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Emma @ The Movies (1786 KP) rated Onward (2020) in Movies
Mar 15, 2020
I had very mixed feelings about Onward after seeing the trailer, it didn't feel like Pixar and if you'd shown it to me out of context I'd never have guessed it was them.
It's Ian's 16th birthday and things aren't exactly going to plan. To cheer him up his mum gives him and his brother a present left for them by their late father. In a world that has forgotten magic, their father had still believed, and he's leaving them a way that will allow them to see him again. When the only way to complete the spell means finding something long forgotten the brothers must embark on a quest, one that older brother Barley has been preparing for his whole life.
Onward starts with a great potted history of magic in their world and how it's been replaced by modern amenities. It feels like they made a very quick change but I liked it over the sped-up timeline over many years, it actually summed up a more modern way of abandoning things that aren't convenient. It also allows you to have fun little moments of thinking about how things changed when you see flashes of their past during the film.
With Pixar you know that you're going to get that sentiment and deeper meaning that induces bucketloads of tears and in Onward it's a strong message about family and how the past weighs down on what's actually happening in the present. None of that meaning really feels like it's there until very late in the film though, the beginning is more like some generic off-brand fantasy adventure, and though the two ends fit together they don't seem like they belong together.
The mix of characters is fun but we don't get a proper introduction to who, or what, many of them are. It's a shame that with such a varied selection of creatures that most are just relegated to being quirky looking with no real function. There were at least things to appreciate from some of them, Colt counting I thought was a fun touch, and I loved Corey the Manticore, her whole transition through the film was funny and very entertaining.
Chris Pratt as Barley was the only spot on bit of casting for me, his happy-go-lucky demeanour fits the character and we're treated to some of that Starlord adventure. (My favourite Barley scene was definitely the bridge). Everyone else kind of felt a little... meh? I wasn't wowed, I wasn't hooked in trying to work out who the voices were, it all felt a little bland. Partly I think that's because I never felt like I learned anything about them. Sure, some bits were fun, but through most of the film I wasn't really bothered what happened to any of them.
The journey that brothers Ian and Barley go on is full of twists and turns, they're amusing but nothing we haven't really seen before. As I mentioned, the emotional payoff doesn't appear until very late, and it did reduce me to tears, but it could have been so much more. The build-up to it had no real substance, especially when you consider how meaningful it's conclusion is.
In fact, the build-up could have offered up so many different things. For a fantasy story with magic and mythical creatures it holds little to no magical feeling. There's no real spectacle or pizzazz to anything. When I think of magic in other films I get wonder and joy, but in Onward it's done more for jokes. Even at the climax of the film it takes on so much humour that it detracts from the emotions.
Dan Scalon's story is partly based on his own experiences (I'm assuming with less mythical creature though)... and that story is peak Pixar... but the world created around it isn't strong enough for the sentiment it portrays. Taking such a powerful message about family and bundling it up in something that doesn't have the usual Pixar strength and heart feels like a travesty to me.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/onward-movie-review.html
It's Ian's 16th birthday and things aren't exactly going to plan. To cheer him up his mum gives him and his brother a present left for them by their late father. In a world that has forgotten magic, their father had still believed, and he's leaving them a way that will allow them to see him again. When the only way to complete the spell means finding something long forgotten the brothers must embark on a quest, one that older brother Barley has been preparing for his whole life.
Onward starts with a great potted history of magic in their world and how it's been replaced by modern amenities. It feels like they made a very quick change but I liked it over the sped-up timeline over many years, it actually summed up a more modern way of abandoning things that aren't convenient. It also allows you to have fun little moments of thinking about how things changed when you see flashes of their past during the film.
With Pixar you know that you're going to get that sentiment and deeper meaning that induces bucketloads of tears and in Onward it's a strong message about family and how the past weighs down on what's actually happening in the present. None of that meaning really feels like it's there until very late in the film though, the beginning is more like some generic off-brand fantasy adventure, and though the two ends fit together they don't seem like they belong together.
The mix of characters is fun but we don't get a proper introduction to who, or what, many of them are. It's a shame that with such a varied selection of creatures that most are just relegated to being quirky looking with no real function. There were at least things to appreciate from some of them, Colt counting I thought was a fun touch, and I loved Corey the Manticore, her whole transition through the film was funny and very entertaining.
Chris Pratt as Barley was the only spot on bit of casting for me, his happy-go-lucky demeanour fits the character and we're treated to some of that Starlord adventure. (My favourite Barley scene was definitely the bridge). Everyone else kind of felt a little... meh? I wasn't wowed, I wasn't hooked in trying to work out who the voices were, it all felt a little bland. Partly I think that's because I never felt like I learned anything about them. Sure, some bits were fun, but through most of the film I wasn't really bothered what happened to any of them.
The journey that brothers Ian and Barley go on is full of twists and turns, they're amusing but nothing we haven't really seen before. As I mentioned, the emotional payoff doesn't appear until very late, and it did reduce me to tears, but it could have been so much more. The build-up to it had no real substance, especially when you consider how meaningful it's conclusion is.
In fact, the build-up could have offered up so many different things. For a fantasy story with magic and mythical creatures it holds little to no magical feeling. There's no real spectacle or pizzazz to anything. When I think of magic in other films I get wonder and joy, but in Onward it's done more for jokes. Even at the climax of the film it takes on so much humour that it detracts from the emotions.
Dan Scalon's story is partly based on his own experiences (I'm assuming with less mythical creature though)... and that story is peak Pixar... but the world created around it isn't strong enough for the sentiment it portrays. Taking such a powerful message about family and bundling it up in something that doesn't have the usual Pixar strength and heart feels like a travesty to me.
Originally posted on: https://emmaatthemovies.blogspot.com/2020/03/onward-movie-review.html
Bob Mann (459 KP) rated Mother! (2017) in Movies
Sep 29, 2021
Welcome to the Crystal Maze.
