toy Story 3! It's even more unbelievable to think that the first Toy Story came out in 1995, meaning these beloved characters have now been with us for nearly a quarter of a century! I don't think anybody really expected, or even thought we needed, yet another sequel to these movies, as Toy Story 3 seemed to give us a natural, and highly emotional conclusion to the series. And yet here we are with number 4. Interestingly, I felt the trailers for this Toy Story didn't really highlight anything new and exciting for the series, possibly only existing as a bit of a cash grab. Thankfully, there's a lot here that's new and exciting, and I'm sure it will make a tonne of money too!
Toy Story 4 begins by taking us back 9 years, to a scene which helps to explain the absence of Bo Peep from the last movie, before bringing us back to present day. The gang are all right where we left them, living with Bonnie and being played with regularly. Although, worryingly for Woody, he seems to be getting left behind in Bonnie's wardrobe on a more regular basis during the play sessions. Overlooked in favour of the other toys and, worse still, even having his sheriff badge removed and placed on Jessie!
Woody still feels a duty of care towards Bonnie though, so when a taster day at kindergarten arrives, Woody decides to accompany a very nervous Bonnie for the day, stowing away in her backpack. We then get to relive what all of us have been through at some point during our younger years - going somewhere new and feeling very alone, scared, out of your comfort zone and thinking that everyone dislikes you. Woody does his best to try and make the day more bearable for Bonnie, without being seen of course, throwing discarded craft items from the bin so that she has something to work with during craft time.
Back in Bonnie's room later on, Woody reveals to the rest of the toys the result of Bonnie's crafting session - a spork with googly eyes, pipe-cleaner arms and a broken ice lolly stick for feet. His name is Forky and, having effectively just been 'born', Forky struggles to understand who he is, what he is or why he is. He's also constantly drawn to trash bins, as that's where he came from. As Bonnie's new favourite toy, Woody takes on the role of guardian, repeatedly removing Forky from the bins and ensuring that he's never out of Bonnie's sight in what is a very funny 15 minutes or so. So when Bonnie and her parents head out on a road trip with all the toys, and Forky leaps from the back of the RV, it's up to Woody to go find him and bring him back to Bonnie before she notices.
The journey back to Bonnie isn't quite that straightforward though. Side plots involving an antique store and a fairground provide lots of opportunities for drama and humour and also introduce us to some great new characters. But, Toy Story 4 is primarily about Woody and his journey of self discovery. He learns about what it means to be a toy and his experiences throughout the movie give him an insight into the very different lives that the toys he encounters have all experienced. What it's like to be without a child, whether you desperately want to be with one or aren't really bothered. The only downside of all of this is that the rest of our core team of characters from the original movies are pretty much sidelined, serving only to remain together back in Bonnie's room or the RV while they wait for word back on whether or not Woody is OK. Buzz does get a bit more involved in things than the others do, but seems to have reverted to being slightly dumb in a way that we haven't seen since the first movie.
But these are all very minor negatives. Toy Story 4 is very funny, with much of that humour stemming from the new characters, particularly stunt-rider Duke Caboom and fairground fluffy toys Ducky and Bunny. It's definitely not as sad as Toy Story 3 was, but it does manage to be pretty emotional at times as it tugs at the heartstrings and makes you think a little bit deeper about life, death and creation. After nearly 25 years though, it's incredible that these characters still manage to deliver such satisfyingly enjoyable movies. And if this really is the end of Toy Story movies, it's a great way to end the series.
Toy Story 4 begins by taking us back 9 years, to a scene which helps to explain the absence of Bo Peep from the last movie, before bringing us back to present day. The gang are all right where we left them, living with Bonnie and being played with regularly. Although, worryingly for Woody, he seems to be getting left behind in Bonnie's wardrobe on a more regular basis during the play sessions. Overlooked in favour of the other toys and, worse still, even having his sheriff badge removed and placed on Jessie!
Woody still feels a duty of care towards Bonnie though, so when a taster day at kindergarten arrives, Woody decides to accompany a very nervous Bonnie for the day, stowing away in her backpack. We then get to relive what all of us have been through at some point during our younger years - going somewhere new and feeling very alone, scared, out of your comfort zone and thinking that everyone dislikes you. Woody does his best to try and make the day more bearable for Bonnie, without being seen of course, throwing discarded craft items from the bin so that she has something to work with during craft time.
