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Debbiereadsbook (1202 KP) rated Give It To Me (MacAteer Brothers #5) in Books
Jul 12, 2021
saved the best for last!
Independent reviewer for Archaeolibrarian, I was gifted my copy of this book.
This is book 5, the final book, in the MacAteer Brothers series. While not strictly NECESSARY, I recommend you read all four of the other books before this one. It will give you a better understanding of just for fast these men fall in love. Also, some references to the other couple's stories are made here, but not fully explained and if you have read them, you might wonder, you know?
We met Angus in the last book, when he and his twin, Patrick, came to work with Connor, Owen and Garrett at their growing home improvement business. Rhyleigh is co-owner at the yoga gym the girls go to. Angus has a powerful reaction to Rhyleigh, but Rhyleigh's to Angus is more of a dawning realisation about what he could do for her, TO her.
When Rhyleigh indulges in her one true secret, someone else pushes her buttons and suddenly she has TWO men who she dreams about. And when Rhyleigh's mother and sister upset her so bad that she does something stupid, everything changes.
These books have been wonderful to read. They are all 4 and 5 star reads, and I *think*, for me, the best was saved for last, I really do!
I loved Angus and Rhyleigh, together and as individuals. Angus knows, he KNOWS Rhyleigh is his, and Patrick (his book, Risk It All, runs alongside this one, so he's flirting at the beginning!) gets the look from Angus to tell him she is Angus'. Patrick gets the message 🙂
Angus gets to know Rhyleigh secret, and he knows that he can really set her free, he can give her what she didn't get from others. He just needs her to let him.
Rhyleigh does something stupid, and I broke for her, I really did. Her mother and sister really are nasty pieces of work, and poor Rhyleigh bears the brunt of that nastiness. After a particularly nasty attack (verbal, but still) Rhyleigh makes a dreadful decision that Angus saves her from. At that point, Angus broke me too, because his heart broke when Rhyleigh does what she does, and he wasn't sure he could get to her in time.
It's quite an emotional book. But also a hawt one! BUT, while the level of heat is possible the highest of all 5 books, the actual smexy stuff is quite low. I mean, there is heat and passion, and when Angus gives Rhyleigh want she so desperately wants, the temp is off the charts, but there is just that one scene between them and I bloody LOVED that!
In a couple of the other books, I said I would have loved the books without any smexy stuff, and I stand by that here. So long as Angus gives Rhyleigh what she needs, cos I needed that bit too! That bit was sensual and emotional and the connection between them was amazing.
I'm starting to ramble, and rambling does not a good review make, so I'll leave you with this:
Read
These
Books!
I still need to go back and read Stud (The second Dragon Runners book) because that book is about Eva, the only MacAteer sister. She pops up here and there throughout this series, but I need to round them all out, I think.
5 full and shiny stars
PS, loved the epilogue!
**same worded review will appear elsewhere**
This is book 5, the final book, in the MacAteer Brothers series. While not strictly NECESSARY, I recommend you read all four of the other books before this one. It will give you a better understanding of just for fast these men fall in love. Also, some references to the other couple's stories are made here, but not fully explained and if you have read them, you might wonder, you know?
We met Angus in the last book, when he and his twin, Patrick, came to work with Connor, Owen and Garrett at their growing home improvement business. Rhyleigh is co-owner at the yoga gym the girls go to. Angus has a powerful reaction to Rhyleigh, but Rhyleigh's to Angus is more of a dawning realisation about what he could do for her, TO her.
When Rhyleigh indulges in her one true secret, someone else pushes her buttons and suddenly she has TWO men who she dreams about. And when Rhyleigh's mother and sister upset her so bad that she does something stupid, everything changes.
These books have been wonderful to read. They are all 4 and 5 star reads, and I *think*, for me, the best was saved for last, I really do!
I loved Angus and Rhyleigh, together and as individuals. Angus knows, he KNOWS Rhyleigh is his, and Patrick (his book, Risk It All, runs alongside this one, so he's flirting at the beginning!) gets the look from Angus to tell him she is Angus'. Patrick gets the message 🙂
Angus gets to know Rhyleigh secret, and he knows that he can really set her free, he can give her what she didn't get from others. He just needs her to let him.
Rhyleigh does something stupid, and I broke for her, I really did. Her mother and sister really are nasty pieces of work, and poor Rhyleigh bears the brunt of that nastiness. After a particularly nasty attack (verbal, but still) Rhyleigh makes a dreadful decision that Angus saves her from. At that point, Angus broke me too, because his heart broke when Rhyleigh does what she does, and he wasn't sure he could get to her in time.
It's quite an emotional book. But also a hawt one! BUT, while the level of heat is possible the highest of all 5 books, the actual smexy stuff is quite low. I mean, there is heat and passion, and when Angus gives Rhyleigh want she so desperately wants, the temp is off the charts, but there is just that one scene between them and I bloody LOVED that!
In a couple of the other books, I said I would have loved the books without any smexy stuff, and I stand by that here. So long as Angus gives Rhyleigh what she needs, cos I needed that bit too! That bit was sensual and emotional and the connection between them was amazing.
I'm starting to ramble, and rambling does not a good review make, so I'll leave you with this:
Read
These
Books!
I still need to go back and read Stud (The second Dragon Runners book) because that book is about Eva, the only MacAteer sister. She pops up here and there throughout this series, but I need to round them all out, I think.
5 full and shiny stars
PS, loved the epilogue!