Darren Aronosfsky’s mother! is like no other film you’ll see this year: guaranteed. As a film lover, an Aronosfsky film is a bit like root canal at the dentist: you know you really need to go ahead and do it, but you know you’re not going to be very comfortable in the process.
Jennifer Lawrence (“Passengers“, “Joy“) plays “mother!” doing up a dilapidated old house in the middle of nowhere with her much older husband “Him” (Javier Bardem, “Skyfall”). he (sorry…. He) is a world-famous poet struggling to overcome a massive writing block. The situation is making things tense between the couple, and things get worse when He inexplicably invites a homeless couple “man” (Ed Harris, “Westworld”, “The Truman Show”) and “woman” (Michelle Pfeiffer, “Stardust”) to stay at the house. As things go progressively downhill, is mother losing her mind or is all the crazy stuff going on actually happening?
Jennifer Lawrence can do no wrong at the moment, and her complexion in the film is flawless: it needs to be, since she has the camera constantly about 3 inches from her face for large chunks of the movie: I sat in the very back row, and I still wasn’t far enough away! Her portrayal of a house-proud woman getting progressively more and more irritated by her guests’ inconsiderate acts – a glass? without a table mat??! – is a joy to watch. As her DIY ‘paradise’ is progressively sullied my ‘man’ and ‘woman’, so her distress grows exponentially.
Some of the supporting acting is also superb, with Ed Harris and particularly Michelle Pfeiffer enjoying themselves immensely. Also worthy of note are the brothers played by real-life brothers Brian Gleeson and Domhnall Gleeson: the latter must never sleep since he must be *constantly* on set at the moment. One of these guys in particular is very abel! (sic).
Whereas the trailer depicts this as a kind of normal haunted house spookfest, it is actually nothing of the sort: much of the action (although far-fetched) has a reasonably rational explanation (a continuation of my theme of the “physics of horror” from my last two reviews). The film is largely seen through mother!’s eyes, and the skillful cinematographer Matthew Libatique – an Aronosfsky-regular – oppressively and relentlessly delivers a uniquely tense cinematic experience. For me, for the first two thirds of the film at least, it succeeds brilliantly.
Aronosfsky is no shirker of film controversy: having Natalie Portman perform oral sex on Natalie Portman in “Black Swan” was enough to teach you that. But in the final reels of this film, Aronosfsky doesn’t just wind the dial past 10 to the Spinal Tap 11…. he keeps going right on up to 20. There are a few scenes in movies over the years that I wish I could go back and “unsee”, and this film has one of those: a truly upsetting slice of horror, playing to your worst nightmares of loss and despair. While the religious allegory in these scenes is splatted on as heavily as the splodges of mother!’s decorative plaster, they are nonetheless extremely disturbing and bound to massively divide the cinema audience. I think it’s fair to say that this DVD is not going to have “The Perfect Gift for Mother’s Day” as its marketing strapline.
Which all leaves me… where exactly? For the first time in a long time I actually have no idea! This is a film that I was willing to give an “FF” to while I was watching it, but as time has passed and I have thought more on the environmental and religious allegories, and the portrayal of the cult worship prevalent in popular X-factor celebrity, I am warming to it despite my best instincts not to. I’m not religious, but I would love to compare notes on this one with someone with strongly Christian views.
So, I’m actually going to break all the rules (a snake told me to) and not provide any rating below at this time. I might revisit it again at Christmas* to see if I can resolve it in my mind as either a movie masterpiece or over-indulgent codswallop.
* I have, and have decided to give it 4 Fads… its a film I’ve thought about a lot over the last few months.
Jennifer Lawrence (“Passengers“, “Joy“) plays “mother!” doing up a dilapidated old house in the middle of nowhere with her much older husband “Him” (Javier Bardem, “Skyfall”). he (sorry…. He) is a world-famous poet struggling to overcome a massive writing block. The situation is making things tense between the couple, and things get worse when He inexplicably invites a homeless couple “man” (Ed Harris, “Westworld”, “The Truman Show”) and “woman” (Michelle Pfeiffer, “Stardust”) to stay at the house. As things go progressively downhill, is mother losing her mind or is all the crazy stuff going on actually happening?
Jennifer Lawrence can do no wrong at the moment, and her complexion in the film is flawless: it needs to be, since she has the camera constantly about 3 inches from her face for large chunks of the movie: I sat in the very back row, and I still wasn’t far enough away! Her portrayal of a house-proud woman getting progressively more and more irritated by her guests’ inconsiderate acts – a glass? without a table mat??! – is a joy to watch. As her DIY ‘paradise’ is progressively sullied my ‘man’ and ‘woman’, so her distress grows exponentially.
Some of the supporting acting is also superb, with Ed Harris and particularly Michelle Pfeiffer enjoying themselves immensely. Also worthy of note are the brothers played by real-life brothers Brian Gleeson and Domhnall Gleeson: the latter must never sleep since he must be *constantly* on set at the moment. One of these guys in particular is very abel! (sic).
Whereas the trailer depicts this as a kind of normal haunted house spookfest, it is actually nothing of the sort: much of the action (although far-fetched) has a reasonably rational explanation (a continuation of my theme of the “physics of horror” from my last two reviews). The film is largely seen through mother!’s eyes, and the skillful cinematographer Matthew Libatique – an Aronosfsky-regular – oppressively and relentlessly delivers a uniquely tense cinematic experience. For me, for the first two thirds of the film at least, it succeeds brilliantly.
Aronosfsky is no shirker of film controversy: having Natalie Portman perform oral sex on Natalie Portman in “Black Swan” was enough to teach you that. But in the final reels of this film, Aronosfsky doesn’t just wind the dial past 10 to the Spinal Tap 11…. he keeps going right on up to 20. There are a few scenes in movies over the years that I wish I could go back and “unsee”, and this film has one of those: a truly upsetting slice of horror, playing to your worst nightmares of loss and despair. While the religious allegory in these scenes is splatted on as heavily as the splodges of mother!’s decorative plaster, they are nonetheless extremely disturbing and bound to massively divide the cinema audience. I think it’s fair to say that this DVD is not going to have “The Perfect Gift for Mother’s Day” as its marketing strapline.
