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Merissa (11950 KP) rated Maxim (Fueled By Lust #6) in Books
Apr 11, 2023
This is the sixth book in the series and by now, Maxim has established himself as the joker of the pack. He really should know, though, that this mating business isn't all about fun and laughter although this does indeed play a big part in Celeste's books. This book actually goes a fair way before Maxim makes an entrance but it is necessary to learn about Skylar, who she is, and how she thinks, but we don't learn all about her right then. We learn snippets along with Maxim as the story progresses. She's had it tough (understatement) but is still surviving. She is comfortable with who she is but is no wilting wallflower. She is feisty, with a wicked sense of humour and prepared to stand up for herself and those under her protection. Basically, a perfect match for Maxim!
This is a fast-paced book (or maybe it was the speed that I was reading as I simply could not put it down!) with an incredible storyline that involves spoilt, little rich men, psychic abilities, and even the gods. There is never a dull moment and plenty of laughter along the way.
I love the relationship that Maxim has with his brothers and this is evident in the book. The relationship between Maxim and Skylar is both fast and slow. The attraction is instant (as Maxim finds out in the airport) but the rest of it, with love and trust being the biggies, takes time to develop. I loved the explanation given by Skylar about insta-love!
This book has it all for me - action, adventure, a hot alpha male, a smart and feisty female, and sex that scorches the pages. The only trouble I have is leaving the Insedi behind. I feel the need to re-read every one of these books again and I don't say that about every book I read!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
December 19, 2018
This is a fast-paced book (or maybe it was the speed that I was reading as I simply could not put it down!) with an incredible storyline that involves spoilt, little rich men, psychic abilities, and even the gods. There is never a dull moment and plenty of laughter along the way.
I love the relationship that Maxim has with his brothers and this is evident in the book. The relationship between Maxim and Skylar is both fast and slow. The attraction is instant (as Maxim finds out in the airport) but the rest of it, with love and trust being the biggies, takes time to develop. I loved the explanation given by Skylar about insta-love!
This book has it all for me - action, adventure, a hot alpha male, a smart and feisty female, and sex that scorches the pages. The only trouble I have is leaving the Insedi behind. I feel the need to re-read every one of these books again and I don't say that about every book I read!
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
December 19, 2018
Merissa (11950 KP) rated The Complete Grimm Chronicles (The Grimm Chronicles Box Set) in Books
Apr 12, 2023
I honestly don't know where to start with this book as there are so many good points. I guess a good place to start with what you actually get with this book. This book contains all 12 episodes of the series, as well as the bonus "Lost diaries" of previous heroes and all of the collected Grimm's Fairy Tales so it makes for a very long and satisfying read.
The best way I can describe this set of books is to tell you to imagine Buffy the Vampire Slayer but instead of the Scoobies and her Watcher, imagine a great big, talking, sometimes visible, white Rabbit called Briar to his friends, otherwise known as Br'er Rabbit.
The wit is fast and sharp and on pretty much every page. There is also exhaustion, pain, temptation, and even time for the usual teenage angst. There are no plot holes and the story continues with a smooth flow, making your reading of it completely and thoroughly enjoyable. Be prepared though, if you're anything like me, you will cry! And not just once, either. Characters that you don't like to start with insidiously get under your skin until you do like them and then, of course, you worry about their well-being. (Yes, I know it's a book but it's written that well that you do care!!)
These fairy tales stay true to the originals by the Brothers Grimm, they have not been Disney-fied in any way. You could even say that they are 'grim' as they involve people being eaten, violence, and self-mutilation. These are all things that actually happened in these stories before they were 'softened' for today's children.
If you want a change from Disney, if you like a butt-kicking, fast-witted but altogether relatable Hero, if you want the warmth that the friendship of the Hero's helper or if you just want to read about fairy tales, then I can definitely recommend this set of Chronicles. Seriously, I can't recommend it highly enough. Absolutely brilliant.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 08, 2015
The best way I can describe this set of books is to tell you to imagine Buffy the Vampire Slayer but instead of the Scoobies and her Watcher, imagine a great big, talking, sometimes visible, white Rabbit called Briar to his friends, otherwise known as Br'er Rabbit.
The wit is fast and sharp and on pretty much every page. There is also exhaustion, pain, temptation, and even time for the usual teenage angst. There are no plot holes and the story continues with a smooth flow, making your reading of it completely and thoroughly enjoyable. Be prepared though, if you're anything like me, you will cry! And not just once, either. Characters that you don't like to start with insidiously get under your skin until you do like them and then, of course, you worry about their well-being. (Yes, I know it's a book but it's written that well that you do care!!)
These fairy tales stay true to the originals by the Brothers Grimm, they have not been Disney-fied in any way. You could even say that they are 'grim' as they involve people being eaten, violence, and self-mutilation. These are all things that actually happened in these stories before they were 'softened' for today's children.
If you want a change from Disney, if you like a butt-kicking, fast-witted but altogether relatable Hero, if you want the warmth that the friendship of the Hero's helper or if you just want to read about fairy tales, then I can definitely recommend this set of Chronicles. Seriously, I can't recommend it highly enough. Absolutely brilliant.