**same worded review will appear elsewhere**
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Lottie disney bookworm (1056 KP) rated The Fractured Empire in Books
Oct 25, 2021
The Fractured Empire is the first in the Worlds Apart series and takes place on the fifth anniversary of The Silent Explosion when Adelaide lost her mother and sister and Clark lost his father.
“Clark and Adelaide think their lives can’t get any worse. Until they meet each other.”
The style of this book is distinctly steampunk rather than the medieval style that I am used to with ElBin books. I was nervous about this as I generally don’t read books in a steampunk setting but I did find I really enjoyed it. To me the world building wasn’t quite as clear in my mind but I’m not sure if this was because I wasn’t reading a physical book.
Despite this, The Fractured Empire met all my expectations and more! How can it not when it includes all my favourite tropes such as enemies to lovers and, of course, the old forced shared-bed situation.
“who kidnapped someone and then introduced themselves? Yet here we were”
The characters are amazing, of course they are! There isn’t an underdeveloped or “2D” character in sight as we follow Addie, Clark and his 2 brothers around the Ceithren Empire, desperately seeking answers … and finding some that they didn’t expect!
Clark and Addie’s relationship is a rollercoaster! The term enemies-to-lovers does not do this pair justice, it’s more like enemies-to-almost lovers-to- definite enemies- to- begrudging colleagues. There is a definite attraction though and it is very physical to begin with: there are a lot of references to Clark’s muscles, Addie’s dress slipping down etc. I have read other reviews where they use this to say that the romance relationship is shallow but I don’t believe this is the case, they are both quite young as characters and it merely demonstrates, in my opinion, how they are constantly drawn to each other.
The best thing about Clark and Addie’s dynamic is 100% the amount of bickering and sarcasm. Oh the amount of sarcasm in this book speaks to my soul and it is here where I think the audiobook may have been better than a physical book (I know, I know! Don’t shoot!) The narrators for Clark and Addie really captured the personalities of the characters, even down to the pacing of their reading and, in Addie’s case, the haughty tones.
From the mysterious best friend Nell (who I’m still not sure if I trust or not) to Addie’s oppressive Director father to the playboy prince: the cast of supporting characters deserves an honourable mention, particularly Gunther. If you aren’t in love with Gunther we can’t be friends – it’s as simple as that!
“I gave them a mocking salute before I turned and jumped, right out the hundredth story window”
The Fractured Empire presents twists upon twists and constantly changes who you can trust but still manages to flow really well and keep the reader engaged. This is a testament to the writing of Robin but also to the narrators of the audiobook, Cris Dukehart and Graham Halstead. Some small snippets felt like they were recorded in sections and sounded out of place but on the whole the pair really embodied the characters and kept me hooked.
Thank you to Robin Mahle for providing a free copy of the audiobook of The Fractured Empire. My TBR list however, does not thank you as it now has 3 more additions to it! (*Edit* 4! I found out about the prequel!)
“Clark and Adelaide think their lives can’t get any worse. Until they meet each other.”
The style of this book is distinctly steampunk rather than the medieval style that I am used to with ElBin books. I was nervous about this as I generally don’t read books in a steampunk setting but I did find I really enjoyed it. To me the world building wasn’t quite as clear in my mind but I’m not sure if this was because I wasn’t reading a physical book.
Despite this, The Fractured Empire met all my expectations and more! How can it not when it includes all my favourite tropes such as enemies to lovers and, of course, the old forced shared-bed situation.
“who kidnapped someone and then introduced themselves? Yet here we were”
The characters are amazing, of course they are! There isn’t an underdeveloped or “2D” character in sight as we follow Addie, Clark and his 2 brothers around the Ceithren Empire, desperately seeking answers … and finding some that they didn’t expect!
Clark and Addie’s relationship is a rollercoaster! The term enemies-to-lovers does not do this pair justice, it’s more like enemies-to-almost lovers-to- definite enemies- to- begrudging colleagues. There is a definite attraction though and it is very physical to begin with: there are a lot of references to Clark’s muscles, Addie’s dress slipping down etc. I have read other reviews where they use this to say that the romance relationship is shallow but I don’t believe this is the case, they are both quite young as characters and it merely demonstrates, in my opinion, how they are constantly drawn to each other.
The best thing about Clark and Addie’s dynamic is 100% the amount of bickering and sarcasm. Oh the amount of sarcasm in this book speaks to my soul and it is here where I think the audiobook may have been better than a physical book (I know, I know! Don’t shoot!) The narrators for Clark and Addie really captured the personalities of the characters, even down to the pacing of their reading and, in Addie’s case, the haughty tones.
From the mysterious best friend Nell (who I’m still not sure if I trust or not) to Addie’s oppressive Director father to the playboy prince: the cast of supporting characters deserves an honourable mention, particularly Gunther. If you aren’t in love with Gunther we can’t be friends – it’s as simple as that!
“I gave them a mocking salute before I turned and jumped, right out the hundredth story window”
The Fractured Empire presents twists upon twists and constantly changes who you can trust but still manages to flow really well and keep the reader engaged. This is a testament to the writing of Robin but also to the narrators of the audiobook, Cris Dukehart and Graham Halstead. Some small snippets felt like they were recorded in sections and sounded out of place but on the whole the pair really embodied the characters and kept me hooked.
Thank you to Robin Mahle for providing a free copy of the audiobook of The Fractured Empire. My TBR list however, does not thank you as it now has 3 more additions to it! (*Edit* 4! I found out about the prequel!)
BankofMarquis (1832 KP) rated The Power of the Dog (2021) in Movies
Dec 7, 2021
Deep and Layered
If the movie you are watching has a long shot of wheat blowing in the wind, then you are watching a character drama. If that same film also includes a 5 minute scene of someone braiding rope, then you have THE POWER OF THE DOG.
