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Gareth von Kallenbach (980 KP) rated Saving Mr. Banks (2013) in Movies
Jun 19, 2019
One of the greatest Disney classics, “Mary Poppins” has a unique history on its long journey from the page to the silver screen. In “Saving Mr. Banks”, the twenty year battle between Walt Disney and the notoriously difficult author is told in a touching and gripping tale.
Tom Hanks stars as Walt Disney who after making a promise to his daughters to bring their beloved Mary Poppins books to life embarks on a frustrating battle with author P.L. Travers (Emma Thompson), that lasts twenty years.
Faced with financial need following a lack of published materials, Travers reluctantly agrees to travel from her home in London to meet with Disney to discuss signing over the rights to her beloved character. Travers is a very abrupt individual who has no problem speaking her mind and is not one to spare feelings with her cutting and direct barbs.
Travers has little love for animation, Disneyland, or the whimsy that accompanies all things Disney and is terrified that her beloved Mary Poppins will be turned into some silly and childish film, hence her reluctance to sign over the theatrical rights.
Over the two weeks of her visit to California, Walt, and the talented Sherman Brothers (B.J. Novak and Jason Schwartzman) endure her icy behavior, harsh criticisms and intolerance for their work and efforts. Travers is horrified with everything from their casting choices to the inclusion of music and many aspects of the script and look of the characters.
Undaunted, Walt and company press on in the face of overwhelming adversity and unending opposition from Travers and slowly but surely make progress in appeasing Travers as they bring the film closer and closer to fruition.
What follows is a very moving, funny and enjoyable tale that is powered by outstanding performances by the two leads and the very strong supporting cast, especially that of Paul Giamatti who plays a driver named Ralph who has to endure the venom of Travers has he drives her around during her stay.
The film does a good job of showing what Travers endured as a child thanks to her alcoholic father (Colin Farrell), and how her experiences with his struggles helped form the woman she was to become.
While aspects of the true story have been softened somewhat in the final act from what happened in reality, the film is very honest and effective.
Many of the memorable classic songs from the movie appear in the film but are done in a very natural way as they are introduced to viewers as they are being introduced to the characters in the film.
While some aspects of the film may be a little darker than people would come to expect from a Disney movie, the film is a very enjoyable experience that is not to be missed.
http://sknr.net/2013/12/13/saving-mr-banks/
Tom Hanks stars as Walt Disney who after making a promise to his daughters to bring their beloved Mary Poppins books to life embarks on a frustrating battle with author P.L. Travers (Emma Thompson), that lasts twenty years.
Faced with financial need following a lack of published materials, Travers reluctantly agrees to travel from her home in London to meet with Disney to discuss signing over the rights to her beloved character. Travers is a very abrupt individual who has no problem speaking her mind and is not one to spare feelings with her cutting and direct barbs.
Travers has little love for animation, Disneyland, or the whimsy that accompanies all things Disney and is terrified that her beloved Mary Poppins will be turned into some silly and childish film, hence her reluctance to sign over the theatrical rights.
Over the two weeks of her visit to California, Walt, and the talented Sherman Brothers (B.J. Novak and Jason Schwartzman) endure her icy behavior, harsh criticisms and intolerance for their work and efforts. Travers is horrified with everything from their casting choices to the inclusion of music and many aspects of the script and look of the characters.
Undaunted, Walt and company press on in the face of overwhelming adversity and unending opposition from Travers and slowly but surely make progress in appeasing Travers as they bring the film closer and closer to fruition.
What follows is a very moving, funny and enjoyable tale that is powered by outstanding performances by the two leads and the very strong supporting cast, especially that of Paul Giamatti who plays a driver named Ralph who has to endure the venom of Travers has he drives her around during her stay.
The film does a good job of showing what Travers endured as a child thanks to her alcoholic father (Colin Farrell), and how her experiences with his struggles helped form the woman she was to become.
While aspects of the true story have been softened somewhat in the final act from what happened in reality, the film is very honest and effective.
Many of the memorable classic songs from the movie appear in the film but are done in a very natural way as they are introduced to viewers as they are being introduced to the characters in the film.