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book; the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jun 08, 2015
Lyndsey Gollogly (2893 KP) rated Hellbound Warrior (Dark Warrior Alliance #8) in Books
Nov 13, 2021
188 of 250
Kindle
Hellbound Warrior ( Dark Warrior Alliance book 8 )
By Brenda Trim and Tami Julka
Once read a review will be written via Smashbomb and link posted in comments
Rhys O'Morda finds himself at the mouth of Hell after swearing he would never go back. When the archdemon, Kadir, steals the Goddess' powerful Triskele Amulet, Rhys is left with the fate of the world resting on his shoulders. Cursing his birthright, he sets out to tackle the nine circles of the Underworld. Facing rivers of fire, freezing rains, soul-sucking creatures and his inner weaknesses is nothing compared to coming face to face with his Fated Mate. His biggest challenge isn't passing the tests of each circle in Hell, but trying to win his mate's heart. In a cruel twist of fate, his other half isn't bound by the same force and has to consciously choose him. Problem is she loathes demons. Will he be able to win his angel over or be forced to let her go and live for eternity without her? Illianna has every reason to despise everything related to demons and the Underworld. Once an angel of happiness, she has been a prisoner in Hell for a hundred years, forced to perform vile acts that leave a dark stain on her soul. Her prayers fall on deaf ears day after day and she is on the cusp of giving up when the sexy, impossible and arrogant cambion, Rhys, rescues her from his father's clutches. She will do anything to get back to heaven and her wings, even partner with Rhys and his fellow warriors. Yet, her attraction to the exquisite Dark Warrior challenges every barrier she has set. Having the passion she craves comes with a high price tag, including complete and unconditional surrender.
I really enjoyed the boys trip to Hell and I think Illianna is my favourite mate yet! I love her and can just picture those beautiful wings!
This series is great if you like Dark Hunters crossed with the Black Dagger brothers.
We are on book 8 and can’t wait to see what book 9 brings.
Kindle
Hellbound Warrior ( Dark Warrior Alliance book 8 )
By Brenda Trim and Tami Julka
Once read a review will be written via Smashbomb and link posted in comments
Rhys O'Morda finds himself at the mouth of Hell after swearing he would never go back. When the archdemon, Kadir, steals the Goddess' powerful Triskele Amulet, Rhys is left with the fate of the world resting on his shoulders. Cursing his birthright, he sets out to tackle the nine circles of the Underworld. Facing rivers of fire, freezing rains, soul-sucking creatures and his inner weaknesses is nothing compared to coming face to face with his Fated Mate. His biggest challenge isn't passing the tests of each circle in Hell, but trying to win his mate's heart. In a cruel twist of fate, his other half isn't bound by the same force and has to consciously choose him. Problem is she loathes demons. Will he be able to win his angel over or be forced to let her go and live for eternity without her? Illianna has every reason to despise everything related to demons and the Underworld. Once an angel of happiness, she has been a prisoner in Hell for a hundred years, forced to perform vile acts that leave a dark stain on her soul. Her prayers fall on deaf ears day after day and she is on the cusp of giving up when the sexy, impossible and arrogant cambion, Rhys, rescues her from his father's clutches. She will do anything to get back to heaven and her wings, even partner with Rhys and his fellow warriors. Yet, her attraction to the exquisite Dark Warrior challenges every barrier she has set. Having the passion she craves comes with a high price tag, including complete and unconditional surrender.
I really enjoyed the boys trip to Hell and I think Illianna is my favourite mate yet! I love her and can just picture those beautiful wings!
This series is great if you like Dark Hunters crossed with the Black Dagger brothers.
We are on book 8 and can’t wait to see what book 9 brings.
Debbiereadsbook (1166 KP) rated Conrad (Assassin's To Order #4) in Books
Oct 13, 2023
saved the best for last!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 4 in the Assassins To Order series, and I strongly recommend you read books 1 to 3 first. OR at least, book 3 Duron. The Devil pops up first in that book.
I think, for me, Sayle and Oliver saved the best for last! I LOVED this, the final book.
Conrad is an assassin, and Kylo a police officer in Paraguay where the lost boys seem to originate from. Kylo has been chasing The Devil for 20 years and calling for an assassin to finally help him seemed like a good idea. Until Conrad gets off the plane and they scent each other: mates!
What I especially liked about this one was that Conrad is fully aware of his sexuality, while his brothers had not been. And Kylo calls to his Dom, much like his lion. And while Kylo is an Alpha male, a panther, he doesn't question Conrad and his connection and what Conrad can do for him, he just goes with it, and accepts what the Fates have planned for him.
Loved that Wyatt pops up, and who with and how THAT all plays out! Kinda saw that coming in the last book, but loved that it gets explained.
The Devil and what happens with all that was a surprise, and I loved the showdown! I'm still not entirely sure how many animals Conrad has, but they range from a blue dragon to a spider and everything inbetween. What happens between them all at the showdown was shocking but Kylo took it all in his stride. Loved that, while Conrad's lion is his most Dominant animal, the dragon has to have the last say!
There is talk of the other assassins, but only Wyatt pops up, The Thalassa guys are mentioned as well, but none appear here. I kinda missed them!
I'll miss ALL these guys, now both series are finished, but I think this really was a fitting end. I do hope we get some follow ups shorts!
I was waiting for this, and it did not disappoint.
5 full and shiny stars
*same worded review will appear elsewhere
This is book 4 in the Assassins To Order series, and I strongly recommend you read books 1 to 3 first. OR at least, book 3 Duron. The Devil pops up first in that book.
I think, for me, Sayle and Oliver saved the best for last! I LOVED this, the final book.
Conrad is an assassin, and Kylo a police officer in Paraguay where the lost boys seem to originate from. Kylo has been chasing The Devil for 20 years and calling for an assassin to finally help him seemed like a good idea. Until Conrad gets off the plane and they scent each other: mates!