Written and Directed by Jane Campion (THE PIANO) and based on the best-selling novel by Thomas Savage, THE POWER OF THE DOG tells the tale of 2 brothers, talkative and charismatic Phil (Benedict Cumberbatch) and quiet and contemplative George (Jesse Plemons) who are tending their cattle ranch in Montana in the mid-1920’s. As horses give way to horseless carriages, George falls for a widow (Kirsten Dunst) who has an effeminate son (Kodi Smit-McPhee) and this relationship makes Phil face his own feelings - and a changing world.
In the hands of Campion, this film is a quiet, introspective look at how a hard-drinking, hard-living Cowboy deals with a changing world - and his own pent up emotions - and it works well. She weaves a fascinating story that takes its time unfurling it’s pages and the time that the audience takes in steeping themselves in the story and the characters is time well spent, indeed.
This is because the great Benedict Cumberbatch (TV’s SHERLOCK) is on-screen for 95% of the film as Phil and he commands the screen every moment that his presence is known. It is a bravura - though eerily quiet and introspective - performance by Cumberbatch. Campion and Cumberbatch create a memorable character that fills the screen not because he is wide or high or showy, but because he is deep and layered and the film spends most of its 2 hour and 6 minute running time peeling back the layers and digging deep into this character. It is an Oscar-worthy performance and is a shoo-in Oscar nominee and would not be surprising if Cumberbatch finally wins his Oscar for this role.
Plemons and Dunst (who played a couple in the first season of the TV series FARGO) are the catalyst that set the film - and the discoveries - in motion, but, though they are good, they have very little to do besides react to Cumberbatch’s characters’ moves.
Surprisingly, the character that does stand-out and the actor who does go toe-to-toe with Cumberbatch’s Phil is Peter, the son of Rose and played by Kodi Smit-McPhee (NIghtcrawler in X-MEN:APOCALYPSE) who is (at first) befriended by Phil as a joke and becomes closer and closer to him as the film progresses. It is through Peter that we dig through the layers of Phil - and it is a fascinating journey.
This is a gorgeous film to look at - Cinematographer Ari Wegner (THE GIRLFRIEND EXPERIENCE) is a shoo-in for an Oscar nomination as well - and this is good, because Phil (and the audience) spend long stretches looking out in the wilderness, contemplating the world - and change.
Not the fastest moving film you will ever encounter, but if you are in the mood for this sort of thing and can get caught up with discovering the layers of Phil, then you will be rewarded with a layered and deep experience.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Written and Directed by Jane Campion (THE PIANO) and based on the best-selling novel by Thomas Savage, THE POWER OF THE DOG tells the tale of 2 brothers, talkative and charismatic Phil (Benedict Cumberbatch) and quiet and contemplative George (Jesse Plemons) who are tending their cattle ranch in Montana in the mid-1920’s. As horses give way to horseless carriages, George falls for a widow (Kirsten Dunst) who has an effeminate son (Kodi Smit-McPhee) and this relationship makes Phil face his own feelings - and a changing world.
In the hands of Campion, this film is a quiet, introspective look at how a hard-drinking, hard-living Cowboy deals with a changing world - and his own pent up emotions - and it works well. She weaves a fascinating story that takes its time unfurling it’s pages and the time that the audience takes in steeping themselves in the story and the characters is time well spent, indeed.
This is because the great Benedict Cumberbatch (TV’s SHERLOCK) is on-screen for 95% of the film as Phil and he commands the screen every moment that his presence is known. It is a bravura - though eerily quiet and introspective - performance by Cumberbatch. Campion and Cumberbatch create a memorable character that fills the screen not because he is wide or high or showy, but because he is deep and layered and the film spends most of its 2 hour and 6 minute running time peeling back the layers and digging deep into this character. It is an Oscar-worthy performance and is a shoo-in Oscar nominee and would not be surprising if Cumberbatch finally wins his Oscar for this role.
Plemons and Dunst (who played a couple in the first season of the TV series FARGO) are the catalyst that set the film - and the discoveries - in motion, but, though they are good, they have very little to do besides react to Cumberbatch’s characters’ moves.
Surprisingly, the character that does stand-out and the actor who does go toe-to-toe with Cumberbatch’s Phil is Peter, the son of Rose and played by Kodi Smit-McPhee (NIghtcrawler in X-MEN:APOCALYPSE) who is (at first) befriended by Phil as a joke and becomes closer and closer to him as the film progresses. It is through Peter that we dig through the layers of Phil - and it is a fascinating journey.
This is a gorgeous film to look at - Cinematographer Ari Wegner (THE GIRLFRIEND EXPERIENCE) is a shoo-in for an Oscar nomination as well - and this is good, because Phil (and the audience) spend long stretches looking out in the wilderness, contemplating the world - and change.
Not the fastest moving film you will ever encounter, but if you are in the mood for this sort of thing and can get caught up with discovering the layers of Phil, then you will be rewarded with a layered and deep experience.
Letter Grade: A-
8 stars (out of 10) and you can take that to the Bank(ofMarquis)
Debbiereadsbook (1202 KP) rated Smith's Corner: Hunter and Holden (The Heartwood Series #6) in Books
May 13, 2022
Long time coming, but these boys do not disappoint, no ma'am they do not!
Independent Reviewer for Archaeolibrarian - I Dig Good Books!
Book 6 in the Heartwood series, and Lord has it been a wait for these two!