While some aspects of the film may be a little darker than people would come to expect from a Disney movie, the film is a very enjoyable experience that is not to be missed.
http://sknr.net/2013/12/13/saving-mr-banks/
Gareth von Kallenbach (980 KP) rated Four Christmases (2008) in Movies
Aug 14, 2019
Christmas, for most of the population who celebrate it, is about gathering with family, taking the opportunity to reunite with loved ones and share in the spirit of the holiday. Most of us do this with great anticipation. But not Brad and Kate, an intensely committed couple, played by Vince Vaughn and Reese Witherspoon, who would rather be anywhere but near their respective families at Christmas. So much so, they invent elaborate excuses every year that keep them away.And because it’s always for a good cause, they’re granted a pass by their relatives. This year, they’ll be busy volunteering to inoculate children in some remote third-world country. In actuality, they’ll be vacationing on some tropical island. But the San Francisco fog works against them this Christmas, and they’re captured on camera by a news crew at the airport dealing with the cancelation of their flight, and, of course, there’s no getting away now.
So, why don’t Brad and Kate want to spend Christmas with their families? Well, mainly it’s because they’re products of broken marriages and each of them have two homes to visit. Hence, the title. Brad’s family consists of a bitter old man, played by Robert Duvall and two brothers (Jon Favreau and Tim McGraw) who are amateur cage fighters who take great delight in torturing their attorney brother. His uncoventional mother, a quirky Sissy Spacek, is remarried and Brad has yet to come to terms with a stepfather he knows all too well. Kate’s mother, played by Mary Steenburgen, has found religion and a not-so-angelic devotion to the pastor of her church, while her sister, an earnest Kristin Chenoweth, just can’t say enough about the joys of childbearing.
Brad and Kate, who airily dismiss the idea of marriage and the notion of children, are content to just focus on each other, spicing up their relationship with some sexy role-playing, dance lessons and exotic vacations. But on one Christmas day, traveling from one parent’s home to another, they face their fears four times and discover more and more about each other with each visit. She didn’t know his name wasn’t really Brad. He didn’t know she went to fat camp. She doesn’t know how to give good clues in Taboo. He is inflexible in changing the rules of their relationship. Suddenly, the happily unmarried couple doesn’t feel so happily unmarried.
The movie is good for a few laughs, mainly at the expense of Vince Vaughn’s Brad. I’ve always been a big fan of Vince Vaughn’s rapid-fire stream of consciousness delivery and he certainly has his moments. While it seems like he carries the movie for the most part, Reese isn’t without her chances to shine. Unfortunately, the opportunities are few and far between. Even with it’s stellar cast, the phrase “lighthearted comedy” feels a little generous. It is definitely light, but doesn’t have much heart.
So, why don’t Brad and Kate want to spend Christmas with their families? Well, mainly it’s because they’re products of broken marriages and each of them have two homes to visit. Hence, the title. Brad’s family consists of a bitter old man, played by Robert Duvall and two brothers (Jon Favreau and Tim McGraw) who are amateur cage fighters who take great delight in torturing their attorney brother. His uncoventional mother, a quirky Sissy Spacek, is remarried and Brad has yet to come to terms with a stepfather he knows all too well. Kate’s mother, played by Mary Steenburgen, has found religion and a not-so-angelic devotion to the pastor of her church, while her sister, an earnest Kristin Chenoweth, just can’t say enough about the joys of childbearing.
Brad and Kate, who airily dismiss the idea of marriage and the notion of children, are content to just focus on each other, spicing up their relationship with some sexy role-playing, dance lessons and exotic vacations. But on one Christmas day, traveling from one parent’s home to another, they face their fears four times and discover more and more about each other with each visit. She didn’t know his name wasn’t really Brad. He didn’t know she went to fat camp. She doesn’t know how to give good clues in Taboo. He is inflexible in changing the rules of their relationship. Suddenly, the happily unmarried couple doesn’t feel so happily unmarried.
The movie is good for a few laughs, mainly at the expense of Vince Vaughn’s Brad. I’ve always been a big fan of Vince Vaughn’s rapid-fire stream of consciousness delivery and he certainly has his moments. While it seems like he carries the movie for the most part, Reese isn’t without her chances to shine. Unfortunately, the opportunities are few and far between. Even with it’s stellar cast, the phrase “lighthearted comedy” feels a little generous. It is definitely light, but doesn’t have much heart.