What I especially liked about this one was that Conrad is fully aware of his sexuality, while his brothers had not been. And Kylo calls to his Dom, much like his lion. And while Kylo is an Alpha male, a panther, he doesn't question Conrad and his connection and what Conrad can do for him, he just goes with it, and accepts what the Fates have planned for him.
Loved that Wyatt pops up, and who with and how THAT all plays out! Kinda saw that coming in the last book, but loved that it gets explained.
The Devil and what happens with all that was a surprise, and I loved the showdown! I'm still not entirely sure how many animals Conrad has, but they range from a blue dragon to a spider and everything inbetween. What happens between them all at the showdown was shocking but Kylo took it all in his stride. Loved that, while Conrad's lion is his most Dominant animal, the dragon has to have the last say!
There is talk of the other assassins, but only Wyatt pops up, The Thalassa guys are mentioned as well, but none appear here. I kinda missed them!
I'll miss ALL these guys, now both series are finished, but I think this really was a fitting end. I do hope we get some follow ups shorts!
I was waiting for this, and it did not disappoint.
5 full and shiny stars
*same worded review will appear elsewhere
Merissa (11950 KP) rated The North Wind (The Four Winds #1) in Books
Jan 21, 2022 (Updated Jul 5, 2023)
THE NORTH WIND is the first in The Four Winds series, and we start off with Boreas. He is also known to the masses as The Frost King and has a reputation for being as cold and uncaring as what he is named after. Wren has given her life to look after her twin and gives the ultimate sacrifice when she goes as the Frost King's wife, instead of Elora.
This is a slow-burn romance, that changes from enemies-to-lovers. Nope, hold on. Let me rephrase that. Wren sees Boreas as her enemy, but he never thought the same way. To begin with, she was inconsequential to him apart from what he needed her for. But she wormed her way under his skin and that is where the story really comes into its own.
This is a long story, with steady pacing, that throws action and adventure into the mix before it returns the focus to Wren and Boreas. One thing I have to say is Wren - oh, my god. Although I really enjoyed her character, and I LOVED how she was spicy and sharp, instead of all sweetness and light. I also wanted to shake her. It took her WAY too long to figure out what was going on. Honestly, someone should have written it in large letters on a blackboard and put it in her room. She may have taken notice of things then.
Now, one of the other brothers shows up here and I have mixed feelings about him. I'm going to be honest and say I didn't like him AT ALL. So, do I want to read a complete novel with him as the main attraction? I'm not sure. One thing I am sure of though, is that whoever is his opposite will be more than up to the challenge.
This was thoroughly enjoyable and I look forward to reading more by this author. Absolutely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 21, 2022
This is a slow-burn romance, that changes from enemies-to-lovers. Nope, hold on. Let me rephrase that. Wren sees Boreas as her enemy, but he never thought the same way. To begin with, she was inconsequential to him apart from what he needed her for. But she wormed her way under his skin and that is where the story really comes into its own.
This is a long story, with steady pacing, that throws action and adventure into the mix before it returns the focus to Wren and Boreas. One thing I have to say is Wren - oh, my god. Although I really enjoyed her character, and I LOVED how she was spicy and sharp, instead of all sweetness and light. I also wanted to shake her. It took her WAY too long to figure out what was going on. Honestly, someone should have written it in large letters on a blackboard and put it in her room. She may have taken notice of things then.
Now, one of the other brothers shows up here and I have mixed feelings about him. I'm going to be honest and say I didn't like him AT ALL. So, do I want to read a complete novel with him as the main attraction? I'm not sure. One thing I am sure of though, is that whoever is his opposite will be more than up to the challenge.
This was thoroughly enjoyable and I look forward to reading more by this author. Absolutely recommended by me.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Jan 21, 2022
Merissa (11950 KP) rated Princes and Kings (A Rose in a Thorn Bush #1) in Books
Dec 7, 2021 (Updated Jul 9, 2023)
PRINCES AND KINGS is the first book in A Rose in a Thorn Bush series, and we start with Llywelyn the Great's funeral and his two sons, Dafydd and Gruffudd. Gruffudd's son, Owain, doesn't think his uncle will make a good king and has no hesitation in confronting him. This means that when King Henry of England gives him a choice, Dafydd makes Owain part of the bargain to get him out of his hair. Gruffudd and Owain are sent to the Tower of London as hostages of war, the treaty dependent upon their safekeeping. All is well until Gruffudd can't cope with being a prisoner any longer and tries to escape, dying in the process. The treaty is broken and war is inevitable.
As a long-term lover of Wales and all things Welsh, I couldn't wait to read this story. Told as third-person and with a multitude of perspectives, it gives a rounded view of the events leading up to and including, the defeat of the English by the younger Llywelyn. You also get the see the bond between brothers, even with their vastly different experiences.
Whilst I enjoyed this story, I found it slightly disconcerting when the character's emotions changed so quickly. One of them went from being distraught at the thought of the loss of her husband to thinking that she'd lost him years ago anyway. And another went from intensely disliking a wife, to having a normal conversation with her in the blink of an eye. And then there is having a funny feeling about someone where nothing else is mentioned or happens.
That being said, I did enjoy this book and think it is a really good interesting start to a series that involves a bloody and brilliant time in Welsh history.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 7, 2021
As a long-term lover of Wales and all things Welsh, I couldn't wait to read this story. Told as third-person and with a multitude of perspectives, it gives a rounded view of the events leading up to and including, the defeat of the English by the younger Llywelyn. You also get the see the bond between brothers, even with their vastly different experiences.