Back in Bonnie's room later on, Woody reveals to the rest of the toys the result of Bonnie's crafting session - a spork with googly eyes, pipe-cleaner arms and a broken ice lolly stick for feet. His name is Forky and, having effectively just been 'born', Forky struggles to understand who he is, what he is or why he is. He's also constantly drawn to trash bins, as that's where he came from. As Bonnie's new favourite toy, Woody takes on the role of guardian, repeatedly removing Forky from the bins and ensuring that he's never out of Bonnie's sight in what is a very funny 15 minutes or so. So when Bonnie and her parents head out on a road trip with all the toys, and Forky leaps from the back of the RV, it's up to Woody to go find him and bring him back to Bonnie before she notices.
The journey back to Bonnie isn't quite that straightforward though. Side plots involving an antique store and a fairground provide lots of opportunities for drama and humour and also introduce us to some great new characters. But, Toy Story 4 is primarily about Woody and his journey of self discovery. He learns about what it means to be a toy and his experiences throughout the movie give him an insight into the very different lives that the toys he encounters have all experienced. What it's like to be without a child, whether you desperately want to be with one or aren't really bothered. The only downside of all of this is that the rest of our core team of characters from the original movies are pretty much sidelined, serving only to remain together back in Bonnie's room or the RV while they wait for word back on whether or not Woody is OK. Buzz does get a bit more involved in things than the others do, but seems to have reverted to being slightly dumb in a way that we haven't seen since the first movie.
But these are all very minor negatives. Toy Story 4 is very funny, with much of that humour stemming from the new characters, particularly stunt-rider Duke Caboom and fairground fluffy toys Ducky and Bunny. It's definitely not as sad as Toy Story 3 was, but it does manage to be pretty emotional at times as it tugs at the heartstrings and makes you think a little bit deeper about life, death and creation. After nearly 25 years though, it's incredible that these characters still manage to deliver such satisfyingly enjoyable movies. And if this really is the end of Toy Story movies, it's a great way to end the series.
Hadley (567 KP) rated The Graveyard Book in Books
Sep 30, 2019
A different look at ghosts (1 more)
Flow of writing is great
Questions left unanswered (1 more)
There won't be a sequel
Neil Gaiman knows how to turn an innocent childhood into a terror-filled one. 'The Graveyard Book' revolves around a young boy named Nobody Owens. What makes him different from everyone else is that he lives in a graveyard where he's being raised by the ghostly residents. Nobody, or Bod (as his friends call him), ended up here after his family was brutally murdered, which actually doesn't seem to bother him too much throughout the story. Right from the beginning, readers get to follow the murderer as he makes his way through Bod's house, killing all the members of the family except for Bod, who fortunately manages to get away.
Yet, when Bod showed up at the graveyard, not all the residents wanted to keep the boy, but when a woman in grey appears, she settles the argument by telling them to keep him - - - bringing in the woman in grey seemed as though it only happened to introduce the character, which, unfortunately she is only seen one other time throughout the entire novel; this character really wasn't necessary. When Bod is kept, he is given the "Freedom of the Graveyard," which gives him the ability to see and talk to ghosts, as well as other things. This makes for a very intriguing adventure for us readers.
This book is almost flawless with the concept being very original. I honestly have nothing bad to say about the story. Gaiman doesn't use the usual horror tropes, instead he describes horrific events through the eyes of Bod, as he becomes more familiar with the world outside of the graveyard. Gaiman explains all of Bod's natural needs effortlessly within a graveyard, such as Bod learning to read and spell by using the letters on headstones. This book will surely change the way you look at graveyards for the rest of your life, if you hadn't already seen them in this way. 'The Graveyard Book' is a different type of ghost story, where the reader isn't afraid of the spirits, but rather of the living.
Later on in 'the Graveyard Book,' we meet a character named Scarlett. She is one of the only friends that Bod makes who is alive. For the majority of the book, Scarlett believes that Bod is just her imaginary friend, as her mother brings her to the graveyard every day to play (by this time, it is a claimed nature reserve) . But later on, when Scarlett returns as a teenager, she realizes that Bod is actually a real person. My only complaint about Scarlett's character is that the reader gets to see her dream walk- - - something we have been told only ghosts, supernatural creatures and Bod can do- - - yet, this is never explained why she is able to do this. It leaves one to wonder if Scarlett is a supernatural being or just a human with a particular ability?
" One grave in every graveyard belongs to the ghouls. Wander any graveyard long enough and you will find it- - - waterstained and bulging, with cracked or broken stone, scraggly grass or rank weeds about it, and a feeling, when you reach it, of abandonment. It may be colder than the other gravestones, too, and the name on the stone is all too often impossible to read. If there is a statue on the grave it will be headless or so scabbed with fungus and lichens as to look like a fungus itself. If one grave in a graveyard looks like a target for petty vandals, that is the ghoul-gate. If the grave makes you want to be somewhere else, that is the ghoul-gate. " The ghoul-gate has it's own entire scene in the book, but I wish the ghouls had been in the story quite a bit more. Overall, Gaiman wrote a very pleasing book that looks at ghosts in a different light. He brings up real life fears and fictional ones as well. Unfortunately, the book was written in 2008, and it doesn't seem that Gaiman is working on a sequel, so some questions may never be answered for the readers.