Which all leaves me… where exactly? For the first time in a long time I actually have no idea! This is a film that I was willing to give an “FF” to while I was watching it, but as time has passed and I have thought more on the environmental and religious allegories, and the portrayal of the cult worship prevalent in popular X-factor celebrity, I am warming to it despite my best instincts not to. I’m not religious, but I would love to compare notes on this one with someone with strongly Christian views.
So, I’m actually going to break all the rules (a snake told me to) and not provide any rating below at this time. I might revisit it again at Christmas* to see if I can resolve it in my mind as either a movie masterpiece or over-indulgent codswallop.
* I have, and have decided to give it 4 Fads… its a film I’ve thought about a lot over the last few months.
Bob Mann (459 KP) rated Hell or High Water (2016) in Movies
Sep 29, 2021
“Sometimes a blind pig finds a truffle”.
One of the joys (and stresses) of the run up to the Oscar weekend is to try to catch all the major award films before the big event. As I bitched about in my BAFTA write-up, UK release dates do NOT make this an easy task, with some films like Paul Verhoeven’s “Elle”, featuring Best Actress nominee Isabelle Huppert, not released until mid March.
This week I have had the chance to catch up on two of the films with award potential that I missed at the cinema, and this is the write up of the first of those: “Hell or High Water”, was first released in September 2016, and what an excellent film it is.
Bank robberies have been featured in many hundreds of films since the early days of cinema: The Great Train Robbery for example dates back to 1903! More recent heist classics such as “Oceans 11”, “Die Hard”, “Run Lola Run” and “The Dark Knight Rises” tend towards the stylised end of the act. Where this film delivers interest is in aligning the protagonists’ drivers with the banking and mortgage ‘crimes’ featured in last year’s “The Big Short”. Add in to the movie Nutribullet a soupçon of the West Texan setting from Arthur Penn’s 1967 “Bonnie and Clyde”, turn it on and you have “Hell or High Water”.
Chris Pine (“Star Trek”) and Ben Foster (“Inferno“, “The Program“) play brothers Toby and Tanner Howard trying to rescue their deceased mother’s ranch from being foreclosed on by Texas Midlands bank. Rather than taking one of the “get out of debt” offers advertised on billboards – cleverly and insistently introduced in long panning highway shots – the brothers have their own financial plan: a scheme that involves early morning raids of the cash drawers of small-town Texas Midlands branches. But the meticulous planning of Toby, as the calm and intelligent one, are constantly at risk of upset by the unpredictable and violent actions of the loose-cannon Tanner.
Since the amounts of cash stolen are in the thousands rather than the millions, the FBI aren’t interested and the case is handed instead by aged and grumpy Texas Ranger Marcus Hamilton (Jeff Bridges, “True Grit”) and his partner Alberto (Gil Birmingham). The pair have a respectful relationship but one built around racial banter, with Hamilton constantly referring to Alberto’s Mexican/Comanche heritage. A cat and mouse game ensues with the lawmen staking out the most likely next hits. The sonorous cello strings of the soundtrack portend a dramatic finale, and we as viewers are not disappointed.
The performances of the main leads are all excellent, with Chris Pine given the chance to show more acting chops than he has had chance to with his previous Kirk/Jack Ryan characters. His chemistry with Ben Foster is just sublime. Similarly, Jeff Bridges and Gil Birmingham make for a formidable double act. It is Jeff Bridges though who has the standout performance and one that is Oscar nominated for Best Supporting Actor. (In fact with Michael Shannon also getting nominated in the same category for “Nocturnal Animals”, we can add ‘West Texan lawman’ to ‘Holocaust movies’ (a Winslet “Extras” reference there!) as the prime bait for Oscar nomination glory!)
The real winner here though is the whip-smart screenplay by Taylor Sheridan (“Sicario“) which sizzles with great lines: lines that make you grin inanely at the screen regularly through the running time.”In your last days in the nursing home, you’ll think of me and giggle” schmoozes Tanner to the pretty hotel check-in girl: a come-on clearly worth remembering as it delivers the goods, as it were.
The trick here is in building up a degree of empathy and sympathy for the characters on both sides. The ‘bad guys’ here are successfully portrayed as the banks. At the moment you can get 25/1 odds on this winning the Best Original Screenplay Oscar – but I would personally rate it right up there with “Manchester by the Sea“.
Deftly directed by Scot David Mackenzie (“Starred Up”) this is a film (the first of two!) that might well have elbowed it’s way into my Top 10 of 2016 if I’d seen it during its cinema release. Well worth catching on the small screen.
This week I have had the chance to catch up on two of the films with award potential that I missed at the cinema, and this is the write up of the first of those: “Hell or High Water”, was first released in September 2016, and what an excellent film it is.
Bank robberies have been featured in many hundreds of films since the early days of cinema: The Great Train Robbery for example dates back to 1903! More recent heist classics such as “Oceans 11”, “Die Hard”, “Run Lola Run” and “The Dark Knight Rises” tend towards the stylised end of the act. Where this film delivers interest is in aligning the protagonists’ drivers with the banking and mortgage ‘crimes’ featured in last year’s “The Big Short”. Add in to the movie Nutribullet a soupçon of the West Texan setting from Arthur Penn’s 1967 “Bonnie and Clyde”, turn it on and you have “Hell or High Water”.
Chris Pine (“Star Trek”) and Ben Foster (“Inferno“, “The Program“) play brothers Toby and Tanner Howard trying to rescue their deceased mother’s ranch from being foreclosed on by Texas Midlands bank. Rather than taking one of the “get out of debt” offers advertised on billboards – cleverly and insistently introduced in long panning highway shots – the brothers have their own financial plan: a scheme that involves early morning raids of the cash drawers of small-town Texas Midlands branches. But the meticulous planning of Toby, as the calm and intelligent one, are constantly at risk of upset by the unpredictable and violent actions of the loose-cannon Tanner.