Whilst I enjoyed this story, I found it slightly disconcerting when the character's emotions changed so quickly. One of them went from being distraught at the thought of the loss of her husband to thinking that she'd lost him years ago anyway. And another went from intensely disliking a wife, to having a normal conversation with her in the blink of an eye. And then there is having a funny feeling about someone where nothing else is mentioned or happens.
That being said, I did enjoy this book and think it is a really good interesting start to a series that involves a bloody and brilliant time in Welsh history.
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Merissa
Archaeolibrarian - I Dig Good Books!
Dec 7, 2021
RəX Regent (349 KP) rated Hell's Angels (1930) in Movies
Feb 19, 2019
Big budget, elaborate air combat scenes which resulted in several deaths and Gimmick after gimmick… This has to be the Howard Hughes’ World War 1 epic, Hell’s Angels.
Where to begin?
Well, we follow the Routledge two brothers as they join the war effort and the Royal Air Corps. in 1914 and whilst one is a somewhat cowardly womaniser, his brother is the noble heroic type who spends the film being screwed over bey everyone in one way or another, but most notably by his girlfriend, Jean Harlow, who is so annoyingly wrong for him that it is a relief when he has heart is broken by her in the third act.
But like mots aspects of this plot, this is as messy and disjointed as everything else. We are given a story line to follow for two hours, as Hughes indulges his legendary love of flying to create some of the best dog fight sequences ever committed to film. They are real, epic and effective in conveying the thrilling danger of these world war one battles.
But this is a film of gimmick. Pushing the pre-code envelope with sex and bad language, this was originally conceived as a silent movie and was re-written and re-shot to become the sound movie whcih we have to today and there in clearly lies the problem. What we end up is a movie cobbled together, with silence sequences being converted to sound, the poor acting from its star James Hall as the idealistic Roy Routledge, Jean Harlow, replacing the original silent star Gretta Nissen for this sound version, excelling in her role as his trampy girlfriend and Ben Lyon as the weaker brother, Monte, but the real star of this show are the special effects.
But of the human stars, Harlow, presented here in the only colour footage known to exist of the tragic star, who would die at the young age of 26 just seven years later, probably delivers one of the best performances in the whole picture, certainly outshining her male co-stars.
Of the special effects though, the use of 2-tone Technicolor, which was actually shot with the Metrocolor system but processed by Technicolor, in one sequence as the group are all together at a party, as well as the classical use of tints during some other scenes, add a vibrancy to the project. But this also can have a jarring effect, especially as we leave the colour scenes and wrap up thet sequences in black and white.
But the model effects, notably the munition raid at the end and the Zeppelin bombing London scenes are spectacular, especially for the time. The other notable gimmick which has yet to be transferred to the small screen, was the original use of what was called Magnascope back in 1930.
This was obviously only used at high end theaters but this paved the way for what IMAX are doing now, by blowing up the aerial scenes into a larger screen format from the 1.20:1 ratio which the the rest of film was presented. But when you add all this up you have got a mess!
Magnascope, technicolor scenes, tinted scenes, daring aerial battles, a half arsed love story and an image of world war which was a kin to that of Michael Bay’s Pearl Harbor’s (2001) view of World War 2! But this is what this is. An early, lavish popcorn blockbuster, with little to offer but cinematic thrills, which it succeeds at without any doubt.
The action is great, the plot is mediocre to say the least but as film, it does offer a brief insight into how cinema audiences saw the Great War back in 1930 and you can not help but think that this audience was only nine years away from the next one as we watch this.
pictureBut the ending was grim, with noble ends rounding off a story of brotherly love and love of duty and country, seems overblown considering what we had had to sit through but still, by the end, is anybody really routing for the Routledge brothers to have a happy ending?
I certainly was not. But this ending is the nearest thing that this film has to a story arc, as is pays off the opening act where Roy risks his life fighting a duel for his cowardly brother against the very German officer who is about to have them executed.
Duty wins out and Monte sees the light at the end after a very melodramatic death scene.
But having said all that, this film is worth it for the action alone and for film buffs, the only colour footage of Jean Harlow.
Where to begin?
Well, we follow the Routledge two brothers as they join the war effort and the Royal Air Corps. in 1914 and whilst one is a somewhat cowardly womaniser, his brother is the noble heroic type who spends the film being screwed over bey everyone in one way or another, but most notably by his girlfriend, Jean Harlow, who is so annoyingly wrong for him that it is a relief when he has heart is broken by her in the third act.
But like mots aspects of this plot, this is as messy and disjointed as everything else. We are given a story line to follow for two hours, as Hughes indulges his legendary love of flying to create some of the best dog fight sequences ever committed to film. They are real, epic and effective in conveying the thrilling danger of these world war one battles.
But this is a film of gimmick. Pushing the pre-code envelope with sex and bad language, this was originally conceived as a silent movie and was re-written and re-shot to become the sound movie whcih we have to today and there in clearly lies the problem. What we end up is a movie cobbled together, with silence sequences being converted to sound, the poor acting from its star James Hall as the idealistic Roy Routledge, Jean Harlow, replacing the original silent star Gretta Nissen for this sound version, excelling in her role as his trampy girlfriend and Ben Lyon as the weaker brother, Monte, but the real star of this show are the special effects.
But of the human stars, Harlow, presented here in the only colour footage known to exist of the tragic star, who would die at the young age of 26 just seven years later, probably delivers one of the best performances in the whole picture, certainly outshining her male co-stars.
Of the special effects though, the use of 2-tone Technicolor, which was actually shot with the Metrocolor system but processed by Technicolor, in one sequence as the group are all together at a party, as well as the classical use of tints during some other scenes, add a vibrancy to the project. But this also can have a jarring effect, especially as we leave the colour scenes and wrap up thet sequences in black and white.