Hunter is best friends to Faith (book 4, Faith and Fox) but he's been a constant in this group since the beginning. As has Holden. Hunter knows Holden is straight, but his heart wants Holden and his heart will wait Holden out. Because Holden starts to feel something for the annoying bigger man who laid claim to him, even if he doesn't want to. And then all of a sudden, Holden questions everything he ever knew about himself.
Long time coming, but these boys do not disappoint, no ma'am they do not!
We knew Hunter had a thing for Holden, waaaaaay back in book one, and there is some overlap here with the later books. So I'd suggest you read all the other books before this one, to get the full picture of these two and how everyone else can see what's going on, even if Holden can't quite get it. They are, however M/F books, and might not be your thing, but they are so good! Most of the other pairings are crash condensed in this one, though.
There is anger here, with Holden fighting how he feels, how Hunter makes him feels. The thing is though, Holden does not ever say NO to Hunter. He pushes him away, sure, and he fights himself so freaking hard, but not once, does he utter the words NO to Hunter.
There is so much love too. Hunter does love Holden, even if Holden rejects him at first and Hunter cannot be with anyone else. Coco, Holden's daughter, can see how Hunter makes Holden feel, once they actually decide to do this thing between them, and she is a real delight here, loving that Hunter knows he can't just take Holden, he gotta take Coco too.
There is smexy times: so much with the smexy times, even if we do have to wait for the main event! But I loved being made to wait, I really did, and the epilogue? Oh! I loved the epilogue, I really did. It shows just how much Hunter loved Holden, and how he would wait for Holden to be ready to fully consummate their relationship.
There is pain here, too. Mostly on Hunter's part. A part he hides from a lot of people, but Holden sees it in Hunter, when he least expects to, and Holden does not do tears!
I think what I especially liked here, is that all the angst comes BEFORE they get together, you know? Once they decide to be a couple, they are all in and I loved that.
Loved watching the other pairings from both Holden and Hunter's point of view.
Who is next? No idea since all the brothers are now spoken for. Dakota (from the clothes store) needs a story, and Monty (the chef in the bar) oh I wanna know why Monty is so angry with the world (for most of the time, but he does come good here for Holden!) But I don't really care who comes next, I will read it!
5 full and shiny stars! I honestly think the best was saved for last!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
Book 6 in the Heartwood series, and Lord has it been a wait for these two!
Hunter is best friends to Faith (book 4, Faith and Fox) but he's been a constant in this group since the beginning. As has Holden. Hunter knows Holden is straight, but his heart wants Holden and his heart will wait Holden out. Because Holden starts to feel something for the annoying bigger man who laid claim to him, even if he doesn't want to. And then all of a sudden, Holden questions everything he ever knew about himself.
Long time coming, but these boys do not disappoint, no ma'am they do not!
We knew Hunter had a thing for Holden, waaaaaay back in book one, and there is some overlap here with the later books. So I'd suggest you read all the other books before this one, to get the full picture of these two and how everyone else can see what's going on, even if Holden can't quite get it. They are, however M/F books, and might not be your thing, but they are so good! Most of the other pairings are crash condensed in this one, though.
There is anger here, with Holden fighting how he feels, how Hunter makes him feels. The thing is though, Holden does not ever say NO to Hunter. He pushes him away, sure, and he fights himself so freaking hard, but not once, does he utter the words NO to Hunter.
There is so much love too. Hunter does love Holden, even if Holden rejects him at first and Hunter cannot be with anyone else. Coco, Holden's daughter, can see how Hunter makes Holden feel, once they actually decide to do this thing between them, and she is a real delight here, loving that Hunter knows he can't just take Holden, he gotta take Coco too.
There is smexy times: so much with the smexy times, even if we do have to wait for the main event! But I loved being made to wait, I really did, and the epilogue? Oh! I loved the epilogue, I really did. It shows just how much Hunter loved Holden, and how he would wait for Holden to be ready to fully consummate their relationship.
There is pain here, too. Mostly on Hunter's part. A part he hides from a lot of people, but Holden sees it in Hunter, when he least expects to, and Holden does not do tears!
I think what I especially liked here, is that all the angst comes BEFORE they get together, you know? Once they decide to be a couple, they are all in and I loved that.
Loved watching the other pairings from both Holden and Hunter's point of view.
Who is next? No idea since all the brothers are now spoken for. Dakota (from the clothes store) needs a story, and Monty (the chef in the bar) oh I wanna know why Monty is so angry with the world (for most of the time, but he does come good here for Holden!) But I don't really care who comes next, I will read it!
5 full and shiny stars! I honestly think the best was saved for last!
** same worded review will appear elsewhere **
* A copy of this book was provided to me with no requirements for a review. I voluntarily read this book, and the comments here are my honest opinion. *
BankofMarquis (1832 KP) rated Casablanca (1942) in Movies
Feb 13, 2019
A classic in every sense of the word
"Of all the gin joints in all the towns, in all the world, she had to walk into mine."
If there was only 1 movie that could be shown to show off "classic", old time Hollywood of the 1930's, '40's and early '50s, look no further than Michael Curtiz' 1942 classic CASABLANCA. While well known for the performances of the leads, the multiple quoted lines, Sam singing AS TIME GOES BY and the iconic ending, this film also is a time capsule to a Hollywood of another year - one that just doesn't exist today.
Starring the great Humphrey Bogart in an Academy Award nominated performance (inexplicably, losing to Paul Lukas for WATCH ON THE RHINE), CASABLANCA tells the tale of Rick Blaine the owner/operator of "Rick's Place" a bar in Casablanca, Morocco in the early days of WWII. He is world-weary, beaten and cynical and is well known as someone who can get things done (for a price) but also one who will not stick his neck out for anyone. When a couple on the run from the Nazi's (Paul Henreid, Ingrid Bergman) enter's Rick's Place, Blaine (for reasons that are revealed in the film) decides to help.