Since the amounts of cash stolen are in the thousands rather than the millions, the FBI aren’t interested and the case is handed instead by aged and grumpy Texas Ranger Marcus Hamilton (Jeff Bridges, “True Grit”) and his partner Alberto (Gil Birmingham). The pair have a respectful relationship but one built around racial banter, with Hamilton constantly referring to Alberto’s Mexican/Comanche heritage. A cat and mouse game ensues with the lawmen staking out the most likely next hits. The sonorous cello strings of the soundtrack portend a dramatic finale, and we as viewers are not disappointed.
The performances of the main leads are all excellent, with Chris Pine given the chance to show more acting chops than he has had chance to with his previous Kirk/Jack Ryan characters. His chemistry with Ben Foster is just sublime. Similarly, Jeff Bridges and Gil Birmingham make for a formidable double act. It is Jeff Bridges though who has the standout performance and one that is Oscar nominated for Best Supporting Actor. (In fact with Michael Shannon also getting nominated in the same category for “Nocturnal Animals”, we can add ‘West Texan lawman’ to ‘Holocaust movies’ (a Winslet “Extras” reference there!) as the prime bait for Oscar nomination glory!)
The real winner here though is the whip-smart screenplay by Taylor Sheridan (“Sicario“) which sizzles with great lines: lines that make you grin inanely at the screen regularly through the running time.”In your last days in the nursing home, you’ll think of me and giggle” schmoozes Tanner to the pretty hotel check-in girl: a come-on clearly worth remembering as it delivers the goods, as it were.
The trick here is in building up a degree of empathy and sympathy for the characters on both sides. The ‘bad guys’ here are successfully portrayed as the banks. At the moment you can get 25/1 odds on this winning the Best Original Screenplay Oscar – but I would personally rate it right up there with “Manchester by the Sea“.
Deftly directed by Scot David Mackenzie (“Starred Up”) this is a film (the first of two!) that might well have elbowed it’s way into my Top 10 of 2016 if I’d seen it during its cinema release. Well worth catching on the small screen.
Ivana A. | Diary of Difference (1171 KP) rated The Awakening (The Vampire Diaries, #1) in Books
Feb 3, 2020
<a href="https://diaryofdifference.com/">Blog</a>; | <a href="https://www.facebook.com/diaryofdifference/">Facebook</a>; | <a href="https://twitter.com/DiaryDifference">Twitter</a>; | <a href="https://www.instagram.com/diaryofdifference/">Instagram</a>; | <a href="https://www.pinterest.co.uk/diaryofdifference/pins/">Pinterest</a>;
#1 <a href="https://www.goodreads.com/review/show/2998210568">The Awakening</a> - ★★★★★
#2 <a href="https://www.goodreads.com/review/show/2998210684">The Struggle</a> - ★★★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2019/10/Book-Review-Banner-24.png"/>;
<b><i>I had The Awakening and the Struggle (the first and second books from the Vampire Diaries series) on my shelf for years.</i></b>
When I say years, I mean it. It all started when I was in high-school, around 6 years ago, and I was in love with the Vampire Diaries TV Show. When I found out there are books as well, I begged my mum to buy them for me. And once I had them, I never got to read them, because teenage logic...
I recently noticed the Vampire Diaries books sitting on my shelf, forgotten, and I thought it would be a perfect opportunity to read it in October, because of the whole spooky vibe. So there it is now - even thought the wheel didn't choose it, I did, because it deserved the attention!
Elena Gilbert is a popular girl in high-school and she always gets what she wants. Boys want to be with her, girls hate her, or want to be her best friends. And when this new boy Stefan comes into town, all mysterious, Elena wants him. But Stefan is hiding a deadly secret that Elena might now be ready for just yet. And her life, as well as the life of everyone living in Fell's Church is in grave danger... Elena finds herself between two brothers - one who came for a new life, and the other, who came for revenge...
Reading this book, while already knowing what the plot it, I thought I found find it boring. But no. I still enjoyed every single page of it, and I still devoured this book in one day.
From the first chapter, this book is intense and captures your attention. It is written in third person, but it also contains diary entries that belong to Elena and capture her deepest thoughts that she doesn't dare share with anyone else.
<b><i>I loved Elena!</i></b>
Her character is exactly what I was expected and what I have known to love - brave and fierce, and also willing to sacrifice her own happiness and safety for the people she loves the most.
Elena's friends, Meredith and Bonnie are the friends every girl needs. Funny and caring. A few pages in, and you will get to love them too.
Stefan - the mysterious new guy in school. The guy that tries to stay away from the girl he really wants because he's a danger to her. A little bit of Twilight vibes, but we can get past that. Because there is one thing that Twilight didn't have, that you can find reading The Vampire Diaries...
<b><i>DAMON</i></b>
Even though we only get a glimpse of him in this book, we can feel his presence throughout the whole book. We can feel his connection with Elena, as weird and spooky as it may be. All that danger that he carries with him, we all want to see whether there's anything good in him at all. His story is the most intriguing one, I think. His hunger for revenge makes you really understand both sides of the story and choose a side for yourself.
<b><i>So, are you team Stefan, or team Damon?</i></b>
I loved reading this - it was an amazing experience and it reminded me of my high-school days, of those innocent happy memories. My teenage life didn't include vampires, but hey - it was still awesome!
Pick the Vampire Diaries up if you love Young Adult spooky books, if you loved Twilight and if you love vampire, love and mystery stories in general.
<img src="https://diaryofdifference.com/wp-content/uploads/2019/10/Book-Review-Banner-8.png"/>;
<b><i>The Struggle is the continuation of the Vampire Diaries Series by L.J. Smith. The second book that features the life of popular girl Elena Gilbert and her endeavors with the mysterious vampire brothers Stefan and Damon Salvatore.</i></b>
The Struggle continues where The Awakening ends; Elena is looking to talk to Damon, knowing that he has something to do with Stefan's disappearance.