But the model effects, notably the munition raid at the end and the Zeppelin bombing London scenes are spectacular, especially for the time. The other notable gimmick which has yet to be transferred to the small screen, was the original use of what was called Magnascope back in 1930.
This was obviously only used at high end theaters but this paved the way for what IMAX are doing now, by blowing up the aerial scenes into a larger screen format from the 1.20:1 ratio which the the rest of film was presented. But when you add all this up you have got a mess!
Magnascope, technicolor scenes, tinted scenes, daring aerial battles, a half arsed love story and an image of world war which was a kin to that of Michael Bay’s Pearl Harbor’s (2001) view of World War 2! But this is what this is. An early, lavish popcorn blockbuster, with little to offer but cinematic thrills, which it succeeds at without any doubt.
The action is great, the plot is mediocre to say the least but as film, it does offer a brief insight into how cinema audiences saw the Great War back in 1930 and you can not help but think that this audience was only nine years away from the next one as we watch this.
pictureBut the ending was grim, with noble ends rounding off a story of brotherly love and love of duty and country, seems overblown considering what we had had to sit through but still, by the end, is anybody really routing for the Routledge brothers to have a happy ending?
I certainly was not. But this ending is the nearest thing that this film has to a story arc, as is pays off the opening act where Roy risks his life fighting a duel for his cowardly brother against the very German officer who is about to have them executed.
Duty wins out and Monte sees the light at the end after a very melodramatic death scene.
But having said all that, this film is worth it for the action alone and for film buffs, the only colour footage of Jean Harlow.
Movie Metropolis (309 KP) rated Avengers: Infinity War (2018) in Movies
Jun 10, 2019
An Exhausting Thrill Ride
The Marvel Cinematic Universe has been delighting fans of the comics and thrilling moviegoers since 2008 when Iron Man steamrolled itself onto the big screen in an epic fashion. From the special effects to the casting of Robert Downey Jr. as Tony Stark, it was the complete package.
The culmination of all those films through Phase One, Phase Two and Three has come to a head in this, Avengers: Infinity War. It promises to be the biggest, baddest and most epic Marvel movie to date, but is it actually any good? Read on to find out.
Directed by Antony and Joe Russo, the masterminds behind the fantastic Captain America sequels, Infinity War picks up just after the end of Thor: Ragnarok. This starting place seems fitting and not jumping too far ahead of the finale of that film is perfect to reintroduce our beloved heroes.
The cast form one of the best ensembles ever put to screen, though from each of their solo outings, this is really no surprise. Seeing Black Panther, Black Widow, Captain America et al come back together is frankly, a joy and the film works best when there are as many heroes on screen together as possible.
A highlight in this instance is Benedict Cumberbatch’s Dr. Strange – prepare to jump on the Steven Strange bandwagon. After a relatively lacklustre solo outing, his character pops on the screen and really benefits from the Russo brothers zingy direction.
As is the case with many films involving such a large cast, much of the 149 minute runtime is spent following a few of them at once, each going about their own mission in relation to stopping Thanos and his possession of the Infinity stones. If I count correctly, there are 3 quests going on at once, but only two are really successful.
Special effects wise, this is a $400million movie, so you know what to expect. For the most part, the CGI from Industrial Light & Magic is seamless and really rather beautiful. The motion capture work done on Josh Brolin to turn him into Thanos is exquisite and the end result is a truly menacing villain. Elsewhere however, there are a few corners cut if you look closely enough, but I’ll leave it down to you to try and spot them.
Focussing on Thanos himself, he proves to be a fitting villain for a film this gargantuan in scale. His towering presence and almost demonic sense of entitlement completely does away with the stereotypical Marvel bad-guy problem that the MCU has been suffering with. Obviously helped massively by Brolin’s incredible performance, Thanos is up there with Loki in terms of sheer entertainment value.
Nevertheless, Avengers: Infinity War is not a perfect film and it would be wrong of me to pretend it was. Despite its massive length, elements do feel rushed from time-to-time and cramming 20+ characters into a film was never going to be a slam dunk. Some moments that should have deep resonance really don’t reach the emotion they were clearly intended to do, and that’s because of the film’s need to tie up as much of the plot as possible. Thankfully, from a tonal perspective, the Russo brothers manage to keep the balance almost perfect and it’s a vast improvement over Joss Whedon’s disjointed Age of Ultron.
My biggest issue with the film however, is the ending. Avengers: Infinity War is not a film you come to the end of and applaud. In fact, the main response from the entire screening of the film I was watching was a collective groan as the end credits begin to roll. Despite the promise that Infinity War would work as a standalone movie; it just doesn’t. It’s very much a starting chapter for what comes next in Avengers 4. But we need to wait just over a year for the concluding chapter to arrive in UK cinemas, and that is incredibly infuriating.
Overall, Avengers: Infinity War is a culmination of everything Marvel has been working towards for a decade. In its favour are an incredible cast, that trademark MCU humour and some stunning action sequences but these are offset by an infuriating ending and a lack of emotional heft to the film’s inevitable darker moments.
This may definitely be the biggest movie in the MCU and it’s definitely the 2nd best Avengers movie, but it’s not quite up there with the very best.
https://moviemetropolis.net/2018/04/26/avengers-infinity-war-review-an-exhausting-thrill-ride/
The culmination of all those films through Phase One, Phase Two and Three has come to a head in this, Avengers: Infinity War. It promises to be the biggest, baddest and most epic Marvel movie to date, but is it actually any good? Read on to find out.