"Here's looking at your kid."
Bogart is marvelous as Blaine, you can see every inch of his world-weariness on his well-worn, craggy face. He is perfectly cast as Rick and his mannerisms and vocal patterns depict a heaviness within. Bogart is often criticized for his lack of acting talent - nothing could be further from the truth here. He is perfectly paired with Bergman as Ilse - a former love of Rick's, who is now the wife of Freedom Fighter Victor Laszlo (Henreid). There is real chemistry between Bogart and Bergman in this film and you can tell that they are former lovers that still has a flame burning inside.
"We'll always have Paris."
But it's not just the leads who are terrific in this, it's the "who's who" of character actors that make up the Supporting Cast that really brings this film to life. From Peter Lorre to Sydney Greenstreet to Conrad Veidt to S.Z. Sakall to Dooley Wilson as Sam (who plays and sings AS TIME GOES BY), all bring interesting faces and characters to Casablanca (and Rick's Place) but the standout is Claude Rains (nominated for Best Supporting Actor - losing, inexplicably, to Charles Coburn in THE MORE THE MERRIER) as Louis, the corrupt Police Captain of Casablanca who becomes an uneasy ally of Rick's. Did I say that Bogart and Bergman had good chemistry? Check out the chemistry between Bogart and Rains, there was talk of a sequel to Casablance featuring these two - I, for one, would love to have seen that buddy flick.
Director Michael Curtiz won an Oscar for his work - and it is richly deserved. Nary a shot is wasted on this film, each picture a rich black and white portrait. It is interesting to note that this entire film was shot in California (not Casablanca), mostly on the Warner Brothers lot, but Curtiz was able to give the look and (more importantly) the feel of the place through the sets, costumes, lighting and atmosphere.
But it's the words that these characters got to say that really brought home the feel and atmosphere of the time, so credit needs to go to Screenwriters Julius and Phillip Epstein as well as Howard Koch who won Oscars for their work here. This is a masterful, classic work. One that stands up to this day. If you haven't seen this film in awhile, do yourself a favor and check it out - you'll be glad you did.
"Louie, I think this is the beginning of a beautiful friendship."
Letter Grade: A+
A rare 10 (out of 10) stars and you can take that to the Bank(ofMarquis)
If there was only 1 movie that could be shown to show off "classic", old time Hollywood of the 1930's, '40's and early '50s, look no further than Michael Curtiz' 1942 classic CASABLANCA. While well known for the performances of the leads, the multiple quoted lines, Sam singing AS TIME GOES BY and the iconic ending, this film also is a time capsule to a Hollywood of another year - one that just doesn't exist today.
Starring the great Humphrey Bogart in an Academy Award nominated performance (inexplicably, losing to Paul Lukas for WATCH ON THE RHINE), CASABLANCA tells the tale of Rick Blaine the owner/operator of "Rick's Place" a bar in Casablanca, Morocco in the early days of WWII. He is world-weary, beaten and cynical and is well known as someone who can get things done (for a price) but also one who will not stick his neck out for anyone. When a couple on the run from the Nazi's (Paul Henreid, Ingrid Bergman) enter's Rick's Place, Blaine (for reasons that are revealed in the film) decides to help.
"Here's looking at your kid."
Bogart is marvelous as Blaine, you can see every inch of his world-weariness on his well-worn, craggy face. He is perfectly cast as Rick and his mannerisms and vocal patterns depict a heaviness within. Bogart is often criticized for his lack of acting talent - nothing could be further from the truth here. He is perfectly paired with Bergman as Ilse - a former love of Rick's, who is now the wife of Freedom Fighter Victor Laszlo (Henreid). There is real chemistry between Bogart and Bergman in this film and you can tell that they are former lovers that still has a flame burning inside.
"We'll always have Paris."
But it's not just the leads who are terrific in this, it's the "who's who" of character actors that make up the Supporting Cast that really brings this film to life. From Peter Lorre to Sydney Greenstreet to Conrad Veidt to S.Z. Sakall to Dooley Wilson as Sam (who plays and sings AS TIME GOES BY), all bring interesting faces and characters to Casablanca (and Rick's Place) but the standout is Claude Rains (nominated for Best Supporting Actor - losing, inexplicably, to Charles Coburn in THE MORE THE MERRIER) as Louis, the corrupt Police Captain of Casablanca who becomes an uneasy ally of Rick's. Did I say that Bogart and Bergman had good chemistry? Check out the chemistry between Bogart and Rains, there was talk of a sequel to Casablance featuring these two - I, for one, would love to have seen that buddy flick.
Director Michael Curtiz won an Oscar for his work - and it is richly deserved. Nary a shot is wasted on this film, each picture a rich black and white portrait. It is interesting to note that this entire film was shot in California (not Casablanca), mostly on the Warner Brothers lot, but Curtiz was able to give the look and (more importantly) the feel of the place through the sets, costumes, lighting and atmosphere.
But it's the words that these characters got to say that really brought home the feel and atmosphere of the time, so credit needs to go to Screenwriters Julius and Phillip Epstein as well as Howard Koch who won Oscars for their work here. This is a masterful, classic work. One that stands up to this day. If you haven't seen this film in awhile, do yourself a favor and check it out - you'll be glad you did.
"Louie, I think this is the beginning of a beautiful friendship."