I felt like there was more action in this book, compared to the first one. It made me more engrossed with the story and I was very excited for all the twists.
Elena was obviously the main character in this book, alongside Stefan and Damon. I am not sure how I felt about Elena in this book. She seemed to ignore everyone for a while and just be her selfish self - which resulted in getting people in trouble.
On the other hand, I really loved the history of Stefan and Damon. The memories from hundreds of years ago. The author manager to portray the time very well, and I was easily transported into another world, another time... I think these scenes were definitely the favourite part of this book.
I wish we saw more chapters with Bonnie and Meredith. Even though best friends, it didn't feel like they were too involved in the story. We didn't get to know them properly and it has already been two books. I really hope book three will let us meet these two characters better.
I am happy with the book in general.
The scenes, the plot, the twists - they were all very carefully put together. Elena's love choices are opening up, letting us wonder which brother she might choose. Making us choose sides (team Damon here!). This battle between the love and hate of the two brothers definitely seems interesting.
<b>The ending was everything I was hoping for and now I can't wait for the next book. The Awakening and The Struggle were only an introduction and the real adventures are yet to begin!</b>
I recommend it to all of you that love young-adult, teen romance and vampire stories. It will keep you on your toes for sure!
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#1 <a href="https://www.goodreads.com/review/show/2998210568">The Awakening</a> - ★★★★★
#2 <a href="https://www.goodreads.com/review/show/2998210684">The Struggle</a> - ★★★★★
<img src="https://diaryofdifference.com/wp-content/uploads/2019/10/Book-Review-Banner-24.png"/>;
<b><i>I had The Awakening and the Struggle (the first and second books from the Vampire Diaries series) on my shelf for years.</i></b>
When I say years, I mean it. It all started when I was in high-school, around 6 years ago, and I was in love with the Vampire Diaries TV Show. When I found out there are books as well, I begged my mum to buy them for me. And once I had them, I never got to read them, because teenage logic...
I recently noticed the Vampire Diaries books sitting on my shelf, forgotten, and I thought it would be a perfect opportunity to read it in October, because of the whole spooky vibe. So there it is now - even thought the wheel didn't choose it, I did, because it deserved the attention!
Elena Gilbert is a popular girl in high-school and she always gets what she wants. Boys want to be with her, girls hate her, or want to be her best friends. And when this new boy Stefan comes into town, all mysterious, Elena wants him. But Stefan is hiding a deadly secret that Elena might now be ready for just yet. And her life, as well as the life of everyone living in Fell's Church is in grave danger... Elena finds herself between two brothers - one who came for a new life, and the other, who came for revenge...
Reading this book, while already knowing what the plot it, I thought I found find it boring. But no. I still enjoyed every single page of it, and I still devoured this book in one day.
From the first chapter, this book is intense and captures your attention. It is written in third person, but it also contains diary entries that belong to Elena and capture her deepest thoughts that she doesn't dare share with anyone else.
<b><i>I loved Elena!</i></b>
Her character is exactly what I was expected and what I have known to love - brave and fierce, and also willing to sacrifice her own happiness and safety for the people she loves the most.
Elena's friends, Meredith and Bonnie are the friends every girl needs. Funny and caring. A few pages in, and you will get to love them too.
Stefan - the mysterious new guy in school. The guy that tries to stay away from the girl he really wants because he's a danger to her. A little bit of Twilight vibes, but we can get past that. Because there is one thing that Twilight didn't have, that you can find reading The Vampire Diaries...
<b><i>DAMON</i></b>
Even though we only get a glimpse of him in this book, we can feel his presence throughout the whole book. We can feel his connection with Elena, as weird and spooky as it may be. All that danger that he carries with him, we all want to see whether there's anything good in him at all. His story is the most intriguing one, I think. His hunger for revenge makes you really understand both sides of the story and choose a side for yourself.
<b><i>So, are you team Stefan, or team Damon?</i></b>
I loved reading this - it was an amazing experience and it reminded me of my high-school days, of those innocent happy memories. My teenage life didn't include vampires, but hey - it was still awesome!
Pick the Vampire Diaries up if you love Young Adult spooky books, if you loved Twilight and if you love vampire, love and mystery stories in general.
<img src="https://diaryofdifference.com/wp-content/uploads/2019/10/Book-Review-Banner-8.png"/>;
<b><i>The Struggle is the continuation of the Vampire Diaries Series by L.J. Smith. The second book that features the life of popular girl Elena Gilbert and her endeavors with the mysterious vampire brothers Stefan and Damon Salvatore.</i></b>
The Struggle continues where The Awakening ends; Elena is looking to talk to Damon, knowing that he has something to do with Stefan's disappearance.
I felt like there was more action in this book, compared to the first one. It made me more engrossed with the story and I was very excited for all the twists.
Elena was obviously the main character in this book, alongside Stefan and Damon. I am not sure how I felt about Elena in this book. She seemed to ignore everyone for a while and just be her selfish self - which resulted in getting people in trouble.
On the other hand, I really loved the history of Stefan and Damon. The memories from hundreds of years ago. The author manager to portray the time very well, and I was easily transported into another world, another time... I think these scenes were definitely the favourite part of this book.
I wish we saw more chapters with Bonnie and Meredith. Even though best friends, it didn't feel like they were too involved in the story. We didn't get to know them properly and it has already been two books. I really hope book three will let us meet these two characters better.
I am happy with the book in general.
The scenes, the plot, the twists - they were all very carefully put together. Elena's love choices are opening up, letting us wonder which brother she might choose. Making us choose sides (team Damon here!). This battle between the love and hate of the two brothers definitely seems interesting.
<b>The ending was everything I was hoping for and now I can't wait for the next book. The Awakening and The Struggle were only an introduction and the real adventures are yet to begin!</b>
I recommend it to all of you that love young-adult, teen romance and vampire stories. It will keep you on your toes for sure!