I really liked this book, and I think readers who enjoy paranormal aspects will love this story, too. As far as a ghost story goes, this one I highly recommend, but if you are looking for scares, I suggest you look elsewhere.
Yet, when Bod showed up at the graveyard, not all the residents wanted to keep the boy, but when a woman in grey appears, she settles the argument by telling them to keep him - - - bringing in the woman in grey seemed as though it only happened to introduce the character, which, unfortunately she is only seen one other time throughout the entire novel; this character really wasn't necessary. When Bod is kept, he is given the "Freedom of the Graveyard," which gives him the ability to see and talk to ghosts, as well as other things. This makes for a very intriguing adventure for us readers.
This book is almost flawless with the concept being very original. I honestly have nothing bad to say about the story. Gaiman doesn't use the usual horror tropes, instead he describes horrific events through the eyes of Bod, as he becomes more familiar with the world outside of the graveyard. Gaiman explains all of Bod's natural needs effortlessly within a graveyard, such as Bod learning to read and spell by using the letters on headstones. This book will surely change the way you look at graveyards for the rest of your life, if you hadn't already seen them in this way. 'The Graveyard Book' is a different type of ghost story, where the reader isn't afraid of the spirits, but rather of the living.
Later on in 'the Graveyard Book,' we meet a character named Scarlett. She is one of the only friends that Bod makes who is alive. For the majority of the book, Scarlett believes that Bod is just her imaginary friend, as her mother brings her to the graveyard every day to play (by this time, it is a claimed nature reserve) . But later on, when Scarlett returns as a teenager, she realizes that Bod is actually a real person. My only complaint about Scarlett's character is that the reader gets to see her dream walk- - - something we have been told only ghosts, supernatural creatures and Bod can do- - - yet, this is never explained why she is able to do this. It leaves one to wonder if Scarlett is a supernatural being or just a human with a particular ability?
" One grave in every graveyard belongs to the ghouls. Wander any graveyard long enough and you will find it- - - waterstained and bulging, with cracked or broken stone, scraggly grass or rank weeds about it, and a feeling, when you reach it, of abandonment. It may be colder than the other gravestones, too, and the name on the stone is all too often impossible to read. If there is a statue on the grave it will be headless or so scabbed with fungus and lichens as to look like a fungus itself. If one grave in a graveyard looks like a target for petty vandals, that is the ghoul-gate. If the grave makes you want to be somewhere else, that is the ghoul-gate. " The ghoul-gate has it's own entire scene in the book, but I wish the ghouls had been in the story quite a bit more. Overall, Gaiman wrote a very pleasing book that looks at ghosts in a different light. He brings up real life fears and fictional ones as well. Unfortunately, the book was written in 2008, and it doesn't seem that Gaiman is working on a sequel, so some questions may never be answered for the readers.
I really liked this book, and I think readers who enjoy paranormal aspects will love this story, too. As far as a ghost story goes, this one I highly recommend, but if you are looking for scares, I suggest you look elsewhere.
Ivana A. | Diary of Difference (1171 KP) rated His and Hers in Books
Aug 3, 2020
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With His and Hers by Alice Feeney, prepare to jump on a ride where one murder will open up the gates of the past, and expose a lot of people in a very brutal way.
I am extremely happy and proud I can be part of the blog tour for this book!
<b><i>Synopsis:</i></b>
When a woman is murdered in Blackdown village, Anna Andrews needs to go there to cover the story. However, her hometown brings back a lot of unwanted memories.
Her ex-husband, DCI Jack Harper is investigating the murder and is very suspicious of Anna's involvement. That is, until he becomes a suspect himself.
<b><i>My Thoughts: </i></b>
I have to admit, at the beginning I though this will be a domestic thriller, and I am not too keen on them. I enjoy them, but I prefer psychological thrillers more. It turned out that His and Hers is not only a psychological thriller, but also a very well written one. I have only read one book from Alice Feeney before,<a href="https://www.goodreads.com/review/show/2798981407?book_show_action=false&from_review_page=1">I Know Who You Are</a>, and I also enjoyed it, so I was expecting to enjoy this one as well.