Letter Grade: A+
A rare 10 (out of 10) stars and you can take that to the Bank(ofMarquis)
Phillip McSween (751 KP) rated Avengers: Endgame (2019) in Movies
Apr 26, 2019 (Updated Apr 29, 2019)
Epic Indeed
Hours after viewing Avengers: Endgame, it’s taken me awhile to really get to the meat of what I wanted to say. The movie is bananas and heavy, both in a good way. It’s kind of like eating a really delicious meal, thinking you want more before deciding, “No, I think I’ve had the perfect amount actually.” The movie isn’t perfect, but damn if it isn’t an amazing spectacle. After The Snap, the Avengers set out to fix what went wrong by whatever means they can muster.
Acting: 10
From Robert Downey Jr. to Paul Rudd, each of these actors/actresses manage to fit into their roles just right as if it was a part made just for them. One might say, “Well, they’ve played the roles for x amount of years. They should be good at it by now.” But it isn’t just their roles but the maturation of those roles that really make an impact. While one might think it easy just to play the same character repeatedly, we neglect to take into account the growth that characters do/should endure and how it affects the characters overall. Side note: I just love how much of a bad ass Brie Larson is and I can’t wait to see what Marvel has in store for her next.
Beginning: 10
Not only does the beginning have a strong emotional setup, it turns the entire film on its head. What you expected to happen is actually not happening at all. And furthermore…I LOVE IT!
Characters: 10
Cinematography/Visuals: 10
Visuals are absolutely jaw-dropping in certain spots. The movie probably had some of the absolute best one-shots in film PERIOD. I can’t go into detail without giving anything away, but serious eye candy awaits, especially during the battles.
Conflict: 10
Whatever the film lacks in action more than makes up for things in Endgame’s grand finale. The battle reminded me of old kung fu films and Helm’s Deep all rolled into one. Outside of The Lord of the Rings Trilogy, I can’t remember a battle so epic in movies. If you don’t love it, you don’t love movies.
Genre: 10
Memorability: 10
My brain is running 100 miles an hour as I type this, thinking of all the different scenes and how everything tied so seamlessly together. Just masterful and wonderfully crafted. This movie will remain etched in your brain for a long time to come. Talk about setting a bar.
Pace: 10
With a three-hour runtime, this was honestly where I expected the film to trip up. Thing is, it doesn’t feel like three hours, not even in the slightest. I would’ve watched another hour if they had let me. There are so many stories to tell and so much going on that you’re at the end before you know it.
Plot: 10
I did have to put my thinking cap on in some spots, but all plot points tied in really nicely with no glaring holes I could see. It would be easy to make the storyline overly complex, but The Russo Brothers were firing on all cylinders with the execution of the story. It’s just complex enough to keep you engaged, but not to over-the-top where you lose interest.
Resolution: 10
Overall: 100
Eleven years of these great superheroes leading up to this moment. Was Avengers: Endgame worth the wait? You better freakin’ believe it. Go see this with all the confidence in the world that you will walk away with a smile on your face and perhaps a tear or two in your eye. And, when you go, you might see me there because I’m DEFINITELY watching this again in theaters. All three hours.
Acting: 10
From Robert Downey Jr. to Paul Rudd, each of these actors/actresses manage to fit into their roles just right as if it was a part made just for them. One might say, “Well, they’ve played the roles for x amount of years. They should be good at it by now.” But it isn’t just their roles but the maturation of those roles that really make an impact. While one might think it easy just to play the same character repeatedly, we neglect to take into account the growth that characters do/should endure and how it affects the characters overall. Side note: I just love how much of a bad ass Brie Larson is and I can’t wait to see what Marvel has in store for her next.
Beginning: 10
Not only does the beginning have a strong emotional setup, it turns the entire film on its head. What you expected to happen is actually not happening at all. And furthermore…I LOVE IT!
Characters: 10
Cinematography/Visuals: 10
Visuals are absolutely jaw-dropping in certain spots. The movie probably had some of the absolute best one-shots in film PERIOD. I can’t go into detail without giving anything away, but serious eye candy awaits, especially during the battles.
Conflict: 10
Whatever the film lacks in action more than makes up for things in Endgame’s grand finale. The battle reminded me of old kung fu films and Helm’s Deep all rolled into one. Outside of The Lord of the Rings Trilogy, I can’t remember a battle so epic in movies. If you don’t love it, you don’t love movies.
Genre: 10
Memorability: 10
My brain is running 100 miles an hour as I type this, thinking of all the different scenes and how everything tied so seamlessly together. Just masterful and wonderfully crafted. This movie will remain etched in your brain for a long time to come. Talk about setting a bar.
Pace: 10
With a three-hour runtime, this was honestly where I expected the film to trip up. Thing is, it doesn’t feel like three hours, not even in the slightest. I would’ve watched another hour if they had let me. There are so many stories to tell and so much going on that you’re at the end before you know it.
Plot: 10
I did have to put my thinking cap on in some spots, but all plot points tied in really nicely with no glaring holes I could see. It would be easy to make the storyline overly complex, but The Russo Brothers were firing on all cylinders with the execution of the story. It’s just complex enough to keep you engaged, but not to over-the-top where you lose interest.
Resolution: 10
Overall: 100
Eleven years of these great superheroes leading up to this moment. Was Avengers: Endgame worth the wait? You better freakin’ believe it. Go see this with all the confidence in the world that you will walk away with a smile on your face and perhaps a tear or two in your eye. And, when you go, you might see me there because I’m DEFINITELY watching this again in theaters. All three hours.
Ryan Hill (152 KP) rated Justice League (2017) in Movies
May 27, 2019
"They said the age of heroes would never come again."