Directed by Antony and Joe Russo, the masterminds behind the fantastic Captain America sequels, Infinity War picks up just after the end of Thor: Ragnarok. This starting place seems fitting and not jumping too far ahead of the finale of that film is perfect to reintroduce our beloved heroes.
The cast form one of the best ensembles ever put to screen, though from each of their solo outings, this is really no surprise. Seeing Black Panther, Black Widow, Captain America et al come back together is frankly, a joy and the film works best when there are as many heroes on screen together as possible.
A highlight in this instance is Benedict Cumberbatch’s Dr. Strange – prepare to jump on the Steven Strange bandwagon. After a relatively lacklustre solo outing, his character pops on the screen and really benefits from the Russo brothers zingy direction.
As is the case with many films involving such a large cast, much of the 149 minute runtime is spent following a few of them at once, each going about their own mission in relation to stopping Thanos and his possession of the Infinity stones. If I count correctly, there are 3 quests going on at once, but only two are really successful.
Special effects wise, this is a $400million movie, so you know what to expect. For the most part, the CGI from Industrial Light & Magic is seamless and really rather beautiful. The motion capture work done on Josh Brolin to turn him into Thanos is exquisite and the end result is a truly menacing villain. Elsewhere however, there are a few corners cut if you look closely enough, but I’ll leave it down to you to try and spot them.
Focussing on Thanos himself, he proves to be a fitting villain for a film this gargantuan in scale. His towering presence and almost demonic sense of entitlement completely does away with the stereotypical Marvel bad-guy problem that the MCU has been suffering with. Obviously helped massively by Brolin’s incredible performance, Thanos is up there with Loki in terms of sheer entertainment value.
Nevertheless, Avengers: Infinity War is not a perfect film and it would be wrong of me to pretend it was. Despite its massive length, elements do feel rushed from time-to-time and cramming 20+ characters into a film was never going to be a slam dunk. Some moments that should have deep resonance really don’t reach the emotion they were clearly intended to do, and that’s because of the film’s need to tie up as much of the plot as possible. Thankfully, from a tonal perspective, the Russo brothers manage to keep the balance almost perfect and it’s a vast improvement over Joss Whedon’s disjointed Age of Ultron.
My biggest issue with the film however, is the ending. Avengers: Infinity War is not a film you come to the end of and applaud. In fact, the main response from the entire screening of the film I was watching was a collective groan as the end credits begin to roll. Despite the promise that Infinity War would work as a standalone movie; it just doesn’t. It’s very much a starting chapter for what comes next in Avengers 4. But we need to wait just over a year for the concluding chapter to arrive in UK cinemas, and that is incredibly infuriating.
Overall, Avengers: Infinity War is a culmination of everything Marvel has been working towards for a decade. In its favour are an incredible cast, that trademark MCU humour and some stunning action sequences but these are offset by an infuriating ending and a lack of emotional heft to the film’s inevitable darker moments.
This may definitely be the biggest movie in the MCU and it’s definitely the 2nd best Avengers movie, but it’s not quite up there with the very best.
https://moviemetropolis.net/2018/04/26/avengers-infinity-war-review-an-exhausting-thrill-ride/
Lee (2222 KP) rated Rampage (2018) in Movies
Apr 13, 2018
Dwayne Johnson (2 more)
The Action
The Humour
Surprisingly enjoyable video game movie!
I have fond memories of playing the Rampage video game in my early teens. Me and my two brothers, huddled around my feeble ZX Spectrum, each of us taking control of one of three monsters. George the giant King-Kong style gorilla, Lizzie a dinosaur/Godzilla creature and Ralph the big wolf. The idea of the game was simple, but hugely satisfying - smash up city buildings until they collapse, while avoiding damage from the military who are out to stop you. Hitting your fellow monsters also takes out their energy, making it a great game for competitive brothers to be playing! Eating food you find, and even the soldiers trying to kill you, restores your energy. Lots of fun.
Rampage the movie begins out in space, where genetic editing experiments too dangerous/illegal are taking place onboard a space station. Things have gone badly wrong though and canisters containing an experimental genetic pathogen begin hurtling towards North America in what looks like a meteor shower. Back down on Earth we're introduced to Davis Okoye (Dwayne Johnson) - San Diego zoologist, ex-military (so, comfortable with guns, flying helicopters etc, could come in handy later...) and general all-round cool guy. In his care is an albino gorilla called George, who was rescued from poachers as a baby by Davis. They've built up a special bond ever since, communicating in sign language to the level where they are able to joke and generally take the piss out of each other. Overnight, one of the space canisters lands in the zoo and is released into the face of an inquisitive (or Curious?) George. From there he begins to grow bigger, and become increasingly violent.
Elsewhere, two other canisters have landed out in the wild. One right by a pack of wolves and another hitting a lake. The brother and sister team heading up Energyne, the company responsible for the space station and the genetic work (Malin Åkerman and Jake Lacy), dispatch a bunch of clean up guys with big guns to try and apprehend the wolf, which ends up going badly. Meanwhile, an ex employee of Energyne, Dr Kate Caldwell (Naomie Harris), who is also responsible for creating the pathogen, heads to the zoo. She wants to make amends for everything and bring down the company that fired her. Government agent Harvey Russell (Jeffrey Dean Morgan) also shows up at the zoo with a bunch of men of his own, looking to take George away by plane - something else which you just know is going to end badly. Morgan plays Harvey Russell as basically just a slightly toned down version of his Walking Dead character, Negan. Grinning cockily throughout the whole movie and when he first squares up to Davis, you fully expect him to start swaggering around, monologuing about swinging dicks or something. He tells Davis that "when science shits the bed, I'm the guy they call to change the sheets"!