Gareth von Kallenbach (980 KP) rated Ice Age 2: The Meltdown (2006) in Movies
Aug 14, 2019
It has been almost four years since audiences last embraced the animated misadventures of a pack of prehistoric animals in the runaway smash Ice Age.
As the calendar moves into spring the multiplexes throughout the land prepare to welcome the arrival of the early summer season films which like the warming of spring also indicates a warming at the box office as scores of moviegoers look forward to the latest releases which often contain a fair number of sequels.
In the new film, Ice Age 2: The Meltdown things are going well for the animals as they frolic the days away in a scenic glacier. Sid (John Leguizamo) has taken it upon himself to open a camp for younger animals much to the dismay of his friends Manny (Ray Romano), and Diego (Denis Leary).
Things take a turn for the worse when a rapidly warming environment threatens to melt the ice and flood the valley which results in a mass migration of the animals to a new locale where they will be safe from the flooding.
Along the way, Manny, Diego, and Sid encounter an odd trio of refugees, a family of possums. What makes this family different is that one of the possums named Ellie (Queen Latifah) is actually a Mammoth who thinks she is a possum after she was taken in at an early age by the two brothers Crash (Seann William Scott) and Eddie (Josh Peck).
Along the way this eclectic band of creatures must bond with one another as they face all manner of obstacles ranging from the elements to dangerous animals and the growing bond/tensions between Manny and Ellie who Manny fears may be the last two mammoths left.
Of course it would not be an Ice Age film without the misadventures of Scrat, the loveable squirrel from the first film who is still trying desperately to secure his beloved acorn and has all manner of misadventures as a result. As good as the other characters are the comedic interludes with Scrat are the funniest moments in the film which is saying something as there are many, many shining moments in the film.
The animation is first rate and is greatly improved from the first film as the animal’s now show greater texture and motion in their furs as well as a realistic weight transfer when they walk.
While this is not vital to the film, it does show a level of attention and detail that infuses the film with a vitality and flair not often shown in family entertainment that did not come from Disney.
Fox is at the top of their game, and “Ice Age: The Meltdown” is a further reminder that Disney no longer has a lock on animated family classics as this is a film that will delight viewers of all ages.
As the calendar moves into spring the multiplexes throughout the land prepare to welcome the arrival of the early summer season films which like the warming of spring also indicates a warming at the box office as scores of moviegoers look forward to the latest releases which often contain a fair number of sequels.
In the new film, Ice Age 2: The Meltdown things are going well for the animals as they frolic the days away in a scenic glacier. Sid (John Leguizamo) has taken it upon himself to open a camp for younger animals much to the dismay of his friends Manny (Ray Romano), and Diego (Denis Leary).
Things take a turn for the worse when a rapidly warming environment threatens to melt the ice and flood the valley which results in a mass migration of the animals to a new locale where they will be safe from the flooding.
Along the way, Manny, Diego, and Sid encounter an odd trio of refugees, a family of possums. What makes this family different is that one of the possums named Ellie (Queen Latifah) is actually a Mammoth who thinks she is a possum after she was taken in at an early age by the two brothers Crash (Seann William Scott) and Eddie (Josh Peck).
Along the way this eclectic band of creatures must bond with one another as they face all manner of obstacles ranging from the elements to dangerous animals and the growing bond/tensions between Manny and Ellie who Manny fears may be the last two mammoths left.
Of course it would not be an Ice Age film without the misadventures of Scrat, the loveable squirrel from the first film who is still trying desperately to secure his beloved acorn and has all manner of misadventures as a result. As good as the other characters are the comedic interludes with Scrat are the funniest moments in the film which is saying something as there are many, many shining moments in the film.
The animation is first rate and is greatly improved from the first film as the animal’s now show greater texture and motion in their furs as well as a realistic weight transfer when they walk.
While this is not vital to the film, it does show a level of attention and detail that infuses the film with a vitality and flair not often shown in family entertainment that did not come from Disney.
Fox is at the top of their game, and “Ice Age: The Meltdown” is a further reminder that Disney no longer has a lock on animated family classics as this is a film that will delight viewers of all ages.
Kirk Bage (1775 KP) rated The Ballad of Buster Scruggs (2018) in Movies
Mar 3, 2020 (Updated Jul 9, 2020)
First up, the latest Coen Brothers effort, the slightly offputtingly titled The Ballad of Buster Scruggs. I mean, it sounds like a working title at best, and doesn’t exactly draw you in. Oh, and it’s a Western, and Tim Blake Nelson sings in it – those Coen’s never did much care about box office, huh? And what’s more it is an anthology film; five or six short vignettes vaguely set in the same dusty landscape of pre industrial America.