As a huge fan of Zack Snyder's first two efforts inside the DCEU and Patty Jenkins wonderful Wonder Woman, my expectations for Justice League were pretty much through the roof. After the mediocre buzz that it got and all the stuff that happened behind the scenes, I was a little skeptical but still very excited, but after getting out of the theater, one word really just describes how I felt; disappointed.
One of the most wonderful things about the huge explosion of comic book movies has brought, to me personally, is being able to see the comics/cartoons that I grew up on, be brought to life on the big screen. The Justice League animated series was my one of my favorite shows as a kid and seeing seeing them come to screen brought joy to my eyes, and was something of a dream come true and that's the one major point I can give to the film as a whole.
My biggest disappointment in the film is actually Warner Brothers. They are a big bunch of idiots, to be honest. If they would've left Snyder to take his time and actually hired someone who Snyder wanted, the film would've been so much better. It's a sad fact when you can obviously tell which scenes were Snyder's and which were Whedon's. I actually loved every part of the film that you could tell was Zack's; it felt passionate and like it was coming from a fan. Whedon gave shitty one-liners and basically made me feel like I was watching a TV-movie.
A major component to why I actually liked the film was the action. It left me satisfied and I was rooting for them to just kickass and look cool doing it, because when you look at the classic "Justice League" stories, that's basically what it was. But even though the action was pretty stellar; I'm so mad at the fact of Steppenwolf looked so fake and like some of the worst CGI I've ever seen; so it mad the fights a little weak when it looks like the team is fighting a green screen. Also, the last 30-ish minutes kinda saved it for me. It was really "epic" and it felt really pure, I guess is the right word.
The cast. Oh my god the cast was so freaking good. Marvel Studios gets it right a lot of the time, but damn DC you won this one. Ezra Miller & Jason Momoa stood out like a sore thumb at how much better they were. They were so charismatic, yet intense, and altogether just right at place in their characters. Ben Affleck I'm so sorry that Whedon choose to mess you up. Affleck was stellar in BvS yet here, he felt dull and not the Batman I know he could be. Gal Gadot & Ray Fisher were both pretty good, but Gadot felt a little like she was but in the backseat, for sure reason. Henry Cavill though, he was kinda good? I couldn't really tell because half the time he looked like CGI, but I'm sure I'll get over it.
Even though there are some major problems I have with the film; Whedon, crappy CGI, and easily way too short for it too work, Zack Snyder's Justice League still works its way into my enjoyment field and I can see myself watching it further down the line. I definitely hope WB can release a longer, and more put together version, because what we got didn't live up to the hype I had for it.
One of the most wonderful things about the huge explosion of comic book movies has brought, to me personally, is being able to see the comics/cartoons that I grew up on, be brought to life on the big screen. The Justice League animated series was my one of my favorite shows as a kid and seeing seeing them come to screen brought joy to my eyes, and was something of a dream come true and that's the one major point I can give to the film as a whole.
My biggest disappointment in the film is actually Warner Brothers. They are a big bunch of idiots, to be honest. If they would've left Snyder to take his time and actually hired someone who Snyder wanted, the film would've been so much better. It's a sad fact when you can obviously tell which scenes were Snyder's and which were Whedon's. I actually loved every part of the film that you could tell was Zack's; it felt passionate and like it was coming from a fan. Whedon gave shitty one-liners and basically made me feel like I was watching a TV-movie.
A major component to why I actually liked the film was the action. It left me satisfied and I was rooting for them to just kickass and look cool doing it, because when you look at the classic "Justice League" stories, that's basically what it was. But even though the action was pretty stellar; I'm so mad at the fact of Steppenwolf looked so fake and like some of the worst CGI I've ever seen; so it mad the fights a little weak when it looks like the team is fighting a green screen. Also, the last 30-ish minutes kinda saved it for me. It was really "epic" and it felt really pure, I guess is the right word.
The cast. Oh my god the cast was so freaking good. Marvel Studios gets it right a lot of the time, but damn DC you won this one. Ezra Miller & Jason Momoa stood out like a sore thumb at how much better they were. They were so charismatic, yet intense, and altogether just right at place in their characters. Ben Affleck I'm so sorry that Whedon choose to mess you up. Affleck was stellar in BvS yet here, he felt dull and not the Batman I know he could be. Gal Gadot & Ray Fisher were both pretty good, but Gadot felt a little like she was but in the backseat, for sure reason. Henry Cavill though, he was kinda good? I couldn't really tell because half the time he looked like CGI, but I'm sure I'll get over it.
Even though there are some major problems I have with the film; Whedon, crappy CGI, and easily way too short for it too work, Zack Snyder's Justice League still works its way into my enjoyment field and I can see myself watching it further down the line. I definitely hope WB can release a longer, and more put together version, because what we got didn't live up to the hype I had for it.
Movie Metropolis (309 KP) rated Captain America: Civil War (2016) in Movies
Jun 10, 2019
Mini Avengers, Assemble
Is anyone else getting bored of superhero films? Nope? Just me then. We’re not even halfway through 2016 and there have been three of them. In February, there was Deadpool, a film that despite all the odds, turned out to be smashing – despite its generic finale.
Then, DC tried to compete with Marvel in March with Batman v Superman: Dawn of Justice. It was fine, if far too long and lacking in any real drama. Now, Marvel is back with Captain America: Civil War. But can it break the superhero tedium that has started to settle in?