The three monsters begin making their way to Chicago to start smashing stuff up, attracted by a beacon emitting a sound only they can hear. Something "the tech guys rustled up overnight" at Energyne. Davis and Dr Caldwell also head to Chicago to try and help George and end the destruction, eventually aided by Harvey Russell.
Rampage has the potential to be a trainwreck, another casualty in the long line of awful video game movies, especially when there are so many CGI-heavy monster-city-smash movies out there these days. It all works surprisingly well though. When the monsters begin trashing things, it's not an over the top assault on the senses where you can't even make out any sign of human life and the affect that all of this is having on them. The action is well done and enjoyable, and peppered with plenty of trademark Dwayne Johnson humour too. Outside of the action, it's also Johnson that holds the rest of the movie together and prevents it from dipping below average. Dr Caldwell is a very underused and forgettable character, serving only as sidekick to The Rock. Everyone else, aside from Harvey Russell, is also pretty forgettable too. But then at the end of the day, this is all about George and his monster buddies, and overall I found this to be a very enjoyable movie.
Rampage the movie begins out in space, where genetic editing experiments too dangerous/illegal are taking place onboard a space station. Things have gone badly wrong though and canisters containing an experimental genetic pathogen begin hurtling towards North America in what looks like a meteor shower. Back down on Earth we're introduced to Davis Okoye (Dwayne Johnson) - San Diego zoologist, ex-military (so, comfortable with guns, flying helicopters etc, could come in handy later...) and general all-round cool guy. In his care is an albino gorilla called George, who was rescued from poachers as a baby by Davis. They've built up a special bond ever since, communicating in sign language to the level where they are able to joke and generally take the piss out of each other. Overnight, one of the space canisters lands in the zoo and is released into the face of an inquisitive (or Curious?) George. From there he begins to grow bigger, and become increasingly violent.
Elsewhere, two other canisters have landed out in the wild. One right by a pack of wolves and another hitting a lake. The brother and sister team heading up Energyne, the company responsible for the space station and the genetic work (Malin Åkerman and Jake Lacy), dispatch a bunch of clean up guys with big guns to try and apprehend the wolf, which ends up going badly. Meanwhile, an ex employee of Energyne, Dr Kate Caldwell (Naomie Harris), who is also responsible for creating the pathogen, heads to the zoo. She wants to make amends for everything and bring down the company that fired her. Government agent Harvey Russell (Jeffrey Dean Morgan) also shows up at the zoo with a bunch of men of his own, looking to take George away by plane - something else which you just know is going to end badly. Morgan plays Harvey Russell as basically just a slightly toned down version of his Walking Dead character, Negan. Grinning cockily throughout the whole movie and when he first squares up to Davis, you fully expect him to start swaggering around, monologuing about swinging dicks or something. He tells Davis that "when science shits the bed, I'm the guy they call to change the sheets"!
The three monsters begin making their way to Chicago to start smashing stuff up, attracted by a beacon emitting a sound only they can hear. Something "the tech guys rustled up overnight" at Energyne. Davis and Dr Caldwell also head to Chicago to try and help George and end the destruction, eventually aided by Harvey Russell.
Rampage has the potential to be a trainwreck, another casualty in the long line of awful video game movies, especially when there are so many CGI-heavy monster-city-smash movies out there these days. It all works surprisingly well though. When the monsters begin trashing things, it's not an over the top assault on the senses where you can't even make out any sign of human life and the affect that all of this is having on them. The action is well done and enjoyable, and peppered with plenty of trademark Dwayne Johnson humour too. Outside of the action, it's also Johnson that holds the rest of the movie together and prevents it from dipping below average. Dr Caldwell is a very underused and forgettable character, serving only as sidekick to The Rock. Everyone else, aside from Harvey Russell, is also pretty forgettable too. But then at the end of the day, this is all about George and his monster buddies, and overall I found this to be a very enjoyable movie.
Gareth von Kallenbach (977 KP) rated The Social Network (2010) in Movies
Aug 8, 2019
It’s hard to find anyone who doesn’t know about Facebook. On any given day, at least 250 million active users log on to Facebook and spend over 700 billion minutes per month updating their status, posting pictures or playing casual games. So dominant is this social network, the name itself is both a brand and a verb. Who would have thought that sharing inanities about what we’re currently thinking, eating, reading, watching with our friends would garner such interest? In the new movie The Social Network, director David Fincher sets out to show how, from the very humblest beginnings, Facebook became the juggernaut that it is today.
In 2003, after a debate and breakup with his girlfriend, fueled by his frustration at his exclusion from the social elite, Harvard undergrad and computer programming genius, Mark Zuckerberg, sits at his computer one night and changes the face of the internet. In just a few hours Zuckerberg, deftly played by Jesse Eisenberg, circumvents the firewalls and security of Harvard and creates a website that allows visitors to rate the ladies of the campus. Within a few hours, the thousands of hits crash the vaunted computer network of the university.
While Harvard staff was not impressed with his efforts, it certainly caught the attention of his fellow students, most notably the Winklevoss brothers, who seek out Zuckerberg with the intention of creating an exclusive website for Harvard students. While seemingly mulling over the proposal of the new site, Zuckerberg rapidly, and obsessively, develops his own. The early version of what would eventually become Facebook soon becomes a campus sensation, much to the dismay of the Winklevoss brothers.