<b><i>The chapters are split into three points of view.</i></b>
The first one is Her - Anna's point of view. The second one is Him - Jack's story. The third one is the point of view of the killer, who has their own thoughts and explanations. And the beautiful thing about the third point of view is that we don't know who it might be until the very end of the book. That point of view is so well written, that I kept guessing who it might be, and kept changing my mind. At the end, the answer was so surprising and satisfying in the end. And once I knew who the killer is, I went back and read those pages again, and they had a completely another meaning for me. Kudos to Alice for making this possible, as I know not everyone can manage to do this!
<b><i>"And I pay attention to the little things, because they are often the biggest clues to who a person really is. People rarely see themselves the way others do; we all carry broken mirrors."
Dementia</i></b>
The book also briefly focuses on Dementia, and we get to experience the moment Anna realises her mother is ill. For me, this had a special meaning, having experience working with people suffering from dementia, and the writing of the symptoms was very accurate. The reaction of Anna was quite accurate as well, in terms of how hard it was to notice, but also how much harder is to actually accept this fact.
<b><i>"Mum doesn't always remember that I'm thirty-six and live in London. She frequently forgets that I have a job, and that I used to have a husband and a child of my own. She didn't even seem to know that it was my birthday. There was no card this year, or last, but it's not her fault. Time is something my mother has forgotten how to tell. It moves differently for her now, often backwards instead of forwards. Dementia stole time from my mother, and stole my mother from me."</i></b>
If you get to read His and Hers, prepare for many twists, many mysteries, a lot of drama and betrayals. The ending was the most satisfying part for me, but I enjoyed this book all the way through and struggled to put it down. I recommend it to everyone that is in love with mystery thrillers, especially the ones that focus on the psychological aspect.
<b><i>"Youth fools us into thinking there are infinite paths to choose from in life; maturity tricks us into thinking there is only one."</i></b>
Thank you to the HQ Team, for sending me an ARC copy of this book in exchange for an honest review!
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<img src="https://diaryofdifference.com/wp-content/uploads/2020/05/Book-Review-Banner-55.png"/>;
With His and Hers by Alice Feeney, prepare to jump on a ride where one murder will open up the gates of the past, and expose a lot of people in a very brutal way.
I am extremely happy and proud I can be part of the blog tour for this book!
<b><i>Synopsis:</i></b>
When a woman is murdered in Blackdown village, Anna Andrews needs to go there to cover the story. However, her hometown brings back a lot of unwanted memories.
Her ex-husband, DCI Jack Harper is investigating the murder and is very suspicious of Anna's involvement. That is, until he becomes a suspect himself.
<b><i>My Thoughts: </i></b>
I have to admit, at the beginning I though this will be a domestic thriller, and I am not too keen on them. I enjoy them, but I prefer psychological thrillers more. It turned out that His and Hers is not only a psychological thriller, but also a very well written one. I have only read one book from Alice Feeney before,<a href="https://www.goodreads.com/review/show/2798981407?book_show_action=false&from_review_page=1">I Know Who You Are</a>, and I also enjoyed it, so I was expecting to enjoy this one as well.
<b><i>The chapters are split into three points of view.</i></b>
The first one is Her - Anna's point of view. The second one is Him - Jack's story. The third one is the point of view of the killer, who has their own thoughts and explanations. And the beautiful thing about the third point of view is that we don't know who it might be until the very end of the book. That point of view is so well written, that I kept guessing who it might be, and kept changing my mind. At the end, the answer was so surprising and satisfying in the end. And once I knew who the killer is, I went back and read those pages again, and they had a completely another meaning for me. Kudos to Alice for making this possible, as I know not everyone can manage to do this!
<b><i>"And I pay attention to the little things, because they are often the biggest clues to who a person really is. People rarely see themselves the way others do; we all carry broken mirrors."
Dementia</i></b>
The book also briefly focuses on Dementia, and we get to experience the moment Anna realises her mother is ill. For me, this had a special meaning, having experience working with people suffering from dementia, and the writing of the symptoms was very accurate. The reaction of Anna was quite accurate as well, in terms of how hard it was to notice, but also how much harder is to actually accept this fact.
<b><i>"Mum doesn't always remember that I'm thirty-six and live in London. She frequently forgets that I have a job, and that I used to have a husband and a child of my own. She didn't even seem to know that it was my birthday. There was no card this year, or last, but it's not her fault. Time is something my mother has forgotten how to tell. It moves differently for her now, often backwards instead of forwards. Dementia stole time from my mother, and stole my mother from me."</i></b>
If you get to read His and Hers, prepare for many twists, many mysteries, a lot of drama and betrayals. The ending was the most satisfying part for me, but I enjoyed this book all the way through and struggled to put it down. I recommend it to everyone that is in love with mystery thrillers, especially the ones that focus on the psychological aspect.