I didn’t even know it was an anthology from the trailer, or poster. I thought the entire thing was about the crooning Blake Nelson, and as much as I love the Coen’s back catalogue, I wasn’t overly keen. Then the reviews, and a few Oscar nominations made me sit up a bit, feeling a bit silly that I had ever doubted the partnership that has offered the most consistently interesting off-kilter films of the last 40 years.
Immediately, I was struck by two things: a sense of a whimsical mood, and a breathtaking cinematography capturing a landscape. This was definitely a Coen film. I found myself enjoying the humour and inventiveness effortlessly. And then being surprised to find we were moving on to another story before even 15 minutes had passed!
A bit with James Franco and an unfortunate lynch mob / hanging situation; a wry piece about Tom Waits panning for gold and protecting his find; a more serious (and mood breakingly longer) piece about an unlikely love between a worldly wagon trainer and a naive young woman; and finally something like a Western ghost story as strangers talk inside a carriage heading to a mysterious location. And with a somewhat anti-climactic end… we were out. Did I miss something? Then it must have been forgettable.
I liked all the sections to degrees, and admired how they were all unique but dovetailed together well. There is certainly plenty to enjoy and even love in this strange experiment of a film. The Tom Waits section was my favourite, and the long wagon train section my least favourite, in simple terms.
However the overall impression is that it somehow isn’t quite fully there… something doesn’t hold it together as a complete film. It is hard to put your finger on it, but it is something to do with the story arc in terms of energy. It would maybe have been better served with a more upbeat climax. But who am I to question these guys?
Would I watch it again? Absolutely. Would I recommend it to everyone? With caution, yeah sure. Will I be adding it to any best of lists any time soon? Capagorically not. Enjoy it for what it is. Even watch each piece in isolation maybe. Look in wonder at how Joel and Ethan can still frame an image or capture a detail. And then let it fly away, as inconsequential as a dream.
I didn’t even know it was an anthology from the trailer, or poster. I thought the entire thing was about the crooning Blake Nelson, and as much as I love the Coen’s back catalogue, I wasn’t overly keen. Then the reviews, and a few Oscar nominations made me sit up a bit, feeling a bit silly that I had ever doubted the partnership that has offered the most consistently interesting off-kilter films of the last 40 years.
Immediately, I was struck by two things: a sense of a whimsical mood, and a breathtaking cinematography capturing a landscape. This was definitely a Coen film. I found myself enjoying the humour and inventiveness effortlessly. And then being surprised to find we were moving on to another story before even 15 minutes had passed!
A bit with James Franco and an unfortunate lynch mob / hanging situation; a wry piece about Tom Waits panning for gold and protecting his find; a more serious (and mood breakingly longer) piece about an unlikely love between a worldly wagon trainer and a naive young woman; and finally something like a Western ghost story as strangers talk inside a carriage heading to a mysterious location. And with a somewhat anti-climactic end… we were out. Did I miss something? Then it must have been forgettable.
I liked all the sections to degrees, and admired how they were all unique but dovetailed together well. There is certainly plenty to enjoy and even love in this strange experiment of a film. The Tom Waits section was my favourite, and the long wagon train section my least favourite, in simple terms.
However the overall impression is that it somehow isn’t quite fully there… something doesn’t hold it together as a complete film. It is hard to put your finger on it, but it is something to do with the story arc in terms of energy. It would maybe have been better served with a more upbeat climax. But who am I to question these guys?
Would I watch it again? Absolutely. Would I recommend it to everyone? With caution, yeah sure. Will I be adding it to any best of lists any time soon? Capagorically not. Enjoy it for what it is. Even watch each piece in isolation maybe. Look in wonder at how Joel and Ethan can still frame an image or capture a detail. And then let it fly away, as inconsequential as a dream.
Hazel (1853 KP) rated In a Kingdom by the Sea in Books
Jul 31, 2019
I received an ARC from the publisher via Netgalley in exchange for an honest review.