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Merissa (13176 KP) rated Touched by Death in Books
Oct 2, 2017
Touched by Death by T.L. Martin
Touched by Death is a simply amazing book that you have to read. There you go, review finished. I've said all that needs to be said. What? You want more details? *sigh* okay, here we go:
The story starts with Lou leaving all she knows behind - her home, her ex-boyfriend, everything. Why? Her grams has just died and she feels lost. She doesn't know what to do, so makes a decision to head to a place from her grams past where she may find a future. However a storm has a different idea, and Lou ends up going over a bridge into a lake. She doesn't die, is saved, but strange things begin to happen from that moment on.
And that is as much of the story as I am prepared to give away. You have the synopsis already anyway. What I can tell you is that Lou's 'journey' (and yes, I'm loathe to use that word) is astounding. The things she learns, the dreams she has, her general attitude, it all sticks with you. You are drawn into Lou's world, hoping against hope that she will get her HEA. The description of the broken heart about did me in, and that's the truth. Read it, find the quote, and tell me that you disagree. I dare you! I double dog-dare you!
It all ties in so perfectly, I can't honestly think of any way in which this story could be improved. The brothers, grams, Lou, Mr Blackwood, it's all here - and it's brilliant. There were no errors of any description, editing or grammatical, that disrupted my reading flow. However, in the case of being 100% accurate, I couldn't honestly say I would have noticed even if there were any. I was so completely engrossed in the story. Absolutely magnificent. Fantastic job by the author. Highly recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
The story starts with Lou leaving all she knows behind - her home, her ex-boyfriend, everything. Why? Her grams has just died and she feels lost. She doesn't know what to do, so makes a decision to head to a place from her grams past where she may find a future. However a storm has a different idea, and Lou ends up going over a bridge into a lake. She doesn't die, is saved, but strange things begin to happen from that moment on.
And that is as much of the story as I am prepared to give away. You have the synopsis already anyway. What I can tell you is that Lou's 'journey' (and yes, I'm loathe to use that word) is astounding. The things she learns, the dreams she has, her general attitude, it all sticks with you. You are drawn into Lou's world, hoping against hope that she will get her HEA. The description of the broken heart about did me in, and that's the truth. Read it, find the quote, and tell me that you disagree. I dare you! I double dog-dare you!
It all ties in so perfectly, I can't honestly think of any way in which this story could be improved. The brothers, grams, Lou, Mr Blackwood, it's all here - and it's brilliant. There were no errors of any description, editing or grammatical, that disrupted my reading flow. However, in the case of being 100% accurate, I couldn't honestly say I would have noticed even if there were any. I was so completely engrossed in the story. Absolutely magnificent. Fantastic job by the author. Highly recommended by me.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and my comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Whatchareadin (174 KP) rated I Feel Like Going On: Life, Game, and Glory in Books
May 10, 2018
<u>I Feel Like Going On</u> tells the story of Ray Lewis's life through his point of view. From his early childhood to the man he is today. I learned quite a bit about Ray Lewis that I didn't know and found very interesting. A religious and family man with seven children, he is a very different person than the man who used to be on the football field.
Growing up in Maryland, I only root for two teams, the Washington Redskins and whoever is playing the Dallas Cowboys. When I was a kid, the Baltimore team had been long, so the Redskins were who I went for. I respect, Ray Lewis as an amazing defensive player in the NFL. Occasionally, I would cheer for Baltimore especially when they were in the Super Bowl. It was interesting to find out that the Redskins were Ray's favorite as well. He has a very religious side to him that you don't get to see on the field. He is also very family oriented, always there for his kids as well as his mother and brothers and sisters. There are a lot of things I learned from this book about Ray Lewis and about life in general. The best part of the book came at the end when Ray talks about what his mother taught him.
"Be an example. Be a force for good. And know that every one with a great name has been through something. A great deal of something. It's not about doing what everybody else is doing. It's just about being true to yourself whatever the majority of people are doing, go ahead and do the opposite--if you know what you're doing to be right and good and true. Live your legacy. Do your thing. Walk in a certain light."
This book is an inspiration to anyone who is struggling through life and may be unsure how they are going to make it through the storm. Ray Lewis made it through a single mom household, losing friends and coaches, and being accused of the most terrible things. He made it through alive andd on top.
Growing up in Maryland, I only root for two teams, the Washington Redskins and whoever is playing the Dallas Cowboys. When I was a kid, the Baltimore team had been long, so the Redskins were who I went for. I respect, Ray Lewis as an amazing defensive player in the NFL. Occasionally, I would cheer for Baltimore especially when they were in the Super Bowl. It was interesting to find out that the Redskins were Ray's favorite as well. He has a very religious side to him that you don't get to see on the field. He is also very family oriented, always there for his kids as well as his mother and brothers and sisters. There are a lot of things I learned from this book about Ray Lewis and about life in general. The best part of the book came at the end when Ray talks about what his mother taught him.
"Be an example. Be a force for good. And know that every one with a great name has been through something. A great deal of something. It's not about doing what everybody else is doing. It's just about being true to yourself whatever the majority of people are doing, go ahead and do the opposite--if you know what you're doing to be right and good and true. Live your legacy. Do your thing. Walk in a certain light."
This book is an inspiration to anyone who is struggling through life and may be unsure how they are going to make it through the storm. Ray Lewis made it through a single mom household, losing friends and coaches, and being accused of the most terrible things. He made it through alive andd on top.
Acanthea Grimscythe (300 KP) rated Where Dead Men Meet in Books
May 16, 2018
Originality is key. In this regard, Where Dead Men Meet by Mark Mills is so predictable that you already know the outcome from the first page. Kidnapped at a young age and taken to another country, Luke Hamilton grows up believing that his family is dead. After Sister Agnes, a key character in Luke’s life, turns up dead, Luke quickly finds himself caught up in a situation that spins out of control. His very existence is unfinished business to the Karaman brothers, a pair of crime lords whose reach is impossibly long. Brushing close with death, Luke Hamilton soon flees across several countries. Along the way, he meets Pippi. Can he trust her?