<b><i>"Youth fools us into thinking there are infinite paths to choose from in life; maturity tricks us into thinking there is only one."</i></b>
Thank you to the HQ Team, for sending me an ARC copy of this book in exchange for an honest review!
Daniel Boyd (1066 KP) rated The Legend of Zelda: Breath of the Wild in Video Games
Jul 25, 2017
Bonus Points - An Example Of The Favoritism Towards Certain Developers In The Gaming Industry, Even When They Don’t Deliver
Zelda: Breath Of The Wild came out last month and it has taken the gaming world by storm. As a non Zelda fan, I am left wondering why this is the case. Why is this Zelda game so revolutionary? I don’t own the game, but I have played the first few hours of it and I have read a good number of reviews on the game. There are a few critics claiming that this game, ‘writes a new chapter in the videogames industry,’ and that it is an, ‘evolution of everything that has come before.’
While I appreciate that this is a well made game and it is doing new things within the Zelda franchise, these statements stick in my throat a little. This isn’t because I don’t agree that this is an impressive game, because it is. Other than the odd frame rate drop, there aren’t many flaws with this game and I did enjoy the few hours that I spent with it, (I had a lend of a friends Switch for the night so I could try the game for myself.)
My problem comes from the fact that this is a well made game that isn’t doing anything that hasn’t been done before a million times and frankly been done better. Full disclosure, I have never been a Zelda fan, but I wanted this game to convert me and I’m sorry to say that it didn’t. The purpose of this piece isn’t to attack the Zelda franchise, so you fanboys can put your pitchforks down. What I want to discuss is how when Nintendo do anything that is slightly better than a disaster, it is heralded as the brave new step in video games by a large number of the video game press.
I get it, nostalgia is a powerful lens and most writers in their 30’s grew up playing on Nintendo systems and franchises like Mario and Zelda, but as someone who is around ten years younger and grew up with Playstation, I don’t feel that Nintendo has advanced a great deal since the turn of the millennium and frankly, I don’t see Nintendo as having broken any new ground in the last twenty years.
If games like Breath of the Wild came out on another console, they wouldn’t be lauded as the best thing since sliced bread. In fact they have, it’s called Horizon: Zero Dawn! When Horizon came out it received a positive critical reception and high sales, but no one was writing articles claiming it was the next step in the evolution of video games. Splatoon has been put on a pedestal and has been described as ‘fresh,’ and, ‘unique,’ even though it is nothing more than a dumbed down version of Team Fortress 2 for a younger audience. Super Mario Maker was released in 2015 and it was essentially a $60 level editor. Level editors have been included in other games since forever and no fuss has been made, but when Nintendo sell an entire game based on the concept, it’s hailed as another, ‘triumph by Nintendo.’
When you compare Breath of The Wild to other recent open world games like The Witcher or Skyrim, there is nothing that makes it unique from a design and functionality standpoint. If Breath of The Wild came out in 2008, then sure you could get away with labeling it revolutionary, but in this day and age it isn’t any more special than Horizon or Skyrim.
Let’s look at some of the features that have been called unique in the game. The tower climbing to uncover zones of the map mechanic has been done in the Assassin’s Creed and Far Cry series’. Using plants for crafting and cooking has been done in Far Cry and Skyrim. Far Cry 2 and Dead Island had degradable weapons. The inventory system is very reminiscent of multiple Ubisoft titles; essentially Breath of The Wild has taken some elements from other games and made something from that within the Zelda universe.
This may sound patronizing, but it honestly isn’t intended that way. I get it, Nintendo fans have had it hard over these last five years, they have had nothing to be proud of since the launch of the Wii and they have had to stand by their console of choice and defend themselves with very little ammo to defend themselves with, but as a result nowadays when anything better than a car crash is released by them it is inflated by a large number of critics in the industry and so Nintendo fans are given a justification for putting their mediocre games on a pedestal. This is why to the rest of the industry it appears that Nintendo fans can’t accept things for the way that they really are and everything is blown so far out of proportion.
Some examples of Nintendo games being blown out of proportion and reviewers being clouded by nostalgia are available to go and check out right now on Metacritic. Zelda: Skyward Sword is currently sitting at a 93, Zelda: Twilight Princess is sitting at a 95 and Metroid: Other M has a 79. All three of these games are recognized as subpar and once the novelty wore off, even the most hardcore of Nintendo fans would agree that these are forgettable, black marks on the respective franchises track records. Not that BOTW isn’t a game for Zelda fans to be proud of, because it is. I can see why this would be people’s game of the year so far and I can see why it could be considered as the best Zelda game, but to someone that isn’t a Zelda fan that praise is meaningless.