Steve Rogers (Chris Evans) is back and he is not happy. The titular hero, and the rest of our beloved Avengers clan, are asked to sign up to a UN treaty, designed to reign in their unsupervised power after a dramatic and deadly battle against terrorists in Nigeria. It turns out the Avengers lost the PR war and countries across the globe want blood – well them to back off a little at least.
Most of the fan favourites return in Civil War, with Robert Downey Jr proving once again why he was cast as Tony Stark/Iron Man all those years ago. He is a commanding presence and brings to the table some of the best one-liners outside a fully-fledged Iron Man film.
Elsewhere, Scarlett Johansson (Black Widow), Jeremy Renner (Hawkeye), Elizabeth Olsen (Scarlet Witch) and Paul Bettany (Vision) all return and despite the increasing number of characters all make their presence felt throughout the course of the film – something Avengers: Age of Ultron failed to do.
However, the film belongs to the characters that join the film and the Marvel Universe. Paul Rudd’s Ant-Man makes a truly exceptional appearance and features in Civil War’s most memorable scene – a brilliantly choreographed battle between two sides in a deserted airport.
And, the long-awaited “homecoming” of Spider-Man to the MCU is thankfully worth the wait. He’s been teased in the trailers and I’m pleased to say his screen-time is far greater than anyone could have imagined. Young Tom Holland’s portrayal of Peter Parker may need some time to settle in, we have a Spider-Man reboot to look forward to in 2018, but he makes a cracking first impression.
So, with all those characters it’s fair to say that Civil War should be renamed “Mini Avengers Assemble” as there’s far more at stake here than a simple Captain America movie. Directors Joe and Anthony Russo have created the film that Age of Ultron should have been and it’s a slight disservice to their incredible work that the film isn’t labelled as a full Avengers feature, despite the lack of Thor and Hulk.
The action is beautifully filmed and the locations are fabulous. From Africa to America and from Germany to London, nearly every inch of the world is touched upon in some way – yet it doesn’t feel disjointed.
But what makes Civil War stand out from all the rest is its human side. This isn’t a superhero movie that ends in a climactic battle against a faceless army, it explores the human impact of our characters’ actions and the emotion radiates from its heart.
Yes, it’s 20 minutes too long but apart from that, I can’t think of a bad word to say. It has reinvigorated a genre that was starting to turn a little stale. Bringing together a set of characters that against all the odds gel together so well makes it feel as fresh as Iron Man did way back in 2008.
If this is the magic the Russo brothers can work at Marvel, Avengers: Infinity War should be something truly special indeed. X-Men: Apocalypse, you have your work cut out.
Oh, and wait right up until the end credits for something very special indeed.
https://moviemetropolis.net/2016/05/01/mini-avengers-assemble-captain-america-civil-war-review/
Then, DC tried to compete with Marvel in March with Batman v Superman: Dawn of Justice. It was fine, if far too long and lacking in any real drama. Now, Marvel is back with Captain America: Civil War. But can it break the superhero tedium that has started to settle in?
Steve Rogers (Chris Evans) is back and he is not happy. The titular hero, and the rest of our beloved Avengers clan, are asked to sign up to a UN treaty, designed to reign in their unsupervised power after a dramatic and deadly battle against terrorists in Nigeria. It turns out the Avengers lost the PR war and countries across the globe want blood – well them to back off a little at least.
Most of the fan favourites return in Civil War, with Robert Downey Jr proving once again why he was cast as Tony Stark/Iron Man all those years ago. He is a commanding presence and brings to the table some of the best one-liners outside a fully-fledged Iron Man film.
Elsewhere, Scarlett Johansson (Black Widow), Jeremy Renner (Hawkeye), Elizabeth Olsen (Scarlet Witch) and Paul Bettany (Vision) all return and despite the increasing number of characters all make their presence felt throughout the course of the film – something Avengers: Age of Ultron failed to do.
However, the film belongs to the characters that join the film and the Marvel Universe. Paul Rudd’s Ant-Man makes a truly exceptional appearance and features in Civil War’s most memorable scene – a brilliantly choreographed battle between two sides in a deserted airport.
And, the long-awaited “homecoming” of Spider-Man to the MCU is thankfully worth the wait. He’s been teased in the trailers and I’m pleased to say his screen-time is far greater than anyone could have imagined. Young Tom Holland’s portrayal of Peter Parker may need some time to settle in, we have a Spider-Man reboot to look forward to in 2018, but he makes a cracking first impression.
So, with all those characters it’s fair to say that Civil War should be renamed “Mini Avengers Assemble” as there’s far more at stake here than a simple Captain America movie. Directors Joe and Anthony Russo have created the film that Age of Ultron should have been and it’s a slight disservice to their incredible work that the film isn’t labelled as a full Avengers feature, despite the lack of Thor and Hulk.
The action is beautifully filmed and the locations are fabulous. From Africa to America and from Germany to London, nearly every inch of the world is touched upon in some way – yet it doesn’t feel disjointed.
But what makes Civil War stand out from all the rest is its human side. This isn’t a superhero movie that ends in a climactic battle against a faceless army, it explores the human impact of our characters’ actions and the emotion radiates from its heart.
Yes, it’s 20 minutes too long but apart from that, I can’t think of a bad word to say. It has reinvigorated a genre that was starting to turn a little stale. Bringing together a set of characters that against all the odds gel together so well makes it feel as fresh as Iron Man did way back in 2008.
If this is the magic the Russo brothers can work at Marvel, Avengers: Infinity War should be something truly special indeed. X-Men: Apocalypse, you have your work cut out.
Oh, and wait right up until the end credits for something very special indeed.
https://moviemetropolis.net/2016/05/01/mini-avengers-assemble-captain-america-civil-war-review/