Well, the answer there is clear as day, but I’ll leave it at that. There’s nothing original about the plot in this book. Absolutely nothing, which makes it a rather dull read for me. Luke Hamilton is a misfit. An orphan of a wealthy family, too. What should be a major plot twist in Where Dead Men Meet becomes obvious before its actual reveal, too. This is a serious no-go for me. If I’ve read it once, I don’t want to read it again. If I’ve watched it once, I don’t typically want to read it again either.
The characters are alright. Luke Hamilton seems a bit soft, Pippi is roguish, and the others, which are largely minor in comparison, are fairly standard in their actions. I never felt any connection to any of them. If you’ve been reading my blog for a while, then you know that my emotional connection to a character is a must.
Despite these major flaws, Mark Mills can write. Though I don’t care much for Where Dead Men Meet‘s plot, Mills’s style of writing is nice. I haven’t had the opportunity to read more of his work, but, provided it is more original in its concept, I’d definitely give it a try. This book is probably better suited to readers that prefer more cinematic thrillers.
I would like to thank the publisher for providing me with an advanced copy via NetGalley for unbiased review.
Well, the answer there is clear as day, but I’ll leave it at that. There’s nothing original about the plot in this book. Absolutely nothing, which makes it a rather dull read for me. Luke Hamilton is a misfit. An orphan of a wealthy family, too. What should be a major plot twist in Where Dead Men Meet becomes obvious before its actual reveal, too. This is a serious no-go for me. If I’ve read it once, I don’t want to read it again. If I’ve watched it once, I don’t typically want to read it again either.
The characters are alright. Luke Hamilton seems a bit soft, Pippi is roguish, and the others, which are largely minor in comparison, are fairly standard in their actions. I never felt any connection to any of them. If you’ve been reading my blog for a while, then you know that my emotional connection to a character is a must.
Despite these major flaws, Mark Mills can write. Though I don’t care much for Where Dead Men Meet‘s plot, Mills’s style of writing is nice. I haven’t had the opportunity to read more of his work, but, provided it is more original in its concept, I’d definitely give it a try. This book is probably better suited to readers that prefer more cinematic thrillers.
I would like to thank the publisher for providing me with an advanced copy via NetGalley for unbiased review.
MaryAnn (14 KP) rated Cowboy Bodyguard (Gold Country Cowboys #3) in Books
Mar 5, 2019
In this Gold Country Cowboys novel, Jack Thorn gets a surprise call from the woman he married in secret years ago. Shannon Livingston needs his protection for herself and the baby she’s hiding from a biker gang targeting the mother. Now Jack must help Shannon, even if shielding her means pretending to be a true husband to the only woman he’s ever loved.
My Thoughts: It's difficult enough being an ER doctor, but when your patient happens to be part of the most notorious biker gangs, you have to have nerves of steel. That's what Shannon Livingston was made of. That's how her past shaped her... to be the best no matter what or at what cost.
This novel will take you on a roller coaster ride, it's full of suspense, mystery and with cowboys, lots of shooting! The plot of this story is fantastic. Who would have thought cowboys and biker gangs? It works so well and keeps the reader guessing with all the turns and twists in the plot.
The reader will fall in love with the Thorn family, not to mention the Thorn brothers, but then who can resist a cowboy?
As I was reading, I was getting annoyed with Shannon, when she was putting her career ahead of her marriage and denying her feelings for her husband. Who doesn't want to be loved by someone like Jake Thorn? Why does she keep holding back? Why couldn't she compromise?
The author is an excellent writer and she brings you into the story; the reader truly feels like they are a part of the Thorn family. The reader can feel the suspense and action that is happening.
What I took away from this novel is the theme of God's love; His love for us, and how we should love others. It's about putting our full faith in Him and letting Him direct our paths. Not taking each hurt we have, holding on to it, but giving everything to God and letting go. That means letting the past be in the past and moving on to the future. It means forgiving.
I thoroughly enjoyed this novel and I look forward to reading more from Dana Mentink.
My Thoughts: It's difficult enough being an ER doctor, but when your patient happens to be part of the most notorious biker gangs, you have to have nerves of steel. That's what Shannon Livingston was made of. That's how her past shaped her... to be the best no matter what or at what cost.
This novel will take you on a roller coaster ride, it's full of suspense, mystery and with cowboys, lots of shooting! The plot of this story is fantastic. Who would have thought cowboys and biker gangs? It works so well and keeps the reader guessing with all the turns and twists in the plot.
The reader will fall in love with the Thorn family, not to mention the Thorn brothers, but then who can resist a cowboy?
As I was reading, I was getting annoyed with Shannon, when she was putting her career ahead of her marriage and denying her feelings for her husband. Who doesn't want to be loved by someone like Jake Thorn? Why does she keep holding back? Why couldn't she compromise?
The author is an excellent writer and she brings you into the story; the reader truly feels like they are a part of the Thorn family. The reader can feel the suspense and action that is happening.
What I took away from this novel is the theme of God's love; His love for us, and how we should love others. It's about putting our full faith in Him and letting Him direct our paths. Not taking each hurt we have, holding on to it, but giving everything to God and letting go. That means letting the past be in the past and moving on to the future. It means forgiving.
I thoroughly enjoyed this novel and I look forward to reading more from Dana Mentink.
Whatchareadin (174 KP) rated The Book Thief in Books
Apr 3, 2019
Liesel Meminger is 9 years old and it is 1939. Her mother is taking her and her brother to live with another family where they will be safe. Unfortunately, the brother doesn't make it. Liesel takes only two things with her to her new home; the memory of her brother and her first stolen book, The Gravediggers Handbook.