In summary, the inflation of mediocrity in the industry has to stop, if we want gaming to improve. If we want to break new ground across the gaming media, these sycophants and apologists living in a false perception of reality have to go. These novelty games that are applauded for simply carrying the title of a beloved franchise, have to stop being praised so highly and given a free pass of any sort of criticism just because of a nostalgic lens.
While I appreciate that this is a well made game and it is doing new things within the Zelda franchise, these statements stick in my throat a little. This isn’t because I don’t agree that this is an impressive game, because it is. Other than the odd frame rate drop, there aren’t many flaws with this game and I did enjoy the few hours that I spent with it, (I had a lend of a friends Switch for the night so I could try the game for myself.)
My problem comes from the fact that this is a well made game that isn’t doing anything that hasn’t been done before a million times and frankly been done better. Full disclosure, I have never been a Zelda fan, but I wanted this game to convert me and I’m sorry to say that it didn’t. The purpose of this piece isn’t to attack the Zelda franchise, so you fanboys can put your pitchforks down. What I want to discuss is how when Nintendo do anything that is slightly better than a disaster, it is heralded as the brave new step in video games by a large number of the video game press.
I get it, nostalgia is a powerful lens and most writers in their 30’s grew up playing on Nintendo systems and franchises like Mario and Zelda, but as someone who is around ten years younger and grew up with Playstation, I don’t feel that Nintendo has advanced a great deal since the turn of the millennium and frankly, I don’t see Nintendo as having broken any new ground in the last twenty years.
If games like Breath of the Wild came out on another console, they wouldn’t be lauded as the best thing since sliced bread. In fact they have, it’s called Horizon: Zero Dawn! When Horizon came out it received a positive critical reception and high sales, but no one was writing articles claiming it was the next step in the evolution of video games. Splatoon has been put on a pedestal and has been described as ‘fresh,’ and, ‘unique,’ even though it is nothing more than a dumbed down version of Team Fortress 2 for a younger audience. Super Mario Maker was released in 2015 and it was essentially a $60 level editor. Level editors have been included in other games since forever and no fuss has been made, but when Nintendo sell an entire game based on the concept, it’s hailed as another, ‘triumph by Nintendo.’
When you compare Breath of The Wild to other recent open world games like The Witcher or Skyrim, there is nothing that makes it unique from a design and functionality standpoint. If Breath of The Wild came out in 2008, then sure you could get away with labeling it revolutionary, but in this day and age it isn’t any more special than Horizon or Skyrim.
Let’s look at some of the features that have been called unique in the game. The tower climbing to uncover zones of the map mechanic has been done in the Assassin’s Creed and Far Cry series’. Using plants for crafting and cooking has been done in Far Cry and Skyrim. Far Cry 2 and Dead Island had degradable weapons. The inventory system is very reminiscent of multiple Ubisoft titles; essentially Breath of The Wild has taken some elements from other games and made something from that within the Zelda universe.
This may sound patronizing, but it honestly isn’t intended that way. I get it, Nintendo fans have had it hard over these last five years, they have had nothing to be proud of since the launch of the Wii and they have had to stand by their console of choice and defend themselves with very little ammo to defend themselves with, but as a result nowadays when anything better than a car crash is released by them it is inflated by a large number of critics in the industry and so Nintendo fans are given a justification for putting their mediocre games on a pedestal. This is why to the rest of the industry it appears that Nintendo fans can’t accept things for the way that they really are and everything is blown so far out of proportion.
Some examples of Nintendo games being blown out of proportion and reviewers being clouded by nostalgia are available to go and check out right now on Metacritic. Zelda: Skyward Sword is currently sitting at a 93, Zelda: Twilight Princess is sitting at a 95 and Metroid: Other M has a 79. All three of these games are recognized as subpar and once the novelty wore off, even the most hardcore of Nintendo fans would agree that these are forgettable, black marks on the respective franchises track records. Not that BOTW isn’t a game for Zelda fans to be proud of, because it is. I can see why this would be people’s game of the year so far and I can see why it could be considered as the best Zelda game, but to someone that isn’t a Zelda fan that praise is meaningless.
In summary, the inflation of mediocrity in the industry has to stop, if we want gaming to improve. If we want to break new ground across the gaming media, these sycophants and apologists living in a false perception of reality have to go. These novelty games that are applauded for simply carrying the title of a beloved franchise, have to stop being praised so highly and given a free pass of any sort of criticism just because of a nostalgic lens.