Andrew Garfield plays Zuckerberg’s friend Eduardo Severin who funds Zuckerberg’s efforts. Facebook rapidly became the height of social hipness as its exclusivity widened to more colleges and universities. College students across the country created profiles and quickly spread news of the site simply by word of mouth. Or rather word of email. The success of Facebook soon gains the attention of Sean Parker, played by Justin Timberlake. Parker had risen to prominence as the creator of the popular file sharing site Napster and was eager to become involved with the growing success of Facebook. While Mark is fascinated and inspired by Sean’s slick style, Eduardo isn’t impressed and is highly suspicious of Sean’s motives as well as his shady reputation. As the trailers and posters have touted, you can’t get to 500 million friends without making a few enemies. Jealousy feeds insecurities that feed accusations that eventually lead to lawsuits.
Eisenberg is fantastic as the egotistical, neurotic, and highly intelligent Mark Zuckerberg, but the true breakout performance of the film has to be that of Andrew Garfield, who has been cast to play Spiderman in the next trilogy of the very popular film series. The British actor who was born and raised in Los Angeles has an understated charisma and appears very capable of becoming a leading man. He infuses Eduardo with class and humanism as he tries to be the friend Zuckerberg doesn’t think he needs.
The film is told largely through flashbacks during a deposition hearing between the parties involved in the lawsuits. Director Fincher skillfully allows his characters to drive the film, letting the story unfold in telling scenes, giving the characters ample room to shine without becoming preachy or resorting to grandstanding.
The characters, despite their flaws, do come across as very believable and sympathetic, even though it’s difficult to imagine going from students to inventors of a pop culture phenomenon, to billionaires in just a few short years. Very few corporations that become dominant in their industry do so without critics, challengers, and those that claim they were responsible for whatever success a company gained.
While The Social Network does not overtly place blame, the light it shines on Zuckerberg isn’t altogether flattering. Surprisingly, the film does not go to the extreme with tech talk. It instead focuses on the relationship between the characters and how they handled the drastic and sudden changes in their lives brought on by a simple program called Face Mash, which became the basis for Facebook.
Strong supporting work in the film combined with the great performances of the lead characters makes The Social Network”a very solid and entertaining film that, for my money, is one of the better films of the year.
While it would be easy to jump to judgment and brand many in the film as egotistical rich people who should be grateful for what they have, I remembered that absolute power corrupts absolutely and I wondered just how well any of us in the audience would react if we were ever faced with a similar situation.
In 2003, after a debate and breakup with his girlfriend, fueled by his frustration at his exclusion from the social elite, Harvard undergrad and computer programming genius, Mark Zuckerberg, sits at his computer one night and changes the face of the internet. In just a few hours Zuckerberg, deftly played by Jesse Eisenberg, circumvents the firewalls and security of Harvard and creates a website that allows visitors to rate the ladies of the campus. Within a few hours, the thousands of hits crash the vaunted computer network of the university.
While Harvard staff was not impressed with his efforts, it certainly caught the attention of his fellow students, most notably the Winklevoss brothers, who seek out Zuckerberg with the intention of creating an exclusive website for Harvard students. While seemingly mulling over the proposal of the new site, Zuckerberg rapidly, and obsessively, develops his own. The early version of what would eventually become Facebook soon becomes a campus sensation, much to the dismay of the Winklevoss brothers.
Andrew Garfield plays Zuckerberg’s friend Eduardo Severin who funds Zuckerberg’s efforts. Facebook rapidly became the height of social hipness as its exclusivity widened to more colleges and universities. College students across the country created profiles and quickly spread news of the site simply by word of mouth. Or rather word of email. The success of Facebook soon gains the attention of Sean Parker, played by Justin Timberlake. Parker had risen to prominence as the creator of the popular file sharing site Napster and was eager to become involved with the growing success of Facebook. While Mark is fascinated and inspired by Sean’s slick style, Eduardo isn’t impressed and is highly suspicious of Sean’s motives as well as his shady reputation. As the trailers and posters have touted, you can’t get to 500 million friends without making a few enemies. Jealousy feeds insecurities that feed accusations that eventually lead to lawsuits.
Eisenberg is fantastic as the egotistical, neurotic, and highly intelligent Mark Zuckerberg, but the true breakout performance of the film has to be that of Andrew Garfield, who has been cast to play Spiderman in the next trilogy of the very popular film series. The British actor who was born and raised in Los Angeles has an understated charisma and appears very capable of becoming a leading man. He infuses Eduardo with class and humanism as he tries to be the friend Zuckerberg doesn’t think he needs.
The film is told largely through flashbacks during a deposition hearing between the parties involved in the lawsuits. Director Fincher skillfully allows his characters to drive the film, letting the story unfold in telling scenes, giving the characters ample room to shine without becoming preachy or resorting to grandstanding.
The characters, despite their flaws, do come across as very believable and sympathetic, even though it’s difficult to imagine going from students to inventors of a pop culture phenomenon, to billionaires in just a few short years. Very few corporations that become dominant in their industry do so without critics, challengers, and those that claim they were responsible for whatever success a company gained.
While The Social Network does not overtly place blame, the light it shines on Zuckerberg isn’t altogether flattering. Surprisingly, the film does not go to the extreme with tech talk. It instead focuses on the relationship between the characters and how they handled the drastic and sudden changes in their lives brought on by a simple program called Face Mash, which became the basis for Facebook.
Strong supporting work in the film combined with the great performances of the lead characters makes The Social Network”a very solid and entertaining film that, for my money, is one of the better films of the year.
While it would be easy to jump to judgment and brand many in the film as egotistical rich people who should be grateful for what they have, I remembered that absolute power corrupts absolutely and I wondered just how well any of us in the audience would react if we were ever faced with a similar situation.