When Liesel arrives on Himmel street in Molching, Germany, she is greeted by Rosa and Hans Hubermann. They welcome her into their home and she immediately is to call them Mama and Papa. Even though Liesel is illiterate, Hans works with her every night when she is awakened with nightmares of her brothers death. They retreat to the basement to do their reading.
For 5 years, Liesel lives on Himmel street during one of the most treacherous times in Germany. She makes friends and enemies along the way and steals 5 more books.
First I would like to thank Victoria Doughertyfor recommending this book to me. I have always been a fan of historical fiction and this book did not disappoint in any way, shape or form. I thoroughly enjoyed this story. I could see myself on Himmel Street with Liesel. I could see what she could see and I could feel the torment she went through. I thank God every time I finish a book like this because I live in a place and a time where these things aren't a constant worry for me. I don't have to have my possessions packed and ready to go when I raid sirens going off. I don't even hear raid sirens. This is a book everyone needs to read if they haven't.
Another thing I found very interesting in this book was that it was narrated by death. If that's not enough to make you want to read this...One of my favorite passages in the book is this "Here is a small fact...You are going to die." Simple but true. One day we all will die. I hope and pray it is not in the way that the multitudes of people died in this book, but I know that one day it will happen.
When Liesel arrives on Himmel street in Molching, Germany, she is greeted by Rosa and Hans Hubermann. They welcome her into their home and she immediately is to call them Mama and Papa. Even though Liesel is illiterate, Hans works with her every night when she is awakened with nightmares of her brothers death. They retreat to the basement to do their reading.
For 5 years, Liesel lives on Himmel street during one of the most treacherous times in Germany. She makes friends and enemies along the way and steals 5 more books.
First I would like to thank Victoria Doughertyfor recommending this book to me. I have always been a fan of historical fiction and this book did not disappoint in any way, shape or form. I thoroughly enjoyed this story. I could see myself on Himmel Street with Liesel. I could see what she could see and I could feel the torment she went through. I thank God every time I finish a book like this because I live in a place and a time where these things aren't a constant worry for me. I don't have to have my possessions packed and ready to go when I raid sirens going off. I don't even hear raid sirens. This is a book everyone needs to read if they haven't.
Another thing I found very interesting in this book was that it was narrated by death. If that's not enough to make you want to read this...One of my favorite passages in the book is this "Here is a small fact...You are going to die." Simple but true. One day we all will die. I hope and pray it is not in the way that the multitudes of people died in this book, but I know that one day it will happen.
LeftSideCut (3776 KP) rated Avengers: Endgame (2019) in Movies
May 14, 2019 (Updated May 14, 2019)
A truly incredible end to the MCU Infinity Saga
SPOLIER FREE REVIEW
Avengers: Endgame is finally here after the shocking events of Infinity War.
First and foremost, a huge amount of respect is owed to the Russo brothers for managing to juggle so many characters across these two films (and Civil War) to a hugely satisfying degree.
But with a smaller cast to manage this time around, this is a film that is able to focus more on the original six Avengers from 2012.
The majority of the film is quite dialogue heavy, as the film focuses on a fun time travel plot, that takes us through a nostalgia filled trip through some of the past MCU films, filled with cameos galore.
The usual mix of thrilling set pieces, emotional beats (that scene set in 1970?), and comedy land just as well as they always have done, with Paul Rudd and Chris Hemsworth delivering most of the humour.
Robert Downey Jr and Scarlett Johansson shine as Tony Stark and Black Widow, as they always do, and I also enjoyed the amount of time they spent with characters like Hawkeye and Nebula, characters who would usually be considered secondary.
A concern I had going in was that they might use the recently added Captain Marvel, but thankfully isn't the case. She is used sparingly, and therefore effectively.
The only real gripe I have with Endgame, is that Thanos is forced more into a backseat role, after his incredible character arc throughout Infinity War, but is understandable, as mentioned above, this film is all about the original 6, and that's where the main focus lies. Saying that though, I did feel pretty unsatisfied with how they concluded the story arc for Black Widow...
As the movie approaches the inevitable big showdown, the ensuing battle is nothing short of thrilling, a pure scene of unobstructed comic book joy, that will have any Marvel fan trying not to shout at the screen.
All in all, it's a phenomenal ending to this chapter of the MCU, and I can't wait for what comes next (especially now that Marvel Studios have the Fox properties back)
Avengers: Endgame is finally here after the shocking events of Infinity War.
First and foremost, a huge amount of respect is owed to the Russo brothers for managing to juggle so many characters across these two films (and Civil War) to a hugely satisfying degree.
But with a smaller cast to manage this time around, this is a film that is able to focus more on the original six Avengers from 2012.
The majority of the film is quite dialogue heavy, as the film focuses on a fun time travel plot, that takes us through a nostalgia filled trip through some of the past MCU films, filled with cameos galore.
The usual mix of thrilling set pieces, emotional beats (that scene set in 1970?), and comedy land just as well as they always have done, with Paul Rudd and Chris Hemsworth delivering most of the humour.
Robert Downey Jr and Scarlett Johansson shine as Tony Stark and Black Widow, as they always do, and I also enjoyed the amount of time they spent with characters like Hawkeye and Nebula, characters who would usually be considered secondary.
A concern I had going in was that they might use the recently added Captain Marvel, but thankfully isn't the case. She is used sparingly, and therefore effectively.
The only real gripe I have with Endgame, is that Thanos is forced more into a backseat role, after his incredible character arc throughout Infinity War, but is understandable, as mentioned above, this film is all about the original 6, and that's where the main focus lies. Saying that though, I did feel pretty unsatisfied with how they concluded the story arc for Black Widow...
As the movie approaches the inevitable big showdown, the ensuing battle is nothing short of thrilling, a pure scene of unobstructed comic book joy, that will have any Marvel fan trying not to shout at the screen.
All in all, it's a phenomenal ending to this chapter of the MCU, and I can't wait for what comes next (especially now that Marvel Studios have the Fox properties back)