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ClareR (5996 KP) rated A Thousand Ships in Books
Sep 13, 2020
How could it be anything other than ‘Epic’ when it’s Greek Mythology involved?
A Thousand Ships is the story of the Trojan War as experienced by the women. Greek mythology is always centred around the men - after all, it was men who original myths down (The Iliad and The Odyssey both having been written by Homer). Women are side characters who have things done to them, rather than them being the ones doing things - unless they’re a goddess or a witch. Although witches and nymphs don’t seem to come out of these stories particularly well either 🤷🏼♀️
I’ve always loved reading Greek myths and legends, and I’m really enjoying the resurgence of these tales. Told with a modern eye, they can tell us something about ourselves today. We still experience war and loss (there has clearly been no learning experience over the time span between Troy and the modern era), and women are still the ones who shoulder the worst outcomes during and after a war.
It was fascinating to learn about these women, and I particularly liked Penelope’s letters to her husband Odysseus, relaying information about his unbelievable voyage and rather circuitous route home: all information gleaned from bards and their songs. A sensible person would want to know how the singer got the information to write the songs!
The Trojan women sections were really where the true heroes were. These were the women who had lived through a ten year siege, lost their husbands, brothers, sons and families, and were shared as slaves amongst the conquering Greeks. And that includes the poorest as well as the richest of women - Hecabe, Queen of Troy, amongst them.
This book was on the shortlist for the Women’s Prize 2020, and it deserved to be there. I loved reading this, and I now need to read the book written before this (The Children of Jocasta - it has sat patiently waiting on my bookshelf!) to get ready for Haynes’ book about Pandora and her jar!
Many thanks to NetGalley and the publisher for my copy of this book.
I’ve always loved reading Greek myths and legends, and I’m really enjoying the resurgence of these tales. Told with a modern eye, they can tell us something about ourselves today. We still experience war and loss (there has clearly been no learning experience over the time span between Troy and the modern era), and women are still the ones who shoulder the worst outcomes during and after a war.
It was fascinating to learn about these women, and I particularly liked Penelope’s letters to her husband Odysseus, relaying information about his unbelievable voyage and rather circuitous route home: all information gleaned from bards and their songs. A sensible person would want to know how the singer got the information to write the songs!
The Trojan women sections were really where the true heroes were. These were the women who had lived through a ten year siege, lost their husbands, brothers, sons and families, and were shared as slaves amongst the conquering Greeks. And that includes the poorest as well as the richest of women - Hecabe, Queen of Troy, amongst them.
This book was on the shortlist for the Women’s Prize 2020, and it deserved to be there. I loved reading this, and I now need to read the book written before this (The Children of Jocasta - it has sat patiently waiting on my bookshelf!) to get ready for Haynes’ book about Pandora and her jar!
Many thanks to NetGalley and the publisher for my copy of this book.
Eleanor Luhar (47 KP) rated The Sisters of the Winter Wood in Books
Jun 24, 2019
I'm going to avoid discussing the plot too much so I don't spoil any potential readers (and I do recommend you read this!).
This book is set in Dubossary, narrated alternately by Liba and Laya. Liba is the older of the two, the only children in their family. They are Jews, and while this book was hugely about their faith and discrimination against them, it is not only about that. This book was like a new fairytale. It had magic in every page, and was genuinely exciting to read. There were tragic elements, tons of romance, and even a sense of suspense.
The girls are left in their home alone when their parents rush off to Kupel in a family emergency. But just as they plan to leave, the girls' Mami decides it's time to tell her daughters who they really are: a bear and a swan.
As I said, I will not delve into the story too much. But I really loved the story involving Laya and the Hovlin brothers, as well as Liba's own internal struggles. Laya's romance at the end of the book was, in my opinion, a little rushed and unexpected, but that's the only real downside I have.
The writing was lovely - it included Yiddish and Hebrew dialect, which was translated in the Author's Note at the end. (A quick side note; I actually read the entire Note, which is really quite rare for me.) And Laya's account, in particular, felt so poetic. She was definitely my favourite character, as much as I love Liba, too. And the relationship between the girls is so, so lovely. No matter how much they try to push each other away, they are always there for each other in the end.
As I enjoyed this book so much, I tried to talk about it with my boyfriend. However, I soon discovered that describing this story is really quite a feat. It was full of little details and twists that just made the story.
I really liked this book. As I only received an ARC and not a final edition, I didn't have the official layout, which I can imagine may add to it also. Even so, I'm easily giving this 4.5 to 5 stars.