Hadley (567 KP) rated Frankenstein in Books
Apr 30, 2019
Great main character (1 more)
Beautiful writing
Over usage of some words (1 more)
Secondary characters have hardly a back story
In the horror genre, I have very few favorite female writers, but Mary Shelley is one of them. The way she weaves environments with character defining scenes is beautifully done in 'Frankenstein.' At the tender age of 18, Shelley was able to convey grief and loss through a single story. She created a relatable 'creature' that many readers will have pity for, but also an obsessive young man that can hardly be hated. Some people may be intimidated by the more diverse English language from the early 1800's, but, in my opinion, the story would not have had the same impact if it had been written today.
Not just horror readers will enjoy 'Frankenstein,' but also those who like to read philosophy. Shelley brings up life discerning questions that even society meddles with today. It's amazing to think that a two century old book discusses problems we still deal with.
The book begins with a sea captain that picks up a stranger that was stranded on a raft of ice, and this man has a fascinating story to tell. The entire book is a letter written by the sea captain to his sister, which he details every bit of Victor Frankenstein's several year tale. Readers get to follow Frankenstein's life from the moment his 'creature' is made to the end of his days, which traverses the globe. When Shelley begins to lull over her love of environments, she quickly picks up with character or story development that keeps our attention from wandering.
'Frankenstein' focuses on the need to be loved and accepted to live a happy existence,as well as reaching our dreams, but Shelley shows how achieving such things can cause a crushing defeat in the latter pursuit: "Night was far advanced when I came to the halfway resting-place, and seated myself beside the fountain. The stars shone at intervals, as the clouds passed from over them; the dark pines rose before me, and every here and there a broken tree lay on the ground: it was a scene of wonderful solemnity, and stirred strange thoughts within me. I wept bitterly; and clasping my hands in agony, I exclaimed, 'Oh! stars, and clouds, and winds, ye are all about to mock me: if ye really pity me, crush sensation and memory; let me become as nought; but if not, depart, depart, and leave me in darkness.' "
There are other characters we read of, including Frankenstein's best friend, Henry, and his long time love interest, Elizabeth (both of who grew up with Frankenstein). Henry comes from a well-to-do merchant family, while Elizabeth was orphaned from a wealthy family, then adopted by the Frankensteins as a future wife for Victor. Unfortunately, we learn little about them or Victor's family, that when any of them do die, it's not felt personally by the reader. There are other characters that had major events in the story, but as with the friends, they weren't developed enough to bring up any emotion at their passing.
After Frankenstein sets out after his creation,we meet the 'creature' at the top of a mountain. He is devastated that his creator hates him, and that the other humans he has met also hated him. "I expected this reception,' said the demon. 'All men hate the wretched; how, then, must I be hated, who am miserable beyond all living things! Yet you, my creator, detest and spurn me, thy creature, to whom thou art bound by ties only dissoluble by the annihilation of one of us. You purpose to kill me. How dare you sport thus with life? Do your duty towards me, and I will do mine towards you and the rest of mankind. If you will comply with my conditions, I will leave them and you at peace; but if you refuse, I will glut the maw of death, until it be satiated with the blood of your remaining friends.' "
The 'creature' gives Frankenstein an ultimatum: he either makes him a female companion or he will kill everyone Frankenstein loves and adores." 'What I ask of you is reasonable and moderate; I demand a creature of another sex, but as hideous as myself; the gratification is small, but it is all that I can receive,and it shall content me.' " Although, by this time, the 'creature' has already murdered Frankenstein's youngest brother, Victor agrees to make him a companion, but with serious regret soon after.
The majority of the story concerns Frankenstein trying fool-hardly to protect all those he loves while the 'creature' murders them one by one. The most surprising of the murders is Henry's. After Frankenstein changes his mind on making another creation, the 'creature' quickly finds Henry and kills him, but Frankenstein is accused of the murder and spends quite some time in prison for it. "But I was doomed to live; and, in two months, found myself as awaking from a dream, in a prison, stretched on a wretched bed, surrounded by gaolers, turnkeys, bolts, and all the miserable apparatus of a dungeon. "
Frankenstein is eventually released from prison when the evidence doesn't add up, and witnesses come forward, claiming to have seen Victor elsewhere at the time of the murder. Frankenstein is, at this time, in a drowning melancholy and madness, but this doesn't stop him from marrying Elizabeth. The 'creature' foretold Frankenstein that he would be with him on his wedding night, and Victor uses this to his advantage - arming himself with pistols and knives on the honeymoon. Yet, to no avail, Frankenstein is unable to outlive or outsmart the 'creature' at any turn.
'Frankenstein' is a must-read for all readers. Although many horror stories today pertain to a creature killing it's master, none of them can reach the grief stricken peaks as Shelley has. Every passage in this book reads like poetry. Every interaction between Frankenstein and his 'creature' is fascinating to the reader. And, before Frankenstein dies, he leaves the sea captain with words of wisdom that even readers could benefit from: "Seek happiness in tranquillity and avoid ambition, even if it be only the apparently innocent one of distinguishing yourself in science and discoveries."