Imagine how it must feel to live in a country that is nearly always depicted negatively? How does it feel to have your country's natural beauty and landscape usurped by the violence of a small percentage of people? This is what Gabriella discovers the majority of the population of Pakistan face when she accompanies her husband Mike to Karachi where he works for Pakistan Atlantic Airways.
Gabriella and her sons have been used to Mike disappearing for months at a time on various jobs abroad, however, she is beginning to feel she and her husband are drifting apart. When Mike suggests she come and stay with him in Pakistan, she jumps at the chance, however, instead of strengthing the relationship, Gabriella feels further away than ever. Constantly left behind in a hotel while Mike attends numerous conferences, Gabriella is virtually housebound; it being too dangerous to venture outside. Not only that, she suspects Mike is having an affair and to top it all off, her half-sister Dominique reveals a devastating secret about their childhood in Cornwall.
In a Kingdom by the Sea by Sara MacDonald is essentially a contemporary love story, exploring the woes of a nearly fifty-year-old coming to the end of a long relationship. With underlying elements of mystery, for instance, what happened to Dominique in the early 1970s and what exactly is Mike up to, the novel also explores the hidden truths of a country stereotyped by violence and terrorism.
Gabriella meets dozens of kind and caring people in Pakistan who have her best interests at heart. These people are not dangerous or violent as the media often leads the western world to believe. Whilst some groups of people are content to cause death and destruction, leaving the cities a minefield to navigate, there are plenty more who wish to live peaceful lives. Gabriella is captivated by the beautiful, enchanting landscapes, unlike anything back home in England.
As the story progresses, Gabriella learns more about the lives of women in Pakistan. They are unable to live as they please, having to bow to the commands of their husbands, parents and brothers instead. The more Gabriella speaks to these women, the more she realises that cooped up in the hotel most of the day, she is in a similar situation, under the thumb of her own husband. So, she stops. Thinks. Is this the life she wants?
In a Kingdom by the Sea is a slightly long-winded but eye-opening story. Not everyone will be able to relate to the lives of Pakistani women, however, their plight will resonate with those who relish freedom. Whilst it is difficult to compare Gabriella's life with the women she meets in Karachi, readers will also be rooting for Gabriella's happy-ever-after.
Imagine how it must feel to live in a country that is nearly always depicted negatively? How does it feel to have your country's natural beauty and landscape usurped by the violence of a small percentage of people? This is what Gabriella discovers the majority of the population of Pakistan face when she accompanies her husband Mike to Karachi where he works for Pakistan Atlantic Airways.
Gabriella and her sons have been used to Mike disappearing for months at a time on various jobs abroad, however, she is beginning to feel she and her husband are drifting apart. When Mike suggests she come and stay with him in Pakistan, she jumps at the chance, however, instead of strengthing the relationship, Gabriella feels further away than ever. Constantly left behind in a hotel while Mike attends numerous conferences, Gabriella is virtually housebound; it being too dangerous to venture outside. Not only that, she suspects Mike is having an affair and to top it all off, her half-sister Dominique reveals a devastating secret about their childhood in Cornwall.
In a Kingdom by the Sea by Sara MacDonald is essentially a contemporary love story, exploring the woes of a nearly fifty-year-old coming to the end of a long relationship. With underlying elements of mystery, for instance, what happened to Dominique in the early 1970s and what exactly is Mike up to, the novel also explores the hidden truths of a country stereotyped by violence and terrorism.
Gabriella meets dozens of kind and caring people in Pakistan who have her best interests at heart. These people are not dangerous or violent as the media often leads the western world to believe. Whilst some groups of people are content to cause death and destruction, leaving the cities a minefield to navigate, there are plenty more who wish to live peaceful lives. Gabriella is captivated by the beautiful, enchanting landscapes, unlike anything back home in England.
As the story progresses, Gabriella learns more about the lives of women in Pakistan. They are unable to live as they please, having to bow to the commands of their husbands, parents and brothers instead. The more Gabriella speaks to these women, the more she realises that cooped up in the hotel most of the day, she is in a similar situation, under the thumb of her own husband. So, she stops. Thinks. Is this the life she wants?
In a Kingdom by the Sea is a slightly long-winded but eye-opening story. Not everyone will be able to relate to the lives of Pakistani women, however, their plight will resonate with those who relish freedom. Whilst it is difficult to compare Gabriella's life with the women she meets in Karachi, readers will also be rooting for Gabriella's happy-ever-after.
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