This book is set in Dubossary, narrated alternately by Liba and Laya. Liba is the older of the two, the only children in their family. They are Jews, and while this book was hugely about their faith and discrimination against them, it is not only about that. This book was like a new fairytale. It had magic in every page, and was genuinely exciting to read. There were tragic elements, tons of romance, and even a sense of suspense.
The girls are left in their home alone when their parents rush off to Kupel in a family emergency. But just as they plan to leave, the girls' Mami decides it's time to tell her daughters who they really are: a bear and a swan.
As I said, I will not delve into the story too much. But I really loved the story involving Laya and the Hovlin brothers, as well as Liba's own internal struggles. Laya's romance at the end of the book was, in my opinion, a little rushed and unexpected, but that's the only real downside I have.
The writing was lovely - it included Yiddish and Hebrew dialect, which was translated in the Author's Note at the end. (A quick side note; I actually read the entire Note, which is really quite rare for me.) And Laya's account, in particular, felt so poetic. She was definitely my favourite character, as much as I love Liba, too. And the relationship between the girls is so, so lovely. No matter how much they try to push each other away, they are always there for each other in the end.
As I enjoyed this book so much, I tried to talk about it with my boyfriend. However, I soon discovered that describing this story is really quite a feat. It was full of little details and twists that just made the story.
I really liked this book. As I only received an ARC and not a final edition, I didn't have the official layout, which I can imagine may add to it also. Even so, I'm easily giving this 4.5 to 5 stars.
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BankofMarquis (1832 KP) rated The Iron Giant (1999) in Movies
Jun 14, 2020
A Warm Tale of Friendship
In the 1990's, it was rare for a studio besides Disney to release an animated film. So when Warner Brothers (home of Bugs Bunny) decided to release an animated film, everyone expected it to be some sort of "Looney Tunes" and were sorely disappointed when it was not.
And that is too bad...for the film that was released - THE IRON GIANT - is a wonderfully warm and heartwarming tale of friendship, acceptance and, yes, intolerance of those different from you, set against the backdrop of the Cold War of the 1950's.
Marking the full length feature animation Directing debut by Brad Bird (THE INCREDIBLES), THE IRON GIANT tells the tale of young Hogarth, who finds a...well...Iron Giant... who has fallen to Earth from Outer Space. Hogarth befriends The Iron Giant and helps to hide him from Military-types who see this as a threat to the safety, security and superiority of the United States.
Featuring the vocal talents of Jennifer Aniston, John Mahoney, Harry Connick, Jr., Christopher McDonald and Eli Marienthal (as Hogarth), this film is warm and inviting, showing "good characters" that you want to root for and spend time with spar with "bad guys" that you want to see defeated. All of this over a character that is naive to what is going on around him. Special notice should be made of Vin Diesel's vocal work as The Iron Giant. He says very few things, but the words that he does say, convey strong emotions.
You can see the seeds of THE INCREDIBLES in this work of Director Bird. The action sequences are fun and effective and are off-set by slower, more personal, scenes of the characters getting to know - and interact with - each other. He shows a deft touch in balancing these items, finding the right amount of pathos and pace throughout.
The main themes in this film - fearing that which you do not know/do not care to understand resonates to this day and is a reminder that kindness can go much further than fear/ignorance/intolerance.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
And that is too bad...for the film that was released - THE IRON GIANT - is a wonderfully warm and heartwarming tale of friendship, acceptance and, yes, intolerance of those different from you, set against the backdrop of the Cold War of the 1950's.
Marking the full length feature animation Directing debut by Brad Bird (THE INCREDIBLES), THE IRON GIANT tells the tale of young Hogarth, who finds a...well...Iron Giant... who has fallen to Earth from Outer Space. Hogarth befriends The Iron Giant and helps to hide him from Military-types who see this as a threat to the safety, security and superiority of the United States.
Featuring the vocal talents of Jennifer Aniston, John Mahoney, Harry Connick, Jr., Christopher McDonald and Eli Marienthal (as Hogarth), this film is warm and inviting, showing "good characters" that you want to root for and spend time with spar with "bad guys" that you want to see defeated. All of this over a character that is naive to what is going on around him. Special notice should be made of Vin Diesel's vocal work as The Iron Giant. He says very few things, but the words that he does say, convey strong emotions.
You can see the seeds of THE INCREDIBLES in this work of Director Bird. The action sequences are fun and effective and are off-set by slower, more personal, scenes of the characters getting to know - and interact with - each other. He shows a deft touch in balancing these items, finding the right amount of pathos and pace throughout.
The main themes in this film - fearing that which you do not know/do not care to understand resonates to this day and is a reminder that kindness can go much further than fear/ignorance/intolerance.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
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