Highly recommend!
Not just horror readers will enjoy 'Frankenstein,' but also those who like to read philosophy. Shelley brings up life discerning questions that even society meddles with today. It's amazing to think that a two century old book discusses problems we still deal with.
The book begins with a sea captain that picks up a stranger that was stranded on a raft of ice, and this man has a fascinating story to tell. The entire book is a letter written by the sea captain to his sister, which he details every bit of Victor Frankenstein's several year tale. Readers get to follow Frankenstein's life from the moment his 'creature' is made to the end of his days, which traverses the globe. When Shelley begins to lull over her love of environments, she quickly picks up with character or story development that keeps our attention from wandering.
'Frankenstein' focuses on the need to be loved and accepted to live a happy existence,as well as reaching our dreams, but Shelley shows how achieving such things can cause a crushing defeat in the latter pursuit: "Night was far advanced when I came to the halfway resting-place, and seated myself beside the fountain. The stars shone at intervals, as the clouds passed from over them; the dark pines rose before me, and every here and there a broken tree lay on the ground: it was a scene of wonderful solemnity, and stirred strange thoughts within me. I wept bitterly; and clasping my hands in agony, I exclaimed, 'Oh! stars, and clouds, and winds, ye are all about to mock me: if ye really pity me, crush sensation and memory; let me become as nought; but if not, depart, depart, and leave me in darkness.' "
There are other characters we read of, including Frankenstein's best friend, Henry, and his long time love interest, Elizabeth (both of who grew up with Frankenstein). Henry comes from a well-to-do merchant family, while Elizabeth was orphaned from a wealthy family, then adopted by the Frankensteins as a future wife for Victor. Unfortunately, we learn little about them or Victor's family, that when any of them do die, it's not felt personally by the reader. There are other characters that had major events in the story, but as with the friends, they weren't developed enough to bring up any emotion at their passing.
After Frankenstein sets out after his creation,we meet the 'creature' at the top of a mountain. He is devastated that his creator hates him, and that the other humans he has met also hated him. "I expected this reception,' said the demon. 'All men hate the wretched; how, then, must I be hated, who am miserable beyond all living things! Yet you, my creator, detest and spurn me, thy creature, to whom thou art bound by ties only dissoluble by the annihilation of one of us. You purpose to kill me. How dare you sport thus with life? Do your duty towards me, and I will do mine towards you and the rest of mankind. If you will comply with my conditions, I will leave them and you at peace; but if you refuse, I will glut the maw of death, until it be satiated with the blood of your remaining friends.' "
The 'creature' gives Frankenstein an ultimatum: he either makes him a female companion or he will kill everyone Frankenstein loves and adores." 'What I ask of you is reasonable and moderate; I demand a creature of another sex, but as hideous as myself; the gratification is small, but it is all that I can receive,and it shall content me.' " Although, by this time, the 'creature' has already murdered Frankenstein's youngest brother, Victor agrees to make him a companion, but with serious regret soon after.
The majority of the story concerns Frankenstein trying fool-hardly to protect all those he loves while the 'creature' murders them one by one. The most surprising of the murders is Henry's. After Frankenstein changes his mind on making another creation, the 'creature' quickly finds Henry and kills him, but Frankenstein is accused of the murder and spends quite some time in prison for it. "But I was doomed to live; and, in two months, found myself as awaking from a dream, in a prison, stretched on a wretched bed, surrounded by gaolers, turnkeys, bolts, and all the miserable apparatus of a dungeon. "
Frankenstein is eventually released from prison when the evidence doesn't add up, and witnesses come forward, claiming to have seen Victor elsewhere at the time of the murder. Frankenstein is, at this time, in a drowning melancholy and madness, but this doesn't stop him from marrying Elizabeth. The 'creature' foretold Frankenstein that he would be with him on his wedding night, and Victor uses this to his advantage - arming himself with pistols and knives on the honeymoon. Yet, to no avail, Frankenstein is unable to outlive or outsmart the 'creature' at any turn.
'Frankenstein' is a must-read for all readers. Although many horror stories today pertain to a creature killing it's master, none of them can reach the grief stricken peaks as Shelley has. Every passage in this book reads like poetry. Every interaction between Frankenstein and his 'creature' is fascinating to the reader. And, before Frankenstein dies, he leaves the sea captain with words of wisdom that even readers could benefit from: "Seek happiness in tranquillity and avoid ambition, even if it be only the apparently innocent one of distinguishing yourself in science and discoveries."
Highly